Disclosure: A Novel (38 page)

Read Disclosure: A Novel Online

Authors: Michael Crichton

Tags: #Fiction, #Psychological, #General, #United States, #Detective and mystery stories, #Mystery & Detective, #Sexual harasment, #Legal, #Sexual harassment, #Seattle (Wash.), #Sexual harassment of women, #Audiobooks, #Sexual harassment of men, #Large type books, #Computer industry

Sanders interrupted, saying, "What about Bob?" Now that it was over, Sanders was having a lot of feelings about Garvin. Memories going back to his earliest days with the company. Garvin had been a kind of father to Sanders, and he wanted to hear from Garvin now. He wanted an apology. Or something.

"I imagine Bob's going to take a couple of days to come around," Blackburn said. "This was a very difficult decision for him to arrive at. I had to work very hard on him, on your behalf. And now he's got to figure out how to break it to Meredith. All that."

"Uh-huh."

"But he'll eventually talk to you. I know he will. Meanwhile, I wanted to go over a few things about the meeting tomorrow," Blackburn said. "It's for Marden, their CEO, and it's going to be a bit more formal than the way we usually do things. We'll be in the big conference room on the ground floor. It'll start at nine, and go to ten. Meredith will chair the meeting, and she'll call on all the division heads to give a summary of progress and problems in their divisions. Mary Anne first, then Don, then Mark, then you. Everyone will talk three to four minutes. Do it standing. Wear a jacket and tie. Use visuals if you have them, but stay away from technical details. Keep it an overview. In your case, they'll expect to hear mostly about Twinkle."

Sanders nodded. "All right. But there isn't really much new to report. We still haven't figured out what's wrong with the drives."

"That's fine. I don't think anybody expects a solution yet. Just emphasize the success of the prototypes, and the fact that we've overcome production problems before. Keep it upbeat, and keep it moving. If you have a prototype or a mock-up, you might want to bring it along."

"Okay."

"You know the stuff-bright rosy digital future, minor technical glitches won't stand in the way of progress."

"Meredith's okay with that?" he said. He was slightly disturbed to hear that she was chairing the meeting.

"Meredith is expecting all the heads to be upbeat and non-technical. There won't be a problem."

"Okay," Sanders said.

"Call me tonight if you want to go over your presentation," Blackburn said. "Or in the morning, early. Let's just finesse this session, and then we can move on. Start making changes next week."

Sanders nodded.

"You're the kind of man this company needs," Blackburn said. "I appreciate your understanding. And again, Tom, I'm sorry."

He left.

Sanders called down to the Diagnostics Group, to see if they had any further word. But there was no answer. He went out to the closet behind Cindy's desk and took out the AV

materials: the big schematic drawing of the Twinkle drive, and the schematic of the production line in Malaysia. He could prop these on easels while he talked.

But as he thought about it, it occurred to him that Blackburn was right. A mock-up or a prototype would be good to have. In fact, he should probably bring one of the drives that Arthur had sent from KL. It reminded him that he should call Arthur in Malaysia. He dialed the number.

"Mr. Kahn's office."

"It's Tom Sanders calling."

The assistant sounded surprised. "Mr. Kahn is not here, Mr. Sanders."

"When is he expected back?"

"He's out of the office, Mr. Sanders. I don't know when he'll be back."

"I see." Sanders frowned. That was odd. With Mohammed Jafar missing, it was unlike Arthur to leave the plant without supervision.

The assistant said, "Can I give him a message?"

"No message, thanks."

He hung up, went down to the third floor to Cherry's programming group, and put his card in the slot to let himself in. The card popped back out, and the LED blinked oooo. It took him a moment to realize that they had cut off his access. Then he remembered the other card he had picked up earlier. He pushed it in the slot, and the door opened. Sanders went inside.

He was surprised to find the unit deserted. The programmers all kept strange hours; there was almost always somebody there, even at midnight.

He went to the Diagnostics room, where the drives were being studied. There were a series of benches, surrounded by electronic equipment and blackboards. The drives were set out on the benches, all covered in white cloth. The bright overhead quartz lights were off.

He heard rock-and-roll music from an adjacent room, and went there. A lone programmer in his early twenties was sitting at a console typing. Beside him, a portable radio blared.

Sanders said, "Where is everybody?"

The programmer looked up. "Third Wednesday of the month."

