Adore (3 page)

‘I don't see it,' said Lil at last, frowning with the effort of trying. She was deadly serious, and Roz serious but smiling and angry.

‘Harold says my real relationship is with you, not with him.'

‘What does he want, then?' asked Lil.

‘He says you and I made him feel excluded.'

‘
He
feel excluded! I've always felt – left out. All these years I've been watching you and Harold and I've wished . . .' Loyalty had locked her tongue until this moment, but now she came out with it at last: ‘I have a lousy marriage. I have a bad time with Theo. I've never . . . but you knew. And you and Harold, always so happy . . . I don't know how often I've left you two here and gone home with Theo and wished . . .'

‘I didn't know . . . I mean, I did know, of course, Theo isn't the ideal husband.'

‘You can say that again.'

‘It seems to me it's you who should be getting a divorce.'

‘Oh, no, no,' said Lil, warding off the idea with an agitated hand. ‘No; I once said in joke to Ian – testing him
out, what he'd think if I got a divorce and he nearly went berserk. He was silent for such a long time – you know how he goes silent, and then he shouted and began crying. “You can't,” he said. “You can't. I won't let you.”'

‘So poor Tom is going to be without a father,' said Roz.

‘And Ian doesn't have much of one,' said Lil. And then, when it could seem the conversation was at an end, she enquired, ‘Roz, did Harold say that we are lezzies?'

‘All but – well no, not exactly.'

‘Is that what he meant?'

‘I don't know. I don't think so.' Roz was suffering now with the effort of this unusual and unwonted introspection. ‘I don't understand, I told him. I don't understand what you're on about.'

‘Well, we aren't, are we?' enquired Lil, apparently needing to be told.

‘Well, I don't think we are,' said Roz.

‘We've always been friends, though.'

‘Yes.'

‘When did it start? I remember the first day at school.'

‘Yes.'

‘But before that? How did it happen?'

‘I can't remember. Perhaps it was just – luck.'

‘You can say that again. The luckiest thing in my life – you.'

‘Yes,' said Roz. ‘But that doesn't make us . . . Bloody men,' she said, suddenly energetic and brisk with anger.

‘Bloody men,' said Lil, with feeling, because of her
husband.

This note, obligatory for that time, having been struck, the conversation was over.

Off went Harold to his university which was surrounded, not by ocean and sea winds and the songs and tales of the sea, but by sand, scrub and thorns. Roz visited him, and then returned there to put on
Oklahoma!
– a great success – and they enjoyed their more than adequate sex. She said, ‘I don't see what you're complaining about,' and he said, ‘Well, no, you wouldn't, would you?' When he came down to visit her and the boys – who being always together were always referred to in the plural – nothing seemed to have changed. As a family they went about, the amiable Harold and the exuberant Roz, a popular young couple – perhaps not so young now – as described often in the gossip columns. For a marriage that had been given its notice to quit the two seemed no less of a couple. As they jested – jokes had never been in short supply – they were like those trees whose centre has rotted away, or the bushes spreading from the centre, which disappear as its suburbs spring up. It was so hard for this couple to fray apart. Everywhere they went, his old pupils greeted him and people who had been involved in one of her productions greeted her. They were Harold and Roz to hundreds of people. ‘Do you remember me – Roz, Harold?' She always did and Harold knew his old pupils. Like Royalty who expect of themselves that they remember faces and names. ‘The Struthers are separating? Oh, come on! I
don't believe it.'

And now the other couple, no less in the limelight, Lil always judging swimming or running or other sports events, bestowing prizes, making speeches. And there too was the handsome husband, Theo, known for the chain of sports equipment and clothes shops. The two lean, good-looking people, on view, like their friends, the other couple, but so different in style. Nothing excessive or exuberant about them, they were affable, smiling, available, the very essence of good citizenship.

The break-up of Roz and Harold did not disrupt Theo and Lil. The marriage had been a façade for years. Theo had a succession of girls, but, as he complained, he couldn't get into his bed anywhere without finding a girl in it: he travelled a lot, for the firm.

