Crazy Salad and Scribble Scribble (5 page)

Wellesley College has probably the most beautiful campus in the country, more lush and gorgeous than any place I have ever seen. In June, the dogwood and azalea are in bloom around Lake Waban, the ivy spurts new growth onto the collegiate Gothic buildings, the huge maples are obscenely loaded with shade. So idyllic, in the literal sense—an idyll before a rude awakening. There was Wellesley, we were told, and then, later, there would be the real world. The real world was different. “Where, oh where are the staid alumnae?” goes a song Wellesley girls sing, and they answer, “They’ve gone out from their dreams and theories. Lost, lost in the wide, wide world.” At Wellesley we would be allowed to dream and theorize. We would be taken seriously. It would not always be so.

Probably the most insidious influence on the students ten years ago was the one exerted by the class deans. They were a group of elderly spinsters who believed that the only valuable role for Wellesley graduates was to go on to the only life the deans knew anything about—graduate school, scholarship, teaching. There was no value at all placed on achievement in the so-called real world. Success of that sort was suspect; worse than that, it was unserious. Better to be a housewife, my dear, and to take one’s place in the community.
Keep a hand in
. This policy was not just implicit but
was actually articulated. During my junior year, in a romantic episode that still embarrasses me, I became engaged to a humorless young man whose primary attraction was that he was fourth in his class at Harvard Law School. I went to see my class dean about transferring to Barnard senior year before being married. “Let me give you some advice,” she told me. “You have worked so hard at Wellesley. When you marry, take a year off. Devote yourself to your husband and your marriage.” I was incredulous. To begin with, I had not worked hard at Wellesley—anyone with my transcript in front of her ought to have been able to see that. But far more important, I had always intended to work after college; my mother was a career woman who had successfully indoctrinated me and my sisters that to be a housewife was to be nothing. Take a year off being a wife? Doing what? I carried the incident around with me for years, repeating it from time to time as positive proof that Wellesley wanted its graduates to be merely housewives. Then, one day, I met a woman who had graduated ten years before me. She had never wanted anything but to be married and have children; she, too, had gone to see this dean before leaving Wellesley and marrying. “Let me give you some advice,” the dean told her. “Don’t have children right away. Take a year to work.” And so I saw. What Wellesley wanted was for us to avoid the extremes, to be instead that thing in the middle. Neither a rabid careerist nor a frantic mamma. That thing in the middle: a trustee. “Life is not all dirty diapers and runny noses,” writes Susan Connard Chenoweth in the class record. “I do make it into the real world every week to present a puppet show on ecology called
Give A Hoot, Don’t Pollute
.” The deans would be proud of Susan. She
is on her way. A doer of good works. An example to the community. Above all, a Samaritan.

I never went near the Wellesley College chapel in my four years there, but I am still amazed at the amount of Christian charity that school stuck us all with, a kind of glazed politeness in the face of boredom and stupidity. Tolerance, in the worst sense of the word. Wellesley was not alone in encouraging this for its students, but it always seemed so sad that a school that could have done so much for women put so much energy into the one area women should be educated out of. How marvelous it would have been to go to a women’s college that encouraged impoliteness, that rewarded aggression, that encouraged argument. Women by the time they are eighteen are so damaged, so beaten down, so tyrannized out of behaving in all the wonderful outspoken ways unfortunately characterized as masculine; a college committed to them has to take on the burden of repair—of remedial education, really. I’m not just talking about vocational guidance and placement bureaus (which are far more important than anyone at these schools believes) but also about the need to force young women to define themselves before they abdicate the task and become defined by their husbands.
What do you think? What is your opinion?
No one ever asked. We all graduated from Wellesley able to describe everything we had studied—Baroque painting, Hindemith, Jacksonian democracy, Yeats—yet we were never asked what we thought of any of it.
Do you like it? Do you think it is good? Do you know that even if it is good you do not have to like it?
During reunion weekend, at the Saturday-night class supper, we were subjected to an hour of dance by a fourth-rate Boston theatre ensemble which
specializes in eighth-rate Grotowski crossed with the worst of
Marat/Sade
. Grunts. Moans. Jumping about imitating lambs. It was absolutely awful. The next day, a classmate with the improbable name of Muffy Kleinfeld asked me what I thought of it. “What did
you
think of it?” I replied. “Well,” she said, “I thought their movements were quite expressive and forceful, but I’m not exactly sure what they were trying to do dramatically.”
But what did you think of it?

