He drove on, dreaming. The VW, like a tired beast of burden at the end of the day, wended its way home. They were on the outskirts of Midsomer Worthy when Brian, in the midst of assuring Kenneth Branagh that no, he had not made a mistake in tackling his first Lear so young and that together they would not only crack it but triumph, was recalled to the present by the sight of a small crowd gathered round the notice board in the middle of the Green.
Debarred by a couple of inconsiderate motorists from parking outside Trevelyan Villas, Brian fetched up almost parallel to the little gathering, got out of his car and noticed that quite a large proportion of it was staring in his direction. Intrigued, he looked carefully both ways and started to cross the shiny wet tarmac to see what the matter was.
As he did so Gerald’s murder came into his mind. It had been days since he had given it so much as a thought and he only did so now because it occurred to him that something relative to the case might have been pinned up on the notice board. A ‘Have You Seen This Man’ notice for instance. Or an identikit poster of someone the police would like to interview.
The crowd parted biblically as Brian drew near. Some people turned away, others distanced themselves. One man leered and winked and Brian, puzzled, stared back. The board was covered with photographs of himself and Edie. They were all in transparent plastic covers to protect them from the elements and firmly secured by drawing pins. Though Edie’s face was not visible the rest of her more than made up for it. Brian had been granted no such anonymity.
He stared at this lubricious display, resting a hand on the edge of the board to support himself. There was a roaring in his ears and he felt weirdly disoriented, as if on the verge of going under an anaesthetic.
The leering man said, ‘Are you OK, mate?’
Brian did not hear. Slowly he tried to remove the pictures, but his fingers, large and thick with cold, could get no purchase on the drawing pins. He attempted to prise one out with his thumb but only succeeded in bending the nail savagely backwards, causing great pain. Eventually he just tore the things off, leaving shreds of plastic and triangular paper corners behind. He scrunched the photographs up, stuffed them into his pocket, turned and walked straight out into the road, which was fortunately empty. Then he made his way blindly towards the house, unaware that the bundle of villagers was following.
The gate seemed stuck. Brian pushed hard and noticed something behind it, blocking the way. It was his typewriter. He squeezed through the gap and bent down to pick it up. The latest episode from
Slangwhang
was still in there, sticking damply to the roller.
Now Brian could see all sorts of other things strewn over the straight and narrow path leading to the front door. Tapes, books, clothes. Records in bright sleeves. His silver cup for elocution. Ties, shoes. Oliver, his Gonk.
He moved slowly up the path, still carrying his Smith Corona. He picked his way carefully, but still managed at one point to tread hard on the bright, sweetly smiling faces of the Nolan Sisters. Rain began to fall.
He put the machine down on the step and searched for his key. It would not fit the Yale lock, which he now noticed was unusually bright and shiny. He moved sideways across the garden, muddying his trainers and trouser turn-ups, to tap on the sitting-room window.
Sue, her hair tied back with a velvet ribbon, was sitting at a table, painting. The oil lamp had been lit and her profile, serenely engrossed, was clearly outlined against a soft, golden haze.
Brian rapped again. The rain was coming down in earnest. His audience, standing around on the pavement, turned its collective coat collar up. One woman shook open a transparent plastic hood and covered her hair.
Sue dabbled her brush in a jar of clear water and wiped it on a cloth. Then she got up in a calm, unhurried way and left the room. Brian ran back to the front door. There was a soft little click as the letter box was lifted and an envelope fell on to the mat outside the door.
He snatched it up and, sheltering as best he could under the narrow lintel, tore it open. The message inside was brief. In future his wife would be communicating with him only through her solicitor, whose address and telephone number were enclosed. For the next few days at least Amanda would be staying with her grandparents.
Brian splashed his way back to the window and rapped for a third time. But Sue, staring fixedly well above his head, was already drawing the curtains.
‘How do you feel?’
‘OK.’
‘Are you sure?’
‘Yes.’
‘You’re shaking.’
‘Only outside.’
‘Can I get you something?’
‘I’m all right, Amy, honestly.’
Sue turned away from the shrouded window. Amy got up from the old rexine pouffe which had been pushed into one of the alcoves. She had been tucked away there since the first enquiring scrape of Brian’s key at the brand-new keyhole.
