All's Well That Ends Well (4 page)

Read All's Well That Ends Well Online

Authors: William Shakespeare

LINGUISTIC MEDIUM:
55% verse, 45% prose.

DATE:
No external evidence to indicate when written or first performed; usually dated to early Jacobean years (1603—06) on stylistic grounds and because of similarity to
Measure for Measure
. Moments of anti-puritan satire do not help in determining a specific date.

SOURCES:
Main plot derived from Giovanni Boccaccio's
Decameron
(Italian, fourteenth century) by way of William Painter's English translation,
The Palace of Pleasure
(1566); Countess and Lafew are Shakespeare's invention, as is Parolles, who is in the tradition of the braggart soldier of classical comedy—a character type of which the greatest Elizabethan examples were Falstaff in
Henry IV
and Captain Bobadil in Ben Jonson's
Every Man in His Humour
.

TEXT:
First Folio of 1623 is only early printed text. Many features such as misassigned speeches, repeated speech headings, inconsistent naming, and probably misplaced lines suggest that the manuscript was not neatly prepared and that it caused confusion to the printers. Apparent authorial first thoughts suggest influence of Shakespeare's working manuscript, while music cues suggest that of the theatrical promptbook. Of the many textual problems, the most frustrating concerns the two lords/brothers Dumaine: they have several different designations, variants on “1 Lord G.” and “2 Lord E.,” “French E.” and “French G.,” “Captain G.” and “Captain E.” The initials are sometimes supposed to refer to actors' names. Shakespeare sometimes seems to forget whether “G.” is “1” and “E.” is “2” or vice versa. This means, for instance, that there is confusion over which brother leads the ambush of Parolles and which accompanies Bertram as he sets off to seduce Diana. We have adopted a solution that is dramatically consistent while requiring only minimal alteration of Folio's speech ascriptions.

ALL'S WELL THAT ENDS WELL

 
LIST OF PARTS

BERTRAM
, Count of Rossillion

COUNTESS
of Rossillion, his mother

HELEN
(occasionally known as Helena), an orphan in the protection of the countess

REYNALDO
, steward to the countess

LAVATCH
, clown in the countess' household

PAROLLES
, a boastful follower of Bertram

KING
of France

LAFEW
, an old French lord

GENTLEMEN
of the French court including an Astringer

Brothers who become captains in the Florentine army

FIRST LORD
Dumaine

SECOND LORD
Dumaine

FIRST SOLDIER
, who plays role of interpreter

DUKE
of Florence

WIDOW
, Capilet of Florence

DIANA
, her daughter

MARIANA
, her friend

Lords, Attendants including a Page, Soldiers, people of Florence

Act 1 Scene 1

running scene 1

Enter young Bertram
, [
the
]
Count of Rossillion, his mother
[
the Countess
]
, and Helena, Lord Lafew, all in black

COUNTESS
    In
delivering
1
my son from me, I bury a second

husband.

BERTRAM
    And I in going, madam, weep o'er my father's death

anew; but I must
attend
4
his majesty's command, to whom I

am now
in ward
, evermore in
subjection.
5

LAFEW
    You shall find
of
the king a
husband
6
, madam, you,

sir, a father. He that so
generally
7
is at all times good must of

necessity
hold
his
virtue
to you,
whose
worthiness would
stir
8

it up where it wanted rather than lack it
where there is such
9

abundance.

COUNTESS
    What hope is there of his majesty's
amendment?
11

LAFEW
    He hath abandoned his physicians, madam, under

whose
practices
he hath
persecuted time
13
with hope, and

finds no other advantage in the process but only the losing of

hope by time.

COUNTESS
    This young gentlewoman had a father — O, that

‘had'! How sad a
passage
17
'tis! — whose skill was almost as

great as his
honesty
18
, had it stretched so far, would have made

nature immortal, and death should have play for lack of

work.
Would
20
for the king's sake he were living! I think it

would be the death of the king's disease.

LAFEW
    How called you the man you speak of, madam?

