Eyeless In Gaza (28 page)

Suddenly, he took her face between his hands and, stooping, kissed her on the mouth.

But this was what she had resolved not to extort from him, this was the gesture that could avail nothing against her inevitable unhappiness! For a second or two she stiffened her body in resistance, tried to shake her head again, tried to draw back. Then, vanquished by a longing stronger than herself,
she was limp in his arms; the shut, resisting lips parted and were soft under his kisses; her eyelids closed, and there was nothing left in the world but his mouth and the thin hard body pressed against her own.

Fingers stirred the hair above the nape of her neck, slid round to the throat and dropped to her breast. The strength went out of her, she felt herself sinking deeper and deeper into that mysterious other world, behind her eyelids, into the sightless universe of touch.

Then, without warning, as though in precipitate obedience to some inaudible word of command, he broke away from her. For an instant she thought she was going to fall; but the strength came back to her knees, just in time. She swayed unsteadily, then recovered her balance, and with it the consciousness of the outrage he had inflicted upon her. She had leaned upon him with her whole being, soul as well as body, and he had allowed her to fall, had withdrawn his lips and chest and left her suddenly cold and horribly exposed, defenceless and as if naked. She opened hurt, reproachful eyes and saw him standing there pale and strangely furtive; he met her glance for a moment, then averted his face.

Her resentful sense of outrage gave place to anxiety. ‘What is it, Brian?'

He looked at her for a moment, then turned away again. ‘Perhaps we'd better go home,' he said in a low voice.

It was a day late in September. Under a pale blue sky the distances were mournful, were exquisitely tender with faint mist. The world seemed remote and unactual, like a memory or an ideal.

The train came to a standstill. Brian waved to the solitary porter, but he himself, nevertheless, got out with the heaviest of the suitcases. By straining his muscles he found that he was able to relieve his conscience of some of the burden that the
ability to buy a poor man's services tended, increasingly as he grew older, to impose upon it.

The porter came running up and almost snatched the bag out of Brian's hand. He too had his conscience. ‘You leave that to me, sir,' he said, almost indignantly.

‘T-two more in the c-c-c . . . inside,' he emended, long after the porter had stepped into the unpronounceable compartment to collect the remaining pieces. ‘Sh-shall I give a hand?' he offered. The man was old – forty years older than himself, Brian calculated; white-haired and wrinkled, but called him ‘sir,' but carried his bags and would be grateful for a shilling. ‘Sh-shall I . . .?'

The old porter did not even answer, but swung the suitcases down from the rack, taking evident pride in his well-directed strength.

A touch on his shoulder made Brian turn sharply round. The person who had touched him was Joan.

‘In the King's name!' she said; but the laughter behind her words was forced, and there was an expression in her eyes of anxiety – the accumulated anxiety of weeks of bewildered speculation. All those queer, unhappy letters he had written from Germany – they had left her painfully uncertain what to think, how to feel, what to expect of him when he came back. In his letters, it was true, he had reproached only himself – with a violence for whose intensity she was unable to account. But to the extent that she was responsible for what had happened in the wood (and of course she was partly responsible; why not? what was so wrong with just a kiss?), she felt that the reproaches were also addressed to her. And if he reproached her, could he still love her? What did he really feel about her, about himself, about their relations to one another? It was because she simply couldn't wait an unnecessary minute for the answer that she had come, surreptitiously, to meet him at the station.

Brian stood there speechless; he had not expected to see her so soon, and was almost dismayed at thus finding himself, without preparation, in her presence. Automatically, he held out his hand. Joan took it and pressed it in her own, hard, hard, as if hoping to force the reality of her love upon him; but even while doing so, she swayed away from him in her apprehension, her embarrassed uncertainty of what he might have become, swayed away as she would have done from a stranger.

The grace of that shy, uneasy movement touched him as poignantly as it had touched him at their first meeting. It was the grace, in spite of the embarrassment that the movement expressed, of a young tree in the wind. That was how he had thought of it then. And now it had happened again; and the beauty of the gesture was again a revelation, but more poignant than it had been the first time, because of its implication that he was once again an alien; but an alien, against whose renewed strangeness the pressure on his hand protested, almost violently.

