Zodiac (15 page)

After that, my eyes didn't blink for about half an hour. It reminded me a whole lot of being popped by that smart cop when Bart and I were having our boys' night out. You go around thinking you're cool, a veritable shadow in the night, and then you find out that someone's got your number.

Like the Pöyzen Böyzen fans. A band of assholes I probably wouldn't even recognize in civilian dress.

“That reminds me of something,” I said. “I'm being kind of threatened, kind of, by a bunch of Satan worshippers. I want you to look out.”

“How
the fuck
…” she said, then got up and walked out of the restaurant.

I finished her five-spices chicken and doodled around with my nerd watch. After a major social fuck-up, it's good to have machinery to screw around with. I programmed the alarm to go off in ten days. When it did, I'd give her a call.

Between now and then I could drink a lot, meditate on my own unfitness to live, and get nice and shit-eatingly lonesome. And worry about the Pöyzen Böyzen thing. When I got done wandering home slowly, I played the tape backwards again, listened to the backwards message, then erased it.

For cavemen, they were quick on their feet. Was I that easy to track down?

The thing of it was: nobody had my number. Six months ago I'd gotten another damn call at 3:00
A.M
. from some GEE hanger-on who'd just landed at Logan and wanted to be picked up and given a
free place to crash. That was enough of that, so I changed to an unlisted number and didn't tell anybody. Not even my employer. If GEE wanted to reach me, they had to get clever.

Which brought up another sore point. Usually they called Debbie and got her to call me, and she had said a few things about not being a receptionist. Another relationship felony. Just another reason to get to drinking.

But I still didn't know how the crew from the island had tracked me down. Maybe one of them worked at the phone company or something. Maybe one of them knew someone who knew someone who knew Bart.

When my watch alarm went off, I called Debbie, and found out she was vacationing in Arizona for three weeks. So I set my alarm watch for three weeks later.

It went off around Labor Day, in the middle of the night. I was deep in a chemical factory in another state, nestled up against a fiftyfive-gallon drum on a loading dock, doing a bag job for Cohen. Had to press the damn watch against my thigh to muffle the sound, unstrap the wristband, pry the back off with a screwdriver, and scramble the innards. That's the last digital watch I'll ever own.

Despite that, the job was a cakewalk. It was just like being a criminal, except it was all pretend. If they caught you, you could just stand up and show them your warrant. They didn't.

I sent Esmerelda a box of Turtles and she went through the
Boston Globe
Index and checked out all the entries under Spectacle Island for the last three months. I was interested in something along the lines of “Spectacle Island—Abandoned barges running into.”

She found it, and I should have figured it out myself. It was Hurricane Alison, or the last remnants thereof, which had hit us when we were having an abnormally high tide. Whenever a big, systemic disaster hit, a blizzard or heat wave, the
Globe
ran enormous articles “compiled from reports by” followed by lists of twenty names. They had to list every single bad thing that had happened to Massachusetts or else people would call in, claim they'd been neglected and cancel their subscriptions.

Buried in one of those was a paragraph about an old barge, due to be scuttled anyway, that had broken loose from Winthrop during the storm and had been batted around the Harbor all night. It wasn't much of a problem because no boats were out in that weather. By the time they even noticed it was missing, the barge had dug itself into Spectacle Island, which was a fine place for it anyway.

I was throwing a lot of work into Project Lobster. I wanted to get the damn thing finished, and Debbie was deliberately unavailable, and I was out of nitrous, and by that point in the summer I didn't have enough money for anything but newspapers and ski-ball.

All those tainted lobsters had to be run through a pretty complicated chemical analysis. It required equipment GEE didn't have, so I'd worked out an arrangement with a lab at a university. Tanya, the Blue Kills Marauder, who'd been working for GEE since her high school days in California, was one of their grad students. She helped with various projects, and in return for “educating” her we got access to nifty analytical equipment.

