Forbidden Music (74 page)

music policies in Hitler's Germany
(i)

Waltershausen, Hermann Wolfgang von
(i)
,
(ii)

Walzer aus Wien
(
The Great Waltz
) (Korngold)
(i)

Warner, Jack
(i)

Warner Brothers
(i)
,
(ii)
,
(iii)

Warr, Eric
(i)

Wassermann, Jacob
(i)

Wat Tyler
(Bush)
(i)

Waxman (Wachsmann), Franz
(i)
,
(ii)
,
(iii)
,
(iv)

Weber, Carl Maria von
(i)

Weber, Ilse
(i)

Webern, Anton
(i)
,
(ii)
,
(iii)
,
(iv)

Wedekind, Frank
(i)
,
(ii)

Der Weg ins Freie
(Schnitzler)
(i)

Weigl, Karl
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

Weill, Kurt

Aufstieg und Fall der Stadt Mahagonny
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Berlin cabaret
(i)
,
(ii)

Broadway style
(i)
,
(ii)
,
(iii)

Die Bürgschaft
(i)
,
(ii)

devotional life
(i)

Dreigroschenoper
(i)

film music
(i)

Happy End
(i)

Der Jasager
(i)

Kingdom for a Cow
(i)

music policies in Hitler's Germany
(i)
,
(ii)
,
(iii)

‘New Objectivity’
(i)
,
(ii)

‘The New Opera’
(i)

Der Protagonist
(i)

Romantik in der Musik
(i)

The Seven Deadly Sins
(i)

Der Silbersee
(i)
,
(ii)

Threepenny Opera
(i)
,
(ii)
,
(iii)

Weimarer historisch-genealogen Taschenbuch des gesamten Adels jehudäischen Ursprungs
(
Semigotha
) (Witkenberg)
(i)
,
(ii)

Weinberger, Jaromir
(i)
,
(ii)

Weinberger (publisher)
(i)
,
(ii)

Weiner, László
(i)

Weingartner, Felix
(i)

Weininger, Otto
(i)
,
(ii)

Weintraub Syncopators
(i)

Weiss, Arnošt
(i)

Weisshaus, Imre (Paul Arma)
(i)

Weißmann, Adolf
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Weissmann, Julius
(i)

Weisz, Ferenc
(i)

Wellesz, Egon

Achilles auf Skyros
(
Achilles on Skyros
)
(i)

Alkestis
(i)
,
(ii)
,
(iii)

Anbruch
(i)

anti-Romanticism
(i)

art and ethics
(i)
,
(ii)

Die Bakchantinnen
(i)
,
(ii)
,
(iii)
,
(iv)

Brahms and Mahler
(i)
,
(ii)

Catholicism
(i)
,
(ii)

emigration
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

Festliches Präludium
(i)

Idyllen
(i)

Incognito
(i)
,
(ii)

Jewish response to neo-Romanticism
(i)

Mirabile Mysterium
(i)

Die Nächtlichen
(
Those of the Night
)
(i)

Opferung des Gefangenen
(
Sacrifice of the Prisoner
)
(i)

Persisches Ballet
(
Persian Ballet
)
(i)

‘Das Problem der Form’ (‘The Problem of Form’)
(i)

Prosperos Beschwörungen
(
The Spells of Prospero
)
(i)
,
(ii)
,
(iii)

restitution after Hitler
(i)
,
(ii)
,
(iii)

Scherz, List und Rache
(i)

on Schreker
(i)
,
(ii)
,
(iii)

serialism
(i)

Symphonic Epilogue
(i)

symphonies
(i)
,
(ii)
,
(iii)

Vorfrühling
(i)

Das Wunder der Diana
(i)

Wellesz, Emmy (née Stross)
(i)
,
(ii)
,
(iii)
,
(iv)

Die Welt von Gestern
(
The World of Yesterday
) (Zweig)
(i)
,
(ii)
,
(iii)

Werfel, Franz
(i)

Wertheimer, Max
(i)

Werthner, Adolf
(i)

What a Life!
(internment-camp revue)
(i)

