"Is that why you slept with your analyst?" he finally blurted out. His face was knotted with rage. He felt like fainting but couldn't remember the proper way to fall.
"That was therapy," she said coldly. "According to Freud, sex is the royal road to the unconscious."
"Freud said
dreams
are the road to the unconscious."
"Sex, dreams—you're going to nit-pick?"
"Goodbye, Harriet."
It was no use.
Rien a dire, rien a faire.
Weinstein left and walked over to Union Square. Suddenly hot tears burst forth, as if from a broken dam. Hot, salty tears pent up for ages rushed out in an unabashed wave of emotion. The problem was, they were coming out of his ears. Look at this, he thought; I can't even cry properly. He dabbed his ear with Kleenex and went home.
The
following are excerpts from the soon-to-be-published memoirs of Flo Guinness. Certainly the most colorful of all speakeasy owners during Prohibition, Big Flo, as her friends called her (many enemies called her that, too, mostly for convenience), emerges in these taped interviews as a woman with a lusty appetite for living, as well as a disappointed artist who had to give up her lifetime ambition to become a classical violinist, when she realized it would mean studying the violin. Here, for the first time, Big Flo speaks for herself.
Originally
I
danced at the Jewel Club in Chicago, for Ned Small. Ned was a shrewd businessman who made all his money by what we would now call "stealing." Of course, in those days it was quite different. Yes, sir, Ned had great charm—the kind you don't see today. He was famous for breaking both your legs if you disagreed with him. And he could do it, too, boys. He broke
more
legs! I'd
say fifteen or sixteen a week was his average. But Ned was sweet on me, maybe 'cause I always told him straight to his face what I thought of him. "Ned," I told him over dinner once, "you're a mealymouth grifter with the morals of an alley cat." He laughed, but later that night I saw him looking up "mealymouth" in a dictionary. Anyhow, like I said, I danced at Ned Small's Jewel Club. I was his best dancer, boys—a
dancer-actress.
The other girls just hoofed, but I danced a little story. Like Venus emerging from her bath, only on Broadway and Forty-second Street, and she goes night-clubbing and dances till dawn and then has a massive coronary and loses control of the facial muscles on her left side. Sad stuff, boys. Thaf s why I got respect.
One day, Ned Small calls me into his office and says, "Flo." (He always called me Flo, except when he got real mad at me. Then he'd call me Albert Schneiderman—I never knew why. Let's say the heart has strange ways.) So Ned says, "Flo, I want you to marry me." Well, you could've knocked me over with a feather. I started crying like a baby. "I mean it, Flo," he said. "I love you very deeply. It's not easy for me to say these things, but I want you to be the mother of my children. And if you don't I'll break both your legs." Two days later, to the minute, Ned Small and I tied the knot. Three days later, Ned was machine-gunned to death by the mob for spilling raisins on Al Capone's hat.
After that, of course, I was rich. First thing I did was buy my mother and father that farm they'd always talked about. They claimed they had never talked about a farm and actually wanted a car and some furs, but they gave it a try. Liked the rural life, too, although Dad got struck by lightning in the north forty and for six years afterward when asked his name could only say the word "Kleenex." As for me, three months later I was broke. Bad investments. I backed a whaling expedition in Cincinnati, on the advice of friends.
I danced for Big Ed Wheeler, who made bootleg hooch that was so strong it could only be sipped through a gas mask. Ed paid me three hundred dollars a week to do ten shows, which in those days was big money. Hell, with tips I made more than President Hoover. And he had to do twelve shows. I went on at nine and eleven, and Hoover went on at ten and two. Hoover was a good President, but he was always sitting in his dressing room humming. It drove me crazy. Then one day the owner of the Apex Club saw my act and offered me five hundred dollars a week to dance there. I put it squarely to Big Ed: "Ed, I got an offer of five hundred bucks from Bill Hallorhan's Apex Club."
"Flo," he said, "if you can get five hundred a week, I won't stand in your way." We shook hands and I went to tell Bill Hallorhan the good news, but several of Big Ed's friends had gotten there first and when I saw Bill Hallorhan his physical condition had undergone a change and he was now only a high-pitched voice that came from inside a cigar box. He said he had decided to get out of show business, leave Chicago, and settle down somewhere closer to the equator. I went on dancing for Big Ed Wheeler till the Capone mob bought him out. I say, "bought him out," boys, but the truth of it was Scarface Al offered him a tidy sum but Wheeler said no. Later that day, he was having lunch at the Rib and Chop House when his head burst into flames. No one knew why.
