You Know Me Well (19 page)

Read You Know Me Well Online

Authors: David Levithan

I told them they didn’t have to come with me, that they could abandon their third wheel and he would be fine.

“No way,” Katie said. “We’re a tricycle, and a tricycle goes nowhere without all three wheels.”

Now both of them are studying me, seeing me trying to avoid the fact that Ryan doesn’t look up the minute I walk into a room. Like there’s any reason he would, when he has Taylor right there.

“Go say hi,” Violet prods. “Stake your claim.”

But before I can do that, Quinn sashays over. He’s wearing a pink tuxedo with a pink carnation in the lapel.

Very subtle,
I hear Ryan whisper in my head.

“Be still, my gay, gay heart,” Quinn purrs, “but it seems like the traffic’s gotten hella Sapphic. Katiegirl, have you brought the woman of your dreams to our shindig this evening?”

Katie blushes. And once she realizes she’s blushing, she blushes even more.

“Enchanté,”
Violet says, offering her hand. Rather than shake it, Quinn lifts it to his lips.

“Enchanté!”
he echoes.

I look back over at Ryan, and, yes, he’s watching us now. When he sees he’s caught my eye, he waves. Taylor notices the gesture, then looks over to me, too. He joins Ryan in waving.

“Go on,” Katie says.

It can’t be more than fifteen feet, but the time it takes for me to get to them is immeasurably awkward. And it’s even more awkward when I get there and Taylor stands up to greet me.

“At last!” he says as he wraps me in a hug. Then, when he pulls out of it, he adds, “I mean, usually I get to meet a guy
before
I see him in his skivvies, but I guess in your case, I’ll make an exception.”

“I’m so glad you’re here,” Ryan says, also standing, but not giving me a hug. He introduces me to Taylor’s friends, and I miss all of their names. They offer to make space for me at their table, but I indicate the lesbians I came in with and say I should probably sit with them.

“Good man,” Taylor says.

I am trying very hard not to hate you, but you’re not making it easy, I don’t say in response.

Quinn has made his way to the mic and is telling everyone the slam is about to begin.

“Anyone who wants to sign up should do so right away. We only have six poets on the list so far. Listen, people—don’t make me go to free swim, because you
know
this lifeguard will drag people
into
the water.”

“I dare you to put your name on there,” I say to Ryan.

He smirks. “Oh, Belated Barnaby, I already have.”

People are taking their seats. I see Lehna skulk in and sit at a table in the back with June and Uma. Violet tries to signal them to come over, but Lehna shakes her head.

I wish Ryan good luck, then walk back.

“How’d that go?” Katie asks when I sit down.

“What am I doing here?” I reply.

I am not a poet. I am a baseball player whose heart is being broken by a poet. There’s a difference.

Quinn calls the slam to order. “As you all know, this event is a fund-raiser for The Angel Project, which helps queer youth here in San Francisco, most of them from the streets or from really horrible home conditions. Our first poet, Greer, currently lives in The Angel Project’s youth residence. I think it’s fitting that we should start with them.”

Greer steps to the mic, wearing a red-and-white polka-dot bow tie and a nervous-but-determined expression.

“Thanks, Quinn. As he said, my name is Greer. I was kicked out of my house because my parents couldn’t deal with me being genderqueer. This was in California, only about two hours from here. Like so many other people, I decided to come to San Francisco, because it’s supposedly the most tolerant place in the world. I quickly found out that tolerance doesn’t necessarily translate into a job and a place to live. Things got very desperate, until I found The Angel Project. They gave me support and helped me figure things out. So I’d like to dedicate this one to them.”

The audience has grown still, respectful. Katie reaches for Violet’s hand. Then, seeing me notice, she takes my hand, too.

Greer doesn’t have any paper in front of them. It’s all from memory.

When I was little I loved to paint—

the brush was a plastic wand

with a punk-rock haircut at its tip,

while the colors sat like candies in their tray.

If you wanted orange, you’d introduce red to yellow.

If you wanted green, yellow would have an affair with blue.

Like any kid who isn’t encouraged to question,

I had been taught the meaning of colors—

blue and pink, most of all.

We all knew which one princesses wore.

We all knew why I was given so many princesses to paint.

But one day I wondered what would happen

if I mixed the pink and the blue.

One day I reached down to the level of curiosity,

having no idea that it was standing on the shoulders of truth.

I thought blue and pink would make the most spectacular color—

I took my wand and gathered the blue, laying it on the absorbent page

of a coloring book bought to keep me quiet in a Walmart.

Then, without washing the wand clean, I dipped into the pink.

This, I was sure, would be the secret to all beauty.

What happened was mud,

dirty sidewalk,

murk.

I had failed.

I pulled away from my curiosity, and the truth underneath.

I trusted other people to teach me the meaning of colors,

and they taught me the wrong things.

It took a long time for the truth to rise up,

and for me to rise up to meet it.

I took out my old paints and I mixed those colors again.

I got the same result, but this time I saw it a different way.

Blue and pink make mud, make dirt, make rock.

I am mud, I am dirt, I am rock.

I am nature, a force of nature.

I am the color that remains when everything else is washed away.

I am the color of the ground you walk on, the ground that keeps you

from falling. I am elemental, essential,

and that has as much color as any rainbow.

Tell them that. When children ask you, tell them that.

Even though it’s a small room, the applause is big. Greer sits back at their table to hugs and high-fives from their friends. Then Quinn gets up and announces that the next poet is going to be … Taylor.

Don’t react,
I tell myself.
Don’t check, but assume that Ryan is looking at you.

Which is silly, because when I do check, Ryan is watching Taylor take the stage.

