Every time I put a book online for free, I get emails from readers who want to send me donations for the book. I appreciate their generous spirit, but I'm not interested in cash donations, because my publishers are really important to me. They contribute immeasurably to the book, improving it, introducing it to audiences I could never reach, helping me do more with my work. I have no desire to cut them out of the loop.
But there has to be some good way to turn that generosity to good use, and I think I've found it.
Here's the deal: there are lots of teachers and librarians who'd love to get hard-copies of this book into their kids' hands, but don't have the budget for it (teachers in the US spend around $1,200 out of pocket each on classroom supplies that their budgets won't stretch to cover, which is why I sponsored a classroom at Ivanhoe Elementary in my old neighborhood in Los Angeles; you can adopt a class yourself at <
http://www.adoptaclassroom.org/
<.
There are generous people who want to send some cash my way to thank me for the free ebooks.
I'm proposing that we put them together.
If you're a teacher or librarian and you want a free copy of
Homeland
, email <
[email protected]
< with your name and the name and address of your school. It'll be posted to <
http://craphound.com/homeland/donate/
< by my fantastic helper, Olga Nunes, so that potential donors can see it.
If you enjoyed the electronic edition of
Homeland
and you want to donate something to say thanks, go to <
http://craphound.com/homeland/donate/
< and find a teacher or librarian you want to support. Then go to Amazon, BN.com, or your favorite electronic bookseller and order a copy to the classroom, then email a copy of the receipt (feel free to delete your address and other personal info first!) to <
[email protected]
< so that Olga can mark that copy as sent. If you don't want to be publicly acknowledged for your generosity, let us know and we'll keep you anonymous, otherwise we'll thank you on the donate page.
I've done this with a ton of books now, and gotten thousands of books into the hands of readers through your generosity. I am more grateful than words can express for this -- one of my readers called it "paying your debts forward with instant gratification." That's a heck of a thing, isn't it?
For Alice and Poesy, who make me whole.
The second commercial interlude
Me again. That's all the forematter. I admit that there's rather a lot of it. You're not obliged to read it all (though I think it's pretty cool, especially
the part about buying copies to give to schools and libaries
).
And you're not obliged to read this interlude, nor the ones that follow. I've been giving away free ebooks for nearly a decade now, and my readers have rewarded my generosity with generosity of their own. I've had a pair of
New York Times
bestsellers, quit my day-job, and now I write full time. And I'm still giving away ebooks, and trusting that you, the reader, will reciprocate. You can either buy a book or ebook (always, always, always DRM-free) from one of the big online sellers, or
buy a copy from a local bookseller
.
USA:
Amazon Kindle
(DRM-free)
Barnes and Noble Nook
(DRM-free)
Google Books
(DRM-free)
Kobo
Apple iBooks
(DRM-free)
Amazon
Indiebound
(will locate an independent store near you!)
Barnes and Noble
Powells
Booksamillion
Canada:
BakkaPhoenix: Toronto, Canada
This chapter is dedicated to BakkaPhoenix Books in Toronto, Canada. Bakka is the oldest science fiction bookstore in the world, and it made me the mutant I am today. I wandered in for the first time around the age of 10 and asked for some recommendations. Tanya Huff (yes,
the
Tanya Huff, but she wasn't a famous writer back then!) took me back into the used section and pressed a copy of H. Beam Piper's "Little Fuzzy" into my hands, and changed my life forever. By the time I was 18, I was working at Bakka -- I took over from Tanya when she retired to write full time -- and I learned life-long lessons about how and why people buy books. I think every writer should work at a bookstore (and plenty of writers have worked at Bakka over the years! For the 30th anniversary of the store, they put together an anthology of stories by Bakka writers that included work by Michelle Sagara (AKA Michelle West), Tanya Huff, Nalo Hopkinson, Tara Tallan --and me!)
Attending Burning Man made me simultaneously one of the most photographed people on the planet and one of the least surveilled humans in the modern world.
