Growing Up Native American (22 page)

The most fascinating thing in the room was a large hat which,
as far as he knew, never left the hanger on the back of the door. It had a bright ribbon around the crown, and delight of delights, the ribbon was red. And above this ribbon, sitting eternally asleep on the crown, was a gorgeous golden bird with red hackles and long tail feathers, and he, after spending many minutes just standing and looking at this incredible bird, desired it with all his heart. That bird flitted into his day-dreams and was many times present in the fantastic experiences one has when he is asleep. And always when he came into the house from play, he would go and with a little thrill running through him, stand looking at the golden bird with a desire so intense that it made him unhappy.

But it was from his father's cousin that he learned about Jesus and His birth; travail and death. He thought about the story so much that the carpenter's little Son became his playmate in fantasy. He showed this fanciful Boy the place under the grape arbor where one could hide when he dreamed that he was a wolf or a wildcat. He told his fanciful playmate about a wild turkey that came into the barn lot with her brood and had taken corn from his hand but had run when his father came. But the fanciful playmate and the fanciful turkey never met, although he promised the former that he might see her some day if he could be very quiet and peek through the cracks in the loft.

One day cousin Ellen came into the house simulating breathlessness and sat down with her feet extended and her legs apart. She fanned herself with her large hat, saying that it was just as hot as it could be and that's all there was to it.

“I bet I've walked miles,” she said. “But I tell yu though, it's cooler in this room, all right.” For goodness sake, she just didn't know how a person could stand it if it got any hotter than this—she thought she reely would die. Chal's mother had stood with the wise, benign expression of fatalism and had said simply, “Well—it is hot,” as though she would pat cousin Ellen on the shoulder and say, “Never mind,” then left the room quietly.

Cousin Ellen stopped fanning herself and began to unwrap a small package, looking at Chal with a tight-lipped smile, “Guess what I got for a good little boy—something very nice—look.” She drew some picture cards from the paper and began looking at them. “Come here,” she said. “Here are all the pictures about
the Christ child and the crucifixion. Here's the Christ child in the manger—isn't He sweet, and here's Joseph and Mary coming to Bethlehem—see Mary on the mule.” She believed it indelicate to say “ass.” “Now take them and take good care of them.” Chal took the pictures in his brown hands and backed off, then turned and started to go. “Wait a minute,” she said, and lifted a finger. “What do you say?” He muttered a “Thank you” over his shoulder as he went out into the yard. He went to the grape arbor and crawled under.

Certainly they were beautiful pictures: there were Mary and Joseph and the mule, the three wise men and a great, shining, abnormal star, about which he was rather doubtful. He had once asked his father if he had ever seen that star, and his father had said that he didn't guess he ever had and he reckoned no one else had neither.

There was a picture of Jesus in white robes, floating among the clouds with a great red heart on his breast toward which he was pointing. This was his favorite; Jesus was certainly not bound to the earth like other things without wings. He looked long at the card which showed the crucifixion. There was the stripped, emaciated and pale body of Jesus with red wounds, against a background of clouds. At the foot of the cross were Magdalen and Mary the mother, the latter in a robe which he thought the most beautiful blue he had ever seen—a soft blue that made you happy. In skirts like women wear, only not so long, were the Roman soldiers with metal breastplates and long spears. One of them in particular he noticed; the one who stood with upraised spear and shiny helmet; the one with the mocking look on his face.

The picture held him. It fascinated him so that he couldn't look away from it, although he wanted very much to do so. That soldier in those short skirts, with his beautifully muscled legs and arms. The beautiful blue of that robe which Mary wore, bowed at the foot of the cross. For many minutes he looked at the picture, then a slow anger rose within him. As he looked steadily, the sardonic face of the Roman, the beautiful blue robe, and the pale body of Christ all became blurred and he felt a tear on his hand. He put the other pictures aside, then dug a hole in the soft earth under the vines and buried that
picture of the crucifixion face down, picked up the others, and walked back to the house. But all day he thought of that Roman's face.

After dinner, before the long summer twilight, he went back to the arbor and unearthed the picture. He was surprised to see the same expression on the Roman's face, and his anger was so great that he said aloud the bad white man's words which he had heard a freighter use when his mules got stuck in the mud in front of their house. He walked into the kitchen and from a little cigar box in which he kept his treasures he took a stub pencil and began furiously to mark out all the soldiers in the picture. He thought of the group just beyond the cross as young soldiers, because in perspective they were of course smaller. The pencil marks didn't seem to have the desired effect and he rubbed harder, but still no use. In his anger and his defeat the tears came again.

His parents and cousin Ellen were on the front porch—he could hear cousin Ellen talking. He took the big butcher's knife out of the drawer and began cutting the soldiers out of the picture—cutting until there was very little left. Just then cousin Ellen came into the kitchen to get a drink of water and saw him.

