Read All's Well That Ends Well Online
Authors: William Shakespeare
LINGUISTIC MEDIUM:
55% verse, 45% prose.
DATE:
No external evidence to indicate when written or first performed; usually dated to early Jacobean years (1603â06) on stylistic grounds and because of similarity to
Measure for Measure
. Moments of anti-puritan satire do not help in determining a specific date.
SOURCES:
Main plot derived from Giovanni Boccaccio's
Decameron
(Italian, fourteenth century) by way of William Painter's English translation,
The Palace of Pleasure
(1566); Countess and Lafew are Shakespeare's invention, as is Parolles, who is in the tradition of the braggart soldier of classical comedyâa character type of which the greatest Elizabethan examples were Falstaff in
Henry IV
and Captain Bobadil in Ben Jonson's
Every Man in His Humour
.
TEXT:
First Folio of 1623 is only early printed text. Many features such as misassigned speeches, repeated speech headings, inconsistent naming, and probably misplaced lines suggest that the manuscript was not neatly prepared and that it caused confusion to the printers. Apparent authorial first thoughts suggest influence of Shakespeare's working manuscript, while music cues suggest that of the theatrical promptbook. Of the many textual problems, the most frustrating concerns the two lords/brothers Dumaine: they have several different designations, variants on “1 Lord G.” and “2 Lord E.,” “French E.” and “French G.,” “Captain G.” and “Captain E.” The initials are sometimes supposed to refer to actors' names. Shakespeare sometimes seems to forget whether “G.” is “1” and “E.” is “2” or vice versa. This means, for instance, that there is confusion over which brother leads the ambush of Parolles and which accompanies Bertram as he sets off to seduce Diana. We have adopted a solution that is dramatically consistent while requiring only minimal alteration of Folio's speech ascriptions.
ALL'S WELL THAT ENDS WELL
BERTRAM
, Count of Rossillion
COUNTESS
of Rossillion, his mother
HELEN
(occasionally known as Helena), an orphan in the protection of the countess
REYNALDO
, steward to the countess
LAVATCH
, clown in the countess' household
PAROLLES
, a boastful follower of Bertram
KING
of France
LAFEW
, an old French lord
GENTLEMEN
of the French court including an Astringer
Brothers who become captains in the Florentine army
FIRST LORD
Dumaine
SECOND LORD
Dumaine
FIRST SOLDIER
, who plays role of interpreter
DUKE
of Florence
WIDOW
, Capilet of Florence
DIANA
, her daughter
MARIANA
, her friend
Lords, Attendants including a Page, Soldiers, people of Florence
running scene 1
Enter young Bertram
, [
the
]
Count of Rossillion, his mother
[
the Countess
]
, and Helena, Lord Lafew, all in black
COUNTESS
â
â
â
â
In
delivering
1
my son from me, I bury a second
husband.
BERTRAM
â
â
â
â
And I in going, madam, weep o'er my father's death
anew; but I must
attend
4
his majesty's command, to whom I
am now
in ward
, evermore in
subjection.
5
LAFEW
â
â
â
â
You shall find
of
the king a
husband
6
, madam, you,
sir, a father. He that so
generally
7
is at all times good must of
necessity
hold
his
virtue
to you,
whose
worthiness would
stir
8
it up where it wanted rather than lack it
where there is such
9
abundance.
COUNTESS
â
â
â
â
What hope is there of his majesty's
amendment?
11
LAFEW
â
â
â
â
He hath abandoned his physicians, madam, under
whose
practices
he hath
persecuted time
13
with hope, and
finds no other advantage in the process but only the losing of
hope by time.
COUNTESS
â
â
â
â
This young gentlewoman had a father â O, that
âhad'! How sad a
passage
17
'tis! â whose skill was almost as
great as his
honesty
18
, had it stretched so far, would have made
nature immortal, and death should have play for lack of
work.
Would
20
for the king's sake he were living! I think it
would be the death of the king's disease.
LAFEW
â
â
â
â
How called you the man you speak of, madam?
COUNTESS
â
â
â
â
He was famous, sir, in his profession, and it was his
great right to be so: Gerard de
Narbon.
24
LAFEW
â
â
â
â
He was excellent indeed, madam. The king very
lately spoke of him admiringly and mourningly: he was
skilful enough to have lived
still
27
, if knowledge could be set up
against mortality.
