Zen and the Art of Motorcycle Maintenance (49 page)

I put my jacket around him. His head is buried again between his knees and he cries now, but it is a low-pitched human wail, not the strange cry of before. My hands are wet and I feel that my forehead is wet too.

After a while he wails, ``Why did you leave us?''

When?

``At the hospital!''

There was no choice. The police prevented it.

``Wouldn't they let you out?''

No.

``Well then, why wouldn't you open the door?''

What door?

``The glass door!''

A kind of slow electric shock passes through me. What glass door is he talking about?

``Don't you remember?'' he says. ``We were standing on one side and you were on the other side and Mom was crying.''

I've never told him about that dream. How could he know about that? Oh, no

We're in another dream. That's why my voice sounds so strange.

I couldn't open that door. They told me not to open it. I had to do everything they said.

``I thought you didn't want to see us,'' Chris says. He looks down.

The looks of terror in his eyes all these years.

Now I see the door. It is in a hospital.

This is the last time I will see them. I am Phædrus, that is who I am, and they are going to destroy me for speaking the Truth.

It has all come together.

Chris cries softly now. Cries and cries and cries. The wind from the ocean blows through the tall stems of grass all around us and the fog begins to lift.

``Don't cry, Chris. Crying is just for children.''

After a long time I give him a rag to wipe his face with. We gather up our stuff and pack it on the motorcycle. Now the fog suddenly lifts and I see the sun on his face makes his expression open in a way I've never seen it before. He puts on his helmet, tightens the strap, then looks up.

``Were you really insane?''

Why should he ask that?

No!

Astonishment hits. But Chris's eyes sparkle.

``I knew it,'' he says.

Then he climbs on the cycle and we are off.

32

As we ride now through coastal manzanita and waxen- leafed shrubs, Chris's expression comes to mind. ``I knew it,'' he said.

The cycle swings into each curve effortlessly, banking so that our weight is always down through the machine no matter what its angle is with the ground. The way is full of flowers and surprise views, tight turns one after another so that the whole world rolls and pirouettes and rises and falls away.

``I knew it,'' he said. It comes back now as one of those little facts tugging at the end of a line, saying it's not as small as I think it is. It's been in his mind for a long time. Years. All the problems he's given become more understandable. ``I knew it,'' he said.

He must have heard something long ago, and in his childish misunderstanding gotten it all mixed up. That's what Phædrus always said...I always said...years ago, and Chris must have believed it, and kept it hidden inside ever since.

We're related to each other in ways we never fully understand, maybe hardly understand at all. He was always the real reason for coming out of the hospital. To have let him grow up alone would have been really wrong. In the dream too he was the one who was always trying to open the door.

I haven't been carrying him at all. He's been carrying me!

``I knew it,'' he said. It keeps tugging on the line, saying my big problem may not be as big as I think it is, because the answer is right in front of me. For God's sake relieve him of his burden! Be one person again!

Rich air and strange perfumes from the flowers of the trees and shrubs enshroud us. Inland now the chill is gone and the heat is upon us again. It soaks through my jacket and clothes and dries out the dampness inside. The gloves which have been dark-wet have started to turn light again. It seems like I've been bone-chilled by that ocean damp for so long I've forgotten what heat is like. I begin to feel drowsy and in a small ravine ahead I see a turnoff and a picnic table. When we get to it I cut the engine and stop.

``I'm sleepy,'' I tell Chris. ``I'm going to take a nap.''

``Me too,'' he says.

We sleep and when we wake up I feel very rested, more rested than for a long time. I take Chris's jacket and mine and tuck them under the elastic cables holding down the pack on the cycle.

It's so hot I feel like leaving this helmet off. I remember that in this state they're not required. I fasten it around one of the cables.

``Put mine there too,'' Chris says.

``You need it for safety.''

``You're not wearing yours.''

``All right,'' I agree, and stow his too.

The road continues to twist and wind through the trees. It upswings around hairpins and glides into new scenes one after another around and through brush and then out into open spaces where we can see canyons stretch away below.

