Authors: Mazo de la Roche
Tags: #FIC045000 – FICTION / Sagas
He looked unbelieving, sure of the endurance of his love. She kissed him on each cheek and he got into the trap beside Hodge.
“Goodbye, Gran, goodbye!” He waved his hand to her and to Mary and Eden, whose faces were at the window. He heard Eden’s shrill voice calling to him. He saw Peep’s bright form flashing to and fro. The trap bowled along the drive, its wheels and the well-groomed flanks of the bays glimmering behind the evergreens.
Adeline stood looking after them, leaning on her stick. A fine boy, bone of her bone, a perfect Court! Strange it would be now, women alone in the house together, no man about. Strange to think winter was coming on … no man about … strange how quickly the summer had passed … like a dream … now the cold weather was coming on … a long, long spell of it.
A chill sunlight flickered out between the indigo clouds and fell on her, on the frozen grass and bare trees. “Those clouds mean snow,” she said aloud, looking up at them. A poem of Moore’s she had used to like, but had not thought of for years, came into her mind. She stood, leaning on her stick, looking straight ahead of her, and began to repeat it: —
“I saw from the beach, when the morning was shining,
A bark o’er the waters move gloriously on;
I came when the sun o’er that beach was declining.
The bark was still there, but the waters were gone.”
She trudged along the drive to the small wooden gate and laid her hand on it almost caressingly. She had always liked this gate. Her husband and she had often stood at it together. But how cold the wood was to her hand! Still, it was more sheltered here. With an almost rapt look in her eyes she repeated the next verse: —
“And such is the fate of our life’s early promise,
So passing the spring-tide of joy we have known;
Each wave, that we dance on at morning, ebbs from us,
And leaves us, at eve, on the bleak shore alone.”
“A good poem,” she thought. “My Philip used to like to hear me say it. Queer how I can remember every word of it this morning. I feel very clear-headed and strong this morning.” She turned, facing the wind, and marched back toward the porch.
The cloud had indeed held snow. Now it came, hard and white, dancing on the wind, stinging her cheeks. The air was full of it. Its falling did not ease the bite of the wind as it sometimes does, but made it all the more bitter. She had to put her head down and struggle against it. It filled her cape, so that her body looked huge, and smote her sides. She was out of breath when she gained the porch. But she was proud of herself. She said, aloud: —
“Not many women care to be out on a morning like this — let alone a woman of my age!”
She stood in the shelter of the porch gazing out at the snowstorm. Some flakes hung in her shaggy eyebrows, her shoulders were white with them. She smiled a little, a smile in which there was poignant regret, but no bitterness. Still out of breath, and in a much lower tone, she continued the poem: —
“Ne’er tell me of glories serenely adorning
The close of our day, the calm eve of our night: —”
Her memory failed her. She groped in her mind for the next words, while the wind, veering vindictively as though in quest of her, rushed in on her where she stood, scattering the dead leaves and carrying its weight of whiteness. She faced it, as though at bay, and the next lines returned to her. But she said them haltingly: —
“Give me back, give me back the wild freshness of Morning,
Her clouds and her tears are worth Evening’s best light.”
A gleam of sunlight flickered into the porch. She gave a triumphant nod of her head, but she realized that she was bitterly cold. She put her hand on the door knob and turned it. The wind, as though coming to her aid, pressed its savage weight upon the door and threw it open, pressed her into the hall.
Try as she would she could not shut the door behind her. The terrier came snuffling from the hot stove and stood beside her. She rapped peremptorily with her stick.
“Eliza! Eliza!” she called. “Come and shut the door!”
Eliza hastened to her aid, crisp in her clean print dress. Her strong bony arms mastered the wind. The door shut with a bang.
The warmth in the hall felt delicious. Adeline gave a proud grin at Eliza.
“I’ve had a walk, Eliza,” she said. “A walk in that wind. Not many women — of my age — would do that, eh?”
“No, indeed, ma’am! It hardly seems safe.”
Adeline took off her lace cap and shook the snow from it. “Don’t worry, Eliza,” she said. “I’m not going to do it again. I’m stuck here in the warmth — for the winter — ha!”
THE END
Copyright © 2009 The Estate of Mazo de la Roche and Dundurn Press Limited
First published in Canada by Macmillan Company of Canada in 1935.
This 2009 edition of
Young Renny
is published in a new trade paperback format.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise (except for brief passages for purposes of review) without the prior permission of Dundurn Press. Permission to photocopy should be requested from Access Copyright.
Project Editor: Michael Carroll
Copy Editors: Kelvin Kong and Jason Karp
Design: Jennifer Scott
Epub Design: Carmen Giraudy
Cataloguing and Publication Information Available from Library and Archives Canada
De la Roche, Mazo, 1879-1961
Morning at Jalna / Mazo de la Roche.
We acknowledge the support of the
Canada Council for the Arts
and the
Ontario Arts Council
for our publishing program. We also acknowledge the financial support of the
Government of Canada
through the
Canada Book Fund
and
Livres Canada Books
, and the
Government of Ontario
through the
Ontario Book Publishing Tax Credit
and the
Ontario Media Development Corporation
.
Care has been taken to trace the ownership of copyright material used in this book. The author and the publisher welcome any information enabling them to rectify any references or credits in subsequent editions.
J. Kirk Howard, President
www.dundurn.com
In Order of Year of Publication
Jalna, 1927
Whiteoaks of Jalna, 1929
Finch’s Fortune, 1931
The Master of Jalna, 1933
Young Renny, 1935
Whiteoak Harvest, 1936
Whiteoak Heritage, 1940
Wakefield’s Course, 1941
The Building of Jalna, 1944
Return to Jalna, 1946
Mary Wakefield, 1949
Renny’s Daughter, 1951
The Whiteoak Brothers, 1953
Variable Winds at Jalna, 1954
Centenary at Jalna, 1958
Morning at Jalna, 1960
In Order of Year Story Begins
The Building of Jalna, 1853
Morning at Jalna, 1863
Mary Wakefield, 1894
Young Renny, 1906
Whiteoak Heritage, 1918
The Whiteoak Brothers, 1923
Jalna, 1924
Whiteoaks of Jalna, 1926
Finch’s Fortune, 1929
The Master of Jalna, 1931
Whiteoak Harvest, 1934
Wakefield’s Course, 1939
Return to Jalna, 1943
Renny’s Daughter, 1948
Variable Winds at Jalna, 1950
Centenary at Jalna, 1953
From
Mazo de la Roche: Rich and Famous Writer
by Heather Kirk