So I hoisted up a leg of my shorts, quick, maybe half a second's worth, but she said, 'Again,' like she was in charge. She looked, then she put her hand on it. She put her hand on it and felt, like she was feeling something she might want to buy, a tomato or something, like it was something her dad sold. Don't Squeeze Me Till I'm Yours.
So I hit her.
She was the only girl I hit. She must have known she was special. But the boys I hit unselective. I hit Terry Spencer. I hit Dave Croft. So the headmaster hauls me in for a talking-to. He was called Mr Snow and he used to breathe heavy and slow through his nose whenever he was angry, so we called him Snorter. I suppose it wasn't so simple for him, if he knew that I knew what I knew. Which I think he did. He said, Could I tell him the meaning of the word 'bully'? When you're that age there's a whole lot of things you can't find no words for, but what I said to him, one way or another, after he'd snorted a bit, was could he tell me the meaning of the word 'orphan'?
And I'd say that was a good answer, I'd say that was one of the best answers I ever give.
So he leans back in his chair and snorts and twiddles his pen. When I went in to see that surgeon I thought of Mr Snow. Life's a process of going before geezers who want to see you crawl.
He says, 'What do you want to be, Vince? What are you going to be?'
I think, That's a daft question because I'm something already. He looks at me, twiddling his pen. But the point is I aint even sure what I am in the first place. So I don't say nothing but I ruffle up and he can see it. There's playground noises coming from outside. I'd like to be Gary Cooper but I can't. I'd like to be all kinds of people, I'd even like to be Mr Snow putting some other poor kid on the mat, but I can't because I'm me. I think, This is what it must be like for June. There are all these people around her who aren't like June, because she's different, and if June thinks at all then she must think, I don't want to be like me, I want to be like them but I can't I can't I can't.
But maybe June doesn't think at all, she aint got a thought in her head, and supposing what you want to be is not like anything. Supposing what you want to be is a drive-shaft.
They said a flying-bomb killed them all so I was lucky.
He says, 'What I mean is, what do you want to do? He smiles, like he don't mean no harm really. "What job do you want to do?'
And I see them all hanging up before me, like clothes on a rack, all the jobs, tinker, tailor, soldier, and you have to pick one and then you have to pretend for the rest of your life that that's what you are. So they aint no different really from accidents of birth. I didn't know that phrase then but I learnt it later. It's a good phrase.
I think, He wants me to say 'butcher' but I aint going to say it. I aint going to say 'butcher'.
I said to Amy, 'Take me to see her, take me to see June.' I did something he never did, even if it was only once. Vin-cey's got a sister, face like a blister. And it was Amy who told me that he never wanted to tell me, never at all. Though how he thought he could keep me fooled beats me. It was Amy who told me that June was an accident, an accident of birth. She didn't mean the way June turned out, she meant that they'd never meant to have her.
So June was their accident and I was their choice, tinker, tailor.
He says, 'Well, how do you see yourself?'
He looks at me, knowing I've only got one answer. The whistle goes outside for play to end and the room goes quiet as cotton wool, except for his breathing. It was times like this I'd think, If they can see me, they must be watching me now.
No one ever kissed her, no one ever missed her.
I don't say nothing, and maybe he knows what I'd like to do is hit him.
Then I say, 'What I'd like to do, sir, what I'd like to be, is a hop-picker.'
Ray
It was Amy's voice but what I heard just for a moment, was Carol's.
She said, 'There's nothing they can do, Ray'll heard the bravery in her voice, just like Carol's.
She said he hadn't come round proper from the op yet and Strickland wasn't going to spell it out to him till he had. But he'd spelled it out to her, and to Vince, loud and clear. Nothing doing. Opened him up just to sew him back together again. Then, while she was there by his bed afterwards, he'd come round anyway just for a bit and she hadn't said nothing and he hadn't asked but he'd looked at her and all he'd said was, 'I want to see Lucky.'