Her face, as she looked up into his, seemed to waver; and suddenly that artificial brightness was quenched in profound apprehension.

‘Aren't you glad to see me, Brian?' she asked.

Her words broke a spell; he was able to smile again, able to speak. ‘G-glad?' he repeated; and, for answer, kissed her hand. ‘But I didn't th-think you'd be here. It almost g-gave me a fright.'

His expression reassured her. During those first seconds of silence, his still, petrified face had seemed the face of an enemy. Now, by that smile, he was transfigured, was once more the old Brian she had loved; so sensitive, so kind and good; and so beautiful in his goodness, beautiful in spite of that long, queer face, that lanky body, those loose, untidily moving limbs.

Noisily, the train started, gathered speed and was gone. The old porter walked away to fetch a barrow. They were alone at the end of the long platform.

‘I thought you didn't love me,' she said after a long silence.

‘But, J-joan!' he protested. They smiled at one another; then, after a moment, he looked away. Not love her? he was thinking. But the trouble was that he loved her too much, loved her in a bad way, even though she was the best.

‘I thought you were angry with me.'

‘But why sh-should I be?' His face was still averted.

‘You know why.'

‘I wasn't a-angry with
you
.'

‘But it was my fault.'

Brian shook his head. ‘It w-wasn't.'

‘It was,' she insisted.

At the thought of what his sensations had been as he held her there, in the dark cleft between the rhododendron coverts, he shook his head a second time, more emphatically.

The old porter was there again with his barrow and his comments on the weather, his scraps of news and gossip. They followed him, playing for his benefit their parts as supernumerary characters in the local drama.

When they were almost at the gate, Joan laid a hand on Brian's arm. ‘It's all right, isn't it?' Their eyes met. ‘I'm allowed to be happy?'

He smiled without speaking and nodded.

In the dogcart on the way to the house he kept remembering the sudden brightening of her face in response to that voiceless gesture of his. And all he could do to repay her for so much love was to . . . He thought of the rhododendron coverts again and was overcome with shame.

When she learned from Brian that Joan had been at the station, Mrs Foxe felt a sharp pang of resentment. By what right? Before his own mother . . . And besides, what bad faith!
For Joan had accepted her invitation to come to lunch the day after Brian's return. Which meant that she had tacitly admitted Mrs Foxe's exclusive right to him on the day itself. But here she was, stealing surreptitiously to the station to catch him as he stepped out of the train. It was almost dishonest.

Mrs Foxe's passion of indignant jealousy lasted only a few seconds; its very intensity accelerated her recognition of its wrongness, its unworthiness. No sign of what she felt had appeared on her face, and it was with a smile of amused indulgence that she listened to Brian's vaguely stammered account of the meeting. Then, with a strong effort of the will, she not only shut off the expression of her emotion, but even excluded the emotion itself from her consciousness. All that, as it seemed, an impersonal regard for right conduct justified her in still feeling was a certain regretful disapproval of Joan's – how should she put it? – disingenuousness. For the girl to have stolen that march upon her was not quite right.

Not quite right; but still very understandable, she now went on to reflect, very excusable. When one's in love . . . And Joan's was an impulsive, emotional character. Which had its fortunate side, Mrs Foxe reflected. The impulses were as strong towards right as towards wrong. If one could canalize that deep and powerful stream of life within her, if one could make the right appeal to what was best in her, if one could confirm her in those fine and generous aspirations of hers – why, she would be a splendid person. Splendid, Mrs Foxe insisted to herself.

‘Well,' she said next day, when Joan came over to lunch, ‘I hear you caught our migrant on the wing before he'd even had time to settle.' The tone was playful, there was a charming smile on Mrs Foxe's face. But Joan blushed guiltily.

‘You didn't mind, did you?' she asked.

‘Mind?' Mrs Foxe repeated. ‘But, my dear, why should I? I
only thought we'd agreed on today. But, of course, if you felt you absolutely couldn't wait . . .'

‘I'm sorry,' said Joan. But something that was almost hatred mounted hot within her.

