Dies the Fire (61 page)

Read Dies the Fire Online

Authors: S. M. Stirling

Tags: #Speculative Fiction

Birds burst out of the grain as the blades cut, and insects, and now and then a rabbit or some other small scuttling animal. Cuchulain and a couple of other dogs went for them with a ferocity so intent they didn't even bark; they'd all grasped the fact that they had to supply more of their own food by now, as well as working to guard or hunt.
Each of the dozen harvesters had a gatherer behind him; Chuck Barstow was the first, over on the left-hand end of the line, with Judy following behind him, and Juniper was binding for Sam Aylward at the far right-hand position; those were their two best scythesmen, and it helped to pace the others.
Not to mention pacing the binders,
she thought, wheezing a little; the thick-bodied ex-soldier cut like a machine, muscle rippling like living metal beneath skin tanned to the same old-oak color as his hair.
Planted by tractors, cut by hand. The last wheat planted with a tractor this world will see in a long, long time.
The thought went through idly as she scratched and stretched again, feeling the sweat running down her face and flanks and legs.
Aylward also worked in hat, boots, a kilt and nothing else, and looked disgustingly comfortable, relatively speaking. Juniper was running with sweat too, but she wore loose pants, a long-sleeved shirt, and a bandana under her broad-brimmed hat; the sun would flay a redhead like her alive if she didn't. Every bit of cloth in contact with her skin was sodden, and it chafed. Unlike some, she didn't find the Willamette's rainy, cloudy winters a trial.
So I bundle up, Lord Sun, despite the heat and the awns sticking to me and itching in every place imaginable including some I'm still shy about scratching in public,
she thought.
It's very unreasonable of You.
The damned little bits that broke off the heads and floated to stick on your wet skin and work their way under your clothes were called awns, according to Chuck. They were a confounded nuisance any way you took it.
She rubbed at her back again, and looked over her shoulder, mostly to stretch—something went
click
in her spine, with a slight feeling of relief. Much more of this twenty-acre stretch was reaped than wasn't, and it was the last field—two ox-drawn carts were already traveling across it, with workers pitching up sheaves. The Willamette had surprisingly rainless summers, and you didn't have to leave the sheaves stooked in the field to dry except for the seed grain.
The sight was a little bizarre; the carts themselves were flatbeds, each with two wheels taken from cars and vans, drawn by converted steers under hand-whittled wood yokes.
Juniper shook her head; you had to get used to that sort of contrast, in the first year of the Change. She took a swig of lukewarm water from her canteen, moved her bow and quiver and sword belt forward a dozen paces and Aylward's likewise, and bent to work again.
Grab an armful-sized bundle of stalks as the cradle had left them, move them forward, grab and move, grab and move, until you had enough for a sheaf—a bundle as thick as you could comfortably span with both arms. Then you held it in front of you, grabbed a handful just below the grain ears, bent the straw around the whole bundle at the middle, twisted and tucked the end underneath to hold it . . . and then you did it all over again, and again.
So this was what the phrase
mind-numbing toil
was invented for,
she thought.
I wonder how many others are making that discovery!
At that, most of them were doing about half what the books said an experienced worker could finish in a day. She tried not to think again, mentally humming a song instead. It was easier if you could get into a semitrance state, where time ceased to flow minute-by-minute. Gradually her hands and legs and back seemed to move of their own volition.
A heartbreaking share of the grain in the valley wasn't being harvested at all, going to waste from plague and fear and lawlessness, something that made her stomach twist to think of.
Then someone called out; she stopped in midreach and looked up, shocked to see the sun past the noon mark.
“Blessed be!” she said, and many more voices took it up; there were shouts of sheer joy, and some of the younger harvesters managed an impromptu bit of dancing.
They weren't
nearly
finished any more; they
were
finished. Everyone grouped around her in a circle; she wiped a sleeve over her face and gathered up the last of the wheat. First she tied it off as she had the others; then she went to work shaping it, with legs and arms and a twist of straw for a mouth.
“Hail to the Goddess of the ripened corn!” she said, laughing and exhausted, bowing before the sheaf. “We thank You, Mother-of-All, and the Harvest King who is Your consort.”
Later they'd take the dolly back to the Hall; and then there were the rites of Lughnassadh next week, when the Oak King gave way to the Holly. But for now they all admired the Queen Sheaf as it was carried across the field towards the southeast corner and shade on the end of a scythe-shaft.
“Go us!” someone yelled, and everyone took it up for a moment, pumping their fists in the air. “Go us! Mackenzies rule!”
“Do you realize,” someone else said reverently, when the chant had died down, “That from now on we can eat bread
every day
?”
“In the sweat of our brows,” Juniper said, grinning and wiping hers.