Then Theo was killed in a car crash, and Lil was a well-off widow, with her boy Ian, the moody one, so unlike Tom, and in that seaside town, where the climate and the style of living put people so much on view, there were two women, without men, and their two little boys.

The young couple with their children: interesting that, the turning point, the moment of change. For a time, seen, commented on, a focus, the young parents, by definition sexual beings, and tagging along or running around them the pretty children. ‘Oh, what a lovely little boy, what a pretty little girl, What's your name? – what a nice name!' – and then all at once, or so it seems, the parents, no longer quite so young, seem to lose height a little, even to
shrink, they certainly lose colour and lustre. ‘How old did you say he is, she is . . .' The young ones are shooting up and glamour has shifted its quarters. Eyes are following them, rather than the parents. ‘They do grow up so fast these days, don't they?'

The two good-looking women, together again as if men had not entered their equation at all, went about with the two beautiful boys, one rather delicate and poetic with sun-burnished locks falling over his forehead, and the other strong and athletic, friends, as their mothers had been at that age. There was a father in the picture, Harold, up north, but he'd shacked up with a young woman who presumably did not suffer from Roz's deficiencies. He came to visit, and stayed in Roz's house, but not in the bedroom (which had to strike both partners as absurd), and Tom visited him in his university. But the reality was, two women in their mid-thirties, and two lads who were not far off being young men. The houses, so close, opposite each other, seemed to belong to both families. ‘We are an extended family,' cried Roz, not one to let a situation remain undefined.

The beauty of young boys – now, that isn't an easy thing. Girls, yes, full of their enticing eggs, the mothers of us all, that makes sense, they should be beautiful and usually are, even if only for a year or a day. But boys – why? What for? There is a time, a short time, at about sixteen, seventeen, when they have a poetic aura. They are like young gods. Their families and their friends may be awed
by these beings who seem visitors from a finer air. They are often unaware of it, seeming to themselves more like awkwardly packed parcels they are trying to hold together.

Roz and Lil lolled on the little verandah overlooking the sea, and saw the two boys come walking up the path, frowning a little, dangling swimming things they would put to dry on the verandah wall, and they were so beautiful the two women sat up to look at each other, sharing incredulity. ‘Good God!' said Roz. ‘Yes,' said Lil. ‘
We
made that,
we
made them,' said Roz. ‘If we didn't, who did?' said Lil. And the boys, having disposed of their towels and trunks, went past with smiles that indicated they were busy on their own affairs: they did not want to be summoned for food or to tidy their beds, or something equally unimportant.

‘My God!' said Roz again. ‘Wait, Lil . . .' She got up and went inside, and Lil waited, smiling a little to herself, as she often did, at her friend's dramatic ways. Out came Roz with a book in her hand, a photograph album. She pushed her chair against Lil's, and together they turned the pages past babies on rugs, babies in baths – themselves, then ‘her first step' and ‘the first tooth' – and they were at the page they knew they both sought. Two girls, at about sixteen.

‘My God!' said Roz.

‘We didn't do too badly, then,' said Lil.

Pretty girls, yes, very, all sugar and spice, but if photographs were taken now of Ian and Tom, would they show the glamour that stopped the breath when one saw them
walk across a room or saunter up out of the waves?

They lingered over the pages of themselves, in this album, Roz's; Lil's would have to be the same. Photographs of Roz, with Lil. Two pretty girls.

What they were looking for they did not find. Nowhere could they find the shine of unearthliness that illuminated their two sons, at this time.

And there they were sitting, the album spread out across both their stretched-out brown legs – they were in bikinis – when the boys came out, glasses of fruit juice in their hands.

They sat on the wall of the verandah's edge and contemplated their mothers, Roz and Lil.

‘What are they doing?' Ian seriously asked Tom.

‘What are they doing?' echoed Tom, owlishly, joking as always. He jumped up, peered down at the open page, half on Roz's, half on Lil's knees, and returned to his place. ‘They are admiring their beauty when they were nymphets,' he reported to Ian. ‘Aren't you, Ma?' he said to Roz.