COUNTESS
    He was famous, sir, in his profession, and it was his

great right to be so: Gerard de
Narbon.
24

LAFEW
    He was excellent indeed, madam. The king very

lately spoke of him admiringly and mourningly: he was

skilful enough to have lived
still
27
, if knowledge could be set up

against mortality.

BERTRAM
    What is it, my good lord, the king languishes of?

LAFEW
    A
fistula
30
, my lord.

BERTRAM
    I heard not of it before.

LAFEW
    I would it were not
notorious.
32
Was this

gentlewoman the daughter of Gerard de Narbon?

COUNTESS
    His sole child, my lord, and bequeathed to my

overlooking.
I have those
hopes of her good
35
that her

education
promises her
dispositions
36
she inherits, which

makes fair gifts fairer. For where an
unclean
37
mind carries

virtuous qualities
, there commendations
go with pity
38
, they

are virtues and traitors too. In her they are the better for

their
simpleness
; she
derives
40
her honesty and achieves her

goodness.

LAFEW
    Your commendations, madam, get from her tears.

COUNTESS
    'Tis the best brine a maiden can
season
43
her praise

in. The remembrance of her father never approaches her

heart but the tyranny of her sorrows takes all
livelihood
45

from her cheek. No more of this, Helena.
Go to
46
, no more, lest

it be rather thought you
affect
a sorrow
than to have.
47

HELEN
    I do affect a sorrow indeed, but I have it too.

LAFEW
    Moderate lamentation is the right
of
49
the dead,

excessive grief the enemy to the living.

COUNTESS
    
If the living be enemy to the grief, the excess makes
51

it soon mortal.

BERTRAM
    Madam, I desire your
holy
53
wishes.

LAFEW
    
How understand we that?
54

COUNTESS
    Be thou blest, Bertram, and succeed thy father

In
manners
as in
shape.
Thy
blood
56
and virtue

Contend for
empire
57
in thee, and thy goodness

Share with thy
birthright.
58
Love all, trust a few,

Do wrong to none. Be
able
59
for thine enemy

Rather in
power
than use, and
keep thy friend
60

Under thy own life's key. Be
checked
61
for silence,

But never
taxed
for speech.
What
heaven
more will
62
,

That thee may furnish and my prayers
pluck
63
down,

To Lafew

Fall on thy head! Farewell.— My lord,

'Tis an
unseasoned
65
courtier. Good my lord,

Advise him.

LAFEW
    He cannot
want
the
best
67

That shall attend
his love.
68

COUNTESS
    Heaven bless him.— Farewell, Bertram.

[
Exit
]

To Helen

BERTRAM
    The best wishes that can be
forged
70
in your

thoughts be servants to you! Be
comfortable
71
to my mother,

your mistress, and
make much of
72
her.

LAFEW
    Farewell, pretty lady. You must
hold
the
credit
73
of

your father.

[
Exeunt Bertram and Lafew
]

HELEN
    O, were that all! I think not on my father,

And
these great tears grace his remembrance more
76

Than those I shed for him. What was he like?

I have forgot him. My imagination

Carries no
favour
79
in't but Bertram's.

I am
undone.
80
There is no living, none,

If Bertram be away.
'Twere all one
81

That I should love a bright particular star

And think to wed it, he is so above me.

In his bright radiance and
collateral
84
light

Must I be comforted, not in his
sphere
85
;

Th'ambition in my love thus plagues itself:

The
hind
87
that would be mated by the lion

Must die for love. 'Twas
pretty
88
, though a plague,

To see him every hour, to sit and draw

His archèd brows, his
hawking
90
eye, his curls

In our heart's
table
— heart too
capable
91

Of every line and
trick
of his sweet
favour
92
:

But now he's gone, and my idolatrous
fancy
93

Must sanctify his
relics.
94
Who comes here?

Enter
Parolles

Aside

One that goes with him: I love him for
his
95
sake,

And yet I know him a notorious liar,

Think him a
great way
fool,
solely
97
a coward.

Yet these
fixed
evils sit so
fit
98
in him

That they
take place
when virtue's
steely
99
bones

Looks bleak i'th'cold wind.
Withal
,
full oft
100
we see

Cold wisdom
waiting on
superfluous
101
folly.