“So?”

"OOPS meets on the third Wednesday."

"Oh." The Object Oriented Programmer Support association, or OOPS, was an association of programmers in the Seattle area. It was started by Microsoft some years earlier, and was partly social and partly trade talk.

Sanders said, "You know anything about what the Diagnostics team found?"

"Sorry." The programmer shook his head. "I just came in."

Sanders went back to the Diagnostics room. He flicked on the lights and gently removed the white cloth that covered the drives. He saw that only three of the CD-ROM drives had been opened, their innards exposed to powerful magnifying glasses and electronic probes on the tables. The remaining seven drives were stacked to one side, still in plastic.

He looked up at the blackboards. One had a series of equations and hastily scribbled data points. The other had a flowchart list that read:

A. Contr. Incompat. VLSI? pwr?

B. Optic Dysfunct-? voltage reg?/arm?/servo?

C. Laser R/O (a,b,c)

D. E Mechanical J J

E. Gremlins

It didn't mean much to Sanders. He turned his attention back to the tables, and peered at the test equipment. It looked fairly standard, except that there were a series of large-bore needles lying on the table, and several white circular wafers encased in plastic that looked like camera filters. There were also Polaroid pictures of the drives in various stages of disassembly; the team had documented their work. Three of the Polaroids were placed in a neat row, as if they might be significant, but Sanders couldn't see why. They just showed chips on a green circuit board.

He looked at the drives themselves, being careful not to disturb anything. Then he turned to the stack of drives that were still wrapped in plastic. But looking closely, he noticed fine, needle-point punctures in the plastic covering four of the drives.

Nearby was a medical syringe and an open notebook. The notebook showed a column of figures:

PPU

7

II (repeat II)

2

And at the bottom someone had scrawled, "Fucking Obvious!" But it wasn't obvious to Sanders. He decided that he'd better call Don Cherry later tonight, to have him explain it.

In the meantime, he took one of the extra drives from the stack to use in the presentation the following morning.

He left the Diagnostics room carrying all his presentation materials, the easel boards flapping against his legs. He headed downstairs to the ground floor conference room, which had an AV closet where speakers stored visual material before a presentation. He could lock his material away there.

In the lobby, he passed the receptionist's desk, now manned by a black security guard, who watched a baseball game and nodded to Sanders. Sanders went back toward the rear of the floor, moving quietly on the plush carpeting. The hallway was dark, but the lights were on in the conference room; he could see them shining from around the corner.

As he came closer, he heard Meredith Johnson say, "And then what?" And a man's voice answered something indistinct.

Sanders paused.

He stood in the dark corridor and listened. From where he stood, he could see nothing of the room.

There was a moment of silence, and then Johnson said, "Okay, so will Mark talk about design?"

The man said, "Yes, he'll cover that."

"Okay," Johnson said. "Then what about the . . ."

Sanders couldn't hear the rest. He crept forward, moving silently on the carpet, and cautiously peered around the corner. He still could not see into the conference room itself, but there was a large chrome sculpture in the hallway outside the room, a sort of propeller shape, and in the reflection of its polished surface he saw Meredith moving in the room.

The man with her was Blackburn.

Johnson said, "So what if Sanders doesn't bring it up?"

"He will," Blackburn said.

"You're sure he doesn't-that the-" Again, the rest was lost.

"No, he-no idea."

Sanders held his breath. Meredith was pacing, her image in the reflection, twisting and distorted. "So when he does-I will say that this is a-is that-you mean?"

"Exactly," Blackburn said.

"And if he-"

Blackburn put his hand on her shoulder. "Yes, you have to-"

"-So-want me to-"

Blackburn said something quiet in reply, and Sanders heard none of it, except the phrase

"-must demolish him."

"-Can do that-"

"-Make sure counting on you-"

There was the shrill sound of a telephone. Both Meredith and Blackburn reached for their pockets. Meredith answered the call, and the two began to move toward the exit. They were heading toward Sanders.

Panicked, Sanders looked around, and saw a men's room to his right. He slipped inside the door as they came out of the conference room and started down the hallway.

"Don't worry about this, Meredith," Blackburn said. "It'll go fine." "I'm not worried," she said.

"It should be quite smooth and impersonal," Blackburn said. "There's no reason for rancor. After all, you have the facts on your side. He's clearly incompetent."