I adjusted my burnoose, covering up my nose and mouth and tucking its edge into place under the lower rim of my big, scratched goggles. The sun was high, the temperature well over a hundred degrees, and breathing through the embroidered cotton scarf made it even more stifling. But the wind had just kicked up, and there was a lot of playa dust -- fine gypsum sand, deceptively soft and powdery, but alkali enough to make your eyes burn and your skin crack -- and after two days in the desert, I had learned that it was better to be hot than to choke.
Pretty much everyone was holding a camera of some kind -- mostly phones, of course, but also big SLRs and even old-fashioned film cameras, including a genuine antique plate camera whose operator hid out from the dust under a huge black cloth that made me hot just to look at it. Everything was ruggedized for the fine, blowing dust, mostly through the simple expedient of sticking it in a zip-lock bag, which is what I'd done with my phone. I turned around slowly to get a panorama and saw that the man walking past me was holding the string for a gigantic helium balloon a hundred yards overhead, from which dangled a digital video camera. Also, the man holding the balloon was naked.
Well, not entirely. He was wearing shoes. I understood that: playa dust is hard on your feet. They call it playa-foot, when the alkali dust dries out your skin so much that it starts to crack and peel. Everyone agrees that playa-foot sucks.
Burning Man is a festival held every Labor Day weekend in the middle of Nevada's Black Rock desert. Fifty thousand people show up in this incredibly harsh, hot, dusty environment, and build a huge city -- Black Rock City -- and
participate
. "Spectator" is a vicious insult in Black Rock City. Everyone's supposed to be
doing
stuff and yeah, also admiring everyone else's stuff (hence all the cameras). At Burning Man, everyone is the show.
I wasn't naked, but the parts of me that were showing
were
decorated with elaborate mandalas laid on with colored zinc. A lady as old as my mother, wearing a tie-dyed wedding dress, had offered to paint me that morning, and she'd done a great job. That's another thing about Burning Man: it runs on a gift economy, which means that you generally go around offering nice things to strangers a lot, which makes for a surprisingly pleasant environment. The designs the painter had laid down made me look
amazing
, and there were plenty of cameras aiming my way as I ambled across the open desert toward Nine O'Clock.
Black Rock City is a pretty modern city: it has public sanitation (portable chem-toilets decorated with raunchy poems reminding you not to put anything but toilet paper in them), electricity and Internet service (at Six O'Clock, the main plaza in the middle of the ring-shaped city), something like a government (the nonprofit that runs Burning Man), several local newspapers (all of them doing better than the newspapers in the real world!), a dozen radio stations, an all-volunteer police force (the Black Rock Rangers, who patrolled wearing tutus or parts of chicken suits or glitter paint), and many other amenities associated with the modern world.
But BRC has no official surveillance. There are no CCTVs, no checkpoints -- at least not after the main gate, where tickets are collected -- no ID checks at all, no bag-searches, no RFID sniffers, no mobile phone companies logging your movements. There was also no mobile phone service. No one drives -- except for the weird art cars registered with the Department of Mutant Vehicles -- so there were no license plate cameras and no sniffers for your E-Z Passes. The WiFi was open and unlogged. Attendees at Burning Man agreed not to use their photos commercially without permission, and it was generally considered polite to ask people before taking their portraits.
So there I was, having my picture taken through the blowing dust as I gulped down water from the water-jug I kept clipped to my belt at all times, sucking at the stubby built-in straw under cover of the blue-and-silver burnoose, simultaneously observed and observer, simultaneously observed and unsurveilled, and it was
glorious
.
"Wahoo!" I shouted to the dust and the art cars and the naked people and the enormous wooden splay-armed effigy perched atop a pyramid straight ahead of me in the middle of the desert. This was The Man, and we'd burn him in three nights, and that's why it was called Burning Man. I couldn't wait.
"You're in a good mood," a jawa said from behind me. Even with the tone-shifter built into its dust-mask, the cloaked sand-person had an awfully familiar voice.