``Beautiful!'' I holler to Chris.

``You don't need to shout,'' he says.

``Oh,'' I say, and laugh. When the helmets are off you can talk in a conversational voice. After all these days!

``Well, it's beautiful, anyway,'' I say.

More trees and shrubs and groves. It's getting warmer. Chris hangs onto my shoulders now and I turn a little and see that he stands up on the foot pegs.

``That's a little dangerous,'' I say.

``No, it isn't. I can tell.''

He probably can. ``Be careful anyway,'' I say.

After a while when we cut sharp into a hairpin under some overhanging trees he says, ``Oh,'' and then later on, ``Ah,'' and then, ``Wow.'' Some of these branches over the road are hanging so low they're going to conk him on the head if he isn't careful

``What's the matter?'' I ask.

``It's so different.''

``What?''

``Everything. I never could see over your shoulders before.''

The sunlight makes strange and beautiful designs through the tree branches on the road. It flits light and dark into my eyes. We swing into a curve and then up into the open sunlight.

That's true. I never realized it. All this time he's been staring into my back. ``What do you see?'' I ask.

``It's all different.''

We head into a grove again, and he says, ``Don't you get scared?''

``No, you get used to it.''

After a while he says, ``Can I have a motorcycle when I get old enough?''

``If you take care of it.''

``What do you have to do?''

``Lot's of things. You've been watching me.''

``Will you show me all of them?''

``Sure.''

``It is hard?''

``Not if you have the right attitudes. It's having the right attitudes that's hard.''

``Oh.''

After a while I see he is sitting down again. Then he says, ``Dad?''

``What?''

``Will I have the right attitudes?''

``I think so,'' I say. ``I don't think that will be any problem at all.''

And so we ride on and on, down through Ukiah, and Hopland, and Cloverdale, down into the wine country. The freeway miles seem so easy now. The engine which has carried us halfway across a continent drones on and on in its continuing oblivion to everything but its own internal forces. We pass through Asti and Santa Rosa, and Petaluma and Novato, on the freeway that grows wider and fuller now, swelling with cars and trucks and busses full of people, and soon by the road are houses and boats and the water of the Bay.

Trials never end, of course. Unhappiness and misfortune are bound to occur as long as people live, but there is a feeling now, that was not here before, and is not just on the surface of things, but penetrates all the way through: We've won it. It's going to get better now. You can sort of tell these things.