“Why—I never,” she exploded. “Is that the way you do the nice pictures I give you!” She picked up the cards and made a clucking sound: “Where are the others? I bet you cut 'em up, too.” He reached in his blouse and took out the others and gave them to her, but remained silent. “I'm goin' straight and tell your mother,” she warned, and her skirts flipped around the high tops of her buttoned shoes as she left the room, saying under her breath, “Little savage!”

His heart was broken. A queer world. Hadn't she told him with much show of anger and with sadness about the crucifixion, and the “mean old soldiers” of Rome? Hadn't she said that when He had called for water they had given Him vinegar to drink? And he was sure that the big soldier with the mean face was the one that had stuck a spear into the side of poor Jesus and had made Him die.

He went to the barn lot fence and climbed upon the top rail. He wanted to stop sobbing but he couldn't. One of the mares attempted to muzzle his foot, but he kicked her and she looked
at him with surprise in her great soft eyes. He didn't care. He didn't care if he died.

There was no stern voice from the house—he didn't expect one. Cousin Ellen would be talking and talking, and his father and mother would remain silent, even when she would say what she had said to his mother in the bedroom one day—something about “respect,” and coming to a “bad end.” Suddenly he knew that he hated her, and anger relieved his leaden heart just a little, and though his sobs were less frequent they came, much to his humiliation.

Then he became conscious of the sunset. It was red; his beloved red, with the tops of the blackjacks cutting into it. They seemed strange and far away and he felt intensely that he should like to go there; go where the familiar blackjacks were like the strange scenes in his picture book. Above, there was a large dark cloud with its edges colored red by the sun. His uncle, Fire Cloud, chief of the Panther clan of the Big Hills, had been named for a cloud like that, his father had told him. He liked Fire Cloud, who came to eat at the house during payment time and sat talking with his father in Osage. He liked the tall Fire Cloud with wrinkles around his eyes, who patted him on the head and said he would bring a fawn next time he came to the Agency.

At the thought of the fawn trailing him, he forgot for the present the heaviness of his heart and was happy with plans for the dreamy future.

W
hen oil was discovered on Osage lands in the 1920s, unscrupulous white men, moved by greed, embarked on a vicious crusade to defraud the newly wealthy from their property and profits by every means possible, including murder. In her novel
, Mean Spirit,
Linda Hogan gives voice to this little-known chapter in American history as she tells the story of the Grayclouds and the Blankets, two families who find themselves suddenly caught in a whirlwind of death and destruction
.

This passage recounts the Graycloud family's journey into terror and uncertainty. And it tells of the terrible evil that would always be remembered as the hour of childhood's end for Nola Blanket
.

Linda Hogan (Chickasaw) was born in Denver, Colorado, in 1947. Her book of poetry
, Seeing through the Sun,
won a Before Columbus Foundation American Book Award. Both a poet and novelist, Hogan currently teaches creative writing in the English department at the University of Colorado
.

 

W
HAT HAD HAPPENED THAT MORNING WAS THIS: AFTER DAWN
, before Grace and Nola Blanket walked up to Belle's white bed-stead, they passed the oil field. An oilman named John Hale nodded at them. Hale was a lanky white man who wore a gray Stetson hat. He'd been a rancher in Indian Territory for a number of years before he invested in the oil business. He was known as a friend to the Indians. He'd always been generous
and helpful to his darker compatriots, but Grace didn't care for him.

Once, feeling Hale's eyes on her, Grace glanced back, quickly, over her shoulder. Hale watched her, but she was a beautiful woman and it wasn't unusual for men to stop and stare, so she thought little about it.

On their way to Woody Pond that Sunday morning, the girls walked a little behind Grace. They whispered to each other the secret things girls share. Nola bent and picked a sunflower. She handed it to Rena. Rena pulled the yellow petals from the flower, looked at its black center, and said, “He loves me.”

“Who?” asked Nola.

“How should I know? But it's grand to be loved, isn't it?” Rena smiled.

Grace walked faster. “Hurry! We'll be late for church!” The sun moved up in the sky. They had another mile to go. But the girls didn't keep up with her and they lagged farther behind and there were more distances between Grace and the girls than just that stretch of road; there was a gap in time between one Indian way of life and another where girls were sassy and wore satin ribbons in their hair.

They turned and walked up the red dirt path to the pond. Grace gave each of the girls a small knife. “Cut those thin ones.” She pointed to the willows she wanted for her baskets, and in their chalk-white dresses, the girls bent and pared them off, then handed the cuttings to Grace. She put them, one at a time, neatly in the sling she carried looped up over the padded shoulder of her dress.

