Forbidden Music (73 page)

Ein Heldenleben
(i)

Jewish response to neo-Romanticism
(i)
,
(ii)

Mahler and Korngold
(i)
,
(ii)
,
(iii)
,
(iv)

Reichsmusikkammer
(i)
,
(ii)

Der Rosenkavalier
(i)
,
(ii)
,
(iii)

Die schweigsame Frau
(i)
,
(ii)

Society of Creative Musicians
(i)

Stravinsky, Igor
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

Strecker, Ludwig
(i)
,
(ii)
,
(iii)

Strecker, Willi
(i)
,
(ii)

Stresemann, Gustav
(i)

Stroheim, Erich von
(i)

Stucken, Eduard
(i)

Stuckenschmidt, H. H.
(i)
,
(ii)
,
(iii)
,
(iv)

Die stumme Serenade
(
The Silent Serenade
) (Korngold)
(i)
,
(ii)

Der Stürmer
(i)

Stürmer, Bruno
(i)

Der Sturz des Antichrist
(Ullmann)
(i)

Stutschewsky, Joachim
(i)

Sudetenland
(i)
,
(ii)
,
(iii)
,
(iv)

Sullivan, Arthur
(i)

Sulzer, Joseph
(i)
,
(ii)

Sulzer, Salomon
(i)
,
(ii)

Switzerland
(i)
,
(ii)
,
(iii)

Symphonic Fantasy
(Weigl)
(i)

Szell, Georg(e)

Gál
(i)
,
(ii)

German Theatre
(i)

Great Britain
(i)
,
(ii)

Jewish response to neo-Romanticism
(i)

Nazi resistance
(i)

United States
(i)
,
(ii)

Weigl
(i)
,
(ii)

Szenen aus den Leben der heiligen Johanna
(Braunfels)
(i)
,
(ii)

Szeps, Moritz
(i)

Talich, Václav
(i)

Taras Bulba
(film)
(i)

Taruskin, Richard
(i)

Taube, Carlo
(i)

Taube, Erika
(i)

Taube, Michael
(i)
,
(ii)
,
(iii)

Tauber, Richard
(i)
,
(ii)
,
(iii)
,
(iv)

Tausig, Carl
(i)
,
(ii)

Tchaikovsky, Pyotr Ilyich
(i)

The Tempest
(Shakespeare)
(i)
,
(ii)

Temple, Shirley
(i)

Terezín Symphony
(Taube)
(i)

Terezín (Theresienstadt)
(i)

Teutonic races
(i)
,
(ii)
,
(iii)
,
(iv)

Thacker, Toby
(i)
,
(ii)

‘therapeutic nihilism’
(i)
,
(ii)
,
(iii)

Theresienstadt (Terezín)
(i)

Thimonnier, René
(i)

Third Reich
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Three Orchestral Pieces
(Berg)
(i)

Threepenny Opera
(Brecht and Weill)
(i)
,
(ii)
,
(iii)

Thyl Claes
(Vogel)
(i)

Ticharich, Zdenka von
(i)

Tiefland
(d'Albert)
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Tiessen, Heinz
(i)
,
(ii)

Tietjen, Heinz
(i)
,
(ii)
,
(iii)
,
(iv)

Tillich, Paul
(i)

Tillyard, H. J. W.
(i)

Tingel-Tangel
(i)

Tirpitz, Admiral
(i)

Tirso de Molina
(i)

Toch, Ernst
(i)

anti-Romantics
(i)
,
(ii)

Berlin
(i)

Cantata of the Bitter Herbs
(i)

Cello Concerto
(i)

Chinese Flute
songs
(i)

devotional life
(i)

environment and creativity
(i)

Erich Korngold
(i)

Der Fächer
(i)

film music
(i)
,
(ii)

France
(i)
,
(ii)

Fuge aus der Geographie
(
Geographical Fugue
)
(i)

Genesis
Suite
(i)

Die Germanen sind Blond
(
The Teutons Are Blond
)
(i)

Gesprochene Musik (Spoken Music
)
(i)

Glaubensbekenntnis eines Komponisten
(
Composer's Credo
)
(i)

Jephtha
(i)

Jewish response to neo-Romanticism
(i)

Melodielehre
(i)
,
(ii)

‘New Objectivity’
(i)
,
(ii)
,
(iii)

piano concertos
(i)
,
(ii)

restitution after Hitler
(i)

Schreker's pupils
(i)

symphonies
(i)
,
(ii)
,
(iii)

United States
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

Toch, Lili (née Zwack)
(i)

Toller, Ernst
(i)
,
(ii)
,
(iii)

Toscanini, Arturo
(i)

Die tote Stadt
(Korngold)
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

Tractatus Logico-Philosophicus
(Wittgenstein)
(i)

Trapp, Max
(i)
,
(ii)
,
(iii)
,
(iv)

Der Traum ein Leben
(Braunfels)
(i)

Träumerei
(Schumann)
(i)

Treaty of Saint-Germain
(i)
,
(ii)

Treaty of Versailles
(i)
,
(ii)
,
(iii)

Der treue Eckart
(newspaper)
(i)

Tristan and Isolde
(Wagner)
(i)
,
(ii)

Triumphlied
(Brahms)
(i)

Der Trompeter von Säkkingen
(Nessler)
(i)