"He still can't get into the database?" she said.

"No. He's locked out of the system."

"And there's no way he can get into Conley-White's system?"

Blackburn laughed. "No way in hell, Meredith."

The voices faded, moving down the hallway. Sanders strained to listen, finally heard the click of a door closing. He stepped out of the bathroom into the hallway.

The hallway was deserted. He stared toward the far door.

His own telephone rang in his pocket, the sound so loud it made him jump. He answered it. "Sanders."

"Listen," Fernandez said. "I sent the draft of your contract to Blackburn's office, but it came back with a couple of added statements that I'm not sure about. I think we better meet to discuss them." "In an hour," Sanders said. "Why not now?" "I have something to do first," he said.

Ah, Thomas." Max Dorfman opened the door to his hotel roomand immediately wheeled away, back toward the television set.

"You have finally decided to come."

"You've heard?"

"Heard what?" Dorfman said. "I am an old man. No one bothers with me anymore. I'm cast by the wayside. By everyone including you." He clicked off the television set and grinned.

Sanders said, "What have you heard?"

"Oh, just a few things. Rumors, idle talk. Why don't you tell me yourself?"

"I'm in trouble, Max."

"Of course you are in trouble," Dorfman snorted. "You have been in trouble all week.

You only noticed now?"

"They're setting me up."

"They?"

"Blackburn and Meredith."

"Nonsense."

"It's true."

"You believe Blackburn can set you up? Philip Blackburn is a spineless fool. He has no principles and almost no brains. I told Garvin to fire him years ago. Blackburn is incapable of original thought."

"Then Meredith."

"Ali. Meredith. Yes. So beautiful. Such lovely breasts."

"Max, please."

"You thought so too, once."

"That was a long time ago," Sanders said.

Dorfman smiled. "Times have changed?" he said, with heavy irony. "What does that mean?"

"You are looking pale, Thomas."

"I can't figure anything out. I'm scared."

"Oh, you're scared. A big man like you is scared of this beautiful woman with beautiful breasts."

"Max-"

"Of course, you are right to be scared. She has done all these many terrible things to you.

She has tricked you and manipulated you and abused you, yes?"

"Yes," Sanders said.

"You have been victimized by her and Garvin."

"Yes."

"Then why were you mentioning to me the flower, hmm?"

He frowned. For a moment he didn't know what Dorfman was talking about. The old man was always so confusing and he liked to be-

"The flower," Dorfman said irritably, rapping his knuckles on the wheelchair arm. "The stained-glass flower in your apartment. We were speaking of it the other day. Don't tell me you have forgotten it?"

The truth was that he had, until that moment. Then he remembered the image of the stained-glass flower, the image that had come unbidden to his mind a few days earlier.

"You're right. I forgot."

"You forgot." Dorfman's voice was heavy with sarcasm. "You expect me to believe that?"

"Max, I did, I-"

He snorted. "You are impossible. I cannot believe you will behave so transparently. You didn't forget, Thomas. You merely chose not to confront it."

"Confront what?"

In his mind, Sanders saw the stained-glass flower, in bright orange and purple and yellow.

The flower mounted in the door of his apartment. Earlier in the week, he had been thinking about it constantly, almost obsessing about it, and yet today

"I cannot bear this charade," Dorfman said. "Of course you remember it all. But you are determined not to think of it."

Sanders shook his head, confused.

"Thomas. You told it all to me, ten years ago," Dorfman said, waving his hand. "You confided in me. Blubbering. You were very upset at the time. It was the most important thing in your life, at the time. Now you say it is all forgotten?" He shook his head. "You told me that you would take trips with Garvin to Japan and Korea. And when you returned, she would be waiting for you in the apartment. In some erotic costume, or whatever. Some erotic pose. And you told me that sometimes, when you got home, you would see her first through the stained glass. Isn't that what you told me, Thomas? Or do I have it wrong?"

Other books

Broken Verses by Kamila Shamsie
No Normal Day by Richardson, J.
A Bouquet of Love by Janice Thompson
Switched by Amanda Hocking
A Heart So White by Javier Marias
The Cold Equations by Tom Godwin, edited by Eric Flint
Arrows of the Queen by Mercedes Lackey
Gallipoli by Peter FitzSimons
Swans Over the Moon by Forrest Aguirre
Magic Resistant by Veronica Del Rosa