I said, 'So do you think he knows?' And what I meant was: do you think he knows it's all over? But I thought, and maybe Amy was thinking it too, how you could take it another way, and maybe that's why he wanted to see me, because why do people get called to bedsides? I'd been going in to see him anyway, most days, but now he was asking: I want to see Lucky. What you never know won't hurt, but it's different when someone's dying, because it's not like you can say least said soonest mended, because there aint going to be no soonest or latest and you won't ever get the chance again to tell or not tell nothing.
Maybe that's what she was thinking too because she went all silent and choked.
So I said, 'You don't think he thinks that because I'm called Lucky—?'
Make a fool comment.
Then she started crying. I could hear the noise of people in corridors.
I said, 'Do you want - someone with you?'
She said, 'It's all right. I'm with Vince and Mandy, They'll stay the night.'
I said, 'I'll be there first thing tomorrow. Soon as they let in visitors.'
Then she said, 'Goodbye Ray,' as if she was setting out on some long journey, as if I might not see her again, not the same Amy. But it was Jack who was leaving, not Amy, and that's when her voice went like Carol's.
7 mean it, Ray, I'm not coming back. You listening to me? I'm not coming back'
She couldn't tell me to my face.
I pressed the receiver to my ear as if I couldn't hear properly and I remembered when Sue first called from Sydney and I hunched right up to the phone as if you had to do that when someone was speaking from the other side of the world, but Sue had sounded like she was just round the corner. I said, 'You sound like you're just round the corner, sweetheart.' And now Carol was sounding like she was the other side of the world, but I knew where she was phoning from.
Not Sydney, Sydenham.
7 couldn't tell you to your face but I'm telling you now'
But I could see her face, I could see it down the phone, trying to say her last words to me. I can still see it.
Tm with him, Ray. I'm with him now and I'm not coming back. Goodbye Ray.'
I didn't say, 'Goodbye Carol.' Goodbye Mrs Johnson. I didn't give her that satisfaction, or me that shame. That was all, my one cheap come-back, I never said goodbye. I put down the receiver. I sat in the silence, with the evening coming on outside. I thought, I won't go to the Coach, I can't go to the Coach. I couldn't imagine her with another man, even when I knew she had one. Barry Stokes. As daft as imagining me with— But if she had to have another man she might at least have found some rich ponce, or some flash ponce, or some handy-between-the-sheets ponce, if that was it. Instead of the sub-manager at the domestic-appliance centre where she worked part-time.
If I'd been another man I wouldn't have just sat there with it getting dark, but not bothering to put the lights on, as if, if I sat very still, I might fade away altogether. Another man would've kicked in a cupboard or two or swept every knick-knack off the mantelpiece with one swing of his arm. Another man would've put on his coat and gone straight round to where she was and bust open the door if needs be, then bust open his face.
But I aint another man, I'm a little bloke.
I thought, First my daughter buggers off to Sydney and stops writing, now my wife goes and bunks it. And they call me Lucky.
I thought, It don't help you much, having been at the battle of El Alamein.
Another man wouldVe acted different. But what I did was to sit there in the dark, not moving, not budging, till I wasn't sitting there any more, I was curled up with all my clothes still on and it was six in the morning. Then I got up and washed and shaved and changed my clothes and put two slices of toast under the grill and made tea like I wasn't thinking of anything. I washed up what was in the sink. I checked what was in my wallet and put some things in a bag. Then I went round to the yard, where the old stable had been turned by Charlie Dixon into a lock-up. I bought a Sporting Life on the way and twenty Player's and thought, I'm alive on this Wednesday morning. It was late April. I backed out the camper and wiped the dust off the windscreen with the engine still running. I looked at the tyres and thought of opening the engine compartment, but what was there to fuss over when the thing had hardly been driven? I checked all was okay in the back: the gas burners and cylinder, water carrier, the standby box with the kettle and mugs and tea-towel and stuff. Guide to Places of Interest in England and Wales. I drove out through the gates, stopped, got out and closed the gates, CHAS. DIXON, SITES CLEARED, and did the bolts and the padlock. It was a bright, clear morning. Then I jumped back in and drove to Newmarket.
Vince
And passion wagons.
If you want to get your oats, get a car.
I said, 'Hop in, Mand.'
