Delphi Complete Works of Nathaniel Hawthorne (Illustrated) (256 page)

“Azure, a lion's head erased, between three flowers de luce,” said he, then whispered the name of the family to whom these bearings belonged. The last inheritor of its honors was recently dead, after a long residence amid the splendor of the British court, where his birth and wealth had given him no mean station. “He left no child,” continued the herald, “and these arms, being in a lozenge, betoken that the coach appertains to his widow.”

Further disclosures, perhaps, might have been made had not the speaker been suddenly struck dumb by the stern eye of an ancient lady who thrust forth her head from the coach, preparing to descend. As she emerged the people saw that her dress was magnificent, and her figure dignified in spite of age and infirmity — a stately ruin, but with a look at once of pride and wretchedness. Her strong and rigid features had an awe about them unlike that of the white Old Maid, but as of something evil. She passed up the steps, leaning on a gold-headed cane. The door swung open as she ascended, and the light of a torch glittered on the embroidery of her dress and gleamed on the pillars of the porch. After a momentary pause, a glance backward and then a desperate effort, she went in.

The decipherer of the coat-of-arms had ventured up the lower step, and, shrinking back immediately, pale and tremulous, affirmed that the torch was held by the very image of old Cæsar.

“But such a hideous grin,” added he, “was never seen on the face of mortal man, black or white. It will haunt me till my dying-day.”

Meantime, the coach had wheeled round with a prodigious clatter on the pavement and rumbled up the street, disappearing in the twilight, while the ear still tracked its course. Scarcely was it gone when the people began to question whether the coach and attendants, the ancient lady, the spectre of old Cæsar and the Old Maid herself were not all a strangely-combined delusion with some dark purport in its mystery. The whole town was astir, so that, instead of dispersing, the crowd continually increased, and stood gazing up at the windows of the mansion, now silvered by the brightening moon. The elders, glad to indulge the narrative propensity of age, told of the long-faded splendor of the family, the entertainments they had given and the guests, the greatest of the land, and even titled and noble ones from abroad, who had passed beneath that portal. These graphic reminiscences seemed to call up the ghosts of those to whom they referred. So strong was the impression on some of the more imaginative hearers that two or three were seized with trembling fits at one and the same moment, protesting that they had distinctly heard three other raps of the iron knocker.

“Impossible!” exclaimed others. “See! The moon shines beneath the porch, and shows every part of it except in the narrow shade of that pillar. There is no one there.”

“Did not the door open?” whispered one of these fanciful persons.

“Didst thou see it too?” said his companion, in a startled tone.

But the general sentiment was opposed to the idea that a third visitant had made application at the door of the deserted house. A few, however, adhered to this new marvel, and even declared that a red gleam like that of a torch had shone through the great front window, as if the negro were lighting a guest up the staircase. This too was pronounced a mere fantasy.

But at once the whole multitude started, and each man beheld his own terror painted in the faces of all the rest.

“What an awful thing is this!” cried they.

A shriek too fearfully distinct for doubt had been heard within the mansion, breaking forth suddenly and succeeded by a deep stillness, as if a heart had burst in giving it utterance. The people knew not whether to fly from the very sight of the house or to rush trembling in and search out the strange mystery. Amid their confusion and affright they were somewhat reassured by the appearance of their clergyman, a venerable patriarch, and equally a saint, who had taught them and their fathers the way to heaven for more than the space of an ordinary lifetime. He was a reverend figure with long white hair upon his shoulders, a white beard upon his breast and a back so bent over his staff that he seemed to be looking downward continually, as if to choose a proper grave for his weary frame. It was some time before the good old man, being deaf and of impaired intellect, could be made to comprehend such portions of the affair as were comprehensible at all. But when possessed of the facts, his energies assumed unexpected vigor.

“Verily,” said the old gentleman, “it will be fitting that I enter the mansion-house of the worthy Colonel Fenwicke, lest any harm should have befallen that true Christian woman whom ye call the 'Old Maid in the Winding-Sheet.'“

Behold, then, the venerable clergyman ascending the steps of the mansion with a torch-bearer behind him. It was the elderly man who had spoken to the Old Maid, and the same who had afterward explained the shield of arms and recognized the features of the negro. Like their predecessors, they gave three raps with the iron hammer.

“Old Cæsar cometh not,” observed the priest. “Well, I wot he no longer doth service in this mansion.”

“Assuredly, then, it was something worse in old Cæsar's likeness,” said the other adventurer.

“Be it as God wills,” answered the clergyman. “See! my strength, though it be much decayed, hath sufficed to open this heavy door. Let us enter and pass up the staircase.”