It was hot and the white sun had risen further up the sky when Grace heard a car. It wasn't unusual for whiskey peddlers to drive past Woody Pond on Sunday mornings, nor was it odd for drivers on their way home from the city to stop there and rest.

The car kicked up a cloud of dust. When it cleared, Grace saw the black Buick. She smiled at first, thinking it belonged to Moses Graycloud, and that he was picking them up because they were late for church, but then her hand froze in the air.

The men in the car turned their faces toward her, as if something was wrong.

They talked while they watched her. She thought she saw a pistol, then thought she must have imagined it. The driver seemed to be saying “No” to the other man, and they drove in closer, still arguing. Hale was driving. Grace didn't know the passenger. He was a broad man with dark hair. She looked at them, then moved behind a tree. They turned the car around and drove slowly away down the road, but Grace remained nervous and watchful. “Hurry, it's getting late,” she urged the girls. She glanced back toward the car. The girls worked faster. The sun was hot and the bees sounded dizzy, and then the car returned, and again the men's eyes were on Grace.

When the car braked, Grace panicked and held still, like a deer in danger, rooted to where she stood. Even the air became still, and not a hair on Grace's head moved as she stood still and fixed, a hand poised on the branches in the sling at her side. In desperate hope, she looked around for other Indians who might have been at the pond searching for turtles, or a Sunday morning rabbit hunter. But they were alone, and the girls felt Grace's fear, like electricity, rising up their skin, up the backs of their necks.

Nola looked around. “What is it?” she started to ask, but without turning toward her, Grace hissed at her, hoarse with a fear so thick that Nola dropped down to the ground. She hardly breathed. Grace scanned the oaks and hilly land. “Don't move!” she told the girls. “Whatever you do, don't follow me.”

The car went by and turned around another time, with the men still looking, and in a split second before it returned, Grace whispered dryly, “Stay down. Stay there.” Then she dropped her sling on the ground and ran, crashing through the bushes, away from the pond, toward town.

The girls fought their impulse to run. Even their own breathing sounded dangerous to them.

Grace was an easy target, and she knew it, but she wanted to, had to, lure the car away from the girls. She hoped and prayed she could turn and cut through rocky land a car couldn't cover, but the Buick followed her down the road, and when she ran faster, the car speeded up. Then she saw the rocky land and with relief, she veered off and cut through a field, and even from where they hid, the girls could hear the car turn and
follow, grinding across the summer grass. The driver struggled with the dark steering wheel over stones and clumps of earth. In spite of her fear, Nola rose up to look, stood just enough to see her mother kick the shoes off her feet and race into the forest. As Nola watched, Grace disappeared in the dark green shadows of leaves and branches.

Rena was crying. She pulled Nola close to earth, tugging at her skirt. “Stay down.”

The car braked, and Nola peered over the brush to see a man jump out. The driver remained inside, though, and the motor idled. Then in day's full light, a gunshot broke through air. Like a stone cracking apart, something falling away from the world.

The girls lay flat in the shallow water, hidden in the silty pond between the reeds. Nola covered her eyes with one of her muddy hands, but it was too late, she had already seen her mother run barefoot across the field, followed by the black car, and in her mind's eye she saw her mother wounded.

The car doors slammed shut. The girls heard the car begin to grind and jam once more across the field. They pressed themselves deeper into the marshy pond, still and afraid. Only their heads were out of the muddy red water. They barely breathed. Nola dropped her knife and searched the silt frantically, with shaking fingers, until she found it and held it tight and ready in her fist. Then the wind began to blow, hot and restless, drowning out the sound of the car. The men had propped Grace's body between them as if she were just a girlfriend out for a Sunday drive. They drove up to the pond where water willows were quaking in the wind, and when they lifted the woman out of the car, both of her dark braids came loose and fell toward earth. The wind blew harder. The men placed Grace's body behind a clump of wind-whipped black bushes, then they straightened their backs, turned around, and searched for Nola.

Nola could barely hear them speak over the sound of wind.

“I thought you said the girl was with her.”

“She was.”

Nola held her breath. She heard nothing else, for a sudden gust of wind whistled across the water and rattled the cattails. The girls were afraid to look. They heard the men search among
the rushes, close to where they remained paralyzed with fright, but by then, the girls could not tell the difference between wind and the men's hands pilfering through the reeds.

The turn wind, a current from the south, blew grit up from the ground. The hillsides stirred with dust devils. Branches broke off the older trees.

As the hot wind quickened, tree branches began to creak. The storm drowned out the sound of the car and when the men drove away, the girls did not hear them. A mallard moved across the pond and took cover, hiding as the girls hid, in the blowing reeds.