"Ange?" I said. We'd been missing each other all that day, ever since I'd woken up an hour before her and snuck out of the tent to catch the sunrise (which was
awesome
), and we'd been leaving each other notes back at camp all day about where we were heading next. Ange had spent the summer spinning up the jawa robes, working with cooling towels that trapped sweat as it evaporated, channeling it back over her skin for extra evaporative cooling. She'd hand-dyed it a mottled brown, tailored it into the characteristic monkish robe shape, and added crossed bandoliers. These exaggerated her breasts, which made the whole thing entirely and totally
warsome
. She hadn't worn it out in public yet, and now, in the dust and the glare, she was undoubtedly the greatest sand-person I'd ever met. I hugged her and she hugged me back so hard it knocked the wind out of me, one of her trademarked wrestling-hold cuddles.
"I smudged your paint," she said through the voice-shifter after we unclinched.
"I got zinc on your robes," I said.
She shrugged. "Like it matters! We both look fabulous. Now, what have you seen and what have you done and where have you been, young man?"
"Where to start?" I said. I'd been wandering up and down the radial avenues that cut through the city, lined with big camps sporting odd exhibits -- one camp where a line of people were efficiently making snow cones for anyone who wanted them, working with huge blocks of ice and a vicious ice-shaver. Then a camp where someone had set up a tall, linoleum-covered slide that you could toboggan down on a plastic magic carpet, after first dumping a gallon of waste water over the lino to make it plenty slippery. It was a very clever way to get rid of grey water (that's water that you've showered in, or used to wash your dishes or hands -- black water being water that's got poo or pee in it). One of the other Burning Man rules was "leave no trace" -- when we left, we'd take every scrap of Black Rock City with us, and that included all the grey water. But the slide made for a great grey water evaporator, and every drop of liquid that the sliders helped turn into vapor was a drop of liquid the camp wouldn't have to pack all the way back to Reno.
There'd been pervy camps where they were teaching couples to tie each other up; a "junk food glory hole" that you put your mouth over in order to receive a mysterious and unhealthy treat (I'd gotten a mouthful of some kind of super-sugary breakfast cereal studded with coconut "marshmallows" shaped like astrological symbols); a camp where they were offering free service for playa bikes (beater bikes caked with playa dust and decorated with glitter and fun fur and weird fetishes and bells); a tea-house camp where I'd been given a very precisely made cup of some kind of Japanese tea I'd never heard of that was delicious and sharp; camps full of whimsy; camps full of physics; camps full of optical illusions; camps full of men and women; a kids' camp full of screaming kids running around playing some kind of semi-supervised outdoor game -- things I'd never suspected existed.
And I'd only seen a tiny slice of Black Rock City.
I told Ange about as much as I could remember and she nodded or said "ooh," or "aah," or demanded to know where I'd seen things. Then she told me about the stuff she'd seen -- a camp where topless women were painting one others' breasts, a camp where an entire brass band was performing, a camp where they'd built a medieval trebuchet that fired ancient, broken-down pianos down a firing range, the audience holding its breath in total silence while they waited for the glorious crash each piano made when it exploded into flinders on the hardpack desert.
"Can you believe this place?" Ange said, jumping up and down on the spot in excitement, making her bandoliers jingle.
"I know -- can you believe we almost didn't make it?"
I'd always sort of planned on going out to see The Man burn -- after all, I grew up in San Francisco, the place with the largest concentration of burners in the world. But it took a lot of work to participate in Burning Man. First, there was the matter of packing for a camping trip in the middle of the desert where you had to pack in
everything
-- including water -- and then pack it all out again, everything you didn't leave behind in the porta-potties. And there were
very
strict rules about what could go in
those
. Then there was the gift economy: figuring out what I could bring to the desert that someone else might want. Plus the matter of costumes, cool art and inventions to show off... Every time I started to think about it, I just about had a nervous breakdown.