‘That's right,' said Roz. ‘Tempus fugit. It fugits like anything. You have no idea – yet. We wanted to find out what we were like all those years ago.'

‘Not so many years,' said Lil.

‘Don't bother to count,' said Roz. ‘Enough years.'

Now Ian captured the album off the women's thighs, and he and Tom sat staring at the girls, their mothers.

‘They weren't bad,' said Tom to Ian.

'Not bad at all,' said Ian to Tom.

The women smiled at each other: more of a grimace.

‘But you are better now,' said Ian, and went red.

‘Oh, you are charming,' said Roz, accepting the compliment for herself.

‘I don't know,' said the clown, Tom, pretending to compare the old photographs with the two women sitting there, in their bikinis. ‘I don't know. Now? –' and he screwed up his eyes for the examination. ‘And then.' He bent to goggle at the photographs.

‘Now has it,' he pronounced. ‘Yes, better now.' And at this the two boys fell to foot-and-shoulder wrestling, or jostling, as they often still did, like boys, though what people saw were young gods who couldn't take a step or make a gesture that was not from some archaic vase, or antique dance.

‘Our mothers,' said Tom, toasting them in orange juice.

‘Our mothers,' said Ian, smiling directly at Roz in a way that made her shift about in her chair and move her legs.

Roz had said to Lil that Ian had a crush on her, Roz, and Lil had said, ‘Well, never mind, he'll get over it.'

What Ian was not getting over, had not begun to get over, was his father's death, already a couple of years behind, in time. From the moment he had ceased to have a father he had pined, becoming thinner, almost transparent, so that his mother complained, ‘Do eat, Ian, eat something – you must.'

‘Oh, leave me alone.'

It was all right for Tom, whose father turned up sometimes, and whom he visited up there in his landlocked university. But Ian had nothing, not even warming memories. Where his father should have been, unsatisfactory as he had been with his affairs and his frequent absences, was nothing, a blank, and Ian tried to put a brave face on it, had bad dreams, and both women's hearts ached for him.

A big boy, his eyes heavy with crying, he would go to his mother, where she sat on a sofa, and collapse beside her, and she would put her arms around him. Or go to Roz, and she embraced him, ‘Poor Ian.'

And Tom watched this, seriously, coming to terms with this grief, not his own, but its presence so close in his friend, his almost brother, Ian. ‘They are like brothers,' people said. ‘Those two, they might as well be brothers.' But in one a calamity was eating away, like a cancer, and not in the other, who tried to imagine the pain of grief and failed.

One night, Roz got up out of her bed to fetch herself a drink from the fridge. Ian was in the house, staying the night with Tom, as so often happened. He would use the second bed in Tom's room, or Harold's room, where he was now. Roz heard him crying and without hesitation went in to put her arms around him, cuddled him like a small boy, as after all she had been doing all his life. He went to sleep in her arms and in the morning his looks at her were demanding, hungry, painful. Roz was silent, contemplating
the events of the night. She did not tell Lil what had happened. But what had happened? Nothing that had not a hundred times before. But it was odd. ‘She didn't want to worry her!' Really? When had she ever been inhibited from telling Lil everything?

It happened that Tom was over at Lil's house, across the street, with Ian, for a couple of nights. Roz alone, telephoned Harold, and they had an almost connubial chat.

‘How's Tom?'

‘Oh, he's fine. Tom's always fine. But Ian's not too good. He really is taking Theo's death hard.'

‘Poor kid, he'll get over it.'

‘He's taking his time, then. Listen, Harold, next time you come perhaps you could take out Ian by himself?'

‘What about Tom?'

‘Tom'd understand. He's worried about Ian, I know.'

‘Right. I'll do that. Count on me.'

And Harold did come, and did take Ian off for a long walk along the sea's edge, and Ian talked to Harold, whom he had known all his life, more like a second father.

‘He's very unhappy,' Harold reported to Roz and to Lil.

‘I know he is,' said Lil.

‘He thinks he's no good. He thinks he's a failure.'

The adults stared at this fact, as if it were something they could actually see.