I passed between the houses, pedalling slowly. I was tired and angry. I hadn't managed to tell Filippo about his mother.
Papa's truck was parked outside the house, next to the old man's big grey car.
I was hungry. I had run off without having breakfast. But I wasn't too keen on going indoors.
Skull came over to me. âWhere did you get to?'
âI went for a ride.'
âYou're always going off on your own. Where do you go?' He didn't like it when you minded your own business.
âTo the stream.'
He eyed me suspiciously. âWhat do you do there?'
I shrugged. âNothing much. Climb the tree.'
He made the disgusted face of someone who's just eaten a rotten apple.
Togo arrived and started biting the wheel of my bike.
Skull aimed a kick at him. âGet lost, you mutt. He punctures tyres with those fucking teeth of his.'
Togo fled to Barbara, who was sitting on the wall, and jumped into her lap. Barbara called hello to me. I waved back.
Skull observed the scene. âWhat's this, have you made friends with fatso?'
âNo â¦'
He peered at me to see if I was telling the truth.
âNo, I swear I haven't!'
He relaxed. âOh, I see. Fancy a game of soccer?'
I didn't, but saying no to him was dangerous. âIsn't it a bit hot?'
He grabbed my handlebars. âYou're being a bit of a shit, you know that?'
I was scared. âWhy?' Skull could suddenly flip and decide to pull you off your bike and beat you up.
âBecause you are.'
Luckily Salvatore appeared. He was bouncing the ball on his head. Then he trapped it with his foot and tucked it under his arm. âHi, Michele.'
âHi.'
Skull asked him, âFancy a game?'
âNo.'
Skull lost his temper. âYou're pieces of shit, both of you! Right, you know what I'm doing? I'm going to Lucignano.' And he stomped off in a filthy mood.
We had a good laugh, then Salvatore said to me: âI'm going home. Do you want to come with me and play Subbuteo?'
âI don't really feel like it.'
He gave me a pat on the back. âAll right. See you later then. Bye.' He went off juggling with the ball.
I liked Salvatore. I liked the way he always kept calm and didn't fly off the handle every five minutes. With Skull you had to think three times before you said anything.
I cycled over to the drinking fountain.
Maria had taken the enamelled bowl and was using it as a swimming pool for her Barbies.
She had two â one normal, the other all blackened with one arm melted and no hair.
That was my fault. One evening I had seen the story of Joan of Arc on television and I had picked up the Barbie doll and thrown her in the fire shouting: âBurn! Witch! Burn!' When I had realized she really was burning, I had grabbed her by one foot and thrown her in the saucepan where the minestrone was cooking.
Mama had taken away my bike for a week and made me eat all the minestrone by myself. Maria had begged her to buy her another doll. âI'll get you one for your birthday. Play with this one for now. Blame that stupid brother of yours.' And Maria had made the best of it. The beautiful Barbie was called Paola and the burnt one Poor Poppet.
âHi, Maria,' I said, getting off my bike.
She put one hand over her forehead to shield her eyes from the sun. âPapa's been looking for you ⦠Mama's cross.'
âI know.'
She took Poor Poppet and put her in the swimming pool. âYou're always making her cross.'
âI'm going upstairs.'
âPapa said he's got to talk to Sergio and he doesn't want us around.'
âBut I'm hungry â¦'
She took an apricot out of her trouser pocket. âDo you want this?'
âYes.' It was warm and squashy, but I gulped it down and spat the stone into the distance.
Papa came out onto the balcony, saw me and called to me. âMichele, come here.' He was wearing a shirt and shorts.
I didn't want to talk to him. âI can't, I'm busy!'
He beckoned me up. âCome here.'
I leaned my bike against the wall and went up the steps hanging my head resignedly.
Papa sat down on the top step. âCome and sit here, next to me.' He pulled a packet of Nazionali out of his shirt pocket, took a cigarette, put it in the holder and lit it.
âYou and I have got to talk.'
He didn't seem all that angry.
We sat there in silence. Looking over the roofs at the yellow fields.
âHot, isn't it?'