But this year, of all years, I'd made it. This was the year both my parents lost their jobs. The year I'd dropped out of college rather than take on any more student debt. The year I'd spent knocking on every door I could find, looking for paid work --
anything!
-- without getting even a nibble.
"Never underestimate the determination of a kid who is cash-poor and time-rich," Ange said solemnly, pulling down her face mask with one hand and yanking me down to kiss me with the other.
"That's catchy," I said. "You should print T-shirts."
"Oh," she said. "That reminds me. I got a T-shirt!"
She threw open her robe to reveal a proud red tee that read MAKE BEAUTIFUL ART AND SET IT ON FIRE, laid out like those British "Keep Calm and Carry On" posters, with the Burning Man logo where the crown should be.
"Just in time, too," I said, holding my nose. I was only partly kidding. At the last minute, we'd both decided to ditch half the clothes we'd planned on bringing so that we could fit more parts for Secret Project X-1 into our backpacks. Between that and taking "bits and pits" baths by rubbing the worst of the dried sweat, body paint, sunscreen, and miscellaneous fluids off with baby wipes once a day, neither of us smelled very nice.
She shrugged. "The playa provides." It was one of the Burning Man mottoes we'd picked up on the first day, when we both realized that we thought the other one had brought the sunscreen, and just as we were about to get into an argument about it, we stumbled on Sunscreen Camp, where some nice people had slathered us all over with SPF 50 and given us some baggies to take with. "The playa provides!" they'd said, and wished us well.
I put my arm around her shoulders. She dramatically turned her nose up at my armpit, then made a big show of putting on her face-mask.
"Come on," she said. "Let's go out to the temple."
The temple was a huge, two-story, sprawling structure, dotted with high towers and flying buttresses. It was filled with robotic Tibetan gongs that played strange clanging tunes throughout the day. I'd seen it from a distance that morning while walking around the playa, watching the sun turn the dust rusty orange, but I hadn't been up close.
The outer wings of the temple were open to the sky, made of the same lumber as the rest of the whole elaborate curlicue structure. The walls were lined with benches and were inset with niches and nooks. And everywhere, every surface, was covered in writing and signs and posters and pictures.
And almost all of it was about dead people.
"Oh," Ange said to me, as we trailed along the walls, reading the memorials that had been inked or painted or stapled there. I was reading a handwritten, thirty-page-long letter from an adult woman to her parents, about all the ways they'd hurt her and made her miserable and destroyed her life, about how she'd felt when they'd died, about how her marriages had been destroyed by the craziness she'd had instilled in her. It veered from wild accusation to tender exasperation to anger to sorrow, like some kind of emotional roller coaster. I felt like I was spying on something I wasn't supposed to see, except that everything in the temple was there to be seen.
Every surface in the temple was a memorial to something or someone. There were baby shoes and pictures of grannies, a pair of crutches and a beat-up cowboy hat with a hatband woven from dead dried flowers. Burners -- dressed and undressed like a circus from the end of the world -- walked solemnly around these, reading them, more often than not with tears running down their faces. Pretty soon, I had tears running down my face. It moved me in a way that nothing had ever moved me before. Especially since it was all going to burn on Sunday night, before we tore down Black Rock City and went home.
Ange sat in the dust and began looking through a sketchbook whose pages were filled with dense, dark illustrations. I wandered into the main atrium of the temple, a tall, airy space whose walls were lined with gongs. Here, the floor was carpeted with people -- sitting and lying down, eyes closed, soaking in the solemnity of the moment, some with small smiles, some weeping, some with expressions of utmost serenity.
I'd tried meditating once, during a drama class at high school. It hadn't worked very well. Some of the kids kept on giggling. There was some kind of shouting going on in the hallway outside the door. The clock on the wall ticked loudly, reminding me that at any moment, there'd be a loud buzzer and the roar and stamp of thousands of kids all trying to force their way through a throng to their next class. But I'd read a lot about meditation and how good it was supposed to be for you. In theory it was easy, too: just sit down and think of nothing.