Here occurred a singular exemplification of the dreamy state of a very old man's mind. As they ascended the wide flight of stairs the aged clergyman appeared to move with caution, occasionally standing aside, and oftener bending his head, as it were in salutation, thus practising all the gestures of one who makes his way through a throng. Reaching the head of the staircase, he looked around with sad and solemn benignity, laid aside his staff, bared his hoary locks, and was evidently on the point of commencing a prayer.

“Reverend sir,” said his attendant, who conceived this a very suitable prelude to their further search, “would it not be well that the people join with us in prayer?”

“Well-a-day!” cried the old clergyman, staring strangely around him. “Art thou here with me, and none other? Verily, past times were present to me, and I deemed that I was to make a funeral prayer, as many a time heretofore, from the head of this staircase. Of a truth, I saw the shades of many that are gone. Yea, I have prayed at their burials, one after another, and the Old Maid in the Winding-Sheet hath seen them to their graves.”

Being now more thoroughly awake to their present purpose, he took his staff and struck forcibly on the floor, till there came an echo from each deserted chamber, but no menial to answer their summons. They therefore walked along the passage, and again paused, opposite to the great front window, through which was seen the crowd in the shadow and partial moonlight of the street beneath. On their right hand was the open door of a chamber, and a closed one on their left.

The clergyman pointed his cane to the carved oak panel of the latter.

“Within that chamber,” observed he, “a whole lifetime since, did I sit by the death-bed of a goodly young man who, being now at the last gasp — ” Apparently, there was some powerful excitement in the ideas which had now flashed across his mind. He snatched the torch from his companion's hand, and threw open the door with such sudden violence that the flame was extinguished, leaving them no other light than the moonbeams which fell through two windows into the spacious chamber. It was sufficient to discover all that could be known. In a high-backed oaken arm-chair, upright, with her hands clasped across her breast and her head thrown back, sat the Old Maid in the Winding-Sheet. The stately dame had fallen on her knees with her forehead on the holy knees of the Old Maid, one hand upon the floor and the other pressed convulsively against her heart. It clutched a lock of hair — once sable, now discolored with a greenish mould.

As the priest and layman advanced into the chamber the Old Maid's features assumed such a semblance of shifting expression that they trusted to hear the whole mystery explained by a single word. But it was only the shadow of a tattered curtain waving betwixt the dead face and the moonlight.

“Both dead!” said the venerable man. “Then who shall divulge the secret? Methinks it glimmers to and fro in my mind like the light and shadow across the Old Maid's face. And now 'tis gone!”

 

 

PETER GOLDTHWAITE'S TREASURE.

 

“And so, Peter, you won't even consider of the business?” said Mr. John Brown, buttoning his surtout over the snug rotundity of his person and drawing on his gloves. “You positively refuse to let me have this crazy old house, and the land under and adjoining, at the price named?”

“Neither at that, nor treble the sum,” responded the gaunt, grizzled and threadbare Peter Goldthwaite. “The fact is, Mr. Brown, you must find another site for your brick block and be content to leave my estate with the present owner. Next summer I intend to put a splendid new mansion over the cellar of the old house.”

“Pho, Peter!” cried Mr. Brown as he opened the kitchen door; “content yourself with building castles in the air, where house-lots are cheaper than on earth, to say nothing of the cost of bricks and mortar. Such foundations are solid enough for your edifices, while this underneath us is just the thing for mine; and so we may both be suited. What say you, again?”

“Precisely what I said before, Mr. Brown,” answered Peter Goldthwaite. “And, as for castles in the air, mine may not be as magnificent as that sort of architecture, but perhaps as substantial, Mr. Brown, as the very respectable brick block with dry-goods stores, tailors' shops and banking-rooms on the lower floor, and lawyers' offices in the second story, which you are so anxious to substitute.”

“And the cost, Peter? Eh?” said Mr. Brown as he withdrew in something of a pet. “That, I suppose, will be provided for off-hand by drawing a check on Bubble Bank?”

John Brown and Peter Goldthwaite had been jointly known to the commercial world between twenty and thirty years before under the firm of Goldthwaite & Brown; which copartnership, however, was speedily dissolved by the natural incongruity of its constituent parts. Since that event, John Brown, with exactly the qualities of a thousand other John Browns, and by just such plodding methods as they used, had prospered wonderfully and become one of the wealthiest John Browns on earth. Peter Goldthwaite, on the contrary, after innumerable schemes which ought to have collected all the coin and paper currency of the country into his coffers, was as needy a gentleman as ever wore a patch upon his elbow. The contrast between him and his former partner may be briefly marked, for Brown never reckoned upon luck, yet always had it, while Peter made luck the main condition of his projects, and always missed it. While the means held out his speculations had been magnificent, but were chiefly confined of late years to such small business as adventures in the lottery. Once he had gone on a gold-gathering expedition somewhere to the South, and ingeniously contrived to empty his pockets more thoroughly than ever, while others, doubtless, were filling theirs with native bullion by the handful. More recently he had expended a legacy of a thousand or two of dollars in purchasing Mexican scrip, and thereby became the proprietor of a province; which, however, so far as Peter could find out, was situated where he might have had an empire for the same money — in the clouds. From a search after this valuable real estate Peter returned so gaunt and threadbare that on reaching New England the scarecrows in the corn-fields beckoned to him as he passed by. “They did but flutter in the wind,” quoth Peter Goldthwaite. No, Peter, they beckoned, for the scarecrows knew their brother.

