Authors: William Shakespeare
[
Exit Jaques
]
Aside to Celia
ROSALIND
I will speak to him like a
saucy lackey
274
,
and under that
habit
play the knave
275
with him.— Do you
hear, forester?
ORLANDO
Very well. What would you?
ROSALIND
I pray you, what is’t o’clock?
ORLANDO
You should ask me what time o’day: there’s no clock
in the forest.
ROSALIND
Then there is no true lover in the forest, else sighing
every minute and groaning every hour would
detect
282
the lazy
foot of time as well as a clock.
ORLANDO
And why not the swift foot of time? Had not that
been as proper?
ROSALIND
By no means, sir; time travels in
divers
286
paces with
divers persons. I’ll tell you who time ambles withal, who time
trots withal, who time gallops withal and who he stands still
withal.
ORLANDO
I prithee, who doth he trot withal?
ROSALIND
Marry, he trots
hard
291
with a young maid between
the
contract of her marriage
292
and the day it is solemnized. If
the interim be but a
se’nnight
293
, time’s pace is so hard that it
seems the length of seven year.
ORLANDO
Who ambles time withal?
ROSALIND
With a priest that lacks Latin and a rich man that
hath not the gout, for the one sleeps easily because he
cannot study, and the other lives merrily because he feels no
pain: the one lacking the burden of
lean
and
wasteful
299
learning, the other knowing no burden of heavy
tedious
300
penury. These time ambles withal.
ORLANDO
Who doth he gallop withal?
ROSALIND
With a thief to the gallows, for though he go as
softly
304
as foot can fall, he thinks himself too soon there.
ORLANDO
Who stays it still withal?
ROSALIND
With lawyers in the
vacation
306
, for they sleep between
term
307
and term, and then they perceive not how time moves.
ORLANDO
Where dwell you, pretty youth?
ROSALIND
With this shepherdess, my sister, here in the
skirts
309
of
the forest, like fringe upon a petticoat.
ORLANDO
Are you native of this place?
ROSALIND
As the
cony
that you see dwell where she is
kindled
312
.
ORLANDO
Your accent is something finer than you could
purchase
in so
removed
314
a dwelling.
ROSALIND
I have been told so of many: but indeed an old
religious
316
uncle of mine taught me to speak, who was in his
youth an
inland
man, one that knew
courtship
317
too well, for
there he fell in love. I have heard him read many lectures
against it, and I thank God I am not a woman, to be
touched
319
with so many giddy offences as he hath
generally
320
taxed their
whole sex withal.
ORLANDO
Can you remember any of the principal evils that he
laid to the charge of women?
ROSALIND
There were none principal. They were all like one
another as half-pence are, every one fault seeming
monstrous till
his
326
fellow fault came to match it.
ORLANDO
I prithee recount some of them.
ROSALIND
No, I will not cast away my
physic
328
but on those that
are sick. There is a man
haunts
329
the forest that abuses our
young plants with carving ‘Rosalind’ on their barks; hangs
odes upon hawthorns and elegies on brambles; all, forsooth,
deifying the name of Rosalind. If I could meet that
fancy-
332
monger
, I would give him some good counsel, for he seems to
have the
quotidian
334
of love upon him.
ORLANDO
I am he that is so love-shaked. I pray you tell me
your remedy.
ROSALIND
There is none of my uncle’s
marks
337
upon you: he
taught me how to know a man in love, in which
cage of
338
rushes
I am sure you are not prisoner.
ORLANDO
What were his marks?
ROSALIND
A lean cheek, which you have not: a
blue
341
eye and
sunken, which you have not: an
unquestionable
342
spirit, which
you have not: a beard neglected, which you have not — but
I pardon you for that, for simply
your having in beard is
344
a younger brother’s revenue
. Then your hose should be
ungartered
, your bonnet
unbanded
346
, your sleeve unbuttoned,
your shoe untied and everything about you demonstrating a
careless desolation: but you are no such man: you are rather
point-device
in your
accoutrements
,
as
349
loving yourself than
seeming the lover of any other.
ORLANDO
Fair youth, I would I could make thee believe I love.
ROSALIND
Me believe it? You may as soon make her that you
love believe it, which I warrant she is
apter
353
to do than to
confess she does: that is one of the points in the which
women
still
355
give the lie to their consciences. But, in good
sooth
356
, are you he that hangs the verses on the trees, wherein
Rosalind is so admired?
ORLANDO
I swear to thee, youth, by the white hand of
Rosalind, I am that he, that unfortunate he.
ROSALIND
But are you so much in love as your rhymes speak?
ORLANDO
Neither rhyme nor reason can express how much.
