In the Company of Cheerful Ladies (11 page)

The dancing class was to be held in a room at the back of the hotel, a room which was used for business lunches and cheaper private parties. As Mma Makutsi made her way along the corridor, she heard the sound of an amplified guitar and drums. This was the band which had been promised in the advertisement, and it was a sound which filled her with a feeling of anticipation. And there were voices too, the sound of people talking amongst themselves;

there were going to be a lot of people there, it seemed.

At the entrance to the room there was a small table at which a comfortable-looking woman in a red sequinned dress was seated. She smiled at Mma Makutsi and pointed to a small printed notice which gave the cost of the class. It was forty pula, which was not cheap, but then this was a proper dancing class, thought Mma

8 6

Makutsi, with a real two-piece band and a room in the President Hotel. She reached into her purse, took out the money, and paid.

“Are you experienced, or are you a beginner?” asked the woman.

Mma Makutsi thought about this. She had danced before, of course, but then so had just about everybody. From the point of view of this woman, with her sequinned dress, though, Mma Makutsi must be very much a novice.

“I have done some dancing,” said Mma Makutsi. “Like everybody else. But not very much.”

“Beginner,” said the woman.

“I suppose so,” said Mma Makutsi.

“Yes,” said the woman. “If you have not been to a dance academy

before, then you are a beginner. But you need not be ashamed. Everybody has to begin somewhere.”

The woman smiled at her encouragingly and pointed at the doorway. “Go in. We shall be starting very soon,” she said. “Mr Fanope is in the bar, but will come very soon. He is a very famous dancer, you know. Johannesburg. Nairobi. He has danced in all these places.”

Mma Makutsi went in. It was a large room, the centre of which had been cleared and the carpet taken up. Chairs had been placed around the sides, and at the far end, on a small platform,

the two musicians, the drummer and the guitarist, were perched on stools. The guitarist was fiddling with a lead to his instrument, while the drummer, a thin man wearing a silver-coloured waistcoat, was staring up at the ceiling, tapping his drumsticks against his knee.

Most of the chairs were occupied, and for a moment Mma Makutsi felt awkward as the eyes of those already there fell upon her. She felt that she was being appraised, and she searched quickly for any face that she knew, for any person whom she

8 7

could approach and greet. But there was nobody, and under the gaze of the sixty or so people present, she crossed the floor to take a seat on one of the few chairs which were still free. Glancing around, she saw, to her relief, that she was dressed in much the same way as the other women, but none, she saw, was wearing glasses. For a moment she thought about taking hers off and putting

them away, but the difficulty with doing that was that she really needed them and without them she would not be able to make out what was happening.

A few minutes later Mr Fanope entered the room, followed by the woman in the red sequinned dress. He was a rather small, dapper man, wearing a white evening jacket and a bow tie. Mma Makutsi noticed that he was wearing black patent leather shoes. She had not seen a man in patent leather footwear before and she thought them most becoming. Would Mr J.L.B. Matekoni wear such shoes, she wondered? It was difficult to see him in shoes like that at the garage—the oil would spoil them so quickly—but she could hardly imagine him in shoes like that even in other circumstances.

This was definitely not his world, nor the world of Mma Ramotswe, when one came to think about it. Would Mma Ramotswe be a good dancer? Traditionally built women could be rather good at dancing, thought Mma Makutsi, as they have the right bearing, at least for some dances. The tango would hardly suit somebody of Mma Ramotswe’s build, but she could certainly imagine her doing a waltz, perhaps, or a sedate jive. Traditional dancing presented no problems, of course, because the whole point about traditional dancing was that everybody could join in. A few weeks previously they had been at the orphan farm for Mma Potokwane’s birthday party, and the children’s traditional dancing group had performed in the matron’s honour, with all the housemothers joining in. Some of them were of a very traditional build—from all that sampling of the good food they cooked for

8 8

the children—and they had looked very dignified as they had joined in the line of shuffling, singing dancers. But all of that was a long way away from the world of Mr Fanope and his President Hotel dance academy.

