It's Bigger Than Hip Hop: The Rise of the Post-Hip-Hop Generation (34 page)

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_____.
To the Break of Dawn: A Freestyle on the Hip-Hop Aesthetic
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The Poetry of the Streets
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_____.
Holler If You Hear Me: Searching for Tupac Shakur
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Hinds, Selwyn Seyfu.
Gunshots in My Cook-Up: Bits and Bites from a Hip-Hop Caribbean Life
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hooks, bell.
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_____. We Real Cool: Black Men and Masculinity
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_____.
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Phat Beats, Dope Rhymes: Hip Hop Down Under Comin’ Upper
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Droppin’ Science: Critical Essays on Rap Music and Hip Hop Culture
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Noise and Spirit: The Religious and Spiritual Sensibilities of Rap Music
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Potter, Russell A.
Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism
. Albany, NY: State University of New York Press, 1995.

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New York Ricans from the Hip Hop Zone
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_____.
No More Prisons
. New York: Soft Skull Press, 2002.

 

500 Years Later
. Dir. Owen Alik Shahadah. Prod. M. K. Asante, Jr. Halaqah Media and Asante Filmworx, 2005.

The Agronomist
. Dir. Jonathan Demme. Prod. Jonathan Demme. Clinica Estetico and HBO, 2003.

Amandla! Revolution in Four Part Harmony
. Dir. Lee Hirsch. Prod. Johnathan Dorfman. ATO Pictures and Kwela Productions, 2002.

Bastards of the Party
. Dir. Cle Shaheed Sloan. Prod. Antoine Fuqua. Fuqua Films, 2005.

Battle of Algiers
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Black to Our Roots
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Brother Minister: The Assassination of Malcolm
X. Dirs. Jack Baxter and Jefri Aalmuhammed. Prod. Lewis Kesten. X-ceptional Productions, 1994.

Classified X
. Dir. Mark Daniels. Prod. Yves Jeanneau. Centre National de la Cinématographie, 1998.

Color Adjustment
. Dir. Marlon Riggs. Prod. Vivian Kleiman. Signigyin’ Works, 1992.

The Corporation
. Dir. Mark Achbar. Prod. Mark Achbar. Big Picture Media Corporation, 2003.

The Coup: The Best Coup DVD Ever
. Dir. Chris Wroubel. Prod. Chris Wroubel. MVD, 2005.

Daughters of the Dust
. Dir. Julie Dash. Prod. Julie Dash. American Playhouse, 1991.
Ethnic Notions
. Dir. Marlon Riggs. Prod. Marlon Riggs. KQED TV, 1986.

The Eyes of the Rainbow
. Dir. Gloria Rolando. Prod. Gloria Rolando, 1997.

Fahrenheit 9/11
. Dir. Michael Moore. Prod. Jim Czarnecki. Lions Gate Films, 2004.

Favela Rising
. Dirs. Jeff Zimbalist and Matt Mochary. Prod. RaviAnne. THINKFilm & HBO/Cinemax Documentary Films, 2005.

Fela Kuti—Music Is the Weapon
. Dir. Jean-Jacques Flori. UMVD, 1982.

The First Amendment Project: Poetic License
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