Word & Void 02 - A Knight of the Word (14 page)

She always knew the right thing to say. He had been in love with her from the beginning, and his feelings had just grown stronger over time. He sat watching her now as she gave their order to the waiter, a young man with long sideburns and a Vandyke beard, holding his attention with her eyes, with her voice, with her very presence. The waiter wouldn’t look away if a bomb went off, Ross thought. When he left with the order, the wine steward, who had been by earlier, reappeared with the bottle of Pinot Grigio Stef had ordered. He poured it for Ross to taste, but Ross indicated Stef was in charge. She tasted it, nodded, and the wine steward filled their glasses and disappeared.

They sat close within the dim circle of candlelight and stared at each other without speaking. Silently Ross hoisted his glass. She responded in kind, they clinked crystal softly, and drank.

“Is this some sort of special occasion?” he asked finally. “Did I forget an important date?”

“You did,” she advised solemnly.

“And you won’t tell me what it is, will you?”

“As a matter of fact, I will. But only because I don’t want to see how long it takes you to remember.” She cocked her head slightly in his direction. “It was one year ago today, exactly, that Simon Lawrence hired you to work at Fresh Start.”

“You’re kidding.”

“I don’t kid. Josh, yes. Tease, now and then. Never kid.” She took a sip of her wine and licked her lips. “Cause for celebration, don’t you think? Who would have thought you would end up writing speeches for the Wizard of Oz?”

Ross shook his head. “Who would have thought I would have ended up living with Glinda the Good?”

Stef arched her eyebrows in mock horror. “Glinda the Good? Wasn’t she a witch?”

“A good witch. That’s why she was called Glinda the Good.”

Stef gave him a considering look. “John, I love you deeply, madly, truly. But don’t call me Glinda the Good. Don’t call me anything that smacks of the Wizard of Oz or the Emerald City or Munchkins or Dorothy or the yellow brick road. I get quite enough of that at work. Our life is separate and distinct from all this Wiz business.”

He leaned back, looking hurt. “But it’s the date of my hiring. Isn’t the analogy appropriate under those circumstances?”

The waiter returned with their salads, and they began to eat. The sounds of the main dining room seemed distant and disconnected from their little haven. Ross thought about all the years he had dreaded night’s coming and sleep, plagued by the knowledge that when he slept he was condemned to dream of the future he must prevent and of the horror he must live if he failed. Once, he had thought he would never escape that life, and that even if he did, its memories would haunt him forever. Stefanie had saved him from that, helped him find his way free of the labyrinth of his past, and brought him back into the light of possibility and hope.

“Have you finished your polish of the Wiz’s speech?” she asked. “Hmm, good salad. I like the bits of walnuts and blue cheese.”

“It’s all done,” he replied with a sigh. “Another masterpiece. Simon will be quoted for weeks afterward.” He grinned. “I shall live vicariously through him, his words my own.”

“Yes, well, I don’t know how much of this vicarious-living business you want to indulge in,” she mused, lifting her wineglass and studying it speculatively. “He seemed pretty on edge after Andrew Wren’s visit.”

Ross looked up from his salad. “Really? What was that all about anyway, did you ever find out?”

She shook her head. “But it’s never good news for a public figure when an investigative reporter comes calling.”

“No, I suppose not.”

“Jenny told me Simon asked for the books cataloguing donations and expenditures to be brought up for Wren to look at. What does that suggest to you?”

“Financial impropriety.” Ross shrugged. “Wren will hunt a long time before he’ll find evidence of that. Simon’s a fanatic about keeping clean books. He can account for every penny received or spent.”

He went back to eating his salad. Stef continued to study her wineglass, finally taking a sip from it. “I just don’t like the way Simon is behaving,” she said finally. “He isn’t himself lately. Something is bothering him.”

Ross finished chewing, kept his eyes lowered, then forced himself to look up at her and smile. “Something is bothering almost everyone, Stef. The thing to remember is, mostly we have to work these things out by ourselves.”

John Ross dreams. It is the same dream, the only dream he has anymore that he can remember upon waking. It is a dream of the future he was sworn to prevent as a Knight of the Word, and each time it reoccurs it is a little darker than it was before
.