“Now then, bomma and borra,” said Mr Fanope into the microphone. “Welcome to the first class of the Academy of Dance and Movement. You have made a very good choice coming here tonight because this is the number-one place to learn ballroom

dancing in Botswana. And I am the best teacher for you people. I will make dancers out of all of you, even if you have never danced before. Everybody here has a dancer inside, and I will let that dancer out. That is what I will do.”

Somebody clapped at this point, and a number of others followed suit. Mr Fanope acknowledged the applause with a small bow.

“We are going to start this evening with a simple dance. This is a dance that anybody can do, and it is called the quickstep. It goes slow, slow, quick; slow, slow, quick, quick. It is very simple, and Mma Betty and I are going to show you how to do it.”

He nodded to the musicians. As they began to play, he moved away from the microphone and turned to the woman in the red sequinned dress. Mma Makutsi watched in fascination as they danced across the floor. They were both extraordinarily light on their feet, and they both moved in such perfect harmony, as if they were one body, moving on strings pulled by a single hand.

“Watch what we do,” shouted Mr Fanope, above the music. “Watch us now. Slow, slow, quick, quick.”

After a few minutes, he disengaged from Mma Betty and the band stopped playing.

“Choose your partners,” he shouted. “Men, you get up and ask the ladies. If anybody is left over, Mma Betty and I will

8 9

take it in turns to be your partner. Mma Betty will dance with men, and I shall dance with the ladies. Men, get up and choose a lady.”

At this signal, the men rose to their feet and crossed the floor or turned to a lady sitting nearby. There was a sudden flurry of activity, and Mma Makutsi caught her breath in the excitement of it all. A man was coming towards her, a tall man with a moustache and a blue shirt. She looked down at her shoes. He would be a good man to dance with, a man who would lead his partner confidently.

But he did not ask her; he approached the woman sitting next to her, who rose up smiling and took his hand. Mma Makutsi waited. Everybody seemed to be finding a partner and moving onto the floor—everybody except her. She lowered her eyes. This was the humiliation she had feared; she should not have come. She would end up being danced with by Mr Fanope, out of charity,

and everybody would know that nobody had asked her. It’s my glasses, she told herself. It’s my glasses, and the fact that I am a plain girl. I am just a plain girl from Bobonong.

She looked up. A man was standing in front of her, bending down to speak to her. In the general hubbub of noise she could not make out exactly what he was saying, but he was clearly a man, and he was clearly asking her to dance.

Mma Makutsi smiled and stood up. “Thank you, Rra,” she said. “I am called Grace Makutsi.”

He nodded, and pointed back to the dance floor, and they made their way together into the thick of the crowd. Mma Makutsi took a surreptitious glance at her partner. He was slightly older than she was, she thought; not very good-looking, but with a kind face. And he walked in a slightly strange way, as if his shoes did not quite fit him.

“What is your name, Rra?” she asked, as they stood together amongst the other couples, waiting for the music to start.

9 0

The man stared at her. It seemed that it was an effort for him to speak.

“I am called Phuti Radiphuti,” he said. That is what he said, but it did not come out as directly as that. Called was c …c… c…called and Phuti was ph …ph… phuti.

It was a bad speech impediment, and Mma Makutsi’s heart sank. She was a kind woman, like Mma Ramotswe, but it was typical of her luck, she thought, that she should be the last to be picked and then to be chosen by a man who moved in an odd way and had a very pronounced stutter. But he was still a man, wasn’t he, and at least she was dancing with somebody and not sitting unhappily, unwanted. So she smiled encouragingly and asked him whether he had ever danced before.

Phuti Radiphuti opened his mouth to speak, and Mma Makutsi waited for his answer, but no words were formed. He bit his lip, and looked apologetic.

“Don’t worry, Rra,” said Mma Makutsi lightly. “We don’t have to talk now. We can talk a bit later, after we have danced. Don’t worry. It is my first time at a dance class too.”

Mr Fanope was now organising the couples and was signalling

the band to start.

“Take your partners,” he called out. “No, do not crush them, gentlemen. A good dancer holds his partner lightly. Like this. See?”

They began to dance, and it became straightaway apparent to Mma Makutsi that her partner had very little sense of rhythm. While she counted slow, slow, quick, quick, as they had been instructed to do by Mr Fanope, he seemed to be counting slow, slow, slow, quick, or even slow, slow, slow, slow. Whatever he was doing, it bore no relation to what Mma Makutsi herself was doing.

