Phoebe, knowing the duties of her job, made a report of all she had done to the Chief Commander. As she typed it out she wished she had a lover, a man to pour it all out to in bed, but there was no one around at the moment. Her own fault, no doubt. Anyway, it would have to be another officer of high rank to pass on such information or the Chief Commander would go ballistic.
Might do so anyway since anything connected with Stella made him anxious. Quite right too, Stella was exciting, a compelling actress, but ⦠and there was a but, she could be a flaming nuisance.
But it was not primarily Stella about whom Phoebe thought she must consult the Chief Commander, although naturally she came into it (whenever was Stella out of anything?). Phoebe allowed herself this touch of asperity which she recognised was just jealousy. (Jealous of Stella? she asked herself severely, goodness knows. Well, envious maybe.) There were other things on Phoebe's mind.
She sat looking at what she had typed, then walked away from it. Perhaps she should not deliver it just yet.
Looked at coldly, it was just full of vague disquiet. All of which she certainly felt, as, she was coming to believe, did the Chief Commander. The trouble was that she had known him a long while, even before she came to the Second City, and their minds seemed to work in the same way. They were often right together but they could also be wrong together.
It might be more sensible to talk to Mercy first, find out why she had sloped off. A firm hand is all that is needed. Mercy, I'll say, what the hell were you doing out walking when you were said to be prostrate with migraine. This case needs you.
âCome on, Mercy,' she muttered as the phone rang. No
answer. Either not there or not answering. The answerphone voice muttered something which Phoebe ignored.
She then tried the downstairs apartment of her house hoping to get Mercy's mother. She answered at once, as if she was waiting for a call. Still, she might have been that sort of woman. I'm often eager myself, Phoebe thought. Usually a work reason these days, lovers being short on the ground.
âThis is Phoebe Astley. Mercy's not answering. Is she there?'
There was a pause.
âWell, she should be,' said her mother at length.
âThat's what I thought.'
âShe may be still asleep ⦠she sleeps late these days. And it is early.'
âI would like to talk to her. Could you see?'
âShe may have gone out, we don't watch each other ⦠Do forgive me, someone at my door.'
Mercy's not there and Mum knows it and won't say. Whatever was up, Phoebe was irritated.
More. âI'm worried,' she said aloud. âIf Mercy knows something about this terrible series of events that I don't know, and the rest of the team don't know, not to mention Coffin, then she ought to tell us.'
Although Phoebe knew John Coffin as a friend she knew protocol: you approached Sir John through Paul Masters. The Chief Commander certainly had secretaries, two or three at a time with carefully distributed duties but even in John Coffin's stable life secretaries came and went: got married, had babies (not necessarily in that order), moved to Australia - one had even won a large sum on the Lottery - but Paul Masters seemed unlikely to do any of these things.
Phoebe did not mind telephoning Paul although she had had a run-in or two with him herself in the past, but in the end it seemed best to go to see him.
âI'd really like you to have a talk with him. He was trying himself to get into touch with one of the officers working on these serial killings ⦠Sergeant Adams, I think.'
âI wonder why he wanted to talk to her?' As Phoebe did herself.
âBecause she seemed to be out of touch,' said Paul tersely. âSir doesn't care for that. Not with a serial killer on the loose. I don't suppose he thinks she'll solve it but he wants everyone on parade.' To friends and equals he allowed himself to show a flash of sharpness even about John Coffin whom he much admired. But it always came with a smile. As now.
At this moment Coffin himself strode into the office. He seemed pleased to see Phoebe Astley.
âAny progress on the three bodies?'
âAt the moment it looks as though the young man killed the girl and the baby and then took poison.'
âHe didn't bury himself, though,'
âNo. Someone else did that for him.'
âOr that someone killed all three then buried them. Seems more likely to me. You don't go round burying bodies as you find them.'
âI don't know,' said Phoebe. âA funny business altogether, except I'm not laughing.'
âWe're going to suffer a Public Enquiry into why we haven't cleared these cases.' Coffin shook his head. âI can feel it in the air.And after that will come the execution.'
He pulled a long face, and then gave a grin as he walked on and out through the door which led to his private sanctum. You had to be invited into there. Usually a dog in there and on occasion a cat as well.
âYou can't get him down,' said Paul Masters with admiration. Phoebe looked thoughtful. âI reckon he knows something we don't', she said quietly.
Paul Masters questioned: âDo you know anything or are you just guessing?'
âJust guessing,' said Phoebe sadly.
At the door, Coffin paused and turned his head.âI am out to see my wife: she says she thinks she recognises the dead young man found with the three bodies. He was a would-be
actor who did not get a place in the training scheme for the theatre.' He added. âStella's good on faces, in her position she has to be.'
âCan I interview Lady Coffin, sir?' asked Phoebe quickly.
âIf she says yes, then you certainly can and must interview her, but let me go first, and a word in your ear: she prefers Pinero to Coffin ⦠well, who wouldn't?'
âThank you, sir,' said Phoebe ironically as he disappeared.
âHe's right,' Paul Masters spoke up in support of his boss. âIf he thinks there's something in it, then you'll get first dip.'
âI wonder why she didn't say something before?' queried Phoebe.
Â
âWhy didn't you tell me this before?' Coffin asked his wife.
