Domain (26 page)

Read Domain Online

Authors: James Herbert

Tags: #General, #Horror & Ghost Stories, #Horror tales, #Fiction & related items, #Fiction, #Animal mutation, #Rats, #Horror, #Modern & contemporary fiction (post c 1945)

just a few feet over their heads. Fairbank had seen the figure below pointing the gun towards them as the lights had begun to flicker, and had ducked low, shouting a warning to his companions. He cursed loudly as something tore through the metal gridwork just a few inches from his left leg.

Something caused the narrow footway behind Culver to judder and he quickly turned. The rat was only a short distance away from his legs, a deadly grinning creature whose eyes glinted with malice, even though the lights dimmed. Culver tensed, waiting for the attack, ready to kick out at the vermin when it sprang forward. But the rat did not move. It lay hunched, teeth bared in a silent snarl, eyes glaring, yet no life in them. It lay dead.

Another black creature fell from overhead and Kate screamed as it landed on her back. It squirmed against her, neck twisting wildly and needle-sharp claws scratching at her clothing. Culver raised himself to his knees as the lighting soared to its full strength once more and winced when blood smeared Kate's torn blouse. He quickly realized that the blood was from the creature itself, pumping from its body in several places. Grabbing at the wet fur, careful to avoid gnashing teeth, he lifted the rat and tossed it between the thin bars of the railing, watching the wriggling beast until it disappeared into the water where its death-throes continued.

Mercifully, Ellison had ceased firing and was staring at him in alarm. Culver turned away to tend to the girl, but Fairbank leaned over to inform the man below of his considered, if screamed, opinion of him.

Kate was shaking as she clung to Culver, but when he lifted her chin to look at her face he saw no hysteria, just fear and perhaps despair. There was no time for comfort, no time for encouragement. The floodwater was still rising and the lights were liable to fail completely at any moment. He

pulled her into a sitting position and spoke close to her ear. We've got to go back down into the water!'

Why?' Now there was panic in her expression. There's nowhere to go, we can't get out!'

'If we're going to stay above water level we'll have to find weapons to fight off the rats! And we'll have to do that before the water rises too high!' He failed to mention the black shapes he could see continuing to climb through the pipe network and wiring.

'Let me stay here!' she cried. 'I can't go back down there!'

Culver began to lift her. 'Afraid I can't do that.'

As Kate stood she realized why. She shrank away from Culver, her eyes searching out the black shapes creeping overhead, backing into Fairbank who was preparing to climb down a ladder close by.

He glanced around, up, lips forming a single-syllable word, and swiftly lowered himself onto the first few rungs of the ladder. He looked up once more just before his head and shoulders disappeared from view, his gaze catching Culver's and a knowing look passing between them. The understanding was of cold desperation.

Kate slid into the opening after Fairbank and froze when she saw the foaming water beneath her feet.

A less than gentle shove from Culver set her moving again. Icy wetness gripped her, closing around her thighs, her stomach, stealing her breath, pulling and tugging in an effort to dislodge her from the ladder.

Yet she felt the current was not as strong as before; the waters flowing from separate sources were now fusing with less force. However, it still needed Fairbank's strength to keep her steady once she had stepped onto the floor.

Culver joined them in time to see Ellison take aim at the ceiling again. The engineer released a short spurt of bullets

and Culver was surprised when a grimace that could have only been a smile appeared on Ellison's face.

'Where're Dealey and the others?' he called across to the engineer, who lowered the submachine gun towards him before indicating the Operations Room with the barrel. Ellison raised his eyes towards the ceiling again and Culver was strangely reminded of the bloodless eyes of a pike searching for stickleback.

Ellison appeared eager to kill and Culver was relieved that only vermin were the targets. Instability, neuroses, and even a touch of madness had become part of the bunker ambience, the effects of grief, claustrophobia, and the knowledge that permanent safety no longer existed. Only the symptoms varied.

There were figures already emerging from the doorway of the Operations Room, struggling through the current and staring with disbelief at the chaos that confronted them. Dealey was among them and he had that same frightened look he had worn when Culver had first laid eyes on him just, it seemed, a few centuries ago. Culver let go of the steadying ladder and made his way towards the group, Fairbank and Kate following close behind, the girl clinging to the engineer for support. Debris floated by - pieces of equipment, paper, books, chairs - spinning with the converging currents. The body of a dead rat, its belly exposed and ripped where bullets had torn through, bumped against Culver's hip and he hastily pushed it from him. He reached Dealey as more gunfire opened up, but this some distance away in another part of the complex. As if encouraged, Ellison resumed shooting.