ROSALIND
Love is
merely
362
a madness, and, I tell you, deserves as
well a
dark house and a whip as madmen do
363
: and the reason
why they are not so punished and cured is that the lunacy is
so ordinary that the whippers are in love too. Yet I
profess
365
curing it by counsel.
ORLANDO
Did you ever cure any so?
ROSALIND
Yes, one, and in this manner. He was to imagine me
his love, his mistress, and I set him every day to woo me. At
which time would I, being but a
moonish
370
youth, grieve, be
effeminate, changeable, longing and liking, proud,
fantastical
371
,
apish
372
, shallow, inconstant, full of tears, full of smiles, for
every passion something and for no passion truly anything,
as boys and women are for the most part
cattle of this colour
374
:
would now like him, now loathe him: then
entertain
375
him,
then
forswear
him: now weep for him, then spit at him;
that
376
I
drave
my suitor from his mad humour of love to a
living
377
humour of madness, which was, to forswear the full stream
of the world, and to live in a nook
merely
379
monastic. And thus
I cured him, and this way will I take upon me to wash your
liver
as clean as a
sound
381
sheep’s heart, that there shall not be
one spot of love in’t.
ORLANDO
I would not be cured, youth.
ROSALIND
I would cure you, if you would but call me Rosalind
and come every day to my
cote
385
and woo me.
ORLANDO
Now, by the faith of my love, I will. Tell me where it is.
ROSALIND
Go with me to it and I’ll show it you, and
by
387
the way
you shall tell me where in the forest you live. Will you go?
ORLANDO
With all my heart, good youth.
ROSALIND
Nay, you must call me Rosalind.— Come, sister, will
you go?
Exeunt
running scene 9 continues
Enter Clown
[
Touchstone
]
, Audrey and Jaques
[
behind
]
TOUCHSTONE
Come
apace
1
, good Audrey. I will fetch up your
goats, Audrey. And
how
2
, Audrey, am I the man yet? Doth my
simple feature
3
content you?
AUDREY
Your features? Lord
warrant
4
us! What features?
TOUCHSTONE
I am here with thee and thy goats, as the most
capricious
poet, honest
Ovid, was among the Goths.
6
Aside
JAQUES
O, knowledge
ill-inhabited
, worse than
Jove
7
TOUCHSTONE
When a man’s verses cannot be understood,
nor a man’s good wit
seconded
with the
forward
10
child,
understanding, it strikes a man more dead than a
great
11
reckoning in a little room
. Truly, I would the gods had made
thee poetical.
AUDREY
I do not know what ‘poetical’ is. Is it
honest
14
in deed
and word? Is it a true thing?
TOUCHSTONE
No, truly, for the truest poetry is the most
feigning
17
, and lovers are given to poetry, and what they swear
in poetry may be said as lovers, they do feign.
AUDREY
Do you wish then that the gods had made me
poetical?
TOUCHSTONE
I do truly, for thou swear’st to me thou art
honest
21
.
Now if thou wert a poet, I might have some hope thou didst
feign.
AUDREY
Would you not have me honest?
TOUCHSTONE
No, truly, unless thou wert
hard-favoured
25
, for
honesty coupled to beauty is to have honey a sauce to sugar.
Aside
JAQUES
A
material
27
fool!
AUDREY
Well, I am not fair, and therefore I pray the gods
make me honest.
TOUCHSTONE
Truly, and to cast away honesty upon a
foul
slut
30
were to put good
meat
into an unclean
dish
31
.
AUDREY
I am not a slut, though I thank the gods I am foul.
TOUCHSTONE
Well, praised be the gods for thy foulness;
sluttishness may come hereafter. But be it as it may be, I will
marry thee, and to that end I have been with
Sir Oliver
35
Martext
, the vicar of the
next
36
village, who hath promised to
meet me in this place of the forest and to
couple
37
us.
Aside
JAQUES
I would
fain
see this
meeting
38
.
AUDREY
Well, the gods give us joy!
TOUCHSTONE
Amen. A man may, if he were of a fearful heart,
stagger
41
in this attempt, for here we have no temple but the
wood, no
assembly
but
horn-beasts
. But
what though
42
?
Courage! As horns are odious, they are
necessary
43
. It is said,
‘many a man
knows no end of his goods
44
’. Right. Many a
man has good horns, and knows no end of them. Well, that
is the dowry of his wife: ’tis none of his own getting. Horns?
Even so. Poor men alone? No, no: the noblest
deer
47
hath them
as huge as the
rascal
48
. Is the single man therefore blessed?
No: as a
walled
49
town is more worthier than a village, so is
the forehead of a married man more honourable than the
bare brow of a bachelor. And by how much
defence
51
is better
than no skill, by so much is a horn more precious than
to
52
want
.