“Yes, you’re right. Did you ask the parents about it?”
“They suggested there must have been some mistake.”
“I’ve heard of money disappearing from a dead man’s pockets. But I’ve never heard of money being planted on one.”
“No, sir.”
“Ask the neighbors, Bernie. Speak to her school friends. Find out what kind of girl Anita Schwarz was.”
“Yes, sir.”
“And Bernie. Get yourself a new tie. That one looks like it’s been in your soup.”
“Yes, sir.”
BEFORE THE PRESS CONFERENCE I went and had my hair cut at the KaDeWe. Henry Ford himself couldn’t have arranged the business of cutting German hair more efficiently. There were ten chairs, and I was in and out in less than twenty minutes. The KaDe We wasn’t exactly around the corner from the Alex. But it was a good place to have a haircut and buy a new tie.
As always, the conference itself took place in the Police Museum at the Alex. This was Gennat’s idea following the Police Exhibition of 1926, so that KRIPO might present itself to the world among the photographs, knives, test tubes, fingerprints, poison bottles, revolvers, rope, and buttons that were the exhibits of our many proud investigative successes. The modern face of policing we were keen to display to the world might have looked a bit more efficient had the glass cases containing this assortment of forensic trash and the heavy curtains that shrouded the tall windows of the exhibition hall not been so dusty. Even the most recent photograph, of Ernst Gennat, looked like it had been there for a hundred years.
There were about twenty reporters and photographers gathered among our previous triumphs. Behind a table that had been cleared of a selection of curious murder weapons, I sat between Weiss and Gennat. As if we had been arranged in ascending order of size. The men of Berlin’s press heard me appeal for any witnesses who might have seen a man behaving suspiciously in Friedrichshain Park on the night of the murder and then go on to assure the Berlin public that we were doing all in our power to catch the killer of Anita Schwarz—which, of course, was something I was determined to do. Things seemed to be going quite well until I uttered the usual bromides about interviewing known sex offenders. At this, Fritz Allgeier, the reporter for
Der Angriff,
a boss-eyed specimen with a gray beard and arms that seemed longer than his legs—hardly master-race material—said that the German people demanded to be told why known sex offenders were allowed to walk our streets in the first place.
Later on, I agreed with Weiss that my next comments could have been a little more diplomatic:
“The last time I looked, Herr Allgeier, Germany still has a system of criminal justice in which people are brought before the courts, tried, and, if found guilty, serve a prison sentence. After they’ve paid their debt to society, we let them go.”
“Maybe we shouldn’t let them go at all,” he said. “It might be best for the German people if these so-called known offenders were put back in prison as quickly as possible. Then this kind of lust murder might never happen.”
“Maybe. That’s not for me to say. But where do you get off thinking that someone like you can speak for the German people, Allgeier? You used to be a jack, in Moabit. A backstreet turk working the three-card trick. The German people might equally demand to know how you turned into a journalist.”
Several of the non-Nazi newspaper reporters thought this was very funny. I might have got away with it, too, if I’d left it there. But I didn’t. I was warming to my subject.
Germany had always had the death penalty for murder, but for several years, the newspapers—the non-Nazi newspapers—had waged a vigorous campaign against the guillotine. Lately, however, these same papers had bowed to Nazi influence and refrained from writing editorials urging the commutation of a murderer’s sentence. With the result that the state executioner, Johann Reichhart, was working once again. His most recent victim had been the mass murderer and cannibal Georg Haarmann. A lot of cops, myself included, didn’t much like the guillotine. More so since the senior investigating officer was called upon to attend the executions of murderers he had arrested.
“The plain fact of the matter is that we’ve always relied on known offenders to give us information,” I said. “There were even murderers serving sentences in prison who were once prepared to help us. Of course that was before we started executing them again. It’s hard to persuade a man to talk to you when you’ve chopped his head off.”
Weiss stood up and, smiling patiently, announced that the conference was over. On our way out, he said nothing. Just smiled sadly at me. Which was worse than a lashing from his tongue. Gennat said, “Nice work, Bernie. They’ll eat your eggs, son.”