This time is no exception
.

He stands on a hillside south of Seattle, watching as the city burns. Hordes of once-men and demons pour through gaps in the shattered defenses and drive the defenders steadily back toward the water that hems them in on all sides but his. Feeders cavort through the carnage and drink in the terror and frenzy and rage of the dying and wounded. It is a nightmarish scene, the whole of the scorched and burning landscape awash in rain and mist, darkened by clouds and gloom, wrapped in a madness that finds voice in the screams and cries of the humans it consumes
.

But the feelings that fill Ross are unfamiliar ones. They are not of frustration or anger, not of despair or sadness, as they have been each time before. His feelings now are dull and empty, devoid of anything but irritation and a faint boredom. He stands with a group of the city’s survivors, but he has no regard for them either. Rather, he is a shell, armored and invulnerable, but emotionless. He has no idea how he became this way, but it is a transcending experience to realize it has happened. He is no longer a Knight of the Word; he is something else entirely
.
The humans he stands with are not a part of him. They do not meet his gaze as he looks over at them speculatively. They cower in his presence and huddle submissively before him. They are frightened of him. They are terrified
.

Then the old man approaches and whispers that he knows him, that he remembers him from years earlier. His hollow-eyed gaze is vacant, and his voice is flat and toneless. He looks and, speaks as if he is disconnected from his body. He repeats the familiar words. You were there, in the Emerald City! You killed the Wizard of Oz! It was Halloween night, and you were wearing a mask of death! They were celebrating his life, and you killed him!

He shoves the old man away roughly. The old man collapses in a heap and begins to sob. He lies helpless in the dirt and rainwater, his ragged clothes and beard matted with mud, his frail body shaking
.

Ross looks away. He knows the words the old man speaks are true, but he does not care. He has walled away all guilt long since, and killing no longer means anything to him
.

He realizes in that moment that he is no longer part of the humans clustered at his feet. He has shed his humanity; he has left it behind him in a past he can barely remember
.

Suddenly, he understands why the humans look at him as they do
.

He is the enemy who has come to destroy them
.

Ross and Stef walked slowly back along First Avenue after leaving Umberto’s, arms linked, shoulders hunched against the cold. The air was still hazy and damp and the sky still gray, but there was no rain yet. The street lamps of Pioneer Square blazed above them, casting their shadows on the sidewalk as they passed, dark human patterns lengthening and then fading with each bright new circle.

The dream had come again last night, for the first time in several weeks, and Ross was still wrestling with its implications. In this latest version of the future, Simon Lawrence was still dead, and Ross was still his killer. But now Ross was one of the bad guys, no longer a Knight of the Word, no longer even a passive observer as he had been every time the dream came to him before. He was some sort of demon clone, a creature of the Void and only barely recognizable as having ever been human.

He frowned into the upturned collar of his coat. It was ridiculous, ludicrous to think that any of this could ever come to pass.

So why was he having this dream?

Why was he being plagued with visions of a future he would never let happen?

“The state legislature is going to pass a bill before the end of the week that will cut back on state funding for welfare recipients to match what the federal government has already done in cutting back its funding to the state.” Stef’s voice was soft and detached in the gloom. “Maybe that’s what has got Simon so upset.”

“Well, by all means, let’s put more people back on the streets.” Ross shook his head, thinking of other things.

“Welfare encourages people not to work, John. You know that. You hear it all the time. Cutting off their aid will force them to get out there and get a job.”

“Good thing it’s all so simple. We can just ignore the culture of poverty. We can just pretend that poor people are just rich people without money. We can tell ourselves that educational, social, and cultural opportunities are the same for everyone. We can ignore the statistics on domestic violence and teen pregnancy and rate of exposure to crime and disease and family stability. Cut off welfare and put ’em to work. I don’t know why anyone didn’t think of it before. We can have everyone off the street and working by the end of the month, I bet.”

“Yep. Then we can tackle a cure for cancer and get that out of the way, too.” She snuggled her face into his shoulder, her dark hair spilling over him like silk.

“I liked our dinner,” he ventured, trying to take the edge off his frustration.

She nodded into his coat. “Good. I liked it, too.”