I am probably babbling a bit here, but I feel a real anger toward Wellesley for blowing it, for being so damned irrelevant. Like many women involved with the movement, I have come full circle in recent years: I used to think that anything exclusively for women (women’s pages, women’s colleges, women’s novels) was a bad idea. Now I am all in favor of it. But when Wellesley decided to remain a women’s college, it seemed so pointless to me. Why remain a school for women unless you are prepared to deal with the problems women have in today’s society? Why bother? If you are simply going to run a classy liberal-arts college in New England, an ivory tower for $3,900 a year, why not let the men in?

Wellesley
has
changed. Some of the changes are superficial: sex in the dorms, juicy as it is, probably has more to do with the fact that it is 1972 than with real change. On the other hand, there are changes that are almost fundamental. The spinster deans are mostly gone. There is a new president, and she has actually been married. Twice. Many of the hangovers from an earlier era—when Wellesley was totally a school for the rich as opposed to now, when it is only partially so—have been eliminated: sit-down dinners with maids and students waiting on tables; Tree Day, a spring rite complete
with tree maidens and tree plantings; the freshman-class banner hunt. Hoop rolling goes on, but this year a feminist senior won and promptly denounced the rite as trivial and sexist. Bible is no longer required. More seniors are applying to law school. “They are not as polite as you were,” says history professor Edward Gulick, which sounds promising. Yet another teacher tells me that the students today are more like us than like the class of 1970. The graduation procession is an endless troupe of look-alikes, cookie-cutter perfect faces with long straight hair parted in the middle. Still, there are at least three times as many black faces among them as there were in my time.

And there is the graduation speaker, Eleanor Holmes Norton, a black who is New York City Commissioner of Human Rights. Ten years ago, our speaker was Santha Rama Rau, who bored us mightily with a low-keyed speech on the need to put friendship above love of country. The contrast is quite extraordinary: Norton, an outspoken feminist and mesmerizing public speaker, raises her fist to the class as she speaks. “The question has been asked,” she says, “ ‘What is a woman?’ A woman is a person who makes choices. A woman is a dreamer. A woman is a planner. A woman is a maker, and a molder. A woman is a person who makes choices. A woman builds bridges. A woman makes children and makes cars. A woman writes poetry and songs. A woman is a person who makes choices. You cannot even simply become a mother anymore. You must
choose
motherhood. Will you choose change? Can you become its vanguard?” It is a moving speech, full of comparisons between women today and the young blacks of the 1960s; midway through, a Madras-jacketed father, absolutely furious,
storms down the aisle, collars his graduating daughter, and drags her off to tell her what he thinks of it. She returns a few minutes later to join her class in a standing ovation.

As for my class, two things are immediately apparent. The housewives, who are openly elated at being sprung from the responsibility of children for a weekend, are nonetheless very defensive about women’s liberation and wary of those of us who have made other choices. In the class record book, the most common expression is “women’s lib notwithstanding,” as in this from Janet Barton Mostafa: “I’m thrilled to find, women’s lib to the contrary notwithstanding, that motherhood is a pretty joyful experience. Shakespeare will have to wait in the wings a year or two.”
You cannot even simply become a mother anymore. You must
choose
motherhood
. “I steeled myself against coming,” one of the housewives said at reunion. “I was sure I was going to have to defend myself.” Neither she nor any other housewife will have to defend herself this trip; we are all far too polite. Still, it is interesting that the housewives—not the working mothers or the single or divorced women—are self-conscious. Which brings me to the second trend: the number of women at reunion who are not just divorced but proudly divorced, wearing their new independence as a kind of badge. I cannot imagine that previous Wellesley reunions attracted any divorced women at all.