I used to drive her out along the old A20, or the Sevenoaks road or where we're driving right now. Turn off somewhere before Rochester. Badger's Mount, Shoreham Valley, Brands Hatch, all that part of Kent. But I never took her further - down Memory Lane. I could've stopped, just like Jack did, and said, This is where. But it didn't need no mystery tours, because I told her straight out anyway, the time we first had it off in the back of Ray's camper, the whole story, the complete Jack and Amy set-up. June an' all.
She said, 'So Jack and Amy took you in, just like me. They were good to you like they were good to me.' Like she was speaking up on their behalf.
I said, 'I never asked 'em no favours.'
But we were two of a kind, all the same, Mandy and me.
You'd hit the country sooner, them days, driving out, and the traffic wasn't so thick, so it served two purposes. I could test my handiwork on the latest motor, I could see if it didn't go a lot better for having been given a going-over by me. Then we could test our handiwork on each other. In them early days we saw a fair range of back seats.
It's true we could've got out and walked and spread a rug down somewhere on some cosy patch of grass and done it like the bunny rabbits. Sometimes we did. But the ground aint always dry and the air aint always warm and I suppose she cottoned on anyhow soon enough that I liked doing it in cars, I did. An old black cracked leather seat the best. I liked it cramped and squashed and hasty, as if that was how you really had to do it, seeing as you had nowhere proper to do it, and I reckon that's how she liked it too, because it didn't take much coaxing, a look, a nod, and there she'd be with her legs round my neck. I said, 'You sure you aint done it in cars before?' and she said she never had no boyfriends in Blackburn with cars. I said, 'Boyfriends? What are they? You must have done it somewhere though.' She said, 'How d'you work that out?'
She'd sit on my cock, then she'd reach up to the roof of the camper, which was just about at the right height, and push.
I know it wasn't what she'd reckoned on, what she'd pictured, but people adapt quick, they adjust quick. They shove aside the pie-in-the-sky. I know she'd seen herself swinging away in Swinging London, wherever that was, or tooling around, making love not war with some long-haired tossers. Instead of which she gets scooped up off the streets, no questions asked, by Jack and Amy on her first night in town, as if she's run away from one mum and dad just to find another. And she aint so ungrateful, all things considered, she aint so disappointed. I said, They've done this before, you know, a long time ago. I said, spelling it out> 'It's because you're supposed to be the sister I aint got' Which is when she could've done another runner, smart, if she'd wanted, but she didn't.
Instead of what she'd reckoned on, she got me: Vince Dodds, son of a doodlebug, fresh back from the arsehole of Arabia. Lying under a motor most of the time, when he wasn't lying on top of her.
I said I ran away an' all. I ran away to the Army. Most people run away from the Army but I ran away to it. Because I wasn't going to be no butcher's boy, just for him. She said, lSo why did you come back?' I said it was different now, wasn't it? I had my own set-up now, thanks to Uncle Ray, and thanks to the Royal Electrical and Mechanicals. If Jack thought I was going to give up mucking around with motors and put on a white apron again, he had another think coming.
She said, 'If you hate him so much, why haven't you moved out?'
I said, 'I have, sweetheart, aint you noticed? It's you that's moved in.'
She said, (I meant permanent.'
I said I was biding my time. Step by step, little by little. First my business had to take off, then I'd get a place of my own.
She said, 'Your business?' I said, 'Yeh.'
She used to lick my tattoos, like she might lick 'em off. She said, 'When you get a place of your own, will there be room for me?'
I said, 'Might be, if you ask nice. This aint bad for now.' Came in handy, that camper.
Two of a kind, though we didn't look it. She was eighteen, I was twenty-three. I suppose I must have seemed to her at times like I belonged with some other bunch, some older bunch, like I was her bleeding uncle. She used to say now and then I ought to change, get with it, switch on. Roy Orbison had shot his bolt. I said I changed a long time ago, I switched right over, didn't I? Became a different person, didn't I? And 'with it'? Did she think I aint been around? I'd been on the hippie trail to Aden. Had she ever seen someone with their head sliced off? Well then.