God Help the Child: A novel

ALSO BY TONI MORRISON

FICTION

Home

A Mercy

Love

Paradise

Jazz

Beloved

Tar Baby

Song of Solomon

Sula

The Bluest Eye

NONFICTION

The Dancing Mind

Playing in the Dark:
Whiteness and the Literary Imagination

THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A. KNOPF

Copyright © 2015 by Toni Morrison

All rights reserved. Published in the United States by Alfred A. Knopf, a division of Penguin Random House LLC, New York, and in Canada by Random House of Canada, a division of Penguin Random House Ltd., Toronto.
www.aaknopf.com

Knopf, Borzoi Books, and the colophon are registered trademarks of Penguin Random House LLC.

Grateful acknowledgment is made to SA Music LLC and Hal Leonard Corporation for permission to reprint an excerpt from “Stormy Weather,” lyrics by Ted Koehler and music by Harold Arlen, copyright © 1933, copyright renewed © 1961 by Fred Ahlert Music Group (ASCAP) and Ted Koehler Music Co. (ASCAP) and SA Music LLC. Fred Ahlert Music Group (ASCAP) and Ted Koehler Music Co. (ASCAP) administered by Bug Music, Inc., a BMG Chrysalis Company. All rights reserved. Reprinted by permission of SA Music LLC and Hal Leonard Corporation.

Library of Congress Cataloging-in-Publication Data

Morrison, Toni.

God help the child / Toni Morrison. — First edition.

pages; cm

“This is a Borzoi book.”

ISBN
978-0-307-59417-4 (hardcover : acid-free paper) —
ISBN
978-0-385-35317-5 (eBook) 1. African Americans—Fiction. 2. Mothers and daughters—Fiction. 1. Title.

PS3563.08749G63   2015

813′.54—dc23     2014034972

Library and Archives Canada Cataloguing in Publication

Morrison, Toni, author

God help the child / Toni Morrison.

Issued in print and electronic formats.

ISBN
 978-0-307-39975-5

eBook 
ISBN
978-0-307-39977-9

1. Title.

PS3563.08749G64   2015     813′.54      C2014-908141-3

eBook ISBN 9780385353175

This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Cover design by Kelly Blair

v4.1

a

For You

Suffer little children to come unto me, and forbid them not

LUKE
18:16       

PART I
Sweetness

I
t's not my fault. So you can't blame me. I didn't do it and have no idea how it happened. It didn't take more than an hour after they pulled her out from between my legs to realize something was wrong. Really wrong. She was so black she scared me. Midnight black, Sudanese black. I'm light-skinned, with good hair, what we call high yellow, and so is Lula Ann's father. Ain't nobody in my family anywhere near that color. Tar is the closest I can think of yet her hair don't go with the skin. It's different—straight but curly like those naked tribes in Australia. You might think she's a throwback, but throwback to what? You should've seen my grandmother; she passed for white and never said another word to any one of her children. Any letter she got from my mother or my aunts she sent right back, unopened. Finally they got the message of no message and let her be. Almost all mulatto types and quadroons did that back in the day—if they had the right kind of hair, that is. Can you imagine how many white folks have Negro blood running and hiding in their veins? Guess. Twenty percent, I heard. My own mother, Lula Mae, could have passed easy, but she chose not
to. She told me the price she paid for that decision. When she and my father went to the courthouse to get married there were two Bibles and they had to put their hands on the one reserved for Negroes. The other one was for white people's hands. The Bible! Can you beat it? My mother was housekeeper for a rich white couple. They ate every meal she cooked and insisted she scrub their backs while they sat in the tub and God knows what other intimate things they made her do, but no touching of the same Bible.

