"The trap door? Or the hole itself?"
"Both, I'd say. That barn's been there a hundred years, or close to it; it was one of the original structures here. I know that much from the postcards they sell in the gift shop, the ones showing this place around 1902, just after it was first built."
"You think the hole must have been... excavated... before the barn was built?"
"Probably. It would have been hell to dig the thing from inside that tack room. You saw the ground; unless that was a natural opening, somebody had to bore or blast through solid granite at least partway down. It could have been an old well at one time; the size is about right. Maybe it went dry, or the water was bad and it couldn't be used anymore."
"What about the ladder?"
"I've never seen one in a well, even an old one. Looks to me like that hole's been used in some other way."
"Which means we'll find more than water at the bottom."
"More than possible."
Diana shook her head. "The hinges didn't squeak. Did you notice that?"
"Yeah. Old iron hinges with no rust and no squeaks. Which means that somebody's taken care of that trap door."
"It was hidden."
"But in such a way that the saddle racks could be moved aside with very little effort."
"Why?" Diana demanded, hearing the strain increasing in her voice.
"We can't even guess about that, not until we see what's down there."
"And none of you—as kids—found the trap?" She glanced at him in time to see a quick frown.
"Not that I remember," he said.
Diana was silent for a few moments as they continued up the path from the stables to the main building of The Lodge. It was still very early, but the usual dawn risers were up and stirring: gardeners and maintenance people, somebody splashing in the pool, someone practicing their serve on the tennis courts.
A morning jogger passed them with an absent nod, his eyes already fixed on the looming mountains whose winding trails challenged hikers and joggers.
For most of the guests, it was just another morning, punctuated as usual with habit and ritual.
Diana wondered what it felt like, that normalcy.
When they stepped up onto the veranda, they pretty much had their pick of tables for breakfast. Only two were occupied, one by a young couple and the other by the little girl Diana recognized from—was it only yesterday morning?
It felt like weeks since she had stood with Quentin in the observation tower and looked down on the little girl and her dog on the lawn below.
Now, the dog was lying across the little girl's lap, and she sent Diana a shy, fleeting smile before continuing to gently stroke her sleeping pet.
"She's up early," Diana murmured.
"Again," Quentin agreed. He indicated a table near the one they had occupied the day before, and as they sat down added, "So far, I've only seen her and one other kid, a little boy. A few teenagers coming and going. As I said, this place doesn't really cater to families."
A waitress approached them with a bright "Good morning" and the coffeepot, effectively ending the discussion for the time being. They accepted coffee and ordered breakfast, neither needing to see a menu.
Diana wrapped her hands around the hot cup, again conscious of a chill she found difficult to understand. The sun was warm on the veranda, on their table. The air was warm and smelled fragrantly of flowers mixed with the sharper scent of bacon cooking.
It had been more than two hours since she'd come out of the gray time. So why was she still cold?
"Diana?"
She met his gaze reluctantly.
"What's bothering you?"
She heard a little laugh escape her.
Quentin smiled. "Okay, dumb question."
Before he could ask a more reasonable variation of it, Diana changed the subject. "You said that you didn't remember if any of you found the trap door that summer."
"That's right."
"I guess... I assumed your memories of the summer would be vivid. That you would have remembered everything because of how traumatic Missy's murder was."
Quentin looked down at his coffee, that slight frown returning. "An understandable assumption. And I don't know why it isn't so. Some things stand out, of course, as clear as snapshots in my mind. Other things..." He shook his head. "There are gaps I can't really explain. A fuzziness to some of my memories."
"Maybe because of the shock of finding Missy," Diana suggested.
"Maybe."
"You were awfully young, Quentin. And it has been twenty-five years."
"Yeah. Still. I should remember more, and what I do remember should be clearer." He shrugged.
"Maybe if I could be hypnotized, I could get at the memories. But since that isn't possible..."
"You can't be hypnotized?"
