Authors: Daniel Handler
“I am,” Joe said, “certainly sure of myself. I am certain.”
“So you want to go to the Black Elephant?”
“I never want to go anywhere else in my whole life.”
A squawk on the taxi radio distracted the lady from maybe realizing anything more about Joe for the moment. She picked up the speaker device and spoke into it, saying “Yes” and “No” and “No” and “The Black Elephant” and “The Black Elephant” and “Down near Wyatt” and “No” and “No” “Eleven” and “Nowhere near there” and “No” in a voice curdled with talking to someone she didn’t like. Joe loved the listen of it, the beat of her annoyance, and realized he was syncing it up with the song he was thinking about anyway. The song is called “Lady Cab Driver” and the real lyrics are like this:
Lady cab driver can U take me for a ride
Don’t know where I’m going cause I don’t know
where I’ve been
So just put your foot on the gas—let’s drive
Lady don’t ask questions, I promise I’ll tell U no lies
Trouble winds-a-blowin’ I’m growin cold
Get me outta here I feel like I’m gonna die
Lady cab driver, roll up our window fast
Lately trouble winds are blowin hard
And I don’t know if I can last
Lady I’m so lonely I know that’s not the way to be
I don’t want isolation but the air it makes me cold
Drive it baby drive it, drive this demon out of me
Take me to your mansion honey let’s go everywhere
Help me girl I’m drowin’ mass confusion in my head
Will U accept my tears to pay the fare
Lady cab driver, roll up your window fast
Lately trouble winds are blowin’ hard
And I don’t know if I can last
and that’s it. Those are the whole lyrics. “Did you hear that guy?” the lady asked. “That’s Drecko. He tried to fire me last night and now he wants me to do him a favor.”
“He’s a terrible person,” Joe said. “I challenge him to a swordfight and anybody else who tries to fire you.”
“I like you,” the lady said and laughed with her hair needing combing.
“I like you and I like taxis,” Joe said. “Taxis are the best way to travel. I’m only going to take taxis from now on.”
“That’ll be expensive,” the lady said.
“I should be earning twelve times my current salary,” Joe said. “I’m doing the most important work on Earth. People are dying every day and people are still stupid about it. Those people—it’s a long story—are the worst people on Earth. Drecko is one of them.”
“He sure is,” the lady agreed. “You know, I’m not sure the Black Elephant is even open now.”
“Sure it is,” Joe said. “An impressive hand is carrying me through all seemingly locked doors.”
“You’re acting kinda kooky,” the lady said. “Are you drunk? A religious nut?”
“I guess I’m feeling religious,” Joe said. “I guess I’m starting a religion that believes taxis are better than buses and tipping you fifty dollars is a religious sacrament. Why can’t I start a religion? Lots of people did it a long time ago, and where are they now?”
“Dead,” the lady said.
“When you were talking to Drecko,” Joe said, “I was thinking of that song ‘Lady Cab Driver,’ do you know that song?”
“Everybody sings it to me,” the lady said.
“It’s the best song on Earth,” Joe said. “I’ll buy it for you on CD. It’s my new hymn. It’s the best song there is and it makes me happy just to think about it. How many happy people do you think there are in the world? Twelve?”
“I don’t know,” the lady said. She shrugged and the two of them watched someone very old and very short walk slowly in front of them. Character description: Chinese. Old woman. Not lonely. Has groceries she paid for herself, Joe would judge. Anyone normal would judge. This is it, the job we are given, to form some specific and inexplicable judgment, to prefer the delicious food that is offered to the selfish money we might otherwise keep. Even that bird there, ignoring the Chinese woman in favor of something to eat or make into a nest, could tell you that in chirp language. Love is a preference, and Joe found one as he was summoned to do. He found the love story he preferred, although he didn’t render this judgment officially until three years
later when he and this cabdriver right here lay laughing and naked over how giddy he was during the miracle, during the blatant afternoon they met. “My friends sure aren’t happy,” the lady said, thinking about what was said instead of what was walking which was her right as a citizen. “My friend Joe used to be happy I guess, but then he got heartbroken.”
“I got heartbroken myself,” Joe said. “At the time we said it wasn’t anybody’s fault but it was mine. I’m guilty of that most certainly. But at least she got happy again. I’m happy to say she got happy again although it makes me sad to admit it, if you know what I mean.”
