Authors: Hanya Yanagihara
JB was going through, as he put it, his hair phase. Recently he had decided to take a break from painting in favor of making sculptures from black hair. Each of them had spent an exhausting weekend following JB from barbershop to beauty shop in Queens, Brooklyn, the Bronx, and Manhattan, waiting outside as JB went in to ask the owners for any sweepings or cuttings they might have, and then lugging an increasingly awkward bag of hair down the street after him. His early pieces had included
The Mace
, a tennis ball that he had de-fuzzed, sliced in half, and filled with sand before coating it in glue and rolling it around and around in a carpet of hair so that the bristles moved like seaweed underwater, and “The Kwotidien,” in which he covered various household items—a stapler; a spatula; a teacup—in pelts of hair. Now he was working on a large-scale project that he refused to discuss with them except in snatches, but it involved the combing out and braiding together of many pieces in order to make one apparently endless rope of frizzing black hair. The previous Friday he had lured them over with the promise of pizza and beer to help him braid, but after many hours of tedious work, it became clear that there was no pizza and beer forthcoming, and they had left, a little irritated but not terribly surprised.
They were all bored with the hair project, although Jude—alone among them—thought that the pieces were lovely and would someday be considered significant. In thanks, JB had given Jude a hair-covered hairbrush, but then had reclaimed the gift when it looked like Ezra’s father’s friend might be interested in buying it (he didn’t, but JB never returned the hairbrush to Jude). The hair project had proved difficult in
other ways as well; another evening, when the three of them had somehow been once again conned into going to Little Italy and combing out more hair, Malcolm had commented that the hair stank. Which it did: not of anything distasteful but simply the tangy metallic scent of unwashed scalp. But JB had thrown one of his mounting tantrums, and had called Malcolm a self-hating Negro and an Uncle Tom and a traitor to the race, and Malcolm, who very rarely angered but who angered over accusations like this, had dumped his wine into the nearest bag of hair and gotten up and stamped out. Jude had hurried, the best he could, after Malcolm, and Willem had stayed to handle JB. And although the two of them reconciled the next day, in the end Willem and Jude felt (unfairly, they knew) slightly angrier at Malcolm, since the next weekend they were back in Queens, walking from barbershop to barbershop, trying to replace the bag of hair that he had ruined.
“How’s life on the black planet?” Willem asked JB now.
“Black,” said JB, stuffing the plait he was untangling back into the bag. “Let’s go; I told Annika we’d be there at one thirty.” The phone on his desk began to ring.
“Don’t you want to get that?”
“They’ll call back.”
As they walked downtown, JB complained. So far, he had concentrated most of his seductive energies on a senior editor named Dean, whom they all called DeeAnn. They had been at a party, the three of them, held at one of the junior editor’s parents’ apartment in the Dakota, in which art-hung room bled into art-hung room. As JB talked with his coworkers in the kitchen, Malcolm and Willem had walked through the apartment together (Where had Jude been that night? Working, probably), looking at a series of Edward Burtynskys hanging in the guest bedroom, a suite of water towers by the Bechers mounted in four rows of five over the desk in the den, an enormous Gursky floating above the half bookcases in the library, and, in the master bedroom, an entire wall of Diane Arbuses, covering the space so thoroughly that only a few centimeters of blank wall remained at the top and bottom. They had been admiring a picture of two sweet-faced girls with Down syndrome playing for the camera in their too-tight, too-childish bathing suits, when Dean had approached them. He was a tall man, but he had a small, gophery, pockmarked face that made him appear feral and untrustworthy.
They introduced themselves, explained that they were here because they were JB’s friends. Dean told them that he was one of the senior editors at the magazine, and that he handled all the arts coverage.
“Ah,” Willem said, careful not to look at Malcolm, whom he did not trust not to react. JB had told them that he had targeted the arts editor as his potential mark; this must be him.