On Saturday afternoon, our class meets formally. The meeting is conducted by the outgoing class president, B. J. Diener, the developer of Breck One Dandruff Shampoo. She has brought each of us a bottle of the stuff, a gesture some of the class think is in poor taste. I think it is sweet. B. J. is saying that the college ought to do more
for its alumnae—hold symposia around the country, provide reading lists on selected subjects, run correspondence courses for graduate-school credits. I find myself involved in a debate about the wisdom of all this—I hadn’t meant to get involved, but here I am, with my hand up, about to say that it sounds suspiciously like suburban clubwomen. As it happens, I am sitting in the back with a small group of fellow troublemakers, and we all end up waving our hands and speaking out. “It seems to me,” says one, “that all this is in the same spirit of elitism we’ve tried to get away from since leaving Wellesley.” Says another: “Where is the leadership of Wellesley when it comes to graduate-school quotas for women? If Wellesley is going to stand out and be a special place for women, it should be standing up and making a loud noise about it.” One thing leads to another, and the Class of 1962 ends up passing a unanimous resolution urging the college to take a position of leadership in the women’s movement. It seems a stunning and miraculous victory, and so, giddy, we push on to yet another controversial topic. That morning, graduation exercises had been leafleted by a campus group urging Wellesley to sell its stocks in companies manufacturing products for war; we think the class should support them. President Diener thinks this is a terrible idea, and she musters all her Harvard Business School expertise to suggest instead that we ask the college to vote its shares against company management. Hands are up all over the room. “The whole purpose of Wellesley’s investment is to make money,” says one woman, “and I for one don’t care if they want to invest it in whorehouses.” The motion to urge the college to sell its war stocks is defeated 30–8. The eight of us leave together, flushed with the partial success of our troublemaking, and suddenly I feel depressed
and silly. We had come back to make a little trouble but, like the senior who won hoop rolling and denounced it, we all tend toward tiny little rebellions, harmless nips at the system. We will never make any real trouble. Wellesley helped see to that.

And the nonsense. My God, the nonsense. At reunion, most of the students are gone and classes are over for the year. All that remains is a huge pile of tradition. Singing on the chapel steps. Fruit punch and tea in the afternoon. Class cheers and class songs. On Sunday morning, the last day of a hopelessly over-scheduled weekend, the reunion classes parade down to the alumnae meeting. Each class carries a felt banner and each woman wears a white dress decorated with some kind of costume insignia, also in class colors. My class is holding plastic umbrellas trimmed with huge bouquets of plastic violets and purple ribbons. The Class of 1957 is waving green feather dusters. Nineteen thirty-two is wearing what look like strawberry shortcakes but turn out to be huge red crowns; 1937 is in chefs’ hats and aprons with signs reading, “ ’37 is alive and cooking!” I am standing on the side, defiant in my non-umbrellaness, as the Class of 1952 comes down the path with red backpacks strapped on; in the midst of them I see a woman I know, a book editor, who is marching with her class but is not wearing a backpack. I start to laugh, because it seems clear to me that we both think we are somehow set apart from all this—she because she is not wearing anything on her back, I because I am taking notes. We are both wrong, of course.

I can pretend that I have come back to Wellesley only because I want to write about it, but I am really here because I still care, I still care about this Mickey Mouse
institution; I am foolish enough to think that someday it will do something important for women. That I care at all, that I am here at all, makes me one of Them. I am not exactly like them—I may be a better class of dumb—but we are all dumb. This college is about as meaningful to the educational process in America as a perfume factory is to the national economy. And all of us care, which makes us all idiots for wasting a minute thinking about the place.

October, 1972

It’s about this mother-of-us-all business.

It is Sunday morning in Miami Beach, the day before the Democratic Convention is to begin, and the National Women’s Political Caucus is holding a press conference. The cameras are clicking at Gloria, and Bella has swept in trailed by a vortex of television crews, and there is Betty, off to the side, just slightly out of frame. The cameras will occasionally catch a shoulder of her flowered granny dress or a stray wisp of her chaotic graying hair or one of her hands churning up the air; but it will be accidental, background in a photograph of Gloria, or a photograph of Bella, or a photograph of Gloria and Bella. Betty’s eyes are darting back and forth trying to catch someone’s attention, anyone’s attention. No use. Gloria is speaking, and then Bella, and then Sissy Farenthold from Texas. And finally … Betty’s lips tighten as she hears the inevitable introduction coming: “Betty Friedan, the mother of us all.” That does it. “I’m getting sick and tired of this mother-of-us-all thing,” she says. She is absolutely right, of course: in the women’s movement, to be called the mother of anything is rarely a compliment. And what it means in this context, make no
mistake, is that Betty, having in fact given birth, ought to cut the cord. Bug off. Shut up. At the very least, retire gracefully to the role of senior citizen, professor emeritus. Betty Friedan has no intention of doing anything of the kind. It’s her baby, damn it. Her movement. Is she supposed to sit still and let a beautiful thin lady run off with it?