I bought the Three Deuces with money I'd saved, and in no time it was the hot spot in town. They all came— Babe Ruth, Jack Dempsey, Jolson, Man o' War. Man o' War was there every night. My God, how that horse could drink! I remember once Babe Ruth had this crush on a showgirl named Kelly Swain. He was so crazy about her he couldn't keep his mind on baseball and twice greased his body, thinking he was a famous channel swimmer.
"Flo," he said to me, "I'm nuts about this redhead, Kelly Swain. But she hates sports. I lied and told her I give a course on Wittgenstein, but I think she suspects something."
"Can you live without her, Babe," I asked him.
"No, Flo. And it's affecting my concentration. Yesterday, I got four hits and stole two bases, but this is January and there are no games scheduled. I did it in my hotel room. Can you help me?"
I promised him I'd speak to Kelly, and the next day I stopped by the Golden Abattoir, where she was dancing. I said, "Kelly, the Bambino is nuts about you. He knows you like culture and he says if you date him he'll give up baseball and join the Martha Graham troupe."
Kelly looked me squarely in the eye and said, "Tell that palooka I didn't come all the way from Chippewa Falls to wind up with some overstuffed right fielder. I got big plans." Two years later, she married Lord Osgood Wellington Turtle and became Lady Turtle. Her husband gave up an ambassadorship to play shortstop for the Tigers. Jumpin' Joe Turtle. He holds the record for most times beaned in the first inning.
Gambling? Boys, I was present when Nick the Greek got his name. There was a small-time gambler named Jake the Greek, and Nick called me and said, "Flo, I'd like to be The Greek." And I said, "I'm sorry, Nick, you're not Greek. And under New York State gambling laws it's forbidden." And he said, "I know, Flo, but my parents always wanted me to be called The Greek. You think you could arrange a lunch meeting with Jake?" I said, "Sure, but if he knows what it's for he won't show." And Nick said, "Try, Flo. It would mean a lot to me."
So the two met at the Grill Room of Monty's Steak House, which did not allow women but I could go there because Monty was a great friend of mine and didn't
regard me as either male or female but, in his own words, "undefined protoplasm." We ordered the specialty of the house, ribs, which Monty had a way of preparing so they tasted like human fingers. Finally, Nick said, "Jake, I'd like to be called The Greek." And Jake turned pale and said, "Look, Nick, if thaf s what you got me here for—" Well, boys, it got ugly. The two squared off. Then Nick said, "I'll tell you what I'll do. I'll cut you. High card gets to be called The Greek."
"But what if I win?" Jake said. "I'm
already
called The Greek."
"If you win, Jake, you can go through the phone book and pick any name you like. My compliments." "No kidding?" "Flo's the witness."
Well, you could feel the tension in that room. A deck of cards was brought out and they cut. Nick cut a queen, and Jake's hand was shaking. Then Jake cut an ace! Everybody let out a cheer, and Jake went through the phone book and selected the name Grover Lembeck. Everybody was happy, and from that day on women were allowed into Monty's, provided they could read hieroglyphics.
I remember once there was a big musical review at the Winter Garden,
Star-Spangled Vermin.
Jolson was the lead, but he quit because they wanted him to sing a song called "Kasha for Two," and he hated it. It had the line in it "Love is all, like a horse in a stall." Anyway, eventually it was sung by a young unknown named Felix Brompton, who was later arrested in a hotel room with a one-inch cardboard cutout of Helen Morgan. It was in all the papers. Well, Jolson come into the Three Deuces one night with Eddie Cantor, and he says to me, "Flo, I hear George Raft did his tap dance here last week." And I said, "George has never been here." And he said, "If you let him do his tap dance, I'd like to sing." And I said, "Al, he was never
here." And Al said, "Did he have any accompaniment on piano?" And I said, "Al, if you sing one note I'll personally throw you out." And with that Jolie got down on one knee and started on "Toot-Toot Tootsie." While he was singing, I sold the place, and by the time he was finished it was the Wing Ho Hand Laundry. Jolson never got over that or forgave me for it. On the way out, he tripped over a pile of shirts.
