You Are Dead (14 page)

“There's something else—I need your opinion.”

“Yes?”

Three members of his team filed past them, nodding at Grace respectfully, and one of them patted Norman on the shoulder. When they were gone, Potting said, “It's about my prostate cancer. I have to make some decisions—now—you know—now that keeping my winky action's not so important any more. I've got all the options from the medics—I'd appreciate the chance to sit down with you and go through them—I don't have anyone else I can talk to whose opinion I would respect.”

“Do you want to do it next week, sometime after the funeral, Norman? Or is it more urgent?”

“Next week would be fine, Roy, thank you.”

Tears welled in Potting's eyes, and he walked on, hastily.

Grace stood for some moments, watching him with deep sadness. God, people got dealt shitty hands at times. Norman Potting's private life had been a never-ending disaster. He had been through three—or was it four—failed marriages, but just recently had finally found what really seemed to be true love. Only to have it snatched away. And on top of that the poor sod had recently been diagnosed with cancer.

And that cancer was really worrying Grace now. He'd read that trauma could seriously affect people's immune systems. He had heard of several people who had suffered severe traumas in their lives and who, a short while after, had developed aggressive cancers. He hoped so much that Bella's death wouldn't do the same to Norman. Quite apart from the fact that he was a very fine detective, over the years he had known him he had developed a soft spot for the man.

He switched his mind back to the immediate and seriously pressing task of finding Logan Somerville. As he walked along the corridor toward the conference room of the Major Crime suite, following Potting, he glanced at one of the flow charts that were pinned on the row of red noticeboards lining the walls. The charts were there to serve as a reminder to Senior Investigating Officers, and their team members, of the procedures and protocols of major crime investigations.

Most of the time everyone strode past them, barely noticing them. But, every now and then, Grace liked to stop and reread them. It was all too easy to get complacent and that's when you made mistakes. He stared up now at the “Murder Investigation Model” with all its flow charts. Then up at the “Fast Track Menu.” He was looking for one that related to mispers. He didn't find a specific one but cast his eye down “Standard Analytics”:

1. Victim Association

2. Sequence of events

3. Timelines on suspects

4. Case comparison

He stopped at that, and thought hard for some moments.
Case Comparison.
Then he read on.

5. Mapping

6. Scene assessment

7. House-to-house

When he had finished the entire list, he made his way through to the conference room. He had decided to hold the briefing here, partly to contain the large number of team members he had assembled, and partly not to disturb Glenn Branson and his team. Although he had a feeling—which he could not explain or rationalize at the moment—that the two inquiries might not be as disconnected as the three-decade span between them suggested.

Most of the twenty-five members of his team were already seated around the large rectangular table when he entered the conference room. Several whiteboards, brought along from MIR-1, were up on easels. On one were two photographs of Logan Somerville, one just of her, the other with her fiancé, on a beach.

There were also two CSI photographs of a very dark footprint. The first was of the whole print, the second a close-up showing a distinctive zigzag tread pattern.

On another board was an association chart, with representative male and female figures, labeled
Logan Somerville
and
Jamie Ball
. On the third was a timeline chart.

Grace took his place at the far end of the table, with his back to a row of blue screens bearing the Sussex Police crest, nodded at several of his regular members and welcomed the latest member of his team, a stocky forty-five-year-old DS with whom he had worked before, Kevin Taylor, who had just served a two-year stint away from Major Crime on Professional Standards.

He stared down at the notes his Management Support Assistant, Tish Hannington, had prepared. He waited until 6:30 p.m., when the rest of the team had arrived and seated themselves, then he began. “This is the second briefing of Operation Haywain, the investigation into the disappearance of Logan Somerville. According to her fiancé—or as we have subsequently learned, her former fiancé, Jamie Ball—Logan has been missing since around 5:30 p.m. yesterday evening. It is still too early to conclude that she has been abducted—although the evidence points that way. Ball may be an unreliable witness. Both her best friend and her mother have informed us that although Logan broke off their engagement, as we've seen ourselves from her Facebook post, Ball was reluctant to accept this. Whatever the truth, we have grave concerns for her safety, and I am unhappy that over twenty-four hours have now elapsed without any word from her. It is unlikely that she has been kidnapped—her family aren't well off and I would have expected to have received a ransom note or some demand or communication by now. So abduction, quite possibly sexually motivated, is the most likely scenario.”