BERTRAM
â
â
â
â
What is it, my good lord, the king languishes of?
LAFEW
â
â
â
â
A
fistula
30
, my lord.
BERTRAM
â
â
â
â
I heard not of it before.
LAFEW
â
â
â
â
I would it were not
notorious.
32
Was this
gentlewoman the daughter of Gerard de Narbon?
COUNTESS
â
â
â
â
His sole child, my lord, and bequeathed to my
overlooking.
I have those
hopes of her good
35
that her
education
promises her
dispositions
36
she inherits, which
makes fair gifts fairer. For where an
unclean
37
mind carries
virtuous qualities
, there commendations
go with pity
38
, they
are virtues and traitors too. In her they are the better for
their
simpleness
; she
derives
40
her honesty and achieves her
goodness.
LAFEW
â
â
â
â
Your commendations, madam, get from her tears.
COUNTESS
â
â
â
â
'Tis the best brine a maiden can
season
43
her praise
in. The remembrance of her father never approaches her
heart but the tyranny of her sorrows takes all
livelihood
45
from her cheek. No more of this, Helena.
Go to
46
, no more, lest
it be rather thought you
affect
a sorrow
than to have.
47
HELEN
â
â
â
â
I do affect a sorrow indeed, but I have it too.
LAFEW
â
â
â
â
Moderate lamentation is the right
of
49
the dead,
excessive grief the enemy to the living.
COUNTESS
â
â
â
â
If the living be enemy to the grief, the excess makes
51
it soon mortal.
BERTRAM
â
â
â
â
Madam, I desire your
holy
53
wishes.
LAFEW
â
â
â
â
How understand we that?
54
COUNTESS
â
â
â
â
Be thou blest, Bertram, and succeed thy father
In
manners
as in
shape.
Thy
blood
56
and virtue
Contend for
empire
57
in thee, and thy goodness
Share with thy
birthright.
58
Love all, trust a few,
Do wrong to none. Be
able
59
for thine enemy
Rather in
power
than use, and
keep thy friend
60
Under thy own life's key. Be
checked
61
for silence,
But never
taxed
for speech.
What
heaven
more will
62
,
That thee may furnish and my prayers
pluck
63
down,
To Lafew
Fall on thy head! Farewell.â My lord,
'Tis an
unseasoned
65
courtier. Good my lord,
Advise him.
LAFEW
â
â
â
â
He cannot
want
the
best
67
That shall attend
his love.
68
COUNTESS
â
â
â
â
Heaven bless him.â Farewell, Bertram.
[
Exit
]
To Helen
BERTRAM
â
â
â
â
The best wishes that can be
forged
70
in your
thoughts be servants to you! Be
comfortable
71
to my mother,
your mistress, and
make much of
72
her.
LAFEW
â
â
â
â
Farewell, pretty lady. You must
hold
the
credit
73
of
your father.
[
Exeunt Bertram and Lafew
]
HELEN
â
â
â
â
O, were that all! I think not on my father,
And
these great tears grace his remembrance more
76
Than those I shed for him. What was he like?
I have forgot him. My imagination
Carries no
favour
79
in't but Bertram's.
I am
undone.
80
There is no living, none,
If Bertram be away.
'Twere all one
81
That I should love a bright particular star
And think to wed it, he is so above me.
In his bright radiance and
collateral
84
light
Must I be comforted, not in his
sphere
85
;
Th'ambition in my love thus plagues itself:
The
hind
87
that would be mated by the lion
Must die for love. 'Twas
pretty
88
, though a plague,
To see him every hour, to sit and draw
His archèd brows, his
hawking
90
eye, his curls
In our heart's
table
â heart too
capable
91
Of every line and
trick
of his sweet
favour
92
:
But now he's gone, and my idolatrous
fancy
93
Must sanctify his
relics.
94
Who comes here?
Enter
Parolles
Aside
One that goes with him: I love him for
his
95
sake,
And yet I know him a notorious liar,
Think him a
great way
fool,
solely
97
a coward.
Yet these
fixed
evils sit so
fit
98
in him
That they
take place
when virtue's
steely
99
bones
Looks bleak i'th'cold wind.
Withal
,
full oft
100
we see
Cold wisdom
waiting on
superfluous
101
folly.
