Puppy
(Koons), 58
Pygmalion, 196
Qatar:
art scene in, 363–70
royal family of, 274–75, 327–28, 353, 364
n
, 366
Qatar Museums Authority, 364, 366
Qing Dynasty, 13, 84
“quasi-science,” 180
queer cinema, 354
Rabbit
(Koons),
76
, 78–79
race:
kinship in, 219–20
as subject of art, 217–23, 228, 357
Radio Time
s
, 322
Rauschenberg, Robert, 6
Ravaglia, Valentina, 374–75
artists defined by, 374
Ray, Charles, 189, 253
readymades, xiii, 4, 99, 111, 119, 248, 283–84, 298, 299, 305, 333, 348
ancient, 11, 92
assisted, 30
“real artists,” 80, 101, 190, 249
see also
authenticity
Red Book
(Jung), 246
Red Hook, Brooklyn, 141
Reina Sofia Museum, 38, 314
Reiring, Janelle, 253
Reko Muse gallery, 71
“Relics” exhibition (Hirst), 363–70
religion:
Hirst’s references to, 365
repression of, 39, 65, 78
see also
Buddhism, Buddha; Catholicism; Christianity; God; Muslims; saints
Rembrandt, 259
Remembering
(Ai Weiwei), 44
Renaissance art, 39, 80, 84, 107, 160, 308
reproductions, 17, 129
reputation management, 15, 366
Respini, Eva, 214
restoration, of art, 226–27
retirement, 200–201, 235, 248, 251, 253, 289
Richter, Gerhard, 17, 323
Riding, Vanessa, 251
Riley, Bridget, 340–41
Rio de Janeiro, 339, 342–43, 348
Riot Grrrl, 71
Rist, Pipilotti, 128, 179
Rivera, Diego, 30, 196, 331
Rivera, Emilio, 166
Rivera, Mario Orozco, 30–32
River Stones
(Orozco),
330
, 334, 336
Roberta’s pizza place, 182–83, 221
Roché, Henri-Pierre, 235
Romanticism, 50, 101, 214
romantic ways of thinking, 33, 38, 71, 80, 168, 190, 221, 235, 276, 309, 333, 336
Romero, Schroeder, 184
Rosa
(Elmgreen & Dragset), 119
Rosenquist, James, 6
Rosetta Vase, The
(Perry),
30
2
, 304
Rosler, Martha, 59, 65,
94
, 95–102
artists defined by, 100–102
studio and workspace of, 97
Rothko, Mark, 69
Rubens, Peter Paul, 80, 168
Ruiz, Cristina, 322
Saadiyat Island, UAE, Louvre and Guggenheim museums on, 77
Saatchi, Charles, 263, 322
Saatchi Gallery, 78
Saint Bartholomew, Exquisite Pain
(Hirst), 370
St. Kitts, 128
Saint Martin’s School of Art, 356
saints:
analogy between artists and, 15, 109, 113–14, 130, 365, 366, 367–68, 377
Marx as, 51
paintings of, 332
Saldanha, Ione, 341
Salle, David, 230
Salmon, Colin, 354, 356–59
Salon 94, 240
Saltz, Jerry, 158, 181, 183, 268, 328
“Samurai Trees” series (Orozco), 30
Sander, August, 72
Sandretto Re Rebaudengo, Patrizia, 247
n
San Francisco, 211, 337
San Miguel Chapultepec, 335
Santiago, Chile, art scene in, 37–38
São Paulo, 340, 343, 348
satire, 184
Scandinavia, gay art scene of, 117–22
Scenes from a Marriage
(Bergman), 120
Scheidemann, Christian, 226–27, 327
Schirn Kunsthalle, 107–9
schizophrenia, 39
Schnabel, Julian, 185, 230
Schnabel, Vito, 185
Schneider, Lincoln (Simmons character), 240
School of Art and Architecture (UCLA), 296–97
Schorr, Collier, 73
Science (Hirst’s company), 257, 368
Scott Wright, Glenn, 313–17, 356
“Sculptor, The” exhibition (Koons), 105–7
sculpture, 56, 101, 105, 164, 247–48, 309
ancient Roman, 187, 191
family of, 188
living, 118
rationing in casting of, 281
n
see also specific works and a
rtists
Sean Kelly Gallery, 291
Second Opium War, 85
Ségalot, Philippe, 327
Sehgal, Tino, 235, 246
Sélavy, Rrose (Duchamp’s persona), xiii, 280
self-acceptance, 108
self-awareness, 309
self-belief, xiii, xiv, 88, 102, 159, 373
self-censorship, 52, 88
self-consciousness, 309, 349
self-esteem, 130, 156
Self-Portrait
(Zeng Fanzhi),
48
, 50