He paused and sipped his coffee. “I want to make one observation at this point, which may or may not have any relevance. Logan Somerville is twenty-four years old. As you can see from her photographs, she has long brown hair. Two weeks ago another young woman in West Sussex, Emma Johnson, a regular misper, disappeared again. She is twenty-one years old, and the reason I am mentioning her is that she is of similar age and appearance, with an almost identical hairstyle. This may not take us anywhere, but there is an historic pattern of women being abducted who have similar looks. The victims of American serial rapist and killer Ted Bundy, who was executed in 1989, all looked similar, with identical hairstyles. I was at the post-mortem of the victim found at Hove Lagoon last night, and it seems she also had long brown hair. I'm not jumping to any conclusions here, but I want a search done. Start with Sussex and then the southeast for outstanding mispers with a similar appearance, age and hairstyle to Logan Somerville. Begin with the last twelve months, and then back five years.”

He turned to the researcher, Annalise Vineer. “I'm giving you that as an action, Annalise.”

It was a huge task. “Yes, sir.”

Then he turned to DS Batchelor. “Guy, Glenn Branson is the SIO on the case of the skeletal remains of a young woman found at Hove Lagoon yesterday. I want you to liaise with Glenn and see if we can eliminate this woman from any connection with our current inquiry.”

“What makes you think there might be a connection, boss?”

“Little more than a hunch at the moment, Guy. It would be helpful if you could report back on her identity as soon as it is known.” Then he turned to Potting, mindful of the man's current mental state, but wanting to give him a task he could get his teeth into and his head around as a distraction from his current woes. “Norman, I want you as an action to get me full details on every reported female misper, once Annalise has given you the names. Start with those in the age group sixteen to forty-five.”

Suddenly the
James Bond
theme played. Norman Potting dug a hand into his pocket and pulled out the phone. He gave Grace an apologetic nod, stood up and stepped away. Moments later he returned. “Sorry about that, guv. The undertaker—about the music for Monday.”

There was a respectful silence. Then Potting sat back down, seemingly consumed by his inner thoughts.

Grace waited several moments, as Potting settled, before moving on to DC Jane Wellings, who had been allocated the CCTV work. “Have you come up with any more on the Volvo from CCTV and ANPR, Jane?”

“We're still analyzing the footage to see if we can find a match for that time and area.”

The Crime Scene Manager, John Morgan, then pointed at the two photographs of footprints on the whiteboard. “The two images are the same footprint, one showing it in entirety, the other showing the detail of the tread pattern. I've sent copies to the National Footwear Reference Collection, who should be able to give us the manufacturer.”

“And size?” asked DS Exton.

“We might get that from the manufacturer,” Roy Grace replied. “That zigzag pattern—there's probably a different number of them on each shoe sole, according to the size.”

“Are you going to bring in the forensic gait analyst again?” DS Batchelor asked. “Haydn Kelly?”

Grace nodded. “I've e-mailed the pictures to Kelly to ask him if he thinks he can get anything from the footprint.”

“Do we have enough to question this Jamie Ball character again, boss?” DS Jon Exton asked.