“Just the fascist newspapers, surely.”
“All newspapers are fundamentally fascist, Bernie. In every country. All editors are dictators. All journalism is authoritarian. That’s why people line birdcages with it.”
Gennat was right, of course. He usually was. Only Berlin’s evening newspaper
Tempo
gave me a good press. It used a picture of me that looked like Luis Trenker in
The Holy Mountain.
Manfred George,
Tempo
’s editor, wrote a piece in which he described me as one of Berlin’s “finest detectives.” Maybe they liked my new tie. The rest of the republican papers were like a cat creeping around the milk: they didn’t dare say what they really thought for fear that their readers might not agree with them. I didn’t read
Der Angriff.
What was the point? But Hans Joachim Brandt in the Nazi
Völkischer Beobachter
referred to me as “a liberal, left-wing stooge.” Probably the truth lay halfway between the two.
7
BUENOS AIRES, 1950
T
HE VON BADERS LIVED in the residential part of the Barrio Norte, which is
castellano
for “people with money.” The Calle Florida, the commercial heart of the Barrio Norte, seemed to have come into being in order to make sure that people with money would not have to go too far out of their way to spend it. The house on Arenales was built in the best eighteenth-century French style. It looked more like a grand hotel than somewhere anyone could have called home. The façade was all relief Ionic columns and tall windows: even the air-conditioning units seemed elegant and in keeping with the urban Bourbon look. Inside, things were no less formally French, with high ceilings and pilasters, marble fireplaces, gilt mirrors, lots of eighteenth-century furniture, and expensive-looking art.
The von Baders and their small dog received the colonel and me sitting on an overstuffed red sofa. She was sitting in one corner of the sofa and he was sitting in the other. They were wearing their best clothes but in a way that left me thinking that they might wear the same clothes to do some gardening, always supposing they knew where the secateurs and the trowels were kept. The way they sat there, I wanted to take hold of the baroness’s chin and move her head slightly toward her husband before picking up my brushes and getting started on their portrait. She was statuesque and beautiful, with good skin and perfect teeth and hair like spun gold and a neck like Queen Nefertiti’s taller sister. He was just thin with glasses, and unlike me, the dog seemed to prefer him to her. She was holding a handkerchief and looked as though she had been crying. The way anxious mothers are supposed to look. He was holding a cigarillo and looked like he’d been making money. Rather a lot of it.
Colonel Montalbán introduced me to them. We all spoke in German, as if our meeting were taking place in some handsome villa in Dahlem. I uttered a few sympathetic noises. Fabienne had disappeared somewhere between Arenales and the cemetery at Recoleta, less than half a mile away. She often went there by herself to lay flowers on the steps of the von Bader family vault. It was where they kept their bodies, not their money. It seemed that Fabienne had been very close to her grandfather, who was buried there. They gave me some photographs to borrow. Fabienne looked like any other fourteen-year-old girl who was blond, beautiful, and rich. In one of the photographs, she was sitting on a white pony. The pony’s bridle was held by a gaucho, and behind this bucolic little trio was a ranch house against a backdrop of eucalyptus trees.
“That’s our weekend house,” explained the baron. “In Pilar. To the north of Buenos Aires.”
“Nice,” I said, and wondered where they went when they wanted a proper holiday from the demands of being very rich.
“Yes. Fabienne loved it there,” said her mother.
“I take it you’ve already looked for her at this and any other homes you might own.”
“Yes,” he said. “Of course we have.” He let out a sigh that was part patience and part anxiety. “There’s only the weekend house, Herr Gunther. I don’t own any other houses in Argentina.” He shook his head and took a puff on the cigarillo. “You make me sound like some stinking, plutocratic Jew. Isn’t that right, Colonel?”
“There are no yids in this part of Buenos Aires,” said Montalbán.
Von Bader’s wife winced. She didn’t seem to like that remark. Which was another reason why I liked her more than I liked her husband. She crossed her long legs and looked away for a moment. I liked her legs, too.
“It’s really not like her at all,” she said. She blew her nose delicately on the small handkerchief, tucked it into the sleeve of her dress, and smiled bravely. I admired her for that. “She’s never done this kind of thing before.”
