Jailbait (6 page)

Read Jailbait Online

Authors: Jack Kilborn

“Got it,” I whispered. “Eight-seventy-five north Michigan. What time?”

“You’ll have the money in a yellow shoulder bag. Wait there for—”

Static again. I wanted to smash the phone against the wall, but instead crept down five more stairs until his voice returned.

“—exactly three hours from now. If you go to the police, I’ll kill him.”

Less than fifteen vertical feet separated me from the police. I could smell the aftershave on one of them—Lagerfeld—and their body heat and movement had raised the stairwell temperature two or three degrees.

“Don’t hurt him again,” I said, low and firm.

Yelling, from my floor below. They’d discovered the bodies.

“Miller! Casey! Check the stairwell!”

Their footsteps tap-tap-tapped up the stairs, about to round the corner and see me.

“That’s up to you, babe.” Cory disconnected.

I dropped the phone and bolted, moving fast as I could, bouncing on the balls of my feet, ascending four flights in seven seconds, coming to the roof access door. I tried the knob. Locked, as expected, and no time to pick it. On the wall was a fire alarm. I pulled it, the siren filling the stairwell, then fired my Glock three times at the lock mechanism.

The door swung outward. I lunged through. My foot snagged a cable—something that hadn’t been there previously—and my body kept going. I pitched forward and threw out my hands, my gun skittering across the flat concrete rooftop just as a supersonic bullet parted my hair and dug a burning trail across my scalp; a shot that would have killed me a millisecond sooner.

I’d made a huge mistake. With everything going on, I’d forgotten about the sniper.

“Use all of your senses, all the time,” the Instructor said. “The brain is a parallel processor, but it dismisses most sensory input as redundant, irrelevant. You must teach your brain to stop ignoring what seems normal, obvious, or mundane. Hyper-awareness can often be the difference between a live operative and a dead operative.”

I tucked my arms into my chest and rolled sideways, coming to rest behind a metal chimney roughly the size and shape of a street corner mailbox. My Glock was ten feet away. Might as well have been a mile. The cable that saved my life snaked across the roof to a new satellite dish.

A bullet punched through the aluminum like a finger through soggy bread, making a hole only a few inches from my nose. I flattened myself against the tar paper, my cheek resting on dried pigeon droppings. Another shot, two seconds later, perforated the chimney five inches lower than the first, burying itself into the rooftop ten meters behind me. The wind whipped through my hair, but the short length kept it out of my face. These were Chicago winds, snaking around buildings, blowing eddies left, then up, then back.

“There’s a sniper up here!” I yelled, hoping it would make the police stay back.

My breath came fast, my heart pumping like a cardio workout, but my mind was focused and clear. The time between shots told me the sniper was using a bolt action rifle. Calculating the hypotenuse of the trajectory told me he was in the apartment building to the west, roughly one floor above me. He’d either been on the fire escape facing my apartment, or in one of the rooms. When the police arrived, he must have deduced my only way out was the roof, so he’d gone up as well. His building was seven stories taller than mine. The higher the sniper ascended, the better his angle, the easier his shot.

I needed to get off the roof.

Since the sniper was in motion, I assumed he hadn’t any time to secure his mount. That meant each time he fired, he’d have to load another bullet, which would cause an unmoored rifle to jiggle a bit. On a telescopic lens, the slightest jiggle would force him to readjust after every shot. The high wind would make hitting a moving target even tougher.

“This is the Chicago Police Department! Put down your weapon and put your hands above your head!”

I glanced back at the doorway, saw the cops standing there like paper targets, and yelled, “There’s a sniper on the opposite building!”

They followed my voice, training their guns my way. I got up on my fingers and toes, hopped to get my feet under me, and sprinted east.

I registered my mistake immediately, when the tar paper around my feet erupted in weapon fire. The sniper had a fully automatic rifle, not a bolt action as I’d assumed. He was a pro, and he’d played me.

But he underestimated how fast I could move, and where I would go. I didn’t bother zig-zagging or back-tracking, which were standard sniper counter-measures. I beelined for the roof’s edge, feet slapping hard for maximum traction.

Ready or not…

Stretching out my hands, I dove off the side of the building.

I soared through the air, bullets cracking the sound barrier all around me. Heights weren’t my strongest suit, and as I caught a glimpse of the street ten stories below—the cars and trees and people looking like toys—every part of me wanted to scream.

Use the adrenaline. Use the adrenaline.

Arms open and reaching, I waited for the fire escape I prayed was still there, the fire escape I hadn’t checked since my long-ago roof reconnaissance when I first moved into the apartment.