What National Socialism Has Done to the Arts
(Adorno)
(i)

White, Eric Walter
(i)

Who Paid the Piper
(Saunders)
(i)

Wieniawski, Henryk
(i)

Wieniawski, Józef
(i)

Wiesenthal, Bertha
(i)

Wiesenthal, Else
(i)

Wiesenthal, Grete
(i)

Wikarski, Romuald
(i)

Wilde Bühne
(Savage Stage) cabaret
(i)

Wilder, Billy
(i)

Wilford, Hugh
(i)
,
(ii)

Wilhelm I
(i)
,
(ii)
,
(iii)

Wilhelm II
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

William Tell
Overture (Rossini)
(i)

Willner, Arthur
(i)
,
(ii)

Wilson, Stewart
(i)

Wilson, Woodrow
(i)

Die Windsbraut
(Zillig)
(i)

Windt, Herbert
(i)

A Winter's Tale
(Heine)
(i)
,
(ii)
,
(iii)

Die Wirtin von Pinsk
(Mohaupt)
(i)

‘Wissenschaft’ (science)
(i)

Witkenberg, Wilhelm Pickl von
(i)
,
(ii)

Witrowsky, Otto
(i)

Wittgenstein, Ludwig
(i)
,
(ii)

Wittgenstein, Paul
(i)
,
(ii)
,
(iii)

Wlassack, Eduard
(i)

Wohlzogen, Ernst von
(i)

Wolf-Ferrari, Ermanno
(i)

Wolfsthal, Josef
(i)

Wolpe, Stefan
(i)

Wolzogen, Ernst von
(i)
,
(ii)
,
(iii)
,
(iv)

The Wooden Prince
(Bartók)
(i)

Wood, Sir Henry
(i)

The Word and Spiritual Realities
(
Das Wort und die geistigen Realitäten
) (Ebner)
(i)

The World of Yesterday
(Zweig)
(i)
,
(ii)
,
(iii)

World War I
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)
,
(x)

Das Wort
(i)

Wöss, Josef von
(i)

Wozzeck
(Berg)
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)

Das Wunder der Diana
(Wellesz)
(i)

Das Wunder der Heliane
(Korngold)
(i)
,
(ii)
,
(iii)

Yiddish language
(i)
,
(ii)
,
(iii)

Zeisl, Erich
(i)
,
(ii)
,
(iii)
,
(iv)

Zeisl, Gertrude
(i)

Zeitopern
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

Zeitschrift für Musik
(i)
,
(ii)
,
(iii)

Zeitungsausschnitte
(
Newspaper Clippings
) (Eisler)
(i)

Zemlinsky, Alexander

anti-Romantics
(i)
,
(ii)
,
(iii)

as arranger
(i)

Austrian nationality
(i)

Es war einmal
(i)
,
(ii)

Eine florentinische Tragödie
(i)
,
(ii)

Jewish emancipation
(i)

Jewish response to neo-Romanticism
(i)

Kleider machen Leute
(i)
,
(ii)
,
(iii)

Der Kreidekreis
(i)
,
(ii)
,
(iii)

Mahler and Korngold
(i)

migration
(i)
,
(ii)

Schoenberg
(i)

Die Seejungfrau
(i)
,
(ii)
,
(iii)

Society of Creative Musicians
(i)
,
(ii)
,
(iii)

Der Zwerg
(i)
,
(ii)

Zillig, Winfried
(i)
,
(ii)

Zimmermann, Bernd Alois
(i)

Zimmermann, Wilhelm
(i)

Zionism
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Zipper, Herbert
(i)

Zmigrod, Josef (Allan Gray)
(i)

Zola, Émile
(i)
,
(ii)

Zuckerkandl, Berta
(i)
,
(ii)
,
(iii)
,
(iv)

Zuckerkandl, Viktor
(i)
,
(ii)
,
(iii)
,
(iv)

Zweig, Stefan
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)

Zwei Kravatten
(
Two Neckties
) (Spoliansky)
(i)

Der Zwerg
(Zemlinsky)
(i)
,
(ii)