“We do. And I'm still not happy with him. But I'm not convinced he's the offender. The initial search of Logan's social networking sites hasn't taken us any further. His alibi is that he was driving down the M23, close to Gatwick Airport, when Logan phoned him. We know from the phone company's records that a call to her fiancé's number was made from Logan's phone, and it was made in the vicinity of their apartment building. We also know that Ball's phone was answered in the geographic location where he claims to have been. But we cannot be sure at this point that it was Logan Somerville who made the call—we only have Ball's word on that. And we only have his word that it was he who answered it and spoke to her.” As he looked around the faces of his inquiry team, he felt a sudden deep pang of sadness at the absence of DS Bella Moy. And the absence of the familiar rattle of the box of Maltesers that always sat in front of her, and that she ate constantly.

“You're speculating that Ball may have orchestrated this whole thing?” Guy Batchelor asked. “That whoever took Logan Somerville made the call—let's for a moment say it was Jamie Ball—and it was an accomplice who answered at the other end, driving Ball's car down the exact route Ball would have driven home from work himself?”

“It's one hypothesis,” Grace said. “It's most unlikely but still needs to be checked out. I'm going to speak to one of our source handlers to see if there is any word out on the street about Ball. People who are jilted can get very angry. Let's see if he's been out shopping around for a hitman. Ideally, we want to eliminate him from the inquiry if he is not involved.”

The youngest member of the team, DC Jack Alexander, raised a hand. “Sir, what about getting a warrant and searching the couple's flat again? If we found a shoe with a matching tread pattern, that would put Jamie Ball at the scene, wouldn't it?”

Grace smiled back at him. He'd made similarly naive deductions in his early days. “Not quite sure what that would tell us, Jack, since he lives there.”

There was a titter of laughter, and the young Detective Constable's face turned the color of beetroot. But he persevered, and said, “Yes, but it would still be interesting if we find one of Ball's shoes in the flat had made the fresh mark in the sludge.”

Grace nodded. “Well recovered, Jack—and also to make sure it doesn't belong to any of our officers!”

DS Tanja Cale, a glamorous new addition to his regulars, who had been brought in to temporarily replace Bella Moy, raised her hand. Cale had been tasked with running the outside inquiry team. “Sir,” she said, “we have something that may be of interest. A PCSO tipped us off that an elderly lady in Chesham Avenue—five houses along from the entrance to the Chesham Gate underground car park—has a police CCTV camera installed, looking down at the street. She's been having trouble with kids in the area—I gather she shouted at them a few months ago for throwing litter in the street. Since then they've been making her life a misery by daubing her car with graffiti, as well as on one occasion leaving a dead cat in her front garden with a threatening note attached.”

“Was the camera on last night?”

“Yes,” she said. “It's aimed low, principally at her little front garden and the pavement beyond. But it picked up the bottom half of a car just after 5:30 p.m. yesterday, traveling at high speed. The image is in black and white, so we're not able to get the color, but it's a dark color and two Traffic officers have identified it as an old model Volvo estate, about ten years old.”

“Any view of the license plate?”

“No,” she said, “unfortunately not.”

Grace felt a beat of excitement at this development, confirmation of a car seen leaving at speed. “Good work. OK, I'm giving you an action—get a list of every Volvo estate between five and fifteen years old that's owned by a Brighton resident. And see what similar cars CCTV might have picked up in the Brighton area an hour either side of this time.”

“Yes, sir,” she said.

During the course of the next twenty minutes, Grace ran through the lines of inquiry. When he had finished it was 7:05 p.m. Just over twenty-five hours since Logan had disappeared.

Statistics would have her already dead by now. But for Grace, that thought wasn't an option. He had to believe she was still alive, and he had to find her while she still was alive. Quite apart from his own determination, he had pressure from the ACC, and from the Police and Crime Commissioner, Nicola Roigard. And soon, after the impending retirement of the Chief Constable, Tom Martinson, which was an open secret, he would be having a new Chief putting pressure on him, as well.

Not to mention all the people with vested interests in this city, such as the head of Visit Brighton, the tourist board, who would be wanting a quick and conclusive result—and not to see this beautiful seaside resort yet again splashed across the national newspapers and television screens for another grim crime. They wanted Logan Somerville back, at all costs.