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Authors: Toni Morrison

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THIS IS A BORZOI BOOK
PUBLISHED BY ALFRED A. KNOPF
AND ALFRED A. KNOPF CANADA

Copyright © 2012 by Toni Morrison

All rights reserved. Published in the United States by Alfred A. Knopf, a division of Random House, Inc., New York, and in Canada by Alfred A. Knopf Canada, a division of Random House of Canada Limited, Toronto.

www.aaknopf.com
www.randomhouse.ca

Knopf, Borzoi Books, and the colophon are registered trademarks of Random House, Inc.
Knopf Canada and colophon are trademarks.

Library of Congress Cataloging-in-Publication Data

Morrison, Toni.
  Home / Toni Morrison.
     p.  cm.
  Summary: “The story of a Korean war veteran on a quest to save his younger sister”—Provided by publisher.
   1. African Americans—Fiction. 2. African American veterans—Fiction. 3. Brothers and sisters—Fiction. 4. Georgia—Fiction. I. Title.
   PS3563.O8749H66 2012
   813′.54—dc23

            2011043441

   Library and Archives Canada Cataloguing in Publication Morrison, Toni
   Home / Toni Morrison.
eISBN: 978-0-307-95987-4
   I. Title.
PS3563.O8749H66 2012     813′.54     C2011-908130-X

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Front-of-jacket photograph by DEA / G. Dagli Orti /
De Agostini Picture Library / Getty Images
Back-of-jacket photograph © Timothy Greenfield-Sanders
Jacket design by Abby Weintraub

v3.1

Slade

Contents

Whose house is this?

Whose night keeps out the light

In here?

Say, who owns this house?

It’s not mine.

I dreamed another, sweeter, brighter

With a view of lakes crossed in painted boats;

Of fields wide as arms open for me.

This house is strange.

Its shadows lie.

Say, tell me, why does its lock fit my key?

ONE

T
hey rose up like men. We saw them. Like men they stood
.

We shouldn’t have been anywhere near that place. Like most farmland outside Lotus, Georgia, this one here had plenty of scary warning signs. The threats hung from wire mesh fences with wooden stakes every fifty or so feet. But when we saw a crawl space that some animal had dug—a coyote maybe, or a coon dog—we couldn’t resist. Just kids we were. The grass was shoulder high for her and waist high for me so, looking out for snakes, we crawled through it on our bellies. The reward was worth the harm grass juice and clouds of gnats did to our eyes, because there right in front of us, about fifty yards off, they stood like men. Their raised hooves crashing and striking, their manes tossing back from wild white eyes. They bit each other like dogs but when they stood, reared up on their hind legs, their forelegs
around the withers of the other, we held our breath in wonder. One was rust-colored, the other deep black, both sunny with sweat. The neighs were not as frightening as the silence following a kick of hind legs into the lifted lips of the opponent. Nearby, colts and mares, indifferent, nibbled grass or looked away. Then it stopped. The rust-colored one dropped his head and pawed the ground while the winner loped off in an arc, nudging the mares before him
.

As we elbowed back through the grass looking for the dug-out place, avoiding the line of parked trucks beyond, we lost our way. Although it took forever to re-sight the fence, neither of us panicked until we heard voices, urgent but low. I grabbed her arm and put a finger to my lips. Never lifting our heads, just peeping through the grass, we saw them pull a body from a wheelbarrow and throw it into a hole already waiting. One foot stuck up over the edge and quivered, as though it could get out, as though with a little effort it could break through the dirt being shoveled in. We could not see the faces of the men doing the burying, only their trousers; but we saw the edge of a spade drive the jerking foot down to join the rest of itself. When she saw that black foot with its creamy pink and mud-streaked sole being whacked into the grave, her whole body began to shake. I hugged her shoulders tight and tried to pull her trembling into my own bones because, as a brother four years older, I thought I could handle it. The men were long gone and the moon was a cantaloupe by the time we felt
safe enough to disturb even one blade of grass and move on our stomachs, searching for the scooped-out part under the fence. When we got home we expected to be whipped or at least scolded for staying out so late, but the grown-ups did not notice us. Some disturbance had their attention
.

Since you’re set on telling my story, whatever you think and whatever you write down, know this: I really forgot about the burial. I only remembered the horses. They were so beautiful. So brutal. And they stood like men
.

