Bring the Jubilee (6 page)

Read Bring the Jubilee Online

Authors: Ward W. Moore

Tags: #SciFi-Masterwork, #Science Fiction, #War

 

And so our agreement, if so simple and unilateral a statement can be called an agreement, was made within ten minutes after he met me for the first time. For six years the store was home and school, and Roger Tyss was employer, teacher, and father to me. He was never my friend. Rather he was my adversary. I respected him and the longer I knew him the deeper became my respect, but it was an ambivalent feeling and attached only to those qualities which he himself would have scorned. I detested his ideas, his philosophy, and many of his actions, and this detestation grew until I was no longer able to live near him. But I am getting ahead of my story.

 

Tyss knew books, not merely as a bookman knows them—binding, size, edition, value—but as a scholar. He seemed to have read enormously and on every conceivable subject, many of them quite useless in practical application. (I remember a long discourse on heraldry, filled with terms like "paley-bendy," or "fusils conjoined in fess, gules" and "sable demi-lions." He regarded such erudition, indeed any erudition, contemptuously. When I asked why he had bothered to pick it up, his retort was, "Why have you bothered to pick up calluses, Hodgins?")

 

As a printer he followed the same pattern; he was not concerned solely with setting up a neat page; he sometimes spent hours laying out some trivia, which could have interested only its author, until he struck a proof which satisfied him. He wrote much on his own account: poetry, essays, manifestos, composing directly from the font, running off a single proof which he read—always expressionlessly—and immediately destroyed before piing the type.

 

I slept on a mattress kept under one of the counters during the day; Tyss had a couch hardly more luxurious, downstairs by the flatbed press. Each morning before it was time to open he sent me across town on the horse cars to the Washington Market to buy six pounds of beef— twelve on Saturdays, for the market, unlike the bookstore, was closed Sundays. It was always the same cut, heart of ox or cow, dressed by the butcher in thin strips. After I had been with him long enough to tire of the fare, but not long enough to realize the obstinacy of his nature, I begged him to let me substitute pork or mutton, or at least some other part of the beef, like brains or tripe which were even cheaper. He always answered, "The heart, Hodgins. Purchase the heart; it is the vital food."

 

While I was on my errand he would buy three loaves of yesterday's bread, still tolerably fresh; when I returned he took a long two-pronged fork, our only utensil, for the establishment was innocent of either cutlery or dishes, and spearing a strip of heart held it over the gas flame of a light standard until it was sooted and toasted rather than broiled. We tore the loaves with our fingers, and with a hunk of bread in one hand and a strip of heart in the other we each ate a pound of meat and half a loaf of bread for breakfast, dinner, and supper.

 

"Man is uniquely a savage eater of carrion," he informed me, chewing vigorously. "What lion or tiger would relish another's ancient, putrefying kill? What vulture or hyena displays human ferocity? Too, we are cannibals at heart. We eat our gods; we have always eaten our gods."

 

"Isn't that figurative, or poetic, Mr. Tyss? I mean, doesn't it refer to the grain of wheat which is 'killed' by the harvester and buried by the sower?"

 

"You think the gods were modeled on John Barleycorn and not John Barleycorn on them—to conceal their fate? I fear you have a higher opinion of mankind than is warranted, Hodgins."

 

"I'm not sure I know what you mean by gods."

 

"Embodiments or personifications of human aspirations. The good, the true, the beautiful—with winged feet or bull's body."

 

"How about. . . oh, Chronos? Or Satan?"

 

He licked his fingers of the meat juices, obviously pleased. "Satan. An excellent example. Epitome of man's futile longing to upset and defy the divine plan—I use the word 'divine' derisively, Hodgins—; who does not admire and reverence Lucifer in his heart? Well, having made a god out of the devil we eat him daily in a twofold sense: by swallowing the myth of his enmity (a truer friend there never was), and by digesting his great precepts of pride and curiosity and strength. And you see for yourself how he finds interesting thoughts for idle minds to speculate on. Let's get to work."

 

He expected me to work, but he was far from a hard or inconsiderate master. In 1938-44, when the country was being ground deeper into colonialism, there were few employers so lenient. I read much, generally when I pleased, and despite his jeers at learning in the abstract he encouraged me, even going to the length, if a particular book was not to be found in his considerable stock, of letting me get it from one of his competitors, to be written up against his account.

 

Nor was he scrupulous about the time I took on his errands. I continued to ramble and sightsee the city much as though I had nothing else to do. And if, from time to time, I discovered there were girls in New York who didn't look too unkindly on a tall youth even though he still carried some of the rustic air of Wappinger Falls, he never questioned why the walk of half a mile took me a couple of hours.

 

True, he kept to his original promise never to pay me wages, but he often handed me coins for pocket money, evidently satisfied I wasn't stealing, and he replaced my makeshift wardrobe with worn but decent clothing.

 

He had not exaggerated the possibilities of the books surrounding me. His brief warning, "—you can learn nothing," was lost on me. I suppose a different temperament might have become surfeited with paper and print; I can only say I wasn't. I nibbled, tasted, gobbled books. After the store was shut I hooked a student lamp to the nearest gas jet by means of a long tube, and lying on my pallet with a dozen volumes handy, I read till I was no longer able to keep my eyes open or understand the words. Often I woke in the morning to find the light still burning and my fingers holding the pages open.

 

I think one of the first books to influence me strongly was the monumental
Causes of American Decline and Decay
by the always popular expatriate historian, Henry Adams. I was particularly impressed by the famous passage in which he reproves the "stay-at-home" Bostonian essayists, William and Henry James, for their quixotic sacrifice and espousal of a long-lost cause. History, said Sir Henry, who had renounced his United States citizenship and been knighted by William V, history is never directed or diverted by well-intentioned individuals; it is the product of forces with geographical, not moral roots.

 

Possibly the learned expatriate was right, but my instinctive sympathies lay with the Jameses, in spite of the fact that I had not found their books enjoyable. This was due at least partly to the fact that the small editions were badly printed and marred, at least so foreign critics claimed, by an excessive use of Yankee colloquialisms, consciously employed to demonstrate patriotism and disdain of imported elegance. For some reason, obscure to me then, I did not mention Adams to Tyss, though I usually turned to him with each of my fresh discoveries. When he came upon me with an open book he would glance at the running title over my shoulder and begin talking, either of the particular work or of its topic. What he had to say gave me an insight I might otherwise have missed, and turned me to other writers, other aspects. He respected no authority simply because it was acclaimed or established; he prodded me to examine every statement, every hypothesis no matter how commonly accepted.

 

Early in my employment I was attracted to a large framed parchment he kept hanging, slightly askew and highly attractive to dust, over his type case. It was simply but beautifully printed in 16 point Baskerville; I knew without being told that he had set it himself:

 

The Body of

 

Benjamin Franklin

 

Printer

 

Like the Cover of an Old Book

 

Stripped of Its Lettering and Gilding

 

Lies Here

 

Food for Worms.

 

But the Work Shall Not Be Lost

 

For It Will, as He Believed,

 

Come Forth Again

 

In a New and Better Edition

 

Revised & Corrected

 

By

 

The Author.

 

When he caught me admiring it Tyss laughed. "Felicitous, isn't it, Hodgins? But a lie, a perverse and probably hypocritical lie. There is no author; the book of life is simply a mess of pied type, a tale told by an idiot, full of sound and fury, signifying nothing. There is no plan, no synopsis to be filled in with pious hopes or sanctimonious actions. There is nothing but a vast emptiness in the universe."

 

"The other day you told me we admired the devil for rebelling against a plan."

 

He grinned. "So you expect consistency instead of truth from me, Hodgins. There is no plan, authored by a mind; it is this no-plan against which Lucifer fought. But there is a plan, too, a mindless plan, which accounts for all our acts."

 

I had been reading an obscure Irish theologian, a Protestant curate of some forsaken parish, so ill-esteemed he had been forced to publish his sermons himself, named George B. Shaw, and I had been impressed by his forceful style. I quoted him to Tyss, perhaps as much to preen myself as to counter his argument.