PAROLLES
    
Save
you, fair
queen!
102

HELEN
    And you, monarch!

PAROLLES
    No.

HELEN
    And no.

PAROLLES
    Are you meditating on virginity?

HELEN
    Ay. You have some
stain
107
of soldier in you. Let me ask

you a question. Man is enemy to virginity: how may we

barricado
109
it against him?

PAROLLES
    
Keep
110
him out.

HELEN
    But he assails, and our virginity, though valiant, in

the defence yet is weak.
Unfold
112
to us some warlike resistance.

PAROLLES
    There is none. Man
setting down before you
113
will

undermine
you and
blow you up.
114

HELEN
    
Bless
115
our poor virginity from underminers and

blowers up! Is there no military
policy
116
how virgins might

blow up men?

PAROLLES
    Virginity being blown down, man will quicklier
be
118

blown up.
Marry
, in
blowing him down
119
again, with the

breach
yourselves made, you lose your
city.
It is not
politic
120
in

the commonwealth of nature to preserve virginity. Loss of

virginity is
rational increase
, and there was never virgin
got
122

till virginity was first lost.
That
you were made of is
mettle
123
to

make virgins. Virginity by being once lost may be ten times

found.
By being ever kept, it is ever lost. 'Tis too
cold
125
a

companion. Away with't!

HELEN
    I will
stand for't
127
a little, though therefore I die a

virgin.

PAROLLES
    There's little can be said
in't
129
, 'tis against the rule of

nature. To speak on the
part
130
of virginity is to accuse your

mothers, which is most
infallible
disobedience.
He that
131

hangs himself is a virgin: virginity murders itself and should

be buried in
highways out of all sanctified limit
133
, as a

desperate
offendress
134
against nature. Virginity breeds mites,

much like a cheese, consumes itself to the very
paring
135
, and

so dies with feeding
his
own
stomach.
136
Besides, virginity is

peevish
137
, proud, idle, made of self-love, which is the most

inhibited
sin in the
canon.
138
Keep it not, you cannot choose

but
lose
by't.
Out with't!
Within ten year it will
make itself
139

two, which is a goodly increase, and the
principal
140
itself not

much the worse. Away with't!

HELEN
    
How
142
might one do, sir, to lose it to her own liking?

PAROLLES
    Let me see. Marry, ill, to like him that ne'er
it
143
likes.

'Tis a commodity will lose the
gloss
with
lying
144
: the longer

kept, the less worth. Off with't while 'tis
vendible.
Answer
145

the time of request. Virginity, like an old courtier, wears her

cap out of fashion: richly
suited
but
unsuitable
147
, just like the

brooch and the
toothpick
, which
wear not
now. Your
date
148
is

better in your
pie
and your
porridge
than
in your cheek.
149
And

your virginity, your old virginity, is like one of our French

withered
pears
: it looks ill, it
eats dryly.
151
Marry, 'tis a withered

pear: it was formerly better: marry, yet 'tis a withered pear.

Will you anything with it?

HELEN
    Not my virginity yet —

There
155
shall your master have a thousand loves,

A
mother
156
and a mistress and a friend,

A
phoenix
157
, captain and an enemy,

A guide, a goddess, and a sovereign,

A counsellor, a traitress, and a dear.

His humble ambition, proud humility,

His jarring
concord
, and his discord
dulcet
161
,

His faith, his sweet
disaster.
162
With a world

Of pretty,
fond
,
adoptious
christendoms
163

That
blinking
Cupid
gossips.
164
Now shall he —

I know not what he shall. God send him
well!
165

The court's a learning place, and he is one—

PAROLLES
    What one, i'faith?

HELEN
    That I wish well. 'Tis pity—

PAROLLES
    What's pity?

HELEN
    That wishing well had not a
body
170
in't,

Which might be felt, that we, the poorer born,

Whose
baser stars
do
shut us up in
172
wishes,

Might with
effects of them
173
follow our friends,

And show what we
alone must think
174
, which never

Returns us
thanks.
175

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