Flick, catch.
Flick, catch.
When the train arrived at the station three minutes later, he pocketed the coin and limped to the edge of the platform. A set of doors stopped immediately in front of him. He pressed the door-release button and awkwardly climbed inside.
There were only three people in the carriage. An old woman with blue-rinsed hair and a young couple necking three seats along. Hardly surprising, he told himself, that people were edgy about train travel just now. He took a seat at the opposite end of the carriage and stared out of the window as the train slid away.
‘Tickets, please . . .’
The voice of the ticket inspector as he entered the carriage snapped him out of his reverie. The gunman removed a wallet from his pocket and opened it up. It was almost empty. There was nothing in there that could identify him: no credit cards, no ID. Just some cash, the return ticket and a cutting from a newspaper. He had read it a hundred times already over the past few days, but as he waited for the ticket inspector to approach, he read it again now.
There were four photographs at the top of the article. Below the pictures was a headline: ‘scotland yard still unable to identify two of four cathedral victims’. And beneath that, an increasingly breathless, and regurgitated, account of the shootings in St Paul’s. He couldn’t help staring at the images. One of them was of good quality and showed the smiling face of a young priest; the second was of an old lady. The remaining two were less distinct, clearly stills from a CCTV image. They showed a woman in her late thirties with a hunted expression; and a young boy with tousled hair.
‘World’s gone mad, if you ask me.’
The gunman looked up and as he did so the hood fell back from over his eyes. He scrambled to cover his head again, but by then it was too late. The ticket inspector’s eyes had moved from the clipping to his face and they widened at the sight of him. At the sight of the patches of his head where the hair had burned away and the skin was scorched and withered; at his face, with its vicious scar down the side and the area of damaged flesh that stuck to his skull like cling film; at his neck, the state of which hinted that the burn marks were not limited to his head, but continued down the rest of his body.
The ticket inspector blinked, then coughed with embarrassment as he tried not to stare. ‘Ticket, please,’ he repeated.
The gunman bowed his head and wordlessly handed his ticket over. The ticket inspector clipped it, returned it to its owner and moved swiftly on to the next carriage.
Chris Ryan was born near Newcastle in 1961. He joined the SAS in 1984. During his ten years there he was involved in overt and covert operations and was also sniper team commander of the anti-terrorist team. During the Gulf War, Chris Ryan was the only member of an eight-man unit to escape from Iraq, where three colleagues were killed and four captured. It was the longest escape and evasion in the history of the SAS. For this he was awarded the Military Medal. For his last two years he selected and trained potential recruits for the SAS.
He wrote about his experiences in the bestseller
The One That Got Away
, which was adapted for the screen, and since then has written three other works of non-fiction, fifteen bestselling novels and a series of children’s books. He has also created a number one bestselling series of ebooks,
Chris Ryan Extreme
. He lectures in business motivation and security, and is a consultant for a security organisation.