My memory was a bit off.

The fire escape was still on the side of the building, but my angle was wrong by about a foot. The railing blurred as I passed over it and out into open sky.

Shit shit shit.

I adjusted, bending into a pike, reaching back around. My elbow hooked onto the iron railing, jerking me backward. I felt sharp pain and heard a
POP
—my shoulder had dislocated or broken. I clung to the side of the fire escape, my feet dangling above the alley two hundred feet below.

Pain ripped through my arm and down my side. No time to dwell on it now. I had precious few seconds to get my footing and get down to the ground level before the various people after me figured out where to look. I’d have to file the pain away, deal with it later. I reached up with my good hand, did a one-armed pull-up to disengage my elbow, and sought out the rusty iron grating with my toes. Then I flipped myself over the railing and scurried to the first ladder, trying to process my situation.

The sniper would be vacating. He’d seen the cops and given away his position. I had a whole building between him and me, so he was off my worry list for the moment. The cops were another story. The ones on the roof would take cover, radio for back up. Any units on the ground would be moving into position beneath me.

The breeze was considerable. I had to use my injured arm just to make sure I didn’t blow off the ladder. My muscles screamed at me for relief, but I made them work anyway, pushing my way down the first three floors fast as I could. I chanced a look down, my mind swirling, vertigo tugging at me. A quick flash of memory invaded my brain, a training exercise where the Instructor had made me climb a forty foot high pole and traverse a rope leading to another pole. The height had paralyzed me until he’d drawn his sidearm and shot at me to force me to do it.

God damn heights.

I swallowed the dizziness and pressed onward. The scent of garbage drifted up from the alley, malted barley from a nearby brewpub, and now there were sirens in the distance, approaching fast.

I descended another ladder—only five more to go. The metal on the fire escape was old and sharpened by years of bad weather. My feet were starting to numb from the cold, but I could still feel the scrapes on the soles of my feet. I took a quick look. Some blood, but not enough to make me slip. I kept going.

The sirens had almost reached my building. The garbage stench grew stronger. I glanced down. The ground was about forty feet below, this part of the alley still clear of police vehicles. Roosting pigeons flapped into the air to my right, cooing their objections. My heart rate shot up at the surprise, and I lost precious seconds prying my fingers off the ladder to continue the descent.

With two floors left to go, a police truck pulled around the corner. A Chevy, white with blue trim, shaped like an ambulance. It moved slowly down the alley. I could see the driver through the windshield, which meant he could see me.

There were still twenty feet between my feet and the asphalt, a fatal distance, but the truck was at least eight feet high. A twelve foot drop was dangerous but survivable. Dropping onto a moving truck would be tough. The high wind made the odds worse. My stomach clenched, fear and adrenalin, and I wondered if I’d be able to force myself to act.

Just do it.

I launched myself off the fire escape, calculating as I fell. Ankles pressed tight together, knees slightly bent, I figured I had a forty percent chance of surviving when I hit the truck’s roof.

JA Konrath and Ann Voss Peterson

Wild Night is Calling

JA Konrath’s Works Available on Nook

Whiskey Sour

Bloody Mary

Rusty Nail

Fuzzy Navel

Cherry Bomb

Afraid

Origin

Disturb

Shot of Tequila

Jack Daniels Stories (Collected Stories)

Crime Stories (Collected Stories)

Horror Stories (Collected Stories)

Truck Stop

Suckers by JA Konrath and Jeff Strand

SERIAL UNCUT by Blake Crouch and Jack Kilborn

Floaters by JA Konrath and Henry Perez

Endurance

Trapped

Banana Hammock

Ann Voss Peterson’s Works Available on Nook

Wyoming Manhunt

Christmas Awakening

Priceless Newborn Prince

Rocky Mountain Fugitive

A Rancher’s Brand of Justice

A Cop in Her Stocking

Seized by the Sheik

Copyright © 2011 Joe Konrath & Ann Voss Peterson

Flee excerpt © 2011 Joe Konrath & Ann Voss Peterson

Cover art copyright by © Carl Graves

This book is a work of fiction. Names, characters, places and incidents are either products of the authors’ imagination or used fictitiously. Any resemblance to actual events, locales, or persons, living, dead, or undead, is entirely coincidental. All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, without permission in writing from Joe Konrath & Ann Voss Peterson.

The formatting and interior design of this ebook was done by Rob Siders at
http://www.52Novels.com
. The cover art was done by Carl Graves at
http://extendedimagery.blogspot.com
.

Edition: March 2011

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