"No. And neither can you." He sipped his coffee, adding, "Psychics are always in that percentage of people who can't be hypnotized. No one knows why."
With some feeling, Diana said, "Just once, I'd love to be able to say you were wrong about something like that. About me."
"Sorry."
"No, you're not."
"Okay, I'm not. Diana, I know all this is hard for you. I get that, I really do. But you have to admit that continuing to deny the paranormal when you're experiencing it on a regular basis is just a little bit stubborn."
"You think so?"
"Just a little bit."
"Well, pardon me for needing more than twenty-four hours to get used to the idea."
Quentin chuckled. "Point taken. I can be impatient sometimes."
"No, really?"
"Sorry. I'll try to do better. And try to remember this is all very new to you."
"I suppose it was something easy for you to accept?"
He hesitated, then grimaced. "It was fairly easy for me to accept the existence of my abilities. But it didn't make my life any easier when it first dawned on me that I was different. Especially since my father, being an engineer, didn't have a whole lot of tolerance for anything that couldn't be scientifically weighed, measured, and analyzed. Still doesn't, really."
"How does he feel about the work you're doing now?"
"He wasn't very happy that I chose to use my law degree in police work, but we're still on speaking terms. Which is something, I suppose."
"And your mother?"
"My mother thinks I walk on water." He grinned. "Being her only offspring, I can do no wrong. But..
.I think it used to spook her when I'd tell her the phone was about to ring, or that my father would be getting an unexpected bonus, stuff like that. We don't really talk about it now."
"That must be lonely."
He thought about it. "In some ways, I guess. Or at least it used to be. But finding a home with the SCU, where the paranormal is the rule rather than the exception, changed everything. For most of the team, it's the only time in our lives we haven't felt isolated and alone."
Diana could well believe that. "Do your parents know you're with the Special Crimes Unit?"
"Yeah. But they don't know what's really special about the unit."
"So... they've never really come to terms with what's a very large part of your life."
"No. And your father may not either, if that's what you're thinking."
Diana wanted to again express her irritation that he was so adept at picking up on her insecurities, but it seemed a wasted effort. She contented herself with a sigh he'd have no trouble interpreting and looked away from him, allowing her gaze to wander around the veranda.
To her surprise, several of the tables were now occupied.
Or... were they?
The woman in Victorian dress she had seen the day before sat alone at one table, again raising her teacup slightly as her eyes met Diana's. Nearby, a man sat at another table, his rough work clothing and heavily bearded face making him obviously different from the usual hotel guests or staff; he, also, was staring at Diana, and nodded somewhat brusquely when she looked at him.
Diana tore her gaze away from him only to see two small children sitting at another table. Both little boys, both wearing clothing of a style she vaguely recognized as belonging to another time. Both solemnly returned her stare.
Dimly aware that Quentin was speaking with their waitress, Diana looked at the table nearest theirs, watching as a tall woman dressed in a very old-fashioned nurse's uniform rose to her feet and took a step toward her.
"Help us," she said.
"Help us," the little boys echoed.
"It's time," the working man grunted.
"Diana?"
She started and looked at Quentin. "What?"
He was frowning, and indicated the table between them, now holding their breakfast.
"Oh. Right." She sneaked a glance at the nearby tables that had been occupied by otherworldly people, finding them now empty. "Right." Part of her wanted to tell Quentin what she had seen, but another part of her was already doubting, questioning.
Had she really seen them? Had they really been ghosts? And if she had, if they were, then what did they want of her? How was she supposed to help them? What did they expect her to do?
"Diana, are you okay?"
She took a sip of her coffee, trying to think. To decide. "Just... cold. I'm just cold, that's all."
"Maybe a hot meal will help."
"Yeah. Yeah, maybe." She'd have to tell him, she knew that. Sooner or later. And maybe he could explain it all rationally, maybe he would offer a logical reason why, after two weeks of relative peace here at The Lodge, she had suddenly begun encountering ghosts.
