Bradbury, Ray - SSC 07 (12 page)

 
          
 
The soft knock came at the kitchen door, and
when Mrs. O'Brian opened it, there on the back porch were her best tenant, Mr.
Ramirez, and two police officers, one on each side of him. Mr. Ramirez just
stood there, walled in and small.

 
          
 
"Why, Mr. Ramirez!" said Mrs.
O'Brian.

 
          
 
Mr. Ramirez was overcome. He did not seem to
have words to explain.

 
          
 
He had arrived at Mrs. O'Brian's rooming house
more than two years earlier and had lived there ever since. He had come by bus
from Mexico City to San Diego and had then gone up to Los Angeles. There he had
found the clean little room, with glossy blue linoleum, and pictures and
calendars on the flowered walls, and Mrs. O'Brian as the strict but kindly
landlady. During the war he had worked at the airplane factory and made parts
for the planes that flew off somewhere, and even now, after the war, he still
held his job. From the first he had made big money. He saved some of it, and he
got drunk only once a week—a privilege that, to Mrs. O'Brian's way of thinking,
every good workingman deserved, unquestioned and unreprimanded.

           
 
Inside Mrs. O'Brian's kitchen, pies were
baking in the oven. Soon the pies would come out with complexions like Mr.
Ramirez'—brown and shiny and crisp, with slits in them for the air almost like
the slits of Mr. Ramirez' dark eyes. The kitchen smelled good. The policemen
leaned forward, lured by the odor. Mr. Ramirez gazed at his feet, as if they
had carried him into all this trouble.

 
          
 
"What happened, Mr. Ramirez?" asked
Mrs. O'Brian.

 
          
 
Behind Mrs. O'Brian, as he lifted his eyes,
Mr. Ramirez saw the long table laid with clean white linen and set with a
platter, cool, shining glasses, a water pitcher with ice cubes floating inside
it, a bowl of fresh potato salad and one of bananas and oranges, cubed and
sugared. At this table sat Mrs. O'Brian's children—her three grown sons, eating
and conversing, and her two younger daughters, who were staring at the
policemen as they ate.

 
          
 
"I have been here thirty months,"
said Mr. Ramirez quietly, looking at Mrs. O'Brian's plump hands.

 
          
 
"That's six months too long," said
one policeman. "He only had a temporary visa. We've just got around to
looking for him."

 
          
 
Soon after Mr. Ramirez had arrived he bought a
radio for his little room; evenings, he turned it up very loud and enjoyed it.
And he had bought a wrist watch and enjoyed that too. And on many nights he had
walked silent streets and seen the bright clothes in the windows and bought
some of them, and he had seen the jewels and bought some of them for his few
lady friends. And he had gone to picture shows five nights a week for a while.
Then, also, he had ridden the streetcars—all night some nights —smelling the
electricity, his dark eyes moving over the advertisements, feeling the wheels
rumble under him, watching the little sleeping houses and big hotels slip by.
Besides that, he had gone to large restaurants, where he had eaten many-course
dinners, and to the opera and the theater. And he had bought a car, which
later, when he forgot to pay for it, the dealer had driven off angrily from in
front of the rooming house.

 
          
 
"So here I am," said Mr. Ramirez
now, "to tell you I must give

 
          
 
Up my room, Mrs. O'Brian. I come to get my
baggage and clothes and go with these men."

 
          
 
"Back to Mexico?"

 
          
 
"Yes.
To Lagos.
That is a little town north of Mexico City."

 
          
 
"I'm sorry, Mr. Ramirez."

 
          
 
"I'm packed," said Mr. Ramirez
hoarsely, blinking his dark eyes rapidly and moving his hands helplessly before
him. The policemen did not touch him. There was no necessity for that.

 
          
 
"Here is the key, Mrs. O'Brian," Mr.
Ramirez said. "I have my bag already."

 
          
 
Mrs. O'Brian, for the first time, noticed a
suitcase standing behind him on the porch.

 
          
 
Mr. Ramirez looked in again at the huge
kitchen, at the bright silver cutlery and the young people eating and the
shining waxed floor. He turned and looked for a long moment at the apartment
house next door, rising up three stories, high and beautiful. He looked at the
balconies and fire escapes and back-porch stairs, at the lines of laundry
snapping in the wind.

 
          
 
"You've been a good tenant," said
Mrs. O'Brian.

 
          
 
"Thank you, thank you, Mrs.
O'Brian," he said softly. He closed his eyes.