That got a chorus of groans.
But it's true,
she thought.
And the bread is very, very welcome.
They all picked up their tools and weapons and followed the Sheaf to the southeast corner of the field where an oak and a group of Douglas firs cast a grateful shade. There were four big aluminum or plastic kegs of water on two-by-four X-trestles as well; she drank, washed face and hands, peeled off bandana and shirt, poured several cupfuls over her head, drank again . . . Heat seemed to radiate away from her, like a red-hot poker cooling, as if her hair was flame in truth.
“Dinner!” someone cried.
Eilir drove the delivery cart, which was one of her chores; two-wheeled, with a single ex-cow-pony between the shafts. The soup came in two cauldrons, one double-walled aluminum, the other thick pottery; both types held the heat well. After they ate, they could help the loaders get as much of the cut wheat as possible out of the fields today.
Congratulations!
Eilir signed, as eager hands unloaded.
What a beautiful Queen Sheaf! Now we can get back to work on the palisade!
Bits of straw and grass and twigs flew in her direction; she giggled and held her buckler up in front of her face to protect herself from the mock attack before she turned the cart with a deft twitch of the reins and trotted off.
Juniper ambled over and raised the lid on the pottery container, full of Eternal Soup—but a considerably richer variety than spring's.
“Well, blessed be,” she said. “Onions, carrots, peas, all still recognizable. Wild mushrooms. Turnips. Potatoes.”
There were chunks of mutton, too, not yet boiled down to stock; she addressed them in a tone dripping with sympathy: “Blessed be—is that the G-L-L I see? Greetings, Goddamn Little Lamb! You've gone completely to pieces. I'm so sorry . . . actually, I'm sort of happy to see you like this!”
Everyone
laughed at that; even Sam Aylward smiled, though it looked as if it hurt.
Goddamn Little Lamb was—had been, until day before yesterday—the stupidest of the ewes in the clan's painfully acquired little flock; which was saying something, since they'd discovered that the hardest part of raising sheep was keeping them from killing themselves. They might be near-as-no-matter brainless in every other respect, too stupid to walk through an open gate, but in self-immolation they showed boundless ingenuity.
GLL had come close to taking several inexperienced shepherds with her while she threw herself off high places, nearly hung herself on low-lying branch forks, tried to poison herself on unsuitable vegetation, and finally succeeded in drowning herself as she attempted to reach some floating weeds in the millpond, got bogged in the mud, and sank nearly out of sight. Eilir had gone in with a rope to pull the carcass out . . .
The good part in herding sheep was that you usually didn't have to slaughter them yourself; all you had to worry about was getting to the body before the coyotes did.
Besides the soup there were baskets of—
“Oh, smell that smell!” Chuck said, reaching in for the bread under the towel.
The loaves were round, mushroom-shaped as if they'd been raised and baked in flowerpots—mostly because Diana and Andy had found that clay flowerpots
did
make excellent containers for baking, and there were a lot of them available. The loaves had an eight-spoked pattern cut into their dark-brown tops; the sides and bottoms were honey-brown, with just the right hollow sound when flicked, and the coarse bread made from stone-ground flour was fresh enough that it steamed gently when torn open by eager fingers.
Every bit as good as they baked at MoonDance,
Juniper thought happily.
A bit crumbly—
they were using soft white winter wheat—
but very, very tasty!
There was butter too, now that they'd gotten more milkers; creamy yellow butter in Tupperware containers, strong-tasting and rich—the mill turned a big barrel-churn as well as grindstones. The first cheeses were already curing in the damp chill of the springhouse beside it. Juniper anointed her chunk of loaf with a lavish hand, watching it melt into the coarse brown bread.
People settled down to concentrated munching; it seemed like a long time since this morning's oatmeal and fruit. Juniper felt an inner glow when she went back for a second bowl and realized that there was enough for everyone to eat until they were
full,
at an ordinary field supper rather than a special occasion.
That hadn't happened much until the last few weeks.
How many times did I get up from a meal with my stomach still clenching, and have to go right back to work?
she thought.
Far too many. Being that hungry
hurts.
Goddess Mother-of-all, Lord of the ripened grain, thank You for the gifts of Your bounty!
There was even a basket of fruit, Elberta peaches, their skins blushing red amid the deeper crimson of Bing cherries. She snaffled two of the peaches and a double handful of the cherries; most of the fruit crop was being dried and pressed into blocks or turned into jam or otherwise preserved, but they were so good
fresh
from the tree. The juice dripped from her chin onto her throat and breasts, but there was no point in being dainty; the bathhouse awaited anyway, and the harvesting crews got first turn.
Chuck looked over at her. “Got one of those deep-wisdom Celtic sayings to lay on us, your Ladyship?” he grinned.
She threw a peach pit back at him. “Indeed and I do.
Nil anon tóin tinn mar do thóin tinn féin.