“What about her friends?” I asked.
“Fabienne wasn’t like most girls of her age, Herr Gunther,” said von Bader. “She was more mature than her peers. Very much more sophisticated. I doubt that she would have shared a confidence with any of them.”
“But naturally we’ve questioned them,” added the colonel. “I don’t think it would help to question them again. They said nothing that might help.”
“Did she know the other girl?” I asked. “Grete Wohlauf?”
“No,” said von Bader.
“I’d like to see her room, if I may.” I was looking at the baroness. She was easier on the eye than her husband. Easier on the ear, too.
“Of course,” she said. Then she looked at her husband. “Would you mind showing him Fabienne’s room, dear? It upsets me to go in there at the moment.”
Von Bader walked me to a little wooden elevator that was set in an open, wrought-iron shaft and surrounded by a steep, curving marble staircase. It’s not every home that has its own elevator and, catching sight of my eloquently raised eyebrows, the baron felt obliged to offer an explanation.
“During the last years of her life, my mother was in a wheelchair,” he said, as if building an elevator was a solution available to everyone with an elderly parent.
It was just the two of us and the dog in the elevator car. I was close enough to smell the cologne on von Bader’s face and the oil in his gray hair, and yet he avoided my eye. Each time he spoke to me, he was looking somewhere else. I told myself he was preoccupied with his daughter’s possible fate. But all the same, I’d handled enough cases involving missing persons to know when I wasn’t getting the whole story.
“Montalbán says that back in Berlin, before the war, you were a top detective. With KRIPO and in private practice.”
He made being a private detective sound like being a top dentist. Maybe it was kind of similar to being a dentist, at that. Sometimes getting a client to tell you everything relevant was like pulling teeth.
“I’ve had my Archimedes moments,” I said. “With KRIPO and on my own.”
“Archimedes?”
“Eureka. I’ve found it.” I shrugged. “These days I’m more the traveling-salesman type.”
“Selling what, in particular?”
“Nothing. Nothing at all. Not even now. I’ll do my best to find your daughter, sir, but I never was one for working miracles. Generally I do a lot better when people believe in me enough to give me all the facts.”
Von Bader colored a little. Maybe that was because he was trying to wrestle the elevator car door open. Or maybe it wasn’t. But he still wasn’t looking at me. “What makes you think you haven’t had them?”
“Call it a hunch.”
He nodded as if considering some kind of offer, which was odd, given that I hadn’t actually made him one.
We stepped out of the car and into the thickly carpeted corridor. At the end of it he pushed a door open and ushered me into the bedroom of a neat and tidy girl. The wallpaper was red roses. The bed had little flowers painted on the enameled iron frame. Above the bed were several Chinese fans in a picture frame. On a tall table was a large and empty Oriental birdcage. On a shorter table was a chessboard set out in a game that seemed to be still in progress. I gave the pieces the once-over. Black or white, she was a clever little girl. There were some books and some teddy bears and a chest of drawers. I tugged one open.
“Do you mind?” I asked.
“Go right ahead,” he said. “I suppose you’re just doing your job.”
“Well, I’m certainly not looking for her underwear.” I was hoping to goad something from him. After all, he hadn’t exactly denied that he was keeping something back. I turned over some socks and looked underneath.
“What exactly
are
you looking for?”
“A diary. A commonplace book. Some letters. Some money you didn’t know about. A photograph of someone you don’t recognize. I’m not sure, exactly. But I’ll know it when I see it.” I closed the drawer. “Or maybe there’s something you want to tell me now, while Colonel Montalbán isn’t here?”
He picked up one of the teddy bears and lifted it to his nose, like a hound trying to raise a scent. “It’s curious,” he said. “The way you can smell them on their toys. It’s so evocative of them. Kind of like Proust, really.”
I nodded. I’d heard a lot about Proust. One day I was going to have to find an excuse not to read him.
“I know what Montalbán thinks,” he said. “He thinks Fabienne is already dead.” Von Bader shook his head. “I just don’t believe that.”