 
          
 
Mrs. O'Brian stood holding the door half open.
One of her sons, behind her, said that her dinner was getting cold, but she
shook her head at him and turned back to Mr. Ramirez. She remembered a visit
she had once made to some Mexican border towns—the hot days, the endless
crickets leaping and falling or lying dead and brittle like the small cigars in
the shopwindows, and the canals taking river water out to the farms, the dirt
roads, the scorched scape. She remembered the silent towns, the warm beer, the
hot, thick foods each day. She remembered the slow, dragging horses and the
parched jack rabbits on the road. She remembered the iron mountains and the
dusty valleys and the ocean beaches that spread hundreds of miles with no sound
but the waves—no cars, no buildings, nothing.

 
          
 
"I'm sure sorry, Mr. Ramirez," she
said.

 
          
 
"I don't want to go back, Mrs.
O'Brian," he said weakly. "I like it here, I want to stay here. I've
worked, I've got money. I look all right, don't I? And I don't want to go
back!"

 
          
 
"I'm sorry, Mr. Ramirez," she said.
"I wish there was something I could do."

 
          
 
"Mrs. O'Brian!" he cried suddenly,
tears rolling out from under his eyelids. He reached out his hands and took her
hand fervently, shaking it, wringing it, holding to it. "Mrs. O'Brian, I
see you never, I see you never!"

 
          
 
The policemen smiled at this, but Mr. Ramirez
did not notice it, and they stopped smiling very soon.

 
          
 
"Good-by, Mrs. O'Brian, You have been
good to me. Oh, good-by, Mrs. O'Brian. I see you never!"

 
          
 
The policemen waited for Mr. Ramirez to turn,
pick up his suitcase, and walk away. Then they followed him, tipping their caps
to Mrs. O'Brian. She watched them go down the porch steps. Then she shut the
door quietly and went slowly back to her chair at the table. She pulled the
chair out and sat down. She picked up the shining knife and fork and started
once more upon her steak.

 
          
 
"Hurry up, Mom," said one of the
sons. "It'll be cold."

 
          
 
Mrs. O'Brian took one bite and chewed on it
for a long, slow time; then she stared at the closed door. She laid down her
knife and fork.

 
          
 
"What's wrong. Ma?" asked her son.

 
          
 
"I just realized," said Mrs. O'Brian—she
put her hand to her face—"I'll never see Mr. Ramirez again."

 
          
 
The dark porch air in the late afternoon was
full of needle flashes, like a movement of gathered silver insects in the light.
The three women's mouths twitched over their work. Their bodies lay back and
then imperceptibly forward, so that the rocking chairs tilted and murmured.
Each woman looked to her own hands, as if quite suddenly she had found her
heart beating there.

 
          
 
"What time is it?"

 
          
 
"Ten minutes to five."

 
          
 
"Got to get up in a minute and shell
those peas for dinner."

 
          
 
"But—" said one of them.

 
          
 
"Oh yes, I forgot. How foolish of me. . .
." The first woman paused, put down her embroidery and needle, and looked
through the open porch door, through the warm interior of the quiet house, to
the silent kitchen. There upon the table, seeming more like symbols of
domesticity than anything she had ever seen in her life, lay the mound of
fresh-washed peas in their neat, resilient jackets, waiting for her fingers to
bring them into the world.

           
 
"Go hull them if it'll make you feel
good," said the second woman.

 
          
 
"No," said the first. "I won't.
I just won't."

 
          
 
The third woman sighed. She embroidered a
rose, a leaf, a daisy on a green field. The embroidery needle rose and
vanished.

 
          
 
The second woman was working on the finest,
most delicate piece of embroidery of them all, deftly poking, finding, and
returning the quick needle upon innumerable journeys. Her quick black glance
was on each motion. A flower, a man, a road, a sun, a house; the scene grew
under hand, a miniature beauty, perfect in every threaded detail.

 
          
 
"It seems at times like this that it's
always your hands you turn to," she said, and the others nodded enough to
make the rockers rock again.

 
          
 
“I believe," said the first lady,
"that our souls are in our hands. For we do everything to the world with
our hands. Sometimes I think we don't use our hands half enough; it's certain
we don't use our heads."

 
          
 
They all peered more intently at what their
hands were doing. "Yes," said the third lady, "when you look
back on a whole lifetime, it seems you don't remember faces so much as hands
and what they did,"

 
          
 
They recounted to themselves the fids they had
lifted, the doors they had opened and shut, the flowers they had picked, the
dinners they had made, all with slow or quick fingers, as was their manner or
custom. Looking back, you saw a flurry of hands, like a magician's dream, doors
popping wide, taps turned, brooms wielded, children spanked. The flutter of
pink hands was the only sound; the rest was a dream without voices.