Self-Portrait as the Professor of Astronomy, Miscegenation and Critical Theory at the New Negro Escapist and Athletic Club Center for Graduate Studies
(Johnson),
21
6
, 223
Self-Portrait in Homage to Barkley Hendricks
(Johnson), 222–23
self-portraits, 40, 53, 56, 72, 145, 152–53, 175–76, 189, 212, 214,
216
, 222–23, 261, 272, 291, 348, 364
Alÿs’s “actions” as, 163–64
as depicted through observations of others, 127, 152
double, 153
Semiotics of the Kitchen
(Rosler),
94
, 95–96
Semiotics of the Kitchen Barb
ie
, 96
series, collectibility and, 17
Serota, Nicholas, 272, 369
Serpentine Gallery, Koons exhibition at, 3, 6, 258
Serra, Richard, 33, 296–97, 314
Seven Days in the Art World
(S. Thornton), xvi, 125, 258
sex dolls, 137–38, 161, 229
Sex in the Cit
y
, 281
sexuality:
in art, 6–7, 16, 17–18, 58, 70, 72, 78, 108, 142, 157, 160, 173, 181, 195–96, 208, 212–13, 227, 248, 249, 251, 271–73, 275–77, 306, 307, 349
Freudian, 6–7
love vs., 70–71
see also
erotica
Seymour, Stephanie, 130
shame, 207, 242, 277, 300
ShangART, 46, 50
Shanghai, 9–11, 47
Ai Weiwei’s studio demolished in, 91–92
Shanghai Academy of Social Sciences, 9
shea butter, 218, 220
“shelves,” of Johnson, 220
Sherman, Cindy, xvi, 100,
170
, 171–77, 195,
210
, 211–14, 223
as loner, 171–72
and Simmons, 239–40, 242, 250, 253
studio of, 171–75
at Venice Biennale artists’ opening, 252–53
Sherman, Cindy (Boise photographer), 172
Shine, Ellie (Simmons character), 240
shock, artistic value of, 11, 159–61
Shoemaker chairs, 333
Shoot the Messenger
(C. Dunham),
154
Shot Marilyn
(Warhol), 227
Shrine to Alan and Claire
(G. Perry), 306
Sichuan earthquake, 91
casualties of, 44–45, 86
Sick Bacchus
(
Self-Portrait as Bacchus
) (Caravaggio), 175
Sigg, Uli, 50
Sign Painting Project
(Alÿs), 166
silkscreens, 40, 325–27
Silverman, Jessica, 337
Simmons, Laurie, xv,
132
, 133–38, 141, 176,
192
, 193–96, 206, 207, 225,
238
, 239–42, 248
artists defined by, 138, 207
and C. Dunham, 155–61
childhood of, 136
home/studio of, 133–36
and Sherman, 239–40, 253
at Venice Biennale artists’ opening, 249–53
Simon, Paul, 365
Siqueiros, David Alfaro, 30, 332
Siri (L. Dunham/Simmons character), 134–36
sisterhood, 71
6th Caribbean Biennial, Th
e
, 128
slaves, 222, 357
slideshows, 4, 180
Sling Hook
(Koons), 7
Smith, Melanie, 167
Smith, Paul Anton, 281
Smith, Roberta, 112, 158, 181
Snakehead: An Epic Tale of the Chinatown Underworld and the American Dre
am
, 29
Soccer Boulder
(Orozco), 337
“social aging,” 299
social commentary, art as, 72, 298–99
social realism, 30–31
“Society Portraits” series (Sherman), 213
Socrates, 169
Soho, N.Y., 171
“Sold Out” exhibition, 271
Sotheby’s, 80, 262, 313–14
C. Noland lawsuit, 327
Hirst’s auction at, 261–62, 273–75, 276, 323, 325, 335, 366, 368, 370
Souls of Black Folk, The
(Du Bois), 219
South by Southwest film festival, 156
South London Gallery, 217, 223
Soviet Union, 41, 86, 88, 274
Sozzani, Franca, 369
Spector, Nancy, 151, 199
Spermini
(Cattelan), 153
spin paintings (Hirst), 257
spirituality, 288–90, 334
spot paintings:
of Hirst, 8, 257, 259, 260, 321–22, 363, 366
of Kusama, 312, 313, 315, 317–18
Spring Break
(Schorr), 73
Sprüth Magers, 174
squirrels, taxidermied, 126,
148
staff, 52, 56, 111, 167, 172, 304, 313–18, 366
execution and fabrication delegated to, 15–16, 18, 24, 30, 38–40, 57, 80, 87, 107, 166, 221, 257, 282
in film production, 353–54, 356, 358–60
in research, 280
Staller, Ilona, 5–6, 271
stand-up comedians, 72