They rounded the corner of Main at Elliott Bay Book Company and started for home. Occidental Park sprawled ahead of them, empty of life, watched over by the wooden totems, spectral sentinels in the gloom. The homeless had moved on to warmer spots for the night, abandoning their daytime haunt. Some would find a bed in one of the shelters. Some would make their bed on the streets. Some would wake up in the morning. Some would not.

“There are just not enough of us,” Ross said quietly.

She lifted her head to look at him. “Not enough of who?”

“Not of who. Of what. I misspoke. Not enough shelters for the homeless. Not enough schools for displaced children. Not enough food banks. Not enough care facilities. Not enough churches working with the needy. Not enough charities. Not enough programs or funding or answers. Not enough of anything.”

She nodded. “There’s a lot of competition for people’s money and time, John. The choices aren’t always easy.”

“Maybe it would be easier if people remembered there’s a lot of competition for their souls, as well.”

She stared hard at him for a moment. “Then everyone should be able to figure out what to do, shouldn’t they?”

They crossed Main to Waterfall Park, peering into the blackness where the sound of rushing water welled up and reverberated off the brick walls. Amid the cluster of rocks and trees and garden tables, shadows shifted with barely perceptible movements. Ross thought he caught a glimpse of lantern eyes peering out at him. He didn’t see the feeders much anymore—only brief glimpses. It bothered him sometimes that he couldn’t see them better. He had wanted to remove himself from their world, and it didn’t help knowing they were there and not being able to see them.

It reminded him of something Owain Glyndwr had asked of him.

Do you think you can ever be as you were?

He found himself thinking of the dream again, of the way he had appeared in it, of the way it made him feel. He might not ever be as he was, but at least he could keep himself from being like that He could manage that much, couldn’t he?

He stared into the shadows in silence, Stefanie clinging to his arm, and dared the things that lurked within to come into the light. It seemed to him as he did so that he could feel them daring him, in turn, to come into the dark.

Chapter 10

E
ven though its hunger had become all-consuming, the demon waited until after midnight to hunt.

It crept from its lair as silent as the death that awaited its victims and slipped out onto the empty streets of Pioneer Square. The weeknight city had closed its eyes early, and even the bars and restaurants had shuttered their doors and clicked off their lights. The air was damp and heavy with mist and the beginnings of a fresh rain, and the moisture glistened on the concrete in a satiny sheen. Cars eased past in ones and twos, carrying their occupants to home and bed, strays following in the wake of the early evening rush. The demon watched from the shadows close by Occidental Park, wary of being seen. But the park and sidewalks and streets were empty and still. The demon was alone.

It crept from its hiding place in human form, standing upright, maintaining its guise as it made its way to the place where the hunt would begin. It wore running shoes and sweats to mask the sound of its passing, keeping to the shadows as much as possible, sliding along the walls of the darkened buildings, across the shadowed stretches of the park, and through the blackened tunnels of the alleys and walkways. The homeless who spent their days in the park had all gone elsewhere, and the Indian totems loomed above the empty stone spaces like hunters in search of prey, eyes fearsome and staring, beaks and talons at the ready.

But the demon’s hunt was not for food. Its hunger was of a different sort. Its hunger was more primal and less easily understood. The demon hunted because it needed to kill. It hunted to feel the struggles of its victims as it rent their flesh, cracked their bones, and spilled their blood. It hunted to experience that exquisite moment of fulfillment when its efforts claimed another human life—that last shudder of consciousness, that final exhalation of breath, that concluding gasp as death arrived. The demon’s need for killing humans was indigenous to its makeup. It had been human itself once, long ago, and to continue to be what it was, it was necessary for it to keep killing its human self over and over again. It accomplished this through the killing of others. Its own humanity was drowned completely in the madness that drove it, but it was necessary that it pretend at being human so that it could move freely among its victims, and there was danger in this. Killing kept the pretense from ever threatening to become even a momentary reality.

Other books

Wildcard by Cheyenne McCray
The Flower Arrangement by Ella Griffin
Witch for Hire by Conneely, N. E.
Still Waters by Crews, Misha
Flame Winds by Norvell W. Page
The Silver Eagle by Ben Kane
Seven Daze by Charlie Wade
Death in the Sun by Adam Creed