“That was amazing, Greer,” Taylor says when he gets there. “And I can only second what you have to say about The Angel Project. As many of you know, I volunteer there now. But much more important is what they did for me three long, quick years ago. I think it’s safe to say that if it weren’t for The Angel Project, I wouldn’t be here now. I don’t mean in this room—I mean on this planet. So it’s completely inappropriate for me to say thank you with a poem that has nothing to do with that. I’d tell you its title, but you can probably figure it out.”

I look at Ryan and he’s not surprised. He knows all this about Taylor already. They’ve already gone there.

With a jokingly theatrical bow, Taylor reads his poem.

Queen,

understand

everything

exists

reactively.

Please

remember

I

don’t

erase

quietly.

Urge,

excite,

embolden,

roar.

Passivity

relinquishes

ideas,

denies

equality.

Quick—

unearth

each

eager

revolution

pulsing

rhythmically

inside.

Desire,

emerge.

There’s some applause. I figure Taylor will leave, but instead he says, “Since that was a short one, and since I end it with desire emerging, I’d like to close with a sex poem. With apologies to e. e. cummings—which is, incidentally, my porn name. Here we go, sailors! I wrote this one last night.”

what a trip

to slip-dip-drip

nestle

mortar-pestle

after

startle-tickle-

wrestle

bedhead beauty

you astonish me

to a

dense-sense

rapture capture

be the holder

of this beholder

bolder

bolder

we rearrange the universe

(bolder)

with our bodies

Taylor finishes with a smile and gets hoots of appreciation in return, as well as more applause. Ryan is applauding with everyone else, but he also looks a little bashful—he wants Taylor to see him applauding, but he doesn’t want anyone else to be looking at him or assuming anything from what Taylor’s just read. But who does he think he’s fooling? When Taylor gets back to the table, he gives Ryan this gigantic confirmation of a kiss, right there in front of everyone else.

“So not necessary,” Katie grumbles, and I love her for it.

“Get a room zoom bloom for your skanky hanky-panky!” Quinn shouts out. Taylor actually looks embarrassed now and settles down in his chair, leaving Ryan’s mouth alone. His friends lean in to congratulate him. Ryan looks anywhere but at me.

Quinn continues. “The time has come for my own contribution. Some of you may have heard it before—I guess it’s what I’m most compelled to share. Each time I come back to it, a few words change. Maybe one day I’ll get it to say everything I’m trying to tell. It’s called ‘The Beat.’”

What happens next is hard to describe. Quinn opens his mouth and it’s a different voice that comes out. Raw. Defiant. He’s not playing now. He’s testifying.

No son of mine, Lord.

No son of mine!

Beat beat beat

You try to beat it out of me

Belt it out of me

Heartless heart

Beat beating

You think you can bruise me

Out of being

Bruise it out of me

When you belt it beat it

Try to break it—

Break the thing you cannot break

Because I carry it so deep inside

No beat of yours no belt of yours

Will ever come close.

You try to beat it out of me

Belt it out of me

Belt me into buckling

Beat me into heartstopping

Stophurting

Trying so hard

You say you’ll kill me to save me

Kill the me inside of me

Beat it belt it but it

Just won’t budge.

Not for you.

I know

You can’t stay in this room forever

I know

We can’t stay in this room forever

You beat me belt me to get to me

But you’ll never get to me

Not the me me heartbeat me.

I am saving it.

I am saving it for tonight

I am saving it for you right there

And you over there.

I am saving it for

Every you with a me deep inside.

Now that I’ve left that room

Out into the world as big

As a billion rooms

I have saved me

Yes, I have saved me

Constructed of words and hurt

And the glass self I’ve protected

All this time

To get to this one of a billion rooms

This room tonight.

Beat beat beat

I have found my own beat

My own pitter-patter

My own sis-boom-bah!

Beat beat beat

I belt it out

Song sung strong

Stung song

Tongue song

Back from being

Bitten back

Some songs sung

Beg to be carried home.

This song sings

To be carried far and wide.

Beat beat beat—

The sound it brings

Is the sound of wings.

When he’s done, there is the briefest of silences. Then: noise. Hands beating together. Voices meeting together. Someone gets to their feet. We all get to our feet. Katie is crying next to me. Quinn in front of us is not crying. He is not smiling, either. He is taking a deep breath, letting it out.

I don’t even know how to ask the question I want to ask. “Where did that come from?” is what I say to Katie, and it sounds stupid, inadequate.

“It was awful,” Katie tells me. “Freshman year. He had to go to his mom and tell her she either had to kick his father out or he would leave himself. His mother chose Quinn. But it was really touch-and-go.”

“I had no idea,” I say.

“He wanted school to be normal. It was the only normal he had.”

I look over to Ryan—did he know? But I can tell from his expression that he didn’t, either. He catches my eye, and we don’t need to say a word to have the whole conversation. About how oblivious we were. About how there was so much more to Quinn than we ever gave him credit for.

“Okay, people,
enough,
” Quinn says now. “You’re only making it harder for our next poet—Ryan Ignatius.”

Ryan looks like he wants to pass. Or pass out. Or both. But his whole table is cheering, and Taylor is giving him an encouraging squeeze.
There’s no going back now,
I can imagine him thinking. As he picks up some pages from his table and heads to the mic, my secondhand nervousness is about as strong as a firsthand dose. I cheer loudly for him, hoping he can hear my voice, and that it will help.

“Hi,” he says when he gets to the mic. “I’m Ryan, and this is my first time.”

“You’re doing great!” someone from Greer’s table shouts.

Ryan’s hands are shaking as he unfolds his poem. And they remain shaking as he starts to read. I can’t tell whether the first line he reads is the title or the real first line.

I’m not ready.

I’m not ready

to walk three steps ahead of where I am.

I’m not ready

to be paired,

                         declared,

                                                   bared

to be certain

of what lies behind the curtain.

I’m not ready

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