At the period of our story his whole visible income would not have paid the tax of the old mansion in which we find him. It was one of those rusty, moss-grown, many-peaked wooden houses which are scattered about the streets of our elder towns, with a beetle-browed second story projecting over the foundation, as if it frowned at the novelty around it. This old paternal edifice, needy as he was, and though, being centrally situated on the principal street of the town, it would have brought him a handsome sum, the sagacious Peter had his own reasons for never parting with, either by auction or private sale. There seemed, indeed, to be a fatality that connected him with his birthplace; for, often as he had stood on the verge of ruin, and standing there even now, he had not yet taken the step beyond it which would have compelled him to surrender the house to his creditors. So here he dwelt with bad luck till good should come.

Here, then, in his kitchen — the only room where a spark of fire took off the chill of a November evening — poor Peter Goldthwaite had just been visited by his rich old partner. At the close of their interview, Peter, with rather a mortified look, glanced downward at his dress, parts of which appeared as ancient as the days of Goldthwaite & Brown. His upper garment was a mixed surtout, woefully faded, and patched with newer stuff on each elbow; beneath this he wore a threadbare black coat, some of the silk buttons of which had been replaced with others of a different pattern; and, lastly, though he lacked not a pair of gray pantaloons, they were very shabby ones, and had been partially turned brown by the frequent toasting of Peter's shins before a scanty fire. Peter's person was in keeping with his goodly apparel. Gray-headed, hollow-eyed, pale-cheeked and lean-bodied, he was the perfect picture of a man who had fed on windy schemes and empty hopes till he could neither live on such unwholesome trash nor stomach more substantial food. But, withal, this Peter Goldthwaite, crack-brained simpleton as, perhaps, he was, might have cut a very brilliant figure in the world had he employed his imagination in the airy business of poetry instead of making it a demon of mischief in mercantile pursuits. After all, he was no bad fellow, but as harmless as a child, and as honest and honorable, and as much of the gentleman which Nature meant him for, as an irregular life and depressed circumstances will permit any man to be.

As Peter stood on the uneven bricks of his hearth looking round at the disconsolate old kitchen his eyes began to kindle with the illumination of an enthusiasm that never long deserted him. He raised his hand, clenched it and smote it energetically against the smoky panel over the fireplace.

“The time is come,” said he; “with such a treasure at command, it were folly to be a poor man any longer. Tomorrow morning I will begin with the garret, nor desist till I have torn the house down.”

Deep in the chimney-corner, like a witch in a dark cavern, sat a little old woman mending one of the two pairs of stockings wherewith Peter Goldthwaite kept his toes from being frost-bitten. As the feet were ragged past all darning, she had cut pieces out of a cast-off flannel petticoat to make new soles. Tabitha Porter was an old maid upward of sixty years of age, fifty-five of which she had sat in that same chimney-corner, such being the length of time since Peter's grandfather had taken her from the almshouse. She had no friend but Peter, nor Peter any friend but Tabitha; so long as Peter might have a shelter for his own head, Tabitha would know where to shelter hers, or, being homeless elsewhere, she would take her master by the hand and bring him to her native home, the almshouse. Should it ever be necessary, she loved him well enough to feed him with her last morsel and clothe him with her under-petticoat. But Tabitha was a queer old woman, and, though never infected with Peter's flightiness, had become so accustomed to his freaks and follies that she viewed them all as matters of course. Hearing him threaten to tear the house down, she looked quietly up from her work.

“Best leave the kitchen till the last, Mr. Peter,” said she.

“The sooner we have it all down, the better,” said Peter Goldthwaite. “I am tired to death of living in this cold, dark, windy, smoky, creaking, groaning, dismal old house. I shall feel like a younger man when we get into my splendid brick mansion, as, please Heaven, we shall by this time next autumn. You shall have a room on the sunny side, old Tabby, finished and furnished as best may suit your own notions.”

“I should like it pretty much such a room as this kitchen,” answered Tabitha. “It will never be like home to me till the chimney-corner gets as black with smoke as this, and that won't be these hundred years. How much do you mean to lay out on the house, Mr. Peter?”