PAROLLES
â
â
â
â
Save
you, fair
queen!
102
HELEN
â
â
â
â
And you, monarch!
PAROLLES
â
â
â
â
No.
HELEN
â
â
â
â
And no.
PAROLLES
â
â
â
â
Are you meditating on virginity?
HELEN
â
â
â
â
Ay. You have some
stain
107
of soldier in you. Let me ask
you a question. Man is enemy to virginity: how may we
barricado
109
it against him?
PAROLLES
â
â
â
â
Keep
110
him out.
HELEN
â
â
â
â
But he assails, and our virginity, though valiant, in
the defence yet is weak.
Unfold
112
to us some warlike resistance.
PAROLLES
â
â
â
â
There is none. Man
setting down before you
113
will
undermine
you and
blow you up.
114
HELEN
â
â
â
â
Bless
115
our poor virginity from underminers and
blowers up! Is there no military
policy
116
how virgins might
blow up men?
PAROLLES
â
â
â
â
Virginity being blown down, man will quicklier
be
118
blown up.
Marry
, in
blowing him down
119
again, with the
breach
yourselves made, you lose your
city.
It is not
politic
120
in
the commonwealth of nature to preserve virginity. Loss of
virginity is
rational increase
, and there was never virgin
got
122
till virginity was first lost.
That
you were made of is
mettle
123
to
make virgins. Virginity by being once lost may be ten times
found.
By being ever kept, it is ever lost. 'Tis too
cold
125
a
companion. Away with't!
HELEN
â
â
â
â
I will
stand for't
127
a little, though therefore I die a
virgin.
PAROLLES
â
â
â
â
There's little can be said
in't
129
, 'tis against the rule of
nature. To speak on the
part
130
of virginity is to accuse your
mothers, which is most
infallible
disobedience.
He that
131
hangs himself is a virgin: virginity murders itself and should
be buried in
highways out of all sanctified limit
133
, as a
desperate
offendress
134
against nature. Virginity breeds mites,
much like a cheese, consumes itself to the very
paring
135
, and
so dies with feeding
his
own
stomach.
136
Besides, virginity is
peevish
137
, proud, idle, made of self-love, which is the most
inhibited
sin in the
canon.
138
Keep it not, you cannot choose
but
lose
by't.
Out with't!
Within ten year it will
make itself
139
two, which is a goodly increase, and the
principal
140
itself not
much the worse. Away with't!
HELEN
â
â
â
â
How
142
might one do, sir, to lose it to her own liking?
PAROLLES
â
â
â
â
Let me see. Marry, ill, to like him that ne'er
it
143
likes.
'Tis a commodity will lose the
gloss
with
lying
144
: the longer
kept, the less worth. Off with't while 'tis
vendible.
Answer
145
the time of request. Virginity, like an old courtier, wears her
cap out of fashion: richly
suited
but
unsuitable
147
, just like the
brooch and the
toothpick
, which
wear not
now. Your
date
148
is
better in your
pie
and your
porridge
than
in your cheek.
149
And
your virginity, your old virginity, is like one of our French
withered
pears
: it looks ill, it
eats dryly.
151
Marry, 'tis a withered
pear: it was formerly better: marry, yet 'tis a withered pear.
Will you anything with it?
HELEN
â
â
â
â
Not my virginity yet â
There
155
shall your master have a thousand loves,
A
mother
156
and a mistress and a friend,
A
phoenix
157
, captain and an enemy,
A guide, a goddess, and a sovereign,
A counsellor, a traitress, and a dear.
His humble ambition, proud humility,
His jarring
concord
, and his discord
dulcet
161
,
His faith, his sweet
disaster.
162
With a world
Of pretty,
fond
,
adoptious
christendoms
163
That
blinking
Cupid
gossips.
164
Now shall he â
I know not what he shall. God send him
well!
165
The court's a learning place, and he is oneâ
PAROLLES
â
â
â
â
What one, i'faith?
HELEN
â
â
â
â
That I wish well. 'Tis pityâ
PAROLLES
â
â
â
â
What's pity?
HELEN
â
â
â
â
That wishing well had not a
body
170
in't,
Which might be felt, that we, the poorer born,
Whose
baser stars
do
shut us up in
172
wishes,
Might with
effects of them
173
follow our friends,
And show what we
alone must think
174
, which never