How many of you have ever wondered where certain slang expressions come from? Like "She's the cat's pajamas," or to "take it on the lam." Neither have I. And yet for those who are interested in this sort of thing I have provided a brief guide to a few of the more interesting origins.
Unfortunately, time did not permit consulting any of the established works on the subject, and I was forced to either obtain the information from friends or fill in certain gaps by using my own common sense.
Take, for instance, the expression "to eat humble pie." During the reign of Louis the Fat, the culinary arts flourished in France to a degree unequaled anywhere. So obese was the French monarch that he had to be lowered onto the throne with a winch and packed into the seat itself with a large spatula. A typical dinner (according to DeRochet) consisted of a thin crepe appetizer, some parsley, an ox, and custard. Food became the court obsession,
and no other subject could be discussed under penalty of death. Members of a decadent aristocracy consumed incredible meals and even dressed as foods. DeRochet tells us that M. Monsant showed up at the coronation as a weiner, and Etienne Tisserant received papal dispensation to wed his favorite codfish. Desserts grew more and more elaborate and pies grew larger and larger until the minister of justice suffocated trying to eat a seven-foot "Jumbo Pie."
Jumbo
pie soon became
jumble
pie and "to eat a jumble pie" referred to any kind of humiliating act. When the Spanish seamen heard the word
jumble,
they pronounced it "humble," although many preferred to say nothing and simply grin.
Now, while "humble pie" goes back to the French, "take it on the lam" is English in origin. Years ago, in England, "lamming" was a game played with dice and a large tube of ointment. Each player in turn threw dice and then skipped around the room until he hemorrhaged. If a person threw seven or under he would say the word "quintz" and proceed to twirl in a frenzy. If he threw over seven, he was forced to give every player a portion of his feathers and was given a good "lamming." Three "lam-mings" and a player was "kwirled" or declared a moral bankrupt. Gradually any game with feathers was called "lamming" and feathers became "lams." To "take it on the lam" meant to put on feathers and later, to escape, although the transition is unclear.
Incidentally, if two of the players disagreed on the rules, we might say they "got into a beef." This term goes back to the Renaissance when a man would court a woman by stroking the side of her head with a slab of meat. If she pulled away, it meant she was spoken for. If, however, she assisted by clamping the meat to her face and pushing it all over her head, it meant she would marry him. The meat was kept by the bride's parents and worn as a hat on special occasions. If, however, the husband took another lover,
the wife could dissolve the marriage by running with the meat to the town square and yelling, "With thine own beef, I do reject thee. Aroo! Aroo!" If a couple "took to the beef" or "had a beef" it meant they were quarreling.
Another marital custom gives us that eloquent and colorful expression of disdain, "to look down one's nose." In Persia it was considered a mark of great beauty for a woman to have a long nose. In fact, the longer the nose, the more desirable the female, up to a certain point. Then it became funny. When a man proposed to a beautiful woman he awaited her decision on bended knee as she "looked down her nose at him." If her nostrils twitched, he was accepted, but if she sharpened her nose with pumice and began pecking him on the neck and shoulders, it meant she loved another.
Now, we all know when someone is very dressed up, we say he looks "spiffy." The term owes its origin to Sir Oswald Spiffy, perhaps the most renowned fop of Victorian England. Heir to treacle millions, Spiffy squandered his money on clothes. It was said that at one time he owned enough handkerchiefs for all the men, women and children in Asia to blow their noses for seven years without stopping. Spiffy's sartorial innovations were legend, and he was the first man ever to wear gloves on his head. Because of extra-sensitive skin, Spiffy's underwear had to be made of the finest Nova Scotia salmon, carefully sliced by one particular tailor. His libertine attitudes involved him in several notorious scandals, and he eventually sued the government over the right to wear earmuffs while fondling a dwarf. In the end, Spiffy died a broken man in Chichester, his total wardrobe reduced to kneepads and a sombrero.
Looking "spiffy," then, is quite a compliment, and one who does is liable to be dressed "to beat the band," a turn-of-the-century expression that originated from the custom of attacking with clubs any symphony orchestra whose