Authors: Joel Cobbs
“
D
o
yo
u
th
i
n
k
th
i
s
is
w
h
a
t
'
s
be
st
f
o
r
y
o
u
,
R
ob
e
r
t
?
”
th
e
nu
r
se
a
s
ke
d.
I
p
a
u
s
e
d.
“
No,
”
I
s
a
id.
“
No
t
r
e
a
l
l
y
.
T
h
e
y
th
i
n
k
l
o
c
k
i
n
g
me
u
p
in
a
p
lace
l
i
k
e
th
is
is
th
e
r
i
gh
t
th
i
n
g
t
o
d
o
,
s
u
r
e
.
B
u
t
I
d
on
'
t
th
i
n
k
th
i
s
is
th
e
r
i
gh
t
th
i
n
g
t
o
do
t
o
m
e
.
I
th
i
n
k
I
nee
d
s
o
m
eth
i
n
g
m
o
r
e
.
Pu
t
t
i
n
g me
he
re
t
o
f
o
r
g
e
t
a
bou
t
me
is
n
't
i
t.
”
“
No,
”
La
nt
y
s
a
id.
“
Y
ou
'
r
e
i
n
he
r
e
c
a
u
se
yo
u
nee
d
he
l
p.
” “
He
l
p
?
He
lp
f
o
r
w
h
a
t
?
H
e
lp
w
i
t
h
w
h
a
t
?
W
h
at
is
it
I
nee
d
he
lp
wi
t
h
?”
Ev
e
r
y
on
e
w
as
q
u
i
et
.
I
a
d
m
i
t
,
I
p
r
ob
a
b
ly
pu
s
he
d
it
a
l
i
tt
le
a
n
d
w
as
m
o
r
e
a
g
g
r
e
s
s
i
v
e
th
an
I
shou
ld'
v
e
been
.
B
u
t
I
w
a
nte
d
t
o
kno
w.
I
nee
d
e
d
t
o
kno
w.
“A
nyon
e
c
a
r
e
t
o
a
n
sw
e
r
R
ob
e
r
t
?
”
“Y
ou
're
a
ng
r
y,
”
T
o
n
y
s
a
i
d
i
n
a
c
a
lm,
c
oo
l
vo
ic
e
.
H
e
w
a
s s
t
a
r
i
n
g i
nt
o
s
p
ac
e
.
I
w
a
sn
't
s
u
r
e
i
f
h
e
w
a
s
r
e
ally
l
ook
i
n
g
at
m
e
,
o
r
j
u
st
i
ma
g
i
n
i
n
g
s
o
m
e
th
i
n
g
way
o
ff
i
n
th
e
d
is
t
a
n
c
e
.
I
t
s
en
t
c
h
i
l
ls
d
o
wn
my
sp
i
ne
.
“Y
ou
'
r
e
a
n
g
r
y
at
w
h
at
h
a
ppene
d
t
o
yo
u
.
Y
ou
'
r
e
a
n
g
r
y
is
w
h
at it
i
s.
Th
e
r
e
al
q
ue
s
t
i
o
n
is
,
”
h
e
s
a
id
as
h
e
s
l
o
wly
t
u
r
ne
d
to
wa
r
ds
m
e
.
H
i
s
pup
ils
w
e
r
e
he
a
v
i
ly
d
i
la
te
d, ma
k
i
n
g
h
i
s
e
ye
s
a
ppe
ar
b
l
a
c
k
.
“
W
hat
a
re
you
a
n
g
ry
a
b
o
u
t
?”
I
s
t
i
l
l
h
a
v
e
n
o
id
e
a
ho
w
h
e
w
as
a
b
le
t
o
s
e
e
so
m
u
ch
a
n
d
s
t
i
ll
b
e
in
so
m
u
ch
p
ai
n
.
H
e
'd
s
ee
n
r
i
gh
t
th
r
oug
h me
a
n
d
i
nt
o
a
p
a
r
t
o
f me
I
'd
n
e
v
e
r
b
e
e
n
a
b
le
t
o
fi
n
d.
I
th
o
ugh
t
a
bou
t
w
h
at
w
as
s
a
id
a
n
d
t
r
i
e
d
t
o
m
ov
e
p
a
s
s
e
d
i
t
.
B
u
t
I
c
o
u
ld
n
'
t
.
I
w
as
s
t
ill
in
a
gon
y
o
v
e
r
w
h
at
he
'd
s
aid.
M
a
yb
e
it
w
a
s
t
r
ue
.
M
a
yb
e
no
t
.
B
u
t
m
a
yb
e
s
o
.