Tucholsky, Kurt
(i)
,
(ii)

Turkey
(i)

twelve-tone composition
see
dodecaphonic composition

Überbrettl
cabaret
(i)
,
(ii)
,
(iii)
,
(iv)

Uhlig, Theodor
(i)

Ulbricht, Walter
(i)

Ulbrich Group
(i)
,
(ii)

Ullmann, Viktor
(i)
,
(ii)
,
(iii)
,
(iv)

Und Pippa Tanzt!
(Hauptmann)
(i)

Unger, Hermann
(i)

Union of Austrian Artists
(i)

United States

emigration to
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

Évian Conference
(i)
,
(ii)

internment
(i)

restitution after Hitler
(i)
,
(ii)
,
(iii)
,
(iv)

World War I
(i)
,
(ii)

Universal Edition
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)
,
(x)

University in Exile
(i)

Utah Symphony Orchestra
(i)

Valdštejn
(Weinberger)
(i)

Valentin, Karl
(i)

Vándor, Sándor
(i)

Vaughan Williams, Ralph
(i)
,
(ii)
,
(iii)

Veidt, Conrad
(i)

Verdi, Giuseppe
(i)

Vereinigung schaffender Tonkünstler
(Society of Creative Musicians)
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

verismo
(i)
,
(ii)
,
(iii)

Verklärte Nacht
(Schoenberg)
(i)
,
(ii)

Die Verkündigung
(Braunfels)
(i)

Verlobung im Traum
(Krása)
(i)
,
(ii)

Vernon, Timothy
(i)

Versailles Treaty
(i)
,
(ii)
,
(iii)

La vie est à nous
(film)
(i)

Vienna

Congress of Vienna
(i)

ethics
(i)
,
(ii)

fin de siècle Austria
(i)
,
(ii)
,
(iii)
,
(iv)

German and Jewish identity
(i)
,
(ii)
,
(iii)

Jewish Vienna at time of Mahler
(i)

Jugendstil school
(i)
,
(ii)
,
(iii)

liberalism
(i)
,
(ii)

mass migration
(i)
,
(ii)

metropolis Vienna
(i)

La vie parisienne
(Offenbach)
(i)

Viereck, Peter
(i)
,
(ii)

Viertel, Berthold
(i)

Vierzehn Arten den Regen zu Beschreiben
(
Fourteen Ways of Describing the Rain
) (Eisler)
(i)
,
(ii)

Vogel, Wladimir
(i)
,
(ii)

Die Vögel
(Braunfels)
(i)
,
(ii)
,
(iii)

Vogelweide, Walter von der
(i)

Vom Musikalisch-Schönen
(
Of Musical Beauty
) (Hanslick)
(i)
,
(ii)
,
(iii)

Von deutscher Seele
(Pfitzner)
(i)

Vorfrühling
(Wellesz)
(i)

Vorspiel zu einer großen Oper
(Schreker)
(i)

Wachsmann (Waxman), Franz
(i)
,
(ii)
,
(iii)
,
(iv)

Wagadus Untergang durch die Eitelkeit
(Vogel)
(i)

Waghalter, Ignaz
(i)
,
(ii)
,
(iii)

Wagner, Cosima
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Wagner, Friedelind
(i)

Wagner, Gottfried
(i)

Wagner, Otto
(i)

Wagner, Richard

anti-Romantics
(i)
,
(ii)

Autobiographical Sketches
(i)

death of
(i)

Erkenne Dich selbst
(
Know yourself
)
(i)

The Flying Dutchman
(i)
,
(ii)

German and Jewish identity
(i)
,
(ii)
,
(iii)

and German Jewish composers
(i)

Jewish composers at time of Wagner
(i)

Judaism in Music
(i)

Mendelssohn's shadow
(i)
,
(ii)

Wagner and the Jews
(i)
,
(ii)
,
(iii)

Wagner's political and cultural legacy
(i)

Götterdämmerung
(i)
,
(ii)
,
(iii)
,
(iv)

Judenthum in der Musik
(
Judaism in Music
)
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

Das Kunstwerk der Zukunft
(
The Art-work of the Future
)
(i)

liberalism, Brahms and Hanslick

Brahms's musical world
(i)
,
(ii)
,
(iii)

Hanslick on Wagner
(i)
,
(ii)
,
(iii)
,
(iv)

Hanslick's musical world
(i)

Wagner on Hanslick
(i)
,
(ii)
,
(iii)
,
(iv)

Lohengrin
(i)

Die Meistersinger von Nürnberg
(i)
,
(ii)

music policies in Hitler's Germany
(i)

Parsifal
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Publikum und Popularität
(
The Public and Popularity
)
(i)

resolute Romantics
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Ring
(i)

Tristan and Isolde
(i)
,
(ii)

Wagner, Siegfried
(i)
,
(ii)
,
(iii)
,
(iv)

Wagner, Winifred (née Williams)
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Waldorf, Claire
(i)

Wallace, Hal
(i)

Wallenstein
(Schiller)
(i)

The Wall of China
(Kraus)
(i)

Walter, Bruno

emigration
(i)
,
(ii)

Erich Korngold
(i)
,
(ii)
,
(iii)

Jugendstil school
(i)
,
(ii)

Mahler and Julius Korngold
(i)
,
(ii)
,
(iii)