Culver almost knocked Dealey over as a sudden surge carried him forward into the group; Farraday, close behind the Ministry man, was able to hold them both.

'Can the shelter take it?' Culver shouted, bracing himself against the flow. Will it be completely flooded?'

Tm not su - God, yes, if the flood doors in the tunnels haven't been closed—'

They won't have been!'

Then it depends on how heavy the deluge is.'

'Are we above the sewers?'

Dealey shook his head.

'Okay, our best chance is up on the machinery and the catwalks. We'll have to turn the power off, though, before everything blows. And we need guns to protect ourselves from the rats!'

'No, we can't stay here, we must leave!' Dealey tried to move away from Culver, but the pilot held him.

There's no way. Water's coming through the tunnel exit - we'd never get through!'

There's another place, another way out we can use!'

Culver moved his grip to the other man's jacket lapels, angrily pulling him close. What? You crazy bastard, did you say there's another way out?'

Dealey tried to disengage himself. There might be! At least it will get us above ground level!'

Where is—'

'Oh my God, look!' Farraday was pointing towards the corridor leading to the dining area and kitchen.

For the moment, Culver forgot Dealey and drew in a sharp breath when he saw Clare Reynolds pushing through the water, sliding against the smooth wall for support, leaving a smeared trail of blood in her wake. Her mouth was wide as if in a silent scream and her eyes, spectacles gone, were staring wildly ahead. Her body was slightly arched, head drawn backwards; a black creature clung to her back and chewed into her neck.

Two, three, four - Culver counted five black shapes -glided past her, headed in the direction of the canteen, ignoring the agonized doctor as if the fellow creature already lodged on her had made its claim.

Or perhaps they sensed further helpless prey not too far away. More torpedo-like forms appeared, coming from the switching-unit area beyond which lay the artesian well. That had to be the shelter's weak point, Culver surmised; both the floodwater and the vermin must have gained entry from there. Even as these thoughts were rushing through his head, Culver was rushing forward to reach Clare Reynolds, treading high and brushing a path through the water with his hands as if pushing through a wheatfield.

Tiny water gushers exploded before him, beating their own splattering trail towards the swimming rodents, and Culver turned to roar at Ellison, to warn him off, for Clare was too near, too exposed.

Whether the noise in the flooding complex - the meshing water, the shouts, the screams, the fizzing, sparking electrical equipment, the crashing of uprooted machinery and furniture, the crackle of machine-gun fire itself - drowned Culver's voice, or whether Ellison was too frightened or too crazed to hear, there was no way of knowing; the bullets continued to create a field of miniature eruptions between Culver and the doctor, who was feebly trying to reach behind and pull the gorging rat from her neck.

Dark bodies leapt from the water as bullets struck them, high-pitched, child-like screeches piercing the overall wall of sound, throwing others of their kind into mad confusion so that they lost direction, scrabbled around in tight, disorientated circles, squealing their own terror. Two approached Culver, eyes insane, teeth bared, incisors high above the water line.

A spray of bullets pulverized the skull of one and almost tore the other in half. They disappeared beneath the surface in a dark spreading cloud of blood.

Culver moved forward again, wary of the gunfire and praying that Ellison would keep his aim as far away from him as possible. Meanwhile, Fairbank had seen the danger and was trying to reach Ellison.

He was only a few feet away when a human body, floating face downwards, spun into him, turning over as it did so to reveal an open crimson mess in its shoulder and throat.

The jolt sent Fairbank reeling backwards, causing him to lose balance, to fall into the turbulent water, the outstretched arms of the dead man becoming entangled in his own so that the corpse sank with him, plunging down in macabre embrace. Fairbank screamed below water and his throat was filled, choking him, sending him spluttering and heaving to the surface, thrashing out blindly to regain his balance.