After a few minutes of uncoordinated shuffling, Mr Fanope came up to them and tapped Phuti Radiphuti on the shoulder.

9 1

“No, Rra,” he said, shaking a finger at him. “You are all over the place. This is not football. This is a quickstep. You go slow, slow, quick, quick, like this.”

Phuti Radiphuti looked ashamed.

“I am very so …so…sor…sorry,” he stuttered. “I am not a good dancer. I am sorry.”

“Let me do the counting,” said Mma Makutsi. “You just listen to me this time.”

They resumed the dance, with Mma Makutsi counting loudly and guiding Phuti Radiphuti in an attempt to bring their movements into unison. It was not easy; Phuti Radiphuti seemed inordinately clumsy, and no matter how clearly she counted he appeared to be following a quite different rhythm.

“It is important to move quickly after I count two,” shouted Mma Makutsi above a particularly loud passage of drumming. “That is why the dance is called the quickstep.”

Phuti Radiphuti nodded. He looked rather miserable now, as if he was regretting the decision to attend the lesson. Mma Makutsi, for her part, was sure that people were looking at them as they stumbled along. She had changed her mind about whether it would have been better to remain firmly seated, unapproached

by any man, than to be subjected to this awkward, bumbling performance. And there, only a few couples away, was somebody she recognised. She stole a glance and then looked away. Yes, it was her, one of the women from her year at the Botswana Secretarial College, one of those fun-loving glamorous girls who ended up getting barely fifty per cent, and there she was, dancing with a confident and attractive man. Mma Makutsi hardly dared look again, but was forced to do so when they found themselves getting closer and closer together.

“So!” shouted the glamorous girl. “So there you are! Grace Makutsi!”

9 2

Mma Makutsi affected surprise, smiling at the other girl. She noticed the eyes of the other move quickly to Phuti Radiphuti and then come back to rest on her, amused.

“Who is that?” stuttered Phuti Radiphuti. “Who…”

“She is just somebody I know,” said Mma Makutsi carelessly. “I have forgotten her name.”

“She is a very good dancer,” said Phuti Radiphuti, stumbling over each word.

“Dancing is not the only thing,” said Mma Makutsi quickly. “There are other things, you know.”

THE DANCE CLASS lasted for almost two hours. There were further

exhibitions of the quickstep, performed with shimmering fluidity by Mr Fanope and Mma Betty, and then demonstrations of the waltz, which they were then all invited to attempt. Mma Makutsi,

who had detached herself from Phuti Radiphuti while the demonstration was being performed, was hoping that somebody

else would come and ask her to dance, but was quickly sought out by Phuti Radiphuti, who guided her clumsily back onto the floor.

At the end of the evening, he thanked her and offered to drive her home.

“I have a car outside,” he said. “I can take you.”

She hesitated. She felt sorry for this man, who seemed harmless

enough, but this was not what she had hoped for, nor anticipated,

for the evening. She had seen at least four men who looked attractive and interesting, but they had not looked at her, not for so much as an instant. Instead it had been her luck to have the attention of this poor man, decent though he was, with his terrible stutter and his awful clumsiness. So she should say no to his offer, so as not to encourage him, and wait for a minibus, or

9 3

even walk home. It would take her no more than thirty minutes, and it was perfectly safe at this hour of night.

She looked at him, and noticed that there were dark patches in the armpits of his shirt. We are all human, all creatures of water and salt, all human. And she thought for a moment of her brother, her poor brother Richard, whom she had loved and looked after, and who had suffered from those dreadful fevers that bathed him in sweat at night. She could not hurt this man; she could not say to him, no, I cannot accept your kindness.

She agreed, and they left the room together. At the doorway, Mr Fanope smiled at them and said that he looked forward to seeing them the following Friday.

“You make a very good couple,” he said. “You are coming on nicely. You are a good dancer, Mma, and you, Rra, I think you will be good in the future.”

Mma Makutsi’s heart sank. If she had feared that she might be landed with this man at every class, then this fear had just been confirmed.