TWO

B
reathing. How to do it so no one would know he was awake. Fake a deep rhythmic snore, drop the bottom lip. Most important, the eyelids should not move and there must be a regular heartbeat and limp hands. At 2:00 a.m. when they checked to determine if he needed another immobilizing shot they would see the patient on the second floor in Room 17, sunk in a morphine sleep. If convinced, they might skip the shot and loosen his cuffs, so his hands could enjoy some blood. The trick of imitating semi-coma, like playing dead facedown in a muddy battlefield, was to concentrate on a single neutral object. Something that would smother any random hint of life. Ice, he thought, a cube of it, an icicle, an ice-crusted pond, or a frosted landscape. No. Too much emotion attached to frozen hills. Fire, then? Never. Too active. He would need something that stirred no feelings, encouraged no
memory—sweet or shameful. Just searching for such an item was agitating. Everything reminded him of something loaded with pain. Visualizing a blank sheet of paper drove his mind to the letter he had gotten—the one that had closed his throat: “Come fast. She be dead if you tarry.” Finally, he settled on the chair in the corner of the room as his neutral object. Wood. Oak. Lacquered or stained. How many slats in its back? Was the seat flat or curved for a bottom? Hand-crafted or machine-made? If hand-crafted, who was the carpenter and where did he get his lumber? Hopeless. The chair was provoking questions, not blank indifference. What about the ocean on a cloudy day seen from the deck of a troopship—no horizon or hope of one? No. Not that, because among the bodies kept cool below some, maybe, were his homeboys. He would have to concentrate on something else—a night sky, starless, or, better, train tracks. No scenery, no trains, just endless, endless tracks.

They had taken his shirt and laced boots but his pants and army jacket (neither an effective suicide instrument) were hanging in the locker. He only had to get down the hall to the exit door that was never locked after a fire broke out on that floor and a nurse and two patients died. That was the story Crane, the chatterbox orderly, rapidly chewing gum while washing the patient’s armpits, had told him, but he believed it was a simple cover story for the staff’s smoke breaks. His first escape plan
was to knock Crane out when next he came to clean up his soiling. That required loosening the cuffs, and it was too chancy, so he chose another strategy.

Two days earlier, when he was handcuffed in the backseat of the patrol car, he had swerved his head wildly to see where he was and where he was going. He had never been in this neighborhood. Central City was his territory. Nothing in particular stood out except the violent neon of a diner sign and a huge yard sign for a tiny church: AME Zion. If he succeeded in getting through the fire exit that’s where he would head: to Zion. Still, before escape, he would have to get shoes somehow, some way. Walking anywhere in winter without shoes would guarantee his being arrested and back in the ward until he could be sentenced for vagrancy. Interesting law, vagrancy, meaning standing outside or walking without clear purpose anywhere. Carrying a book would help, but being barefoot would contradict “purposefulness” and standing still could prompt a complaint of “loitering.” Better than most, he knew that being outside wasn’t necessary for legal or illegal disruption. You could be inside, living in your own house for years, and still, men with or without badges but always with guns could force you, your family, your neighbors to pack up and move—with or without shoes. Twenty years ago, as a four-year-old, he had a pair, though the sole of one flapped with every step. Residents of fifteen houses had been
ordered to leave their little neighborhood on the edge of town. Twenty-four hours, they were told, or else. “Else” meaning “die.” It was early morning when the warnings came, so the balance of the day was confusion, anger, and packing. By nightfall most were pulling out—on wheels if available, on foot if not. Yet, in spite of the threats from men, both hooded and not, and pleadings from neighbors, one elderly man named Crawford sat on his porch steps and refused to vacate. Elbows on knees, hands clasped, chewing tobacco, he waited the whole night. Just after dawn at the twenty-fourth hour he was beaten to death with pipes and rifle butts and tied to the oldest magnolia tree in the county—the one that grew in his own yard. Maybe it was loving that tree which, he used to brag, his great-grandmother had planted, that made him so stubborn. In the dark of night, some of the fleeing neighbors snuck back to untie him and bury him beneath his beloved magnolia. One of the gravediggers told everyone who would listen that Mr. Crawford’s eyes had been carved out.

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