Realising her hands were still clenched, Amy slowly opened them and stretched her fingers. Then she looked concernedly across the room to where Sue was standing very upright, holding her shoulders rigidly, like a soldier on parade.
‘Do you think he’ll try the back door?’
‘Perhaps. It’s bolted.’ Sue’s voice was husky, as if she had a cold.
‘Windows?’
‘Locked.’ She made a strange sound which could have been a cough or the beginnings of an exclamation. ‘Don’t worry. He can’t get in.’
‘I’m not worried.’ That wasn’t quite the case, though it would be true to say Amy was certainly a lot less worried than she had been when Sue had rung up nearly an hour ago and demanded that she come straight round. Honoria had answered the telephone and had been so taken aback by the urgent and uncompromising manner in which Sue had spoken that she had done little more than pass the message on. Amy had left immediately.
Arriving at her friend’s she had found Sue in the front garden throwing shirts and pyjamas all over the place. Then she had gone back inside and Amy had followed, skipping and jumping over an assortment of garments.
‘What on earth’s the matter?’ she had cried as soon as the door was closed. ‘What’s happened?’
Sue was panting slightly. She held out her arms, as if to prove to her own satisfaction they were really empty, then said, ‘All gone.’
‘What are all those things doing outside?’ Amy tried to take Sue’s hand but it was snatched away. ‘Please, Sue - tell me.’
‘Had the locks changed. A man came from Lacey Green.’ Sue stared around with stern purposefulness as if she were taking an inventory. Amy did so too. It seemed to her that several things were missing, although she could not have quite said what they were.
‘Of course it will be temporary. My solicitor told me. Things will have to be sorted. But I’m entitled, he said. And why not? Earned it, I’ve earned it. They’ll be at his mother’s. Staying. See how she likes it. Jumping. Feet on cushions. Cartoons. Thump thump thump thump thump thump. Thinks they’re angels. Do no wrong. See how she likes it. See how she—’
‘Sue!’ Amy gripped Sue’s shoulders. ‘You sent for me. And I’m here.’
‘
Amy
. . .’
‘It’s all right.’ She kissed Sue’s icy cheek and felt a muscle twitch and jump. Sue eased herself out of Amy’s arms in an indifferent way, as if resigned to the impossibility of comfort. Amy said again, very gently, ‘Tell me.’
Sue told her. Amy listened, her bottom jaw hanging in disbelief, eyes round as saucers.
‘On the village notice board?’
‘Yes.’
‘But . . . who put them there?’
‘God knows. I saw them on my way to play group.’
‘Where are they now?’
‘I told you.’ Sue sounded slightly impatient. ‘On the notice board.’
‘What . . . still?’
‘Yes.’
‘You left them there?’
‘Yes.’
‘
All day?
’
‘Yes.’
‘Ahhh . . .’ Amy covered her mouth to check she was not sure what. A squeal of excited disbelief. A cry of horror. A whoop of satisfaction. Imminent laughter.
As they stared at each other, the frozen surface of Sue’s face started to loosen, crumple, then fall into soft weary folds. She surrendered to a storm of tears. Amy guided her to the sofa, where they both sat down.
‘Angry . . .’ wept Sue. ‘So angry.’
‘I should just think you are.’
‘Years of all that . . .’
‘There, there.’
‘Non-stop sneering.’
‘I know.’
‘How stupid I am. Not pretty, not sexy. Can’t cook, can’t drive. My painting’s rubbish. I’m a rotten mother—’
‘You’re a wonderful mother.’
‘And all the time . . . all the time . . .’
Amy waited until Sue became less distraught, then passed over a large silk handkerchief which had belonged to Ralph.
‘Have a good blow.’
Sue trumpeted softly and dried the veil of moisture that had completely covered her face.
‘Sorry.’
‘Don’t say that.’ Amy reached out and retrieved the ball of wrinkled sog. ‘It’s good to cry.’