“Have you ever seen anything like this?” Dean asked them, waving a hand at the Arbuses.
“Never,” Willem said. “I love Diane Arbus.”
Dean stiffened, and his little features seemed to gather themselves into a knot in the center of his little face. “It’s DeeAnn.”
“What?”
“DeeAnn. You pronounce her name ‘DeeAnn.’ ”
They had barely been able to get out of the room without laughing. “DeeAnn!” JB had said later, when they told him the story. “Christ! What a pretentious little shit.”
“But he’s
your
pretentious little shit,” Jude had said. And ever since, they had referred to Dean as “DeeAnn.”
Unfortunately, however, it appeared that despite JB’s tireless cultivation of DeeAnn, he was no closer to being included in the magazine than he had been three months ago. JB had even let DeeAnn suck him off in the steam room at the gym, and still nothing. Every day, JB found a reason to wander back into the editorial offices and over to the bulletin board on which the next three months’ story ideas were written on white note cards, and every day he looked at the section dedicated to up-and-coming artists for his name, and every day he was disappointed. Instead he saw the names of various no-talents and overhypes, people owed favors or people who knew people to whom favors were owed.
“If I ever see Ezra up there, I’m going to kill myself,” JB always said, to which the others said: You won’t, JB, and Don’t worry, JB—you’ll be up there someday, and What do you need them for, JB? You’ll find somewhere else, to which JB would reply, respectively, “Are you sure?,” and “I fucking doubt it,” and “I’ve fucking invested this time—three whole months of my fucking life—I better be fucking up there, or this whole thing has been a fucking waste, just like everything else,” everything else meaning, variously, grad school, moving back to New York, the hair series, or life in general, depending on how nihilistic he felt that day.
He was still complaining when they reached Lispenard Street. Willem was new enough to the city—he had only lived there a year—to have never heard of the street, which was barely more than an alley, two blocks long and one block south of Canal, and yet JB, who had grown up in Brooklyn, hadn’t heard of it either.
They found the building and punched buzzer 5C. A girl answered, her voice made scratchy and hollow by the intercom, and rang them in. Inside, the lobby was narrow and high-ceilinged and painted a curdled, gleaming shit-brown, which made them feel like they were at the bottom of a well.
The girl was waiting for them at the door of the apartment. “Hey, JB,” she said, and then looked at Willem and blushed.
“Annika, this is my friend Willem,” JB said. “Willem, Annika works in the art department. She’s cool.”
Annika looked down and stuck out her hand in one movement. “It’s nice to meet you,” she said to the floor. JB kicked Willem in the foot and grinned at him. Willem ignored him.
“It’s nice to meet you, too,” he said.
“Well, this is the apartment? It’s my aunt’s? She lived here for fifty years but she just moved into a retirement home?” Annika was speaking very fast and had apparently decided that the best strategy was to treat Willem like an eclipse and simply not look at him at all. She was talking faster and faster, about her aunt, and how she always said the neighborhood had changed, and how she’d never heard of Lispenard Street until she’d moved downtown, and how she was sorry it hadn’t been painted yet, but her aunt had just, literally just moved out and they’d only had a chance to have it cleaned the previous weekend. She looked everywhere but at Willem—at the ceiling (stamped tin), at the floors (cracked, but parquet), at the walls (on which long-ago-hung picture frames had left ghostly shadows)—until finally Willem had to interrupt, gently, and ask if he could take a look through the rest of the apartment.
“Oh, be my guest,” said Annika, “I’ll leave you alone,” although she then began to follow them, talking rapidly to JB about someone named Jasper and how he’d been using Archer for
everything
, and didn’t JB think it looked a little too round and weird for body text? Now that Willem had his back turned to her, she stared at him openly, her rambling becoming more inane the longer she spoke.