Steadicam, 353, 359
Stephanie
(“Trophy Wife”; Cattelan), 130
stereotypes, 213
Stiglitz, Joseph E., 350
Stingel, Rudolf, 190
stones, in Orozco’s artwork, 333–37
“Strange Fruit” (Holiday), 357
Streep, Meryl, 241
studios:
of Ai Weiwei, 43–45, 49, 91
of Alÿs, 162, 164–66
of Ataman, 64
of Cattelan, 233
of C. Dunham, 135, 141–45, 229–30
of Dalton, 179–81
of Dittborn, 38–39, 87
Fraser, 298
of Hirst, 257–60
of Johnson, 221
of Koons, 15–18, 105, 125–26
of Kusama, 316–18
of Marclay, 279
of Milhazes, 339–42
of Mutu, 56
of Orozco, 333
of Rosler, 97
of Sherman, 171–75
of Simmons, 133–36
as stages for artists, xiv
of Zeng Fanzhi, 49–53
Study for Bathers
(C. Dunham),
140
, 142–43, 158
Study of Perspective—The White House
(Ai Weiwei),
82
, 86
Study of Perspective—Tiananmen
(Ai Weiwei), 84
Subotnick, Ali, 201,
23
2
, 235
suicide, 316
Sunflower Seeds
(Ai Weiwei),
22
, 23–24, 29, 30, 45, 58
Super Us
(Cattelan),
124
, 127–28, 152
Supreme Court, New York County, 327
n
surrealism, 33, 234, 340–41, 374
Surrealistic Head #2
(Lichtenstein), 79
survey shows, 199, 219
Sutherland, Kiefer, 280
Symbionese Liberation Army, 326
Sze, Sarah, 245
Szeemann, Harald, 247
Table for Bergman
(Elmgreen & Dragset), 119
Takakura, Isao, 314, 316
talismans, 305
Talking Glove
(Simmons),
13
2
, 133
Tanpınar, Ahmet Hamdi, 64
Tan Zuoren, 10, 12
tapestry, 306, 309
Tarsila do Amaral, 340–41
Tate Britain, 261
Tate Etc
.
, 191
Tate Modern, 23, 29–30, 165, 241, 271–72, 275, 306, 308, 314,
320
, 322–23, 365, 373–75
Asia-Pacific Acquisitions Committee, 317–18
taxidermy, 119, 125, 126, 248–49, 258, 272
Taylor, Cecil, 359
teaching:
artists in, xv, 38, 70, 72–73, 98, 145–46, 181, 182, 240, 265, 291, 297–99
by curators, 11, 166
as persona, 181
Team Gallery, 238
Teenage Bedroom
(Lidén), 119
Telephones
(Marclay), 283
television, 101–2, 156, 173, 205–8, 242, 261, 280, 281, 305, 309–10, 317
Temps du Sommeil, Le
(Alÿs), 165
Ten Thousand Waves
(Julian), 356, 358
T.E. UCLA
(Serra), 296
Texas Chainsaw Massacre, Th
e
, 328
Texte der Kuns
t
, 350
Thani, Sheikha Mayassa al-, 364, 369
theater, and performance art, 292
“There’s no place like home” (Fraser), 350–51
Thornton-Silver, Cora, 83, 86–87, 245–46, 249, 252–53
Thousand Years, A
(Hirst), 365
3 Blind Mice
(Blakey), 220
Three Dancers, The
(Picasso), 375
Three Studies for Figures at the Base of a Crucifixion
(Bacon), 261
Tiananmen Square protests, 44–45, 53, 84
Tierra del Fuego, 40
time, in art, 280–81, 290, 307
Tinari, Philip, 10–12, 47
Tiny Furniture
(L. Dunham), 133–36, 140, 156, 193,
204
, 208, 241, 249
Tiravanija, Rirkrit, 128
To Hang (Airmail Painting No. 05)
(Dittborn),
36
Tōhoku earthquake, 317
Toilet Paper
, 152, 201–2, 247
Tokyo, 86, 137, 318
art scene in, 12, 313, 358
Tomb of the Unknown Craftsman, The
(G. Perry), 307–8
“Tomb of the Unknown Craftsman, The” exhibition (G. Perry), 303–4, 307–8
Tomkins, Calvin, 19, 236
n
, 239
Tom of Finland, 121
“Torqued Ellipse” sculptures (Serra), 296
Total Equilibrium Tank
(Koons), 106
Tour de Claire, La
(G. Perry), 306
“Tourism” series (Simmons), 136
Touristi, I
(Cattelan), 247
Towards a Metalanguage of Evil
(C. Noland), 326
Tower (UCLA), 297
Toxqui, Daniel, 164
transitional objects, 299, 303–4
transsexuals, 63
travel, 32, 34
airmail paintings and, 38
in Pacific circumnavigation, 168
restricted, 86, 111–13
Tribeca, N.Y., 133, 137, 144, 225
Triple Candie, 126–29, 247, 328
Trockel, Rosemary, 254