“What is that to the purpose?” exclaimed Peter, loftily. “Did not my great-grand-uncle, Peter Goldthwaite, who died seventy years ago, and whose namesake I am, leave treasure enough to build twenty such?”

“I can't say but he did, Mr. Peter,” said Tabitha, threading her needle.

Tabitha well understood that Peter had reference to an immense hoard of the precious metals which was said to exist somewhere in the cellar or walls, or under the floors, or in some concealed closet or other out-of-the-way nook of the old house. This wealth, according to tradition, had been accumulated by a former Peter Goldthwaite whose character seems to have borne a remarkable similitude to that of the Peter of our story. Like him, he was a wild projector, seeking to heap up gold by the bushel and the cart-load instead of scraping it together coin by coin. Like Peter the second, too, his projects had almost invariably failed, and, but for the magnificent success of the final one, would have left him with hardly a coat and pair of breeches to his gaunt and grizzled person. Reports were various as to the nature of his fortunate speculation, one intimating that the ancient Peter had made the gold by alchemy; another, that he had conjured it out of people's pockets by the black art; and a third — still more unaccountable — that the devil had given him free access to the old provincial treasury. It was affirmed, however, that some secret impediment had debarred him from the enjoyment of his riches, and that he had a motive for concealing them from his heir, or, at any rate, had died without disclosing the place of deposit. The present Peter's father had faith enough in the story to cause the cellar to be dug over. Peter himself chose to consider the legend as an indisputable truth, and amid his many troubles had this one consolation — that, should all other resources fail, he might build up his fortunes by tearing his house down. Yet, unless he felt a lurking distrust of the golden tale, it is difficult to account for his permitting the paternal roof to stand so long, since he had never yet seen the moment when his predecessor's treasure would not have found plenty of room in his own strong-box. But now was the crisis. Should he delay the search a little longer, the house would pass from the lineal heir, and with it the vast heap of gold, to remain in its burial-place till the ruin of the aged walls should discover it to strangers of a future generation.

“Yes,” cried Peter Goldthwaite, again; “to-morrow I will set about it.”

The deeper he looked at the matter, the more certain of success grew Peter. His spirits were naturally so elastic that even now, in the blasted autumn of his age, he could often compete with the springtime gayety of other people. Enlivened by his brightening prospects, he began to caper about the kitchen like a hobgoblin, with the queerest antics of his lean limbs and gesticulations of his starved features. Nay, in the exuberance of his feelings, he seized both of Tabitha's hands and danced the old lady across the floor till the oddity of her rheumatic motions set him into a roar of laughter, which was echoed back from the rooms and chambers, as if Peter Goldthwaite were laughing in every one. Finally, he bounded upward, almost out of sight, into the smoke that clouded the roof of the kitchen, and, alighting safely on the floor again, endeavored to resume his customary gravity.

“To-morrow, at sunrise,” he repeated, taking his lamp to retire to bed, “I'll see whether this treasure be hid in the wall of the garret.”

“And, as we're out of wood, Mr. Peter,” said Tabitha, puffing and panting with her late gymnastics, “as fast as you tear the house down I'll make a fire with the pieces.”

Gorgeous that night were the dreams of Peter Goldthwaite. At one time he was turning a ponderous key in an iron door not unlike the door of a sepulchre, but which, being opened, disclosed a vault heaped up with gold coin as plentifully as golden corn in a granary. There were chased goblets, also, and tureens, salvers, dinner-dishes and dish-covers of gold or silver-gilt, besides chains and other jewels, incalculably rich, though tarnished with the damps of the vault; for, of all the wealth that was irrevocably lost to man, whether buried in the earth or sunken in the sea, Peter Goldthwaite had found it in this one treasure-place. Anon he had returned to the old house as poor as ever, and was received at the door by the gaunt and grizzled figure of a man whom he might have mistaken for himself, only that his garments were of a much elder fashion. But the house, without losing its former aspect, had been changed into a palace of the precious metals. The floors, walls and ceilings were of burnished silver; the doors, the window-frames, the cornices, the balustrades and the steps of the staircase, of pure gold; and silver, with gold bottoms, were the chairs, and gold, standing on silver legs, the high chests of drawers, and silver the bedsteads, with blankets of woven gold and sheets of silver tissue. The house had evidently been transmuted by a single touch, for it retained all the marks that Peter remembered, but in gold or silver instead of wood, and the initials of his name — which when a boy he had cut in the wooden door-post — remained as deep in the pillar of gold. A happy man would have been Peter Goldthwaite except for a certain ocular deception which, whenever he glanced backward, caused the house to darken from its glittering magnificence into the sordid gloom of yesterday.

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