Some of you probably think it's a bad thing to group ourselves according to skin color—the lighter, the better—in social clubs, neighborhoods, churches, sororities, even colored schools. But how else can we hold on to a little dignity? How else can you avoid being spit on in a drugstore, shoving elbows at the bus stop, walking in the gutter to let whites have the whole sidewalk, charged a nickel at the grocer's for a paper bag that's free to white shoppers? Let alone all the name-calling. I heard about all of that and much, much more. But because of my mother's skin color, she wasn't stopped from trying on hats in the department stores or using their ladies' room. And my father could try on shoes in the front part of the shoestore, not in a back room. Neither one would let themselves drink from a “colored only” fountain even if they were dying of thirst.

I hate to say it, but from the very beginning in the maternity ward the baby, Lula Ann, embarrassed me. Her birth
skin was pale like all babies', even African ones, but it changed fast. I thought I was going crazy when she turned blue-black right before my eyes. I know I went crazy for a minute because once—just for a few seconds—I held a blanket over her face and pressed. But I couldn't do that, no matter how much I wished she hadn't been born with that terrible color. I even thought of giving her away to an orphanage someplace. And I was scared to be one of those mothers who put their babies on church steps. Recently I heard about a couple in Germany, white as snow, who had a dark-skinned baby nobody could explain. Twins, I believe—one white, one colored. But I don't know if it's true. All I know is that for me, nursing her was like having a pickaninny sucking my teat. I went to bottle-feeding soon as I got home.

My husband, Louis, is a porter and when he got back off the rails he looked at me like I really was crazy and looked at her like she was from the planet Jupiter. He wasn't a cussing man so when he said, “Goddamn! What the hell is this?” I knew we were in trouble. That's what did it—what caused the fights between me and him. It broke our marriage to pieces. We had three good years together but when she was born he blamed me and treated Lula Ann like she was a stranger—more than that, an enemy.

He never touched her. I never did convince him that I ain't never, ever fooled around with another man. He was
dead sure I was lying. We argued and argued till I told him her blackness must be from his own family—not mine. That's when it got worse, so bad he just up and left and I had to look for another, cheaper place to live. I knew enough not to take her with me when I applied to landlords so I left her with a teenage cousin to babysit. I did the best I could and didn't take her outside much anyway because when I pushed her in the baby carriage, friends or strangers would lean down and peek in to say something nice and then give a start or jump back before frowning. That hurt. I could have been the babysitter if our skin colors were reversed. It was hard enough just being a colored woman—even a high-yellow one—trying to rent in a decent part of the city. Back in the nineties when Lula Ann was born, the law was against discriminating in who you could rent to, but not many landlords paid attention to it. They made up reasons to keep you out. But I got lucky with Mr. Leigh. I know he upped the rent seven dollars from what he advertised, and he has a fit if you a minute late with the money.

I told her to call me “Sweetness” instead of “Mother” or “Mama.” It was safer. Being that black and having what I think are too-thick lips calling me “Mama” would confuse people. Besides, she has funny-colored eyes, crow-black with a blue tint, something witchy about them too.

So it was just us two for a long while and I don't have to tell you how hard it is being an abandoned wife. I guess
Louis felt a little bit bad after leaving us like that because a few months later on he found out where I moved to and started sending me money once a month, though I never asked him to and didn't go to court to get it. His fifty-dollar money orders and my night job at the hospital got me and Lula Ann off welfare. Which was a good thing. I wish they would stop calling it welfare and go back to the word they used when my mother was a girl. Then it was called “Relief.” Sounds much better, like it's just a short-term breather while you get yourself together. Besides, those welfare clerks are mean as spit. When finally I got work and didn't need them anymore, I was making more money than they ever did. I guess meanness filled out their skimpy paychecks, which is why they treated us like beggars. More so when they looked at Lula Ann and back at me—like I was cheating or something. Things got better but I still had to be careful. Very careful in how I raised her. I had to be strict, very strict. Lula Ann needed to learn how to behave, how to keep her head down and not to make trouble. I don't care how many times she changes her name. Her color is a cross she will always carry. But it's not my fault. It's not my fault. It's not my fault. It's not.

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