As Amy put the handkerchief away and watched Sue become more composed she wondered what would happen next. Had Sue asked her round merely for sympathy and moral support? Or to assist in some specific plan? Whatever it was was fine by Amy. Now that the first ripple of amazement on hearing of the notice board’s farcical and outrageous montage was fading she became aware of her own anger, burning fiercely on Sue’s behalf.
‘Is there anything you want me to do?’
‘Just wait with me until he comes.’
‘Of course I will.’ Amy imagined Brian’s fury should he happen upon this latest news bulletin before arriving home. Always sanctimonious, his ability to instantly rewrite anything that showed him to a disadvantage would surely be strained here to the absolute utmost. And when habitual self-deceivers were forced to face the truth about themselves the consequences could be extremely dangerous. And not just for wild ducks in the attic.
‘Do you think you might weaken and let him in? Is that why you want me to stay?’
‘No.’ Sue spoke from the kitchen, where she was filling her painting jam jar with water. She came back and put it on the table before lighting the lamp. ‘I just want someone here.’
‘Is he violent?’
‘Only inside.’
It was Amy who saw Brian, earlier than expected, getting out of his car and trudging across the Green. By then Sue had finished setting the scene of quiet, creative solitude that her husband observed through the sitting-room window.
Amy held her breath when Sue responded to his urgent rapping by slowly rising, picking up an envelope, leaving the room and, on her return, slowly drawing the curtains.
Amy could not help noticing that, though Sue did this in a calm, controlled way, her head was tilted back at quite a sharp angle. Amy guessed that this was because Sue was afraid to look at Brian, but she was wrong. The truth was that Sue made this avoidance not out of fear but from the certain knowledge that if, even once, she had stared directly into her husband’s eyes she would not be able to stop her fist crashing straight through the glass and into his stupid face.
After a dietetically correct lunch Barnaby returned to the incident room. Although it was barely three o’clock several members of the outdoor team were clocking back in, though Sergeant Troy was not among them. He had been detailed to harass Brian Clapton further, on the principle that the devil a suspect knew was more likely to slip past his defences than a devil he didn’t. Especially if that first devil was already able to scare the shit out of him.
Barnaby was on the point of going over the statement Amy Lyddiard had made in his office for the third time. His previous reading had reactivated that earlier irritating niggle that there was something buried in there that did not quite add up but had not revealed precisely what it was.
He wondered if she had contradicted a remark made earlier, on the morning the murder investigation had begun. That interview would be under ‘Lyddiard, H’, for it was Honoria who had spoken at such domineering and bombastic length. Amy’s contribution, as Barnaby remembered it, had been fragmentary to say the least.
Leaving his own screen, he applied himself to the nearest vacant keyboard and began his search. As he tapped away he was momentarily distracted by thoughts of his
bête noir
, who had elected at the morning’s post-briefing sort-out to revisit Gresham House. To Barnaby’s deep chagrin the malicious impulse which had prompted him to encourage Meredith to pursue the matter of Honoria’s fingerprints the other day had sharply backfired. The man had returned with the news that, although Miss Lyddiard would, under no circumstances, visit the station, she would be prepared, provided he himself was present at the procedure, to co-operate in this matter at her home.
Barnaby screwed his eyes up against the green dazzle. He recalled Honoria’s responses as completely negative and, as he ran through them, it seemed that he was right. Amy had asked a single tremulous question and offered one contribution and that domestic.
‘I made us a drink, cocoa actually—’
At which point she had been rudely cut short by her sister-in-law. Barnaby saw no significance in this. The interruptive mode of speech was natural to Honoria and he felt it hardly likely that a description of cocoa-making would reveal anything of moment.
The chief inspector slid his mouse about, scrolled back, then highlighted the context of Amy’s remark, starting with his own question to Honoria.
B: Did you retire straight away?
H: Yes. I had a headache. The visitor was allowed to smoke. A disgusting habit. He wouldn’t have done it here.
B: And you, Mrs Lyddiard?
A: Not quite straight away. First I—
Barnaby pushed his chair back in such a hurry it crashed into the desk behind and the policewoman sitting there jumped, staring at him in surprise. Mumbling an apology, he got back to his own machine and quickly found what he was looking for. It was right at the beginning. He had asked Amy if they had gone directly home from Plover’s Rest after the meeting and she had replied: