Change of Scene: A 100 Page Novella (17 page)

Read Change of Scene: A 100 Page Novella Online

Authors: Mary Kay Andrews

Tags: #Contemporary Fiction, #Contemporary Women, #Literature & Fiction, #Women's Fiction

Greer blinked. “You want a cross between Florida and Nantucket?”

He nodded rapidly. “Yeah. I see palm trees. Long stretches of deserted beaches, some dunes with those wavy wheat-looking things…”

“Sea oats,” CeeJay said.

“Yeah. Sea oats. And then there should be trees with that Spanish moss stuff hanging down, beat-up old fishing boats. Atmospheric, you know?”

Greer nodded, her mind racing. Dunes, palm trees, shrimp boats, Spanish moss? He was definitely talking about a Southern beach.

“It should have a real throwback feeling, like the kind of town the world forgot about. We’ll need an old-school motel. Not a movie set, but an honest-to-God fleabag motel. No high-rise condos, fast-food joints, nothing that would suggest it’s a tourist trap, or that Walt Disney even exists. And we’re also gonna need a cool old building that can be exploded during the movie’s climax.”

She was taking notes while Bryce described the project.

“Any specific kind of old building?”

“I can visualize it, but I can’t really describe it,” he said. “It needs to have this iconic look—say, like, the Parthenon, or the Alamo. Like that.”

“But the movie is set in contemporary time?” Greer asked.

“Of course. It’s just—like I said, this beach town, it’s like a total throwback. See, that’s where the conflict comes in. Our guy rides into town, kinda like a modern-day Shane. He’s back from active duty in Afghanistan, come home to his loving wife, only she’s not so loving, and nothing is the same. And did I mention he’s ex–Navy SEAL?”

“Got it,” Greer said. Although she wasn’t sure she actually did get it. Not without a script, or at least a treatment.

“Am I allowed to know the name of the project?”

Bryce and CeeJay exchanged knowing glances.


Beach Town,
” Bryce said. “Dynamite, huh?”

*

The problem was that, for this project, Bryce wanted a look that was a cross between two movies that had been shot more than thirty-five years earlier. He didn’t know or care that the Florida of his imagination no longer existed—if it ever had. He just wanted palm trees and Spanish moss and rusty shrimp boats. And an Alamo that he could blow up.

She picked up her phone and sent another text:

Not finding the exact combination of sleepy fishing village/beach. Maybe do beach shoots at state park in Panhandle, and village exteriors someplace else?

Bryce’s reply was terse, as usual.

Keep looking.

As she was putting her phone back into the cup holder in the Kia’s console, she remembered the slip of paper Lise had pressed into her hand a lifetime ago, back in L.A. On a whim, she pulled the paper from her purse and stared at it.

Give him a call, her mother had urged. He’d get a kick out of hearing from you.

Greer wasn’t so sure.

Sitting at the departure gate back at LAX, she’d had an hour to kill. She was updating her Facebook page, flicking dispassionately through her feed, when she gave in to the urge she’d been fighting since packing up Lise’s apartment.

There were three Clint Hennessys on Facebook, but only one who lived in Florida, and only one whose profile picture showed an intensely tanned guy with a white handlebar mustache, grinning through the open window of an orange Charger emblazoned with a huge Confederate flag across the roof.

She found herself holding her breath as she stared down at the photo of her long-gone father. His eyes were the same blazing blue she remembered, the mustache drooping below thin lips stretched wide into a guileless smile. He wore the same kind of sleeveless “wife beater” T-shirt he’d always favored, and Greer was surprised to note his leathery, still muscular biceps.

The father of her memory was perpetually laughing down at her, tugging at one of her pigtails, teasing her about her missing front teeth, offering a stick of his ever-present Juicy Fruit gum. It was a funny thing about her memories of Clint. He was always grinning, laughing at some private joke. But Lise never seemed to find her stunt-driver father funny. Even as a five-year-old, Greer sensed the tension between her parents.

After he’d gone, Lise sold the two-bedroom ranch house in the Valley and they’d moved in with her grandmother, sharing Dearie’s tiny one-bedroom apartment until Lise got the part in
Neighborhood Menace,
and they’d moved into a house in Hancock Park.

“Give him a call,” Lise had urged, as they’d sat in the oncologist’s reception area, waiting for yet another set of test results. “We both know how this is going to end. After I’m gone, he’ll be all the family you have left.”

“You’re not going anywhere,” Greer had insisted, wanting it to be true. “I’ll still have Dearie. And anyway, he’s not my family.”

Maybe that’s when it finally began to sink in for Greer—that Lise had resigned herself to dying, because she’d stopped holding grudges.

“Call your dad,” Lise repeated, propped up in bed at home. “He wants to see you. And you need to see him.”

“I don’t need a father.” Greer had inherited her mother’s stubborn streak.

Maybe she could have used a father when she was ten and had to take one of Lise’s boyfriends to the father–daughter dance at school. Maybe Clint could have helped her out when she was fifteen and learning to drive in Dearie’s yacht-sized Bonneville. Or maybe, yeah, he could have helped out by steering her away from the legions of wrong guys she’d dated over the years.

Maybe if Clint had any interest in his only child he would have taken the trouble to show up at Lise’s funeral.

He hadn’t done any of those things. And it was too late now. Greer crumpled the slip of paper, thought about tossing it in the trash, but at the last minute, as her flight was boarding, she’d tucked it back into her purse.

*

Somewhere south of Steinhatchee and west of Gainesville she pulled up to a restaurant she’d seen advertised on faded billboards for the past fifty miles.

Little Buddy’s BBQ was a low-slung wooden shack perched in the middle of a pothole-pitted crushed oyster shell parking lot crowded with pickup trucks and big American sedans. A thick hickory-scented cloud hovered over a huge black smoker off to the east side of the restaurant.

All good signs, Greer thought, as she pushed through the screen door to observe the crowded dining room. She’d done quite a bit of location scouting in the South in recent years, and one thing she’d learned early: if you wanted to do beta research there, the local barbecue joint was the best place to start.

Scouting thoughts were laid aside when a paper plate loaded with chopped pork, coleslaw, potato salad, and a single slice of garlic-toasted white bread was plopped down in front of her, along with a quart-size plastic tumbler of iced tea so sweet it could have been dessert.

She was using the bread to mop up the last drop of barbecue sauce when the counter guy slid her check across the counter. “Anything else? Some pie, maybe?”

“No pie,” Greer said with a groan. “I’m stuffed. But I could use some help.”

“How’s that?” He was a skinny, older man, in his late sixties, she thought, with thinning gray hair cut in a military-style flat-top crew cut.

“I’m looking for the perfect beach town.”

He shifted from one foot to the other. “Destin’s a few hours north of here. Saint Pete’s a couple hours south.”

Greer shook her head. “Yeah, I know about both of them. But I’m looking for something quieter. Picturesque, but not touristy, if you get what I mean. An old-timey-looking beach. A small town with palm trees, white sand, fishing boats.”

“Sounds a lot like Cypress Key,” the counter guy said. “I ain’t been in a few years, but the last time I was there it was pretty much like you just described.”

She tipped him ten bucks and headed out to find Cypress Key.

Don’t miss the latest coming May 17, 2016

Visit
marykayandrews.com
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About the Author

Author photo by Bill Miles

MARY KAY ANDREWS
is the
New York Times
bestselling author of
Beach Town, Save the Date, Ladies’ Night, Christmas Bliss, Spring Fever, Summer Rental, The Fixer Upper, Deep Dish, Blue Christmas, Savannah Breeze, Hissy Fit, Little Bitty Lies,
and
Savannah Blues
. A former journalist for
The Atlanta Journal Constitution,
she lives in Atlanta, Georgia. Visit
www.marykayandrews.com
. Or sign up for email updates
here
.

Also by
Mary Kay Andrews

Beach Town

Save the Date

Christmas Bliss

Ladies’ Night

Spring Fever

Summer Rental

The Fixer Upper

Deep Dish

Savannah Breeze

Blue Christmas

Hissy Fit

Little Bitty Lies

Savannah Blues

 

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