âBecause I had to clear my own mind, make certain I did recognise him.'
âAnd you are sure?'
Stella nodded. She had asked Coffin to come to her office in the theatre where Gus sat on her feet, looking up at Coffin. You felt he could never decide which of the two he loved most.
Stella was drinking coffee, hot and fragrant as it would have to be to meet her high standards. In her youth she had drunk too much of what she called “backstage” coffee, weak and cool, to accept anything but the best now. âWant a cup?'
She would want something stronger than coffee after a good look at the body now stretched out in a cold drawer in the morgue.
âNo, drink it up and let's get you down to see if you can identify the body.'
âI did have a quick look when he was found. That's when I thought I knew him, poor boy'
âNow you can have a longer look.'
Stella was silent as Coffin drove her to the police morgue, silent as the drawer was dragged out so that she could look.
She stared for a moment in silence. Even with the contractions and stains of death on the features, she knew him.
She nodded silently to Coffin, then stepped back. He took her arm. What had happened was getting to her.
âLet's go and have a drink and talk. Your coffee is marvellous but I fancy a change of scene.'
Without consulting Stella, he drove her to Cafe Blanc, in a side road not far from Mimsie Marker's stall. He strongly suspected that the establishment was a part of Mimsie's empire. There was something in the style of food and the presentation of it, and the smiling confidence with which she recommended it.
He found a table for two by the window, sat Stella down at it, and ordered a bottle of wine.
âDrink up. You need it.' He poured. âRed wine. You're pale, it'll do you good.'
Stella picked up the glass. âHow pale do I have to be to get champagne?'
Coffin laughed. âWorse than you are now. Come on, drink up, my love.'
Stella drank some wine, and the colour began to come back into her cheeks. Then she began to talk.
âHe was one of the boys in the competition for a prize and a place in the company: as I remember he was called Robert something - I can look it up. Eglin, I think it was. He was very, very keen, he got through several rounds in which people were eliminated. But he was up against very stiff competition and the final winner was a lad, Andrew Eliot ⦠extremely good, unusual style too.'
âI think I've seen him,' said Coffin.
âYou might well have seen him around ⦠red hair and a pale face, but hasn't performed in public yet. Nor will he for some time ⦠I am taking some of the classes myself, but the donation we were given has allowed me to hire a teacher from RADA. He was glad to come too, bit of extra experience.'
Stella was talking too much and she knew it.
âAnd Robert?' Coffin reminded her.
âI don't know ⦠never saw him again, until ⦠It's a harsh profession, the stage.'
Into the pause, Coffin said: âHe may have killed himself, he may have killed the girl and child, but he did not bury all of them ⦠So that means at least one other person knows about his death.'
Stella said: âMy office may still have his address ⦠last address that is, and a few personal details ⦠I think he hung around a bit afterwards. And the boy who won may know more ⦠the young and hopeful do tend to chum up a bit.'
âI'll talk to him. Or may be Phoebe could.'
âShe can be a bit alarming ⦠Mercy might be better.'
âI want to talk to Mercy myself,' said Coffin grimly. The difficulty of making contact with Mercy, one of the team he had set up to deal with the serial killer, had been irritating him. Unwell she might be, absent was not allowed.
He made a decision. âI'll talk to the lad myself ⦠with your help, Stella.'
âAndy Eliot?' said Stella. âHe's around. I saw him flitting about in the distance this morning.' She added, thoughtfully: âHe's a lovely boy, a lot of potential. I hope we can help bring all that talent into play.'
If Coffin caught the hesitation in her tone he did not show it.
Â
Andrew Eliot was not a conventionally handsome boy, but his face was interesting and alert. Coffin knew enough about the stage by now to know that this was an actor's face, with features ready to obey orders.
It also told him to be careful of him.
Andy smiled cheerfully at Stella and nodded politely to Coffin.
âLady Pinero?'
Stella gave Coffin a quick look. âAndy ⦠Robert Eglin was a fellow competitor, he was playing beside you in various roles
when you tried for your scholarship.' She didn't wait for the boy to answer. âYou were friends?'
âWe were all friends.'
âOf course you were. He was very disappointed not to win?'
âI guess so ⦠but we all knew from the very beginning what a gamble it was.'
âHave you seen him since?'
Andrew said carefully that No, he had not. âWe said goodbye, after the announcement of the winner. He congratulated me and walked away. I haven't seen him since.'
Stella nodded.
âWhy don't you ask his girlfriend? They were living and loving together.' There was quiet tartness in his tone that suggested all love should come his way. âAnd there was a baby too. He was very disappointed. Of course, anyone would have been. But we all know about the transitory nature of acting success. All except the great greats have their ups and downs.' He smiled radiantly at Stelle Pinero. Not you, of course, the smile said.
âI've had my vissicitudes, I assure you,' said Stella. She turned to Coffin. âI'll consult the files, see what addresses I can come up with.'
âHe's missing, is he?' asked Andrew.
âSort of.'
âAnyone might, you know. Just hide for a bit.'
And we know where he is, thought Coffin.
Â
Coffin and Stella walked back to her office. âI'll see what I can find for you to use. Everything may have been destroyed. I ordered them not to keep much.'
âSo it will all have gone.' He was gloomy, that was police life on occasion: no one helped you.