âVery.'
He blew out a cloud of smoke. âWhere do you get to all day long, for goodness' sake?'
âNowhere.'
âYes you do. You must go somewhere.'
âRiding around here.'
âOn your own?'
âYes.'
âWhat's the matter? Don't you like being with your friends?'
âYes, I do. It's just that I like being on my own too.'
He nodded, his eyes lost in the void. I glanced at him. He seemed older, his black hair was speckled with a few white strands, his cheeks had sunk and he looked as if he hadn't slept for a week.
âYou've upset your mother.'
I broke off a twig of rosemary from a pot and started fiddling with it. âI didn't mean to.'
âShe said you don't want to sleep with Sergio.'
âWell, I don't â¦'
âWhy?'
âBecause I want to sleep with you and mama. In your bed. All together. If we squeeze up, we'll all fit in.'
âWhat's Sergio going to think if you don't sleep with him?'
âI don't care what he thinks.'
âThat's no way to treat guests. Suppose you went to stay with someone and nobody wanted to sleep with you. What would you think?'
âI wouldn't care, I'd like a room all to myself. Like in a hotel.'
He smiled faintly and with two fingers threw the dog-end into the street.
I asked him: âIs Sergio your boss? Is that why he's got to stay with us?'
He looked at me in surprise. âWhat do you mean is he my boss?'
âI mean does he decide things?'
âNo, he doesn't decide anything. He's a friend of mine.'
It wasn't true. The old man wasn't his friend, he was his boss. I knew that. He could even call him names.
âPapa, where do you sleep when you go to the North?'
âWhy?'
âI just wondered.'
âIn a hotel, or wherever I can, in the truck sometimes.'
âBut what happens at night in the North?'
He looked at me, breathed in through his nose and asked me: âWhat's up? Aren't you pleased I've come home?'
âYes.'
âTell me the truth.'
âYes, I am pleased.'
He squeezed me in his arms, tightly. I could smell his sweat. He whispered in my ear: âHug me, Michele, hug me! Let me feel how strong you are.'
I hugged him as hard as I could and I couldn't help crying. The tears ran down my face and my throat tightened.
âHey, are you crying?'
I sobbed. âNo, I'm not crying.'
He took a crumpled handkerchief out of his pocket. âDry away those tears, if anybody sees you they'll think you're a sissy. Michele, I'm very busy at the moment so you must do as you're told. Your mother's tired. Stop all this nonsense. If you're good, as soon as I've finished I'll take you to the seaside. We'll go on a pedalo.'
I wheezed: âWhat's a pedalo?'
âIt's a boat that has pedals like a bike instead of oars.'
I dried my tears. âCan you get to Africa in one?'
âIt'd take a lot of pedalling to get to Africa.'
âI want to go away from Acqua Traverse.'
âWhy, don't you like it any more?'
I gave him back his handkerchief. âLet's go to the North.'
âWhat do you want to go away for?'
âI don't know ⦠I don't like being here any more.'
He looked into the distance. âWe'll go there.'
I broke off another twig of rosemary. It had a nice smell. âDo you know about the little wash-bears?'
He frowned. âThe little wash-bears?'
âYes.'
âNo, what are they?'
âThey're bears that do the washing ⦠But maybe they don't exist.'
Papa got up and stretched his back. âAahh! Listen, I'm going indoors, I've got to talk to Sergio. Why don't you run off and play? It'll be suppertime soon.' He opened the door and was about to go in, but he stopped. âMama's made tagliatelle. Afterwards, say sorry to her.'
At that moment Felice arrived. He braked his 127 in a cloud of dust and got out as if there was a swarm of wasps inside.
âFelice!' papa shouted. âCome up a minute.'
Felice nodded and as he passed me he cuffed me on the back of the head and said, âHow're you doing, little sap?'
Now there was nobody with Filippo.
The bucket of shit was full. The saucepan of water empty.
Filippo kept his head wrapped up in the blanket. He hadn't even noticed I had come down into the hole.
His ankle looked worse to me, it was more swollen and purple. The flies were homing in on it.