This particular university had a glut of it anyway, having been so successful in attracting the devotion of big Route 128 corporations that you had to think they'd made their own pact with Satan, negotiated by their toughest lawyers. The high-tech companies coughed up gobs of expensive equipment and the university had to hold hysterical fund-raising drives just to build buildings big enough to keep it out of the rain. You could wander through the basements and find analytical devices costing half a million dollars, so powerful, so advanced that no one was even using them. Once I had gotten access, I had to go down, study their owner's manuals, take off the plastic, and calibrate the gizmos.

Then we were in business. Tanya or I, usually Tanya, broke the lobsters open and located their livers. Whether you're a human or a lobster, your liver filters the toxins out of your system, so that's where you find the bad stuff. We checked them for obvious signs, like tumors or necrosis, and then we ran them through the big machines from Route 128. We got their levels of various metals and organic bad things and put it all into our database.

And we stood around a lot, edgy as hell, because Tanya was Debbie's roommate, and though she was willing to work with me, forgiveness had apparently not yet been earned.

In the weeks surrounding Labor Day we were working at this for twelve or fourteen hours a day, I out on the Zodiac nagging my pals for fresh samples, and Tanya down in the basement cutting bugs. The university wasn't far from the Charles, so once or twice a day I'd bring the Zode around—as I said, the fastest Boston transportation—and she'd come down to the water and we'd make a handoff.

I was a little perturbed when she missed one, but not surprised. Probably in the middle of something. I hung out on the Zode for maybe half an hour. Why not? Even if the water below me was dirty, I was in the middle of a park. But I got sick of waiting, fast—I was tired of this project and wanted to get on with it. I tied the boat to a tree, took out the fuel line, and hiked inland, schlepping the beer cooler. Trotted up out of the water-side park and into the campus.

Our lab was down in a corridor that still smelled like fresh paint and linoleum glue. One room after another filled with microchips. But the odor got sharper as I approached our lab. Smells trigger memories, and this one made me think of building model airplanes when I was a kid.

It was the smell of spray paint. And on the brand-new laboratory door was some graffiti, still wet, done up in cherry red. A rough pentagram, the inverted cross below, the staring umlaut in the middle. Above it: SATAN SEZ: STAY THE FUCK OUT. The laboratory was dark.

Didn't touch a thing. I ran upstairs to the lobby and phoned Tanya and Debbie's place.

Debbie answered, sounding kind of tense, even though she didn't know it was me yet. “Yeah?”

“Don't hang up, this is business. Tanya there?”

“She can't come to the phone right now. What the hell have you guys been doing? What's with her?”

“I was going to ask you.”

“Why is she acting so bent?”

“What's she doing?”

“She came home crying, ran into the bathroom. I heard her throw up a couple of times and now she's been in the shower for about half an hour.”

“Sounds like—”

“No. She wasn't raped.”

“You got your door locked anyway?”

“Damn right.”

I hung up and ran back downstairs. Call me strange, but I tend to carry latex surgical gloves around in my pocket, be cause it's my business to touch so many nasty things. I put them on before I did any touching.

Good. She hadn't been too freaked out to lock the door when she left.

No signs of struggle. The gas chromatograph was still turned on. I could smell organic solvents in here, the same ones we didn't like big corporations to use, and something else too: an oily, foul odor, mixed in with the marine stench of the lobsters. I recognized it. Some of the lobsters I'd gotten off Gallagher's boat had smelled that way. In fact that was the reason they'd given them to me. Big enough to sell, but they stank too bad. They had come from the entrance to the Inner Harbor.

Just for the hell of it, I locked the door. And that made me think, wait a minute. Tanya had gotten home half an hour ago? And it would have taken her at least half an hour to get home. So whatever was bothering her had taken place an hour ago. But the spray paint on the door was a lot fresher than that.

I opened the door again and checked out the graffiti. It was shitty work. The stuff on the barge had been carefully done. This was done in a hurry, and done badly, with lots of drips and runs.

Spray paint is messy. It throws a fog of paint into the air. Standing in the doorway, I could see a penumbra of paint mist fading out across the white floor. And right in front of the door the red was interrupted by a pair of white ovals where no paint had fallen—shadows cast by the graffitist's feet. The shadows were pointytoed, but bigger than a woman's feet.