Nate was wary enough of rousing media attention that he called in only two of his detectives for backup, explaining to Stephanie that they were the two who were already scheduled, in any case, to help him in interviewing staff members later. So Zeke Pruitt and Kerri Shehan arrived quietly in an unmarked police car and made their way without fanfare down to the stables, as ordered.
Both, however, registered considerable surprise when they saw the trap door and what lay beneath it.
"That's a hell of a thing," Pruitt noted, almost admiring, presumably of the effort undoubtedly involved in its construction.
Shehan, more to the point, said to Nate, "Are we thinking this may help explain some of the mysteries on Agent Hayes's list?"
"You've been looking into that?" Nate asked, not really surprised. Kerri Shehan was the sharpest detective he had, and he'd more than once been conscious of the guilty knowledge that her abilities were going to waste in his small, usually peaceful town.
Now he was very glad he hadn't encouraged her to move on to bigger and better things elsewhere.
He had a feeling he was going to need all the brainpower he could get.
Zeke Pruitt, approaching middle age and perfectly happy with the usual mundane work the few Leisure detectives dealt with, groaned before his partner could answer their captain's question. "She was up at the crack and at her desk, poring over stuff in the historical database and linking to newspaper morgues all over the state. Stuff about The Lodge and its history, even local legends. Wouldn't even let me finish my coffee before she was reading to me out loud."
He eyed the trap door, adding, "Have to admit, though, this does make all the old stories about people going missing around here a bit more interesting."
"We don't know yet whether there's any connection," Nate told them.
"How was it even found?" Shehan asked, studying the way the saddle racks had obviously been pulled aside.
"Luck," Nate replied firmly as Quentin and Diana came into the tack room.
Neither one of them disputed the statement. Neither did Stephanie, who came in behind them just in time to hear it.
To Nate, she said, "Okay, Cullen's been informed that this tack room is off-limits until he's told otherwise. He's not happy, but he's got his orders. Any of the horses needed from this barn will be taken to one of the others to be groomed and saddled." She frowned toward the trap door. "Always assuming that thing isn't just an abandoned well or something equally innocuous."
"Let's see. No need to move all this junk—I mean tack—out of the way if we don't have to." Nate got one of the powerful police flashlights his detectives had brought, and went to shine the light down through the trap door.
Since there was so little room there, nobody came along to peer over his shoulder, but it was safe to say everyone in the room was holding their breath to hear the verdict.
He didn't make them wait, straightening after only a moment to say, "It's not a well. Zeke, help me clear a little more space around here, okay?"
"What did you see?" Quentin asked as the burly detective began helping Nate move the heavy floor-standing saddle racks back away from the trap door.
"The shaft goes straight down about fifteen or twenty feet, then it looks like it turns almost horizontal.
West, toward the mountains."
"A tunnel?" Stephanie asked in disbelief.
"Maybe. But something just occurred to me. There was a lot of mining in these mountains in the years before The Lodge was built, at least according to one of my high school history teachers. I wouldn't expect to find much of anything underneath us here in the valley, but we're close enough that this could, originally, have been an air shaft."
"And nobody noticed it when they built this barn?"
"You're assuming the trap door was cut in later," Nate said. "And maybe it was. Or maybe it was here all along. Are there any original blueprints for this barn?"
She grimaced. "God knows. Did they even
do
blueprints for barns? I mean—weren't they just...
raised?"
Nate lifted an eyebrow at her. "A barn like this one? I'm betting there were blueprints."
With a sigh, Stephanie said, "Well then, maybe Agent Hayes can find them in the basement."
He said, "I'll certainly look. And it's Quentin." He waited for her nod, then said to Nate, "I don't know enough about mining— modern or historic—to disagree with you; my father is the engineer in the family.
But don't air shafts usually angle upward to the surface from major tunnels?"
"Yeah, if it's a planned shaft. But miners also made use of natural shafts and crevices, old wells—