Mrs Foxe laid her hand affectionately on the girl's shoulder. ‘Let's stroll out into the garden,' she suggested, ‘and see if Brian's anywhere about.'

TIPTOEING OUT OF
the back drawing-room, Hugh Ledwidge had hoped to find the refreshment of a little solitude; but on the landing he was caught by Joyce and Colin. And Colin, it appeared, was tremendously keen on natives, had always been anxious to talk to a professional ethnologist about his experiences on shikar. For nearly half an hour he had to listen, while the young man poured out his illiterate nonsense about India and Uganda. An immense fatigue overwhelmed him. His one desire was to escape, to get away from this parrot house of stupid chatter, back to delicious silence and a book.

They left him, thank God, at last, and drawing a deep breath, he braced himself for the final ordeal of leave-taking. That saying good-bye at the end of an evening was one of the things Hugh most intensely disliked. To have to expose yourself yet once more to personal contact, to be compelled, weary as you were and thirsty for solitude, to grin again and gibber and make yet another effort of hypocrisy – how odious that could be! Particularly with Mary Amberley. There were evenings when the woman simply wouldn't allow you to say good-bye, but
clung to you desperately, as though she were drowning. Questions, confidences, scabrous discussions of people's love-affairs – anything to keep you a few minutes longer. She seemed to regard each successive departure of a guest as the death of a fragment of her own being. His heart sank as he made his way across the room towards her. ‘Damned woman!' he thought, and positively hated her; hated her, as well as for all the other reasons, because Helen was still dancing with that groom; and now with a fresh access of malevolence, because, as he suddenly perceived through the mists of his dim sight, Staithes and that man Beavis were sitting with her. All his insane thoughts about the plot came rushing back into his mind. They had been talking about him, him and the fire-escape, him on the football field, him when they threw the slippers over the partition of his cubicle. For a moment, he thought of turning back and slipping out of the house without a word. But they had seen him coming, they would suspect the reason of his flight, they would laugh all the louder. His common sense returned to him, it was all nonsense, there was no plot. How could there be a plot? And even if Beavis did remember, what reason had he to talk? But all the same, all the same . . . Squaring his narrow shoulders, Hugh Ledwidge marched resolutely towards the anticipated ambush.

To his immense relief, Mary Amberley let him go almost without a protest. ‘Must you be off, Hugh? So soon?' That was all. She seemed to be absent, thinking of something else.

Beppo fizzled amiably; Staithes merely nodded; and now it was Beavis's turn. Was that smile of his what it seemed to be – just vaguely and conventionally friendly? Or did it carry hidden significances, did it secretly imply derisive reminders of those past shames? Hugh turned and hurried away. Why on earth, he wondered, did one ever go to these idiotic parties? Kept on going, what was more, again and again, when one knew it was all utterly pointless and boring . . .

Mark Staithes turned to Anthony. ‘You realize who that is?' he asked.

‘Who? Ledwidge? Is he anyone special?'

Staithes explained.

‘Goggler!' Anthony laughed. ‘Why, of course. Poor Goggler! How fiendish we were to him!'

‘That's why I've always pretended I didn't know who he was,' said Staithes, and smiled an anatomical smile of pity and contempt. ‘I think it would be charitable,' he added, ‘if you did the same.' Protecting Hugh Ledwidge gave him genuine pleasure.

Utterly pointless and boring – yes, and humiliating, Hugh was thinking, humiliating as well. For there was always some humiliation. A Beavis smiling; a Gerry Watchett, like an insolent groom . . .

There was a hurrying of feet on the stairs behind him. ‘Hugh! Hugh!' He started almost guiltily and turned round. ‘Why were you slinking away without saying good-night to me?'

Essaying a joke, ‘You seemed so busy,' he began, twinkling up at Helen through his spectacles; then fell silent in sudden astonishment, almost in awe.

She was standing there, three steps above him, one hand on the banister, the fingers of the other splayed out against the opposite wall, leaning forward as though on the brink of flight. But what had happened to her, what miracle? The flushed face that hung over him seemed to shine with an inward illumination. This was not Helen, but some supernatural creature. In the presence of such unearthly beauty, he blushed for the ignoble irrelevance of his waggery, his knowing look.