JB watched Annika watch Willem. He had never seen her like this, so nervous and girlish (normally she was surly and silent and was actually a bit feared in the office for creating on the wall above her desk an elaborate sculpture of a heart made entirely of
X-ACTO
blades), but he had seen lots of women behave this way around Willem. They all had. Their friend Lionel used to say that Willem must have been a fisherman in a past life, because he couldn’t help but attract pussy. And yet most of the time (though not always), Willem seemed unaware of the attention. JB had once asked Malcolm why he thought that was, and Malcolm said he thought it was because Willem hadn’t noticed. JB had only grunted in reply, but his thinking was: Malcolm was the most obtuse person he knew, and if even
Malcolm
had noticed how women reacted around Willem, it was impossible that Willem himself hadn’t. Later, however, Jude had offered a different interpretation: he had suggested that Willem was deliberately
not
reacting to all the women so the other men around him wouldn’t feel threatened by him. This made more sense; Willem was liked by everyone and never wanted to make people feel intentionally uncomfortable, and so it was possible that, subconsciously at least, he was feigning a sort of ignorance. But still—it was fascinating to watch, and the three of them never tired of it, nor of making fun of Willem for it afterward, though he would normally just smile and say nothing.
“Does the elevator work well here?” Willem asked abruptly, turning around.
“What?” Annika replied, startled. “Yes, it’s pretty reliable.” She pulled her faint lips into a narrow smile that JB realized, with a stomach-twist of embarrassment for her, was meant to be flirtatious. Oh, Annika, he thought. “What exactly are you planning on bringing into my aunt’s apartment?”
“Our friend,” he answered, before Willem could. “He has trouble climbing stairs and needs the elevator to work.”
“Oh,” she said, flushing again. She was back to staring at the floor. “Sorry. Yes, it works.”
The apartment was not impressive. There was a small foyer, little larger than the size of a doormat, from which pronged the kitchen (a hot, greasy little cube) to the right and a dining area to the left that would accommodate perhaps a card table. A half wall separated this space from the living room, with its four windows, each striped with
bars, looking south onto the litter-scattered street, and down a short hall to the right was the bathroom with its milk-glass sconces and worn-enamel tub, and across from it the bedroom, which had another window and was deep but narrow; here, two wooden twin-bed frames had been placed parallel to each other, each pressed against a wall. One of the frames was already topped with a futon, a bulky, graceless thing, as heavy as a dead horse.
“The futon’s never been used,” Annika said. She told a long story about how she was going to move in, and had even bought the futon in preparation, but had never gotten to use it because she moved in instead with her friend Clement, who wasn’t her boyfriend, just her friend, and god, what a retard she was for saying that. Anyway, if Willem wanted the apartment, she’d throw in the futon for free.
Willem thanked her. “What do you think, JB?” he asked.
What did he think? He thought it was a shithole. Of course, he too lived in a shithole, but he was in his shithole by choice, and because it was free, and the money he would have had to spend on rent he was instead able to spend on paints, and supplies, and drugs, and the occasional taxi. But if Ezra were to ever decide to start charging him rent, no way would he be there. His family may not have Ezra’s money, or Malcolm’s, but under no circumstances would they allow him to throw away money living in a shithole. They would find him something better, or give him a little monthly gift to help him along. But Willem and Jude didn’t have that choice: They had to pay their own way, and they had no money, and thus they were condemned to live in a shithole. And if they were, then this was probably the shithole to live in—it was cheap, it was downtown, and their prospective landlord already had a crush on fifty percent of them.
So “I think it’s perfect,” he told Willem, who agreed. Annika let out a yelp. And a hurried conversation later, it was over: Annika had a tenant, and Willem and Jude had a place to live—all before JB had to remind Willem that he wouldn’t mind Willem paying for a bowl of noodles for lunch, before he had to get back to the office.
JB wasn’t given to introspection, but as he rode the train to his mother’s house that Sunday, he was unable to keep himself from experiencing
a vague sort of self-congratulation, combined with something approaching gratitude, that he had the life and family he did.