 

"Nonsense. I've seen the good parson's book with its eighteenth-century logic and its quaint rationalism, and know it for a waste of ink and paper. Man does not think; he only thinks he thinks. An automaton, he responds to external stimuli; he cannot order his thought."

 

"You mean that there's no free will? Not even a marginal minimum of choice?"

 

"Exactly. The whole thing is an illusion. We do what we do because someone else has done what he did; he did it because still another someone did what he did. Every action is the rigid result of another action."

 

"But there must have been a beginning," I objected. "And if there was a beginning, choice existed if only for that split second. And if choice exists once it can exist again." "You have the makings of a metaphysician, Hodgins," he said witheringly, for metaphysics was one of the most despised words in his vocabulary. "The reasoning is infantile. Answering you and the Reverend Shaw on your own level, I could say that time is a convention and that all events occur simultaneously. Or if I grant its dimension I can ask, What makes you think time is a simple straight line running flatly through eternity? Why do you assume that time isn't curved? Can you conceive of its end? Can you really imagine its beginning? Of course not; then why aren't both the same? The serpent with its tail in its mouth?"

 

"You mean we not only play a prepared script but repeat the identical lines over and over and over for infinity? There's no heaven in your cosmos, only an unimaginable, never-ending hell."

 

He shrugged his shoulders. "That you should spout emotional apologetics at me is part of what you call the script, Hodgins. You didn't select the words nor speak them voluntarily. They were called into existence by what I said, which in turn was mere response to what went before."

 

Weakly I was forced back to a more elementary attack. "You don't act in accordance with your own conviction."

 

He snorted. "A thoughtless remark, excusable only because automatic. How could I act differently? Like you, I am a prisoner of stimuli."

 

"How pointless to risk ruin and imprisonment as a member of the Grand Army when no one can change what's predestined."

 

"Pointless or not, emotions and reflections are responses just as much as actions. I can no more help engaging myself in the underground than I can help breathing, or my heart beating, or dying when the time comes. Nothing, they say, is certain but death and taxes; actually everything is certain. Everything," he repeated firmly.

 

I went back to sorting some pamphlets which were to be sold for wastepaper, shaking my head. His theory was unassailable; every attack was discounted by the very nature of the thesis. That it was false I didn't doubt; its impregnability made its falseness still more terrifying.

 

There were fully as many imaginary discussions with Tyss as real ones. Yet even in these disembodied arguments I could gain no advantage. Why do you look back on the War of Southron Independence with regret for what might have been, if no might-have-been is possible? I asked him mentally, knowing his answer, I cannot help myself, was no answer at all.

 

The logical illogic of it was only one of the multitude of contradictions in him. The Grand Army to which he was devoted was a violent organization of violent men. He himself was an advocate and implement of violence—one illegal paper, the
True American
, came from his press, and I often saw crumpled proofs of large-type warnings to "Get Out of Town You Conf. TRAITOR or the GA Will HANG YOU!" Yet cruelty, other than intellectually, was repugnant to him; his vindictiveness toward the Whigs and Confederates rose from commiseration for the condition into which they had plunged the country.

 

Pondible and the others who bore an indefinable resemblance to each other, bearded or not, came to the store on Grand Army business, and I was sure many of the errands I was sent on advanced or were supposed to advance the Grand Army's cause. Those who signed receipts with an X—and in the beginning, at least, Tyss was strict about assurance of delivery—seemed unlikely customers for the sort of merchandise we handled.

 

I was relieved, but puzzled and perhaps a little piqued, that aside from the very first conversation with Pondible no attempt was made to persuade me into the organization. Tyss must have perceived this, for he explained obliquely:

 

"There's the formative type, Hodgins, and the spectator type. One acts, and the other is acted upon. One changes events, the other observes them. Of course," he went on hastily, "I'm not talking metaphysical rubbish. When I say the formative type changes events I merely mean he reacts to a given stimulus in a positive way while the spectator reacts to the same circumstances negatively, both reactions being inevitable and inescapable. Naturally, events are never changed."

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