“There's no hearth like your own hearth?” he said. “Hey, no fair, that's not relevant!”
“Close but no cigar,” she said, waggling her eyebrows and leering. “This one sounds a lot like that, but it actually means: ‘There's no sore ass like your own sore ass.' ”
That got a universal, rueful chuckle. “Hey, what about a song?” Judy asked.
“Well, I'm not playing today,” Juniper said, with a pang. “Not until my hands are in better shape.” That brought groans of disappointment, and they sounded heartfelt.
It's different, in a world where all music has to be live,
she thought.
I'm good, but am I
as good
as everyone says, these days? Or is it just that there's no competition?
Although Chuck and a few others were gifted amateurs, come to that.
Surprisingly, Sam Aylward produced a wooden flute and began to pipe; Chuck grinned and started to tap a stone on the back of his scythe-blade for accompaniment; someone else beat a little tambourine-shaped hand drum they'd brought along this morning—songs were a lot more usual on the way to work than afterward.
She recognized the tune at once, cleared her throat and began, her strong alto ringing out in the slow, cadenced measure of the song's first verse:
“Let me tell the tale of my father's kin
For his blood runs through my veins—
No man's been born
Who could best John Barleycorn
For he's suffered many pains!”
Then a little faster:
“They've buried him well beneath the ground
And covered over his head
And these men from the West
Did solemnly attest
That John Barleycorn was dead!
John Barleycorn was dead!
But the warm spring rains
Came a'pouring down
And John Barleycorn arose—”
It was a very old tune, and popular:
“And upon that ground he stood without a sound
Until he began to grow!
And they've hired a man with a knife so sharp
For to cut him through the knees—”
More and more joined her, but then the voices jarred to a sudden halt.
A dunting
huu-huu-huu
from the west brought heads around; that was the alarm from the mounted sentries, blowing on horns donated by slaughtered cattle. Everyone felt uncomfortably exposed here; the valley floor was dead flat and the road net was still in good shape; with bicycles raiders could strike from anywhere. Horses were faster in a sprint, but men on bicycles could run horses to death over a day or two.
Aylward laid down his flute and rose as smoothly as if he hadn't spent the hours since dawn swinging a twenty-pound cradle scythe, usually with half a sheaf of wheat on it. He picked up his great yellow longbow and strung it the quick, dirty and dangerous medieval way—right foot between string and stave, the horn tip braced against the instep from behind the anklebone, hip against the riser, flex the body back and push the right arm forward and slide the cord up into the nock at the upper tip.

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