 
          
 
"No supper to fix tonight or tomorrow
night or the next night after that," said the third lady.

 
          
 
"No windows to open or shut."

 
          
 
"No coal to shovel in the basement
furnace next winter."

 
          
 
"No papers to clip cooking articles out
of."

 
          
 
And suddenly they were crying. The tears
rolled softly down their faces and fell into the material upon which their
fingers twitched.

 
          
 
"This won't help things," said the
first lady at last, putting the back of her thumb to each under-eyelid. She
looked at her thumb and it was wet.

 
          
 
"Now look what I've done!" cried the
second lady, exasperated. The others stopped and peered over. The second lady
held out her embroidery. There was the scene, perfect except that while the
embroidered yellow sun shone down upon the embroidered green field, and the
embroidered brown road curved toward an embroidered pink house, the man
standing on the road had something wrong with his face.

 
          
 
"I'll just have to rip out the whole
pattern, practically, to fix it right," said the second lady.

 
          
 
"What a shame." They all stared
intently at the beautiful scene with the flaw m it.

 
          
 
The second lady began to pick away at the thread
with her little deft scissors flashing. The pattern came out thread by thread.
She pulled and yanked, almost viciously. The man's face was gone. She continued
to seize at the threads.

 
          
 
"What are you doing?" asked the
other woman.

 
          
 
They leaned and saw what she had done.

 
          
 
The man was gone from the road. She had taken
him out entirely.

 
          
 
They said nothing but returned to their own
tasks.

 
          
 
"What time is it?" asked someone.

 
          
 
"Five minutes to five."

 
          
 
"Is it supposed to happen at five
o'clock?"

 
          
 
"Yes."

 
          
 
"And they're not sure what it'll do to
anything, really, when it happens?"

 
          
 
"No, not sure."

 
          
 
"Why didn't we stop them before it got
this far and this big?"

 
          
 
"It's twice as big as ever before. No,
ten times, maybe a thousand."

 
          
 
"This isn't like the first one or the
dozen later ones. This is different. Nobody knows what it might do when it
comes."

 
          
 
They waited on the porch in the smell of roses
and cut grass. "What time is it now?"

 
          
 
"One minute to five."

 
          
 
The needles flashed silver fire. They swam
like a tiny school of metal fish in the darkening summer air.

 
          
 
Far away a mosquito sound. Then something like
a tremor of drums. The three women cocked their heads, listening.

 
          
 
"We won't hear anything, will we?"

 
          
 
"They say not."

 
          
 
"Perhaps we're foolish. Perhaps we'll go
right on, after five o'clock, shelling peas, opening doors, stirring soups,
washing dishes, making lunches,
peeling
oranges . .
."

 
          
 
"My, how we'll laugh to think we were
frightened by an old experiment!" They smiled a moment at each other.

 
          
 
"It's five o'clock."

 
          
 
At these words, hushed, they all busied
themselves. Their fingers darted. Their faces were turned down to the motions
they made. They made frantic patterns. They made lilacs and grass and trees and
houses and rivers in the embroidered cloth. They said nothing, but you could
hear their breath in the silent porch air.

 
          
 
Thirty seconds passed.

 
          
 
The second woman sighed finally and began to
relax.

 
          
 
"I think I just will go shell those peas
for supper," she said.

 
          
 
But she hadn't time even to lift her head.
Somewhere, at the side of her vision, she saw the world brighten and catch
fire. She kept her head down, for she knew what it was. She didn't look up, nor
did the others, and in the last instant their fingers were flying; they didn't
glance about to see what was happening to the country, the town, this house, or
even this porch. They were only staring down at the design in their flickering
hands.

 
          
 
The second woman watched an embroidered flower
go. She tried to embroider it back in, but it went, and then the road vanished,
and the blades of grass. She watched a fire, m slow motion almost, catch upon
the embroidered house and unshingle it, and pull each threaded leaf from the
small green tree in the hoop, and she saw the sun itself pulled apart in the
design. Then the fire caught upon the moving point of the needle while still it
flashed; she watched the fire come along her fingers and arms and body,
untwisting the yarn of her being so painstakingly that she could see it in all
its devilish beauty, yanking out the pattern from the material at hand. What it
was doing to the other women or the furniture or the elm tree in the yard, she
never knew. For now, yes, now! it was plucking at the white embroidery of her flesh,
the pink thread of her cheeks, and at last it found her heart, a soft red rose
sewn with fire, and it burned the fresh, embroidered petals away, one by
delicate one. . . .