“I know what you mean and what can you do?” the lady said. “My old boyfriend got sued by his own mother.”
“I rule that the mother is at fault,” Joe said. “She’s a terrible criminal, that mother, and so is your old boyfriend unless you don’t think so and have evidence to the contrary. What are we thinking? A volcano could destroy this town tomorrow, or guys with guns. Or both. Of course there’s going to be another catastrophe.”
“Of course,” the lady agreed, “but both? I don’t think that’s likely.”
“Likely?” Joe said. “What are the odds that I’m in this cab?”
The lady smiled the same smile, but Joe wasn’t tired of it. No one ever got tired of this kind of smile, this smile of recognition but pretending not to recognize one another, to keep it strung along, to make the story more interesting as everything happens. Like a song on the radio, if you know what I mean and who
doesn’t. The right song, hitting your ears from the shuffle of everything else they play out there. The world could end waiting for it, just some song on the radio, but then one day you click the button and it’s on, and all the traffic in the world can’t matter. Nothing can drown out this song, and look! Out the window the two of them could see it: finally finally finally, a truck was pulling up in front of a café and unloading a mountain of potatoes, shiny with plastic wrap, so some wondrous chef could cook everyone breakfast. “From where I sit,” she said, “the odds are one hundred percent.”
Joe leaned back in his seat. “You’re the best person I met today and I am going to the Black Elephant and I’m going to be happy every day beginning at eight-thirty sharp. It’s my job.”
The street stopped whizzing by and the lady cabdriver turned around and pointed at a number showing on the meter in red electric lights. Electricity was invented in the United States if you believe such things but you don’t have to. Nobody has to. The lady pointed at Joe’s number and held out her beautiful, beautiful open palm. Never seen anything so beautiful, never never, Joe and the taxi in the middle of a big fat blessing.
“You’ve arrived,” she said.
D
ANIEL
H
ANDLER
is the author of the novels
The Basic Eight
and
Watch Your Mouth
, and as Lemony Snicket, a sequence of children’s novels collectively entitled
A Series of Unfortunate Events
.
Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.
“Handler’s killer hook is his gymnastic prose…what stays with you is the music: the elegantly rendered emotion, the linguistic somersaults, the brilliantly turned reminders that there are a million ways to describe love and none of them will be the last word.”
—
New York Times Book Review
“[Handler] is very, very clever. And this time around, there is more to Handler’s ingenuity than his usual cheeky humor…. [
Adverbs
] has a cumulative power that is not fully evident until its final pages.”
—
Los Angeles Times
“[
Adverbs
] works brilliantly and poignantly, taking its ruminations on the complexity and fallibility of love to avian heights.”
—
Washington Post Book World
“Handler’s third work for adults is a dizzying read, defying categorization…. People…who can handle the fun-house distortions will find wicked humor, odd refractions, and, occasionally, brilliance.”
—
People
“With
Adverbs
, Daniel Handler, who’s always been a great stylist, goes ten steps further, to become something like an American Nabokov. He and the Russian man share a rapturous love of words, a quick and delicate wit, and a lyrical elegance that makes every single sentence silly with pleasure. On a broader level,
Adverbs
describes adolescence, friendship, and love with such freshness and power that you feel drunk and beaten up but still wanting to leave your own world and enter the one Handler’s created. Anyone who lives to read gorgeous writing will want to lick this book and sleep with it between their legs.”
—Dave Eggers
“This lovely, lilting book…dramatizes love’s cross-purposes with panache.”
—
Publishers Weekly
(starred review)
“The stories are clever, unsettling, confusing, and often brilliantly moving.”
—
Library Journal
“There are good books and there are great books. And then there are books like Daniel Handler’s
Adverbs
…. It’s a Bloody Mary for the hungover heart. I have such a crush on this book….With his third adult book [Handler] proves himself the master of the love story.”
—
BookPage
“Brilliantly kooky and off-kilter.”
—
Cleveland Plain Dealer
“One of our most dazzling literary conjurers shuffles the deck of contemporary consciousness and desire. A thrilling feat of tragic magic.”
—Michael Chabon
ADVERBS
. Copyright © 2006 by Daniel Handler. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
EPub © Edition AUGUST 2007 ISBN: 9780061983504
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