Culver was still five yards from Clare when her body jolted rigid and holes punctured her chest, rapidly moving upwards, the last appearing in her turned-away cheek before continuing a splattering pattern in the painted plaster behind her. She turned her head, the rat and the searing pain forgotten in the all-encompassing white shock. Although dying's full agony would take a few moments to touch her, red stains swiftly spreading outwards from the deep wounds, Clare was fully aware of what had happened, could see the gunman some distance away (strangely hard-edged clear despite the loss of her glasses), the ugly, lethal machine he held now quiet, Ellison's staring eyes filled with their own shock, the fusing bubbling water, each ripple visible and individual, each spark from the malfunctioning equipment a separate shooting star, a curving pellet of incandescence, each face that watched her sharply defined, each emotion

from them sensed by her. She was even aware of the teeth locked into her neck, immobile now for the rat had been shot, too, although not mortally wounded. Fear had gone as though released by the killing wounds, exorcized by the oncoming of death itself. All that remained was recognition, a fleeting insight to what was, what is, what always is; the acceptance before closedown. This, coupled with the knowledge that nothing was final.

The intense pain came, but it was brief.

Clare's eyelids covered the already fading scene as she slid down the wall into the water. Only the clinging thing, trapped by its own frozen grip, struggled feebly to rise to the surface once more.

Culver watched in dismay as the doctor disappeared, her white face devoid of expression, the hole in her cheek pumping dark red blood the only blemish.

He dived full-stretch, the impetus carrying him through the meshing currents, reaching her limp, sunken body before it had time to drift. Gathering her in his arms he heaved himself upwards, bursting through the rough surface to gasp in air, hugging her to him, his back against the wall. With horror he saw the rat still clinging to her neck, back legs kicking, raking her, and he reached for it with one hand, trying to tear it loose, incensed by its tenacity. The rat would not, or could not, release her.

In sheer rage, and in the knowledge that Clare was already dead, Culver gripped the giant rodent around the throat with both hands, squeezing as he did so, allowing the woman's body to slip back into the water, using her own weight and his strength to pull the rat from her. Flesh ripped as the creature came away, and a dripping sliver of skin dangled from its jaws. Culver spun wildly, swinging the rat's scrabbling body through the air, smashing it into the wall,

feeling rather than hearing small bones break, swinging again and again until the animal hung soft and unmoving in his hands. He threw it away from him with a cry of disgust, then bent down, feeling for Clare's body, clutching at her hair, a shoulder, pulling her to the surface again. He cradled her in his arms and examined her face, gently lifting one eyelid just to make sure, just to confirm, just to assure himself that she really was dead. The familiar coldness crept through him and he let her slip away.

He waited several moments, eyes closed, head resting against the wall, before wading back to the others, soon aware that the water had risen to a point only inches below his chest.

Fairbank had Ellison pinned up against the high wall of machinery, a hand gripped beneath the other man's chin, pushing his head back. He was shouting at Ellison, but Culver could not make out the words.

Strachan was trying to separate them both with little success. The others, Kate among them, face screwed tight with this new grief, clung to anything firm they could find - equipment, struts supporting the catwalk, doorframes, anything solid. Culver shuddered as he noticed that above them, clinging to pipes and conduits, the vermin had massed, creating a bizarre black cloud of moving bodies. Many were dropping onto the catwalk and stealthily edging their way along as if wary of the weapon that had been used against them.

Culver knew that he and the others had no choice but to leave the shelter: either the water or the vermin would soon overwhelm them if they remained. He headed for Dealey.

Dealey tried to back away when he saw the look on Culver's face, but there was nowhere to go apart from the Operations Room, which was awash with dangerous floating

furniture. He made a sudden break for the ladder leading up to the catwalk and stopped when he noticed the dark moving shapes through the grillwork. A rough hand spun him round.

'Where is it, Dealey?' the pilot yelled. 'Where's the other way out?'

'Culver, above us, look, for God's sake, look!'

'I know. We haven't much time. We've got to leave right now, before it's too late!'

Dealey slipped and would have been swept away had not Culver hung onto him.

The main ventilation shaft!' the older man screeched. There's a ladder inside, rungs set in the wall!'

'Why the hell didn't you tell us before?' Culver raised an angry fist as if to strike him, but checked himself. Maybe later - if they got out. "Why did you make us go through the tunnel? You knew the bloody danger!'

We needed to know the state of the tunnels. That was our link with the other shelters.'

‘You used us, you bastard!'

'No, no. There's no way down from the shaft, you see, not from the outside! It rises to a tower above ground level and the top is sealed!'

'Christ, we could have ...'

Culver stopped. There was no sense in arguing, not now. Not with the complex flooding, the water still rising, the rats gathering overhead. 'Let's get to it.'

He looked around, saw Farraday nearby. 'I guess you knew about this too?'

The senior engineer shook his head. 'I had no cause to; maintenance wasn't my department.'

'All right. We'll round up as many people as we can, grab anything that might come in useful on the outside. You take

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