"A Successful Pirsig Rethinks Life of Zen and Science"
by George Gent
New York Times, May, 1974
After what he describes as a lifetime of humiliation that culminated in a mental breakdown, Robert M. Pirsig now faces the prospect of learning to live with success.
Mr. Pirsig's 20-year struggle against the forces of academic reaction and the dualistic tradition of Western science and philosophy is poignantly recounted in his first book, Zen and the Art of Motorcycle Maintenance, a multileveled exploration of values and the author's disintegrating psyche.
Despite a title that might seem limiting to some readers, the book has received rave reviews and William Morrow, its publisher, reports that the first three printings of 48,000 hardcover copies are almost sold out, with a fourth printing planned. A major paperback publisher has also made a six-figure bid for the rights, and there is talk of a motion picture.
Sources of New Worries
For the 46-year old technical writer and former teacher of philosophy and rhetoric, it is all very heady but also a source of new worries.
":It's a great feeling," he smiled, between sips of a martini at Barbetta's on West 46th Street.
:The last time I was in New York, no one knew if I existed -- or cared. It can be a very lonely place. I'm enjoying the new feeling of success, after all those years of rejection, but I worry about what success will mean to my life. I don't want to become too self-conscious about my work and I am aware that publicity seeks to rob you your hard-won privacy, transforming your private life into a public life. I think of what happened to writers like Ross Lockwood Jr., the author of Raintree County, and Thomas Heggen, the author of Mr. Roberts, both of whom committed suicide after they became successful. I want to continue writing and I have learned that I write best when I am neither too enthusiastic nor too depressed."
Conceived in 1968
The author, who is on leave from his work as a technical writer in the computer field on a Guggenheim fellowship, said the idea for Zen and the Art of Motorcycle Maintenance was first conceived in 1968 as a short and light-hearted essay, following a motorcycle trip with his then 12-year-old son, Chris and two friends, from their home in Minneapolis to the West Coast. He said the first few pages and a covering letter was sent to 121 publishers, with 22 of them responding favorably.
However, when the essay was completed, Mr. Pirsig said he was dissatisfied with the portions dealing with Zen and they became fewer.
On the other hand, as the book's ultimate design began to take shape, the number of publishers declined. Throughout the four-and-a-half years of its creation, only James Landis, a senior editor at Morrow, retained his enthusiasm and became its strongest advocate.
Perhaps the most compelling portions of the book deal with a mythical character called Phaedrus, a name me Pirsig drew from Plato's dialogues and who is soon perceived to represent the author at a period just before his breakdown.
Seeker After Truth
Phaedrus is the eternally unsatisfied seeker after truth, although Mr. Pirsig prefers the concept of quality. Phaedrus's search takes him to different universities -- both here and in India -- and through a broad exploration of science, technology, and Western philosophy, Phaedrus's intellectual honesty will allow for no compromise, no fudging of the borders of quality, and he is perceived everywhere as an obstreperous gadfly against whom the academic establishment reacts, first with suspicion, then with hostility. Torn by such forces, the mind's dissolution seems inevitable.
Mr. Pirsig spent two years in and out of mental hospitals after his breakdown and says now that he has been exorcised of the spirit of Phaedrus, yet he feels somehow that he has betrayed his better self.
"At the hospital, they taught me to get along with other people, to compromise, and I agreed," he explained with a touch of remorse. "Phaedrus was more honest -- he would never compromise, and the young respected him for that."
In the book , the narrator puts it this way: "What I am is a heretic who's recanted, and thereby in everyone's eyes saved his soul. Everyone's eyes but one, who knows deep down inside that all he has saved is his skin."
Narcissism and Emotions
Mr. Pirsig sees the book's narrator -- himself-- as a "not very nice" person, a dissembler who puts on his best face for other so he will be liked and who unjustly patronizes the Minneapolis friends with whom he traveled. He recognizes the narcissism that prevented him from responding to the emotional needs of his son, who, at the time of the westward trip, was himself on the verge of a breakdown, although, at the end, Chris comes to recognize the Phaedrus he knew and loved as a small child in the narrator, and there is reconciliation.
There have been problems since, he admits, but things are more hopeful now. Asked about Chris's reaction to the book, the author said candidly. "At first, he was unhappy with it." But," he added with a smile, "Chris came to the party that launched the book, so I guess everything is all right."
Mr. Pirsig, who was born in Minneapolis and whose father Maynard E. Pirsig, is the former dean of the University of Minnesota Law School, still lives in the Twin Cities with his wife Nancy; Christopher who is now 17, and Theodore, 16, despite the city's many unhappy associations. He explains it this way:"
"You can't run away fro yourself, away from your past. My family and friends are there and if I am to accomplish anything it will be there. I want to overcome the idea that the Midwest is a cultural desert, although it often is. Minnesotans will accept things from a native that they never would from an outsider. For instance, I have helped establish a Zen Center in Minneapolis and we have imported a great Zen Master. An outsider could never have done it."
While greatly encouraged by this first step in the cross-cultural fertilization of Minneapolis, Mr. Pirsig is sanguine about the immediate acceptance of his imported master.
"Why, in the Far East," he said with a smile, "the master is considered a living Buddha, but, in Minneapolis, they wonder why he doesn't have a job."
Afterword

This book has a lot to say about Ancient Greek perspectives and their meaning but there is one perspective it misses. That is their view of time. They saw the future as something that came upon them from behind their backs with the past receding away before their eyes.

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