I moved closer. âHey!' He gave no sign of having heard me. âHey! Can you hear me?' I moved even closer. âCan you hear me?'
He sighed. âYes.'
Papa hadn't cut off his ears, then.
âYour name's Filippo, isn't it?'
âYes.'
I had been rehearsing on the way. âI've come to tell you something very important. Um ⦠Your mother says she loves you. And she says she misses you. She said so yesterday on television. On the news. She said you mustn't worry ⦠and that she doesn't want just your ears, she wants all of you.'
Nothing.
âDid you hear me?'
Nothing.
I repeated. âUm ⦠your mother says she loves you. And she says she misses you. She said so yesterday on television. She said you mustn't worry ⦠and that she doesn't want just your ears.'
âMy mother's dead.'
âWhat do you mean she's dead?'
From under the blanket he replied: âMy mother's dead.'
âWhat are you talking about? She's alive. I saw her myself, on television â¦'
âNo she isn't, she's dead.'
I put my hand on my heart. âI swear to you on the head of my sister Maria that she's alive. I saw her last night, she was on television. She was well. She's blonde. She's thin. She's a bit old ⦠She's beautiful, though. She was sitting on a high, brown armchair. A big one. Like the ones kings have. And behind it there was a picture of a ship. Isn't that right?'
âYes. The picture of the ship â¦' He spoke quietly, the words were muffled by the cloth.
âAnd you've got an electric train. With an engine and a funnel. I saw it.'
âI haven't got that any more. It got broken. Nanny threw it away.'
âNanny? Who's nanny?'
âLiliana. She's dead too. And Peppino's dead. And papa's dead. And grandmother Arianna's dead. And my brother's dead. They're all dead. They're all dead and they live in holes like this one. And I'm in one too. Everybody. The world's a place full of holes with dead people in them. And the moon's a ball all full of holes too and inside them there are other dead people.'
âNo it isn't.' I put my hand on his back. âThere aren't any holes on it. The moon's normal. And your mother's not dead. I saw her. You must listen to me.'
He was silent for a while, then he asked me: âWhy doesn't she come here, then?'
I shook my head. âI don't know.'
âWhy doesn't she come and fetch me?'
âI don't know.'
âAnd why am I here?'
âI don't know.' Then I said, so quietly that he couldn't hear me. âMy father put you here.'
He gave me a kick. âYou don't know anything. Leave me alone. You're not the guardian angel. You're bad. Go away.' And he started crying.
I didn't know what to do. âI'm not bad. It's nothing to do with me. Don't cry, please.'
He kept kicking. âGo away. Go away.'
âListen to me â¦'
âGo away!'
I sprang to my feet. âI came out here for your sake, I rode
all that way, twice, and you kick me out. All right, I'll go, but if I go I'm not coming back. Ever again. You'll stay here, on your own, for ever and they'll cut both your ears off.' I seized the rope and started to climb back up. I heard him crying. He sounded as if he was suffocating.
I got out of the hole and said to him: âAnd I'm not your guardian angel!'
âWait â¦'
âWhat do you want?'
âStay â¦'
âNo. You told me to go away and now I'm going.'
âPlease. Stay with me.'
âNo!'
âPlease. Just for five minutes.'
âAll right. Five minutes. But if you act crazy I'm going.'
âI won't.'
I went down. He touched my foot.
âWhy don't you come out of that blanket?' I asked him and crouched down beside him.
âI can't, I'm blind â¦'
âWhat do you mean you're blind?'
âMy eyes won't open. I want to open them but they stay closed. In the dark I can see. In the dark I'm not blind.' He hesitated. âDo you know something, they told me you'd come back.'
âWho did?'
âThe little wash-bears.'
âStop going on about little wash-bears! Papa told me they don't exist. Are you thirsty?'
âYes.'
I opened my bag and got out the bottle. âHere you are.'
âCome here.' He lifted the blanket.
I made a face. âUnder there?' The idea rather gave me the
creeps. But at least I would be able to see if he still had both his ears in place.