When he'd walked away, he'd gotten paint mist on the soles of his shoes, and tracked it down the hallway some distance. They were faint tracks, but they'd been made by dress shoes.

That was charming. The Pöyzen Böyzen now had yuppies working for them. So that's how they afforded those Back Bay condos.

Just as important, Tanya hadn't left any tracks. She'd cleared out of there before the graffitist had.

So I went back into the lab. What had freaked her out so bad? Something she'd seen during the analysis?

I approached the workbench. Slowly. This reminded me of when you hear a rat trap go off in the middle of the night, and when you go down in the morning you know you're going to find something really unpleasant. You just don't know when or where it's going to hit you.

Whatever had set Tanya off wasn't obvious. Not two-headed monsters, no parasites squirming loose on the bench. Hell, that wouldn't have bothered her anyway. She was a biochemist, a scientist, and she had listened to a full recitation of my relationship crimes. Nothing could gross her out.

She was about halfway through dissecting one of Gallagher's big stinky lobsters. She'd removed the legs and tail and pried back the shell around the body to expose the liver. The bug was sprawled out on its back under a hot light, and the odor was billowing out of it like smoke from a fire.

Had she gotten the liver out? Hard to tell. Something was definitely wrong down in there.

No, she hadn't. There was hardly any liver left. It had necrosed—a fancy word for died. Rotted away, inside the body, leaving just a puddle of black stuff. Surrounded by blobs of yellowy material, vesicles or sacs of something that I'd never seen inside a lobster before. Some kind of toxin that the liver had desperately tried to remove from the lobster's system, killing itself in the process. I found a ballpoint pen and poked one of the sacs; something greasy poured out and a wave of the oily scent rose up into the light.

There used to be a plant in Japan that made oil out of rice. The oil had to pass through a heat exchanger to cool it down. In other words, it flowed over a bunch of pipes that had a colder fluid running through them. The cold fluid was a polychlorinated biphenyl. A PCB.

If you're an engineer, and you're not very bright, it's easy to love polychlorinated biphenyls. They are cheap, stable, easy to make and they take heat very well. That's why they end up in heat exchangers and electrical transformers. It's how they got into that machine in Japan and, when the pipes started to leak, it's how they got into a lot of rice oil.

Unfortunately, rice oil is for human consumption, and as soon as human beings enter the equation, PCBs no longer look very good. If we were robots, living in a robot world with robot engineers, we could get away with using them, but the problem with humans is that they have a lot of fat in their bodies and PCBs have this vicious affinity for fat. They dissolve themselves in human fat cells and they never leave. They are studded with loose chlorine atoms that know how to break up chromosomes. So when that heat exchanger started leaking, the city of Kusho, Japan started to look like the site of a Biblical plague. Newborn babies came out undersized and dark brown. People started to waste away. They developed a fairly disgusting skin rash called chloracne—the same one Tom had gotten in Vietnam—and they felt very sick.

Now the plague had come to Boston Harbor.

A person might wonder why I, Sangamon Taylor, didn't run out and go home and scrub myself raw like Tanya did. It had nothing to do with male/female issues, or personal bravery or any of that crap. It had to do with how we viewed ourselves. Tanya was pure as the Antarctic snow. She wore a gas mask when she rode her bicycle. She was born vegetarian, the child of hippies. She didn't smoke and she didn't drink; her worst vice was mushrooms—organically grown mushrooms. When she'd looked down into that puddle of PCBs, she'd gotten the first whiff of her own mortality, and she didn't like it.

We all owe a toxic debt to our bodies, and sooner or later it comes due. Cigarettes or a chemical-factory job boost that debt to the sky. And though Tanya had hardly any debt at all, when she figured out she was staring at PCBs, smearing them on her skin, breathing them into her lungs, she probably felt like all her carefulness had been erased. All that tofu was for nought. Suddenly she was up there with the I.V.-drug abusers.