A short while later, the car returned. Its motor sounded like the wind. The girls were sure the men were searching for children in Sunday dresses. One man got out and walked through the wind-swept grass toward Grace Blanket's body. From between the reeds, Nola could almost see his face. The wind blew his jacket open and away from his shirt. Behind him the trees bent. He placed a pistol in the dead woman's hand. Nola caught another glimpse of him. She couldn't tell who he was. She had never seen him before. He opened a bottle of whiskey and poured it on Grace Blanket's body, and the wind blew the smell of whiskey across the pond. The girls held their breaths while the man buttoned his dark jacket and laid down the empty bottle. He got back in the car and it rattled off toward town, erased by a storm cloud of dust.

The girls were drowning in the heat and wind of the storm. They didn't hear the sound of Michael Horse's gilt-colored car, nor did they hear Belle call out their names. They heard only the howling wind, and when it finally died down, they heard the horrible flies already at work on the body of Grace and then the afternoon sun turned red in the west sky, and then the long day was passing and the frogs began their night songs, and then it was night and the stars showed up on the surface of the dark pond. Nola crawled out of the water and up the bank of the pond on her elbows and knees. She half crawled toward her mother's body. Rena followed, shivering even in the heat. Her thin-skinned hands and feet were cracked open from the water. And in the midst of everything, the moon was shining on the water. Grace was surrounded by black leaves in the moonlight,
and the whiskey smell was still thick and sickening. Grace was twisted and grotesque and her head turned to the side as if she'd said “No” to death. In her hand was the gun. The girl stood there for what seemed like a long time. She laid her head against her mother, crying, “Mama,” and wept with her face buried in the whiskey-drenched clothing.

“Come on,” Rena pulled Nola back into the world of the living.

Nola started to take the pistol. “Leave it,” Rena told her, so Nola reached down and unclasped the strand of pearls from her mother's neck. With Rena's arm around her, she walked away, then looked back, hoping against all hope that her mother would move, that her voice would call out the way it had always done, “Come here, little one,” but there were only the sounds of frogs and insects.

Rena took Nola's hand. They walked toward the Grayclouds' house, hiding themselves behind bushes or trees. The muddy weight of their dresses dragged heavily against their legs.

That night, the lights of fireflies and the songs of locusts were peaceful, as if nothing on earth had changed. How strange that life was as it had been on other summer nights, with a moon rising behind the crisscross lines of oil derricks and the white stars blinking in a clear black sky.

At the dark turnoff to the Graycloud's house, sweet white flowers bloomed on the lilac bush. The mailbox, with its flag up, was half hidden by the leafy branches. The house, too, looked as it always did, with an uneven porch and square windows of light. The chickens had gone to roost for the night, and they were softly clucking, and out in the distance, the white-faced cattle were still grazing, looking disembodied.

When they passed through the gate and neared the front door, the girls saw something white at the azalea bush. They were startled. They stopped and stared, thinking at first it was a ghost. But then the ghost in its white apron stepped toward them and said, “Where's your mother, child?” and the ghost became solid and became Belle Graycloud. Between sobs that night, Rena tried to tell the story of what had happened, and before the loss of Grace turned to grief in the old woman,
Belle raised her face to the starry sky and thanked the Great Something that the girls were alive.

 

Neither Belle nor Lettie Graycloud could sleep that night. They were still awake when Moses returned home from the livestock auction in Walnut Springs. He was wearing a new straw hat. Belle heard him whistling as he led a new palomino pony—they were the fashion that year—through the dark lot and into the barn.

She opened the door and called his name.

“I'm coming,” he said from the darkness, then she saw him in the light from the house. He walked through the door and set his hat on the table. “What is it?”

She told him about Grace.

Moses was stunned with the news. He sat down heavily in a chair, and slumped over the table. He covered his face with his hands and was silent a long while, then he asked, “Did they see who did it?”

Belle shook her head. “All they know is that they drove a car like ours.” She sat beside him. Her eyes were swollen.

He said, “Belle, I'm so sorry.” He had doubted her. Then he said, “Black Buicks are everywhere.” He took a deep breath, stood up, and put the new hat back on his head.

Belle was alarmed. “What are you doing?”

He answered slowly. “I'd better go talk to the sheriff.”

She put up her hand to stop him. “I don't think you should.”

He was puzzled. “Why not?”

She hesitated. She was weary and hoped she wasn't making a mistake. “Because, Moses, the killers didn't see the girls. I'm afraid that if they knew there were witnesses, they might come looking for them.”

He turned it over in his mind, then took his hat off and, without an argument, he sat back down and rubbed the grit off his face.

Belle put her hand over his. She fingered one of the scars that crossed his knuckles. They sat that way, in silence for a while, Moses deep in thought, Belle too shaken to say more.