Last Orders (21 page)

Canterbury Cathedral. I ask you. I should've kept my big trap shut.

Still, dose of holiness'll do us good, I suppose, the way things were going.

So glory be. Lift up your hearts for Lenny.

Well it makes you feel humble. It makes a man in my line of business feel humble to think of what they've got in here. Tombs, effigies, crypts, whole chapels. When all I do in the normal course of work is box 'em up and book 'em in for their twenty minutes at the crem.

He's got himself a guidebook, biggest, flashiest one he could find. Wonders of Canterbury Cathedral. Chose it like he chose that tie, I suppose. He stands, flicking through, as if he doesn't want to look at the cathedral, just the guidebook, giving us snippets, as if we can't make a move till we've had the lecture.

He says, 'Fourteen centuries. Fourteen centuries, think of that.' He says, 'They got kings and queens in here, they got saints.'

His coat's hiding most of the damage, but there's a smear of drying mud up his left trouser leg.

"They got cardinals.'

I look at Lenny and half wink and jerk my head just a little, as though I'm saying, 'Come on, let's go. Let Raysy suffer.'

And it's not a bad idea, considering, to get the two of them separated for a bit.

He says, They got nineteen archbishops. You know, if we'd thought, we could've taken him to Westminster Abbey an' all.'

Lenny and me shuffle off slyly, along the side-aisle, over the worn stones, as if we could be treading on tiptoe.

It makes you feel humbled. But it makes a man in my line feel relieved we don't all get to choose or we don't ask for much when we do. Canterbury Cathedral, please. I suppose we're doing our bit for fair dos for the deceased by bringing Jack in here, all thanks to Lenny. Levelling things off, like death's supposed to.

But then he didn't have his sights set so low, as I recall. 'Any lodgers?' he'd say. So I said, as if I was touting for custom, 'You ever thought what you'd want, Jack?' Half a wink. And he looks at me, face wrinkling, and says, 'Ooh, I don't know if you'd be up to it, Vie. I'm thinking big. I reckon nothing short of a pyramid.'

Amy said, 'Will you go in and see him?' and I said, 'Yeh, I'll go and see him.' She wasn't crying and her voice was clear and steady. She wasn't insisting or demanding. It was like she was asking a polite, considerate question, like a host to a guest. I even reckon she was holding her head a bit higher and her back a bit straighter, as if this was an important day, a very important day, and she had to see it got managed proper, like something special had happened to her and she wanted to share it.

She'd just come out. She'd just been to see him herself.

I said, 'Yeh, I want to see him.' Like I couldn't have said no, even if I'd wanted to. You don't refuse to see someone's prize possession.

She said, 'You go through the door and ask the man,' and I thought, She don't know it's happened yet.

So I went through the door and asked the man. He had a rumpled white jacket and a pale podgy face to go with it, and he looked at me like I shouldn't expect him to understand what a big deal it was for me, any more than he should expect me to understand how it wasn't for him.

It said 'Chapel of Rest'. He said, 'Mr Dodds?' and I wondered which one he meant. I said, 'That's me,' when maybe I should've said, 'That's him.' He said, 'Through there.'

There was this little room with a glass partition down the length of it and an opening at one end you could step through, otherwise you could just look. On the other side of the glass there was Jack, raised up on something and lying on his back, and I thought, That aint Jack, he aim real. I suppose I was right.

You could only see his head because they'd wrapped him up in something like a pale-pink curtain or a tablecloth, right up to his chin. It was covering what he was lying on an' all. Like Jack was just his head, it wasn't a body, there wasn't no dead body.

I went through the opening and stood beside him. It smelt cold. I thought, He don't know I'm here, he can't ever know Fm here. Unless. I thought, He aint Jack Dodds, no more than I'm Vince Dodds. Because nobody aint nobody. Because nobody aint more than just a body, than just their own body, which aint nobody.

Except you can't see his body under that tablecloth.

Then I just stood there looking at him and I felt myself going straight and tall, like I wasn't just standing there, I was holding myself proud and stiff, like Amy. I was standing to attention. Like the only proper thing to do was to go stiff and straight and still and stony just like Jack was, out of sympathy. Except upright.

And I thought, I should see him naked. Because we all are, aren't we? He's naked underneath, under the tablecloth. I should see his body. I should see his hands and his feet and his knees and his bleeding bollocks an' all. I should see Jack Dodds' body. Because this is Jack, Jack Dodds, but he don't look like Jack, he looks like the bleeding Pope. Because naked we come and naked we. But they've kitted him out so he looks like the Pope.

I say, 'It's all right, Vince, You go ahead.'

Because IVe sat down suddenly in one of the wooden seats in the side-aisle, clutching the bag, like some old geezer on a shopping trip who's run out of puff.

He looks down at me, holding the guidebook, and I can see Lenny and Vie at the far end of the aisle. I reckon they moved off pretty smart, like they knew me and Vincey might have business to discuss.

He says, 'You okay, Lucky?'

I say, 'Yeh, give me a mo.'

He flips shut the guidebook. 'Gabbing on a bit, was I?'

I say, 'No, it wasn't that.'

He looks at me.

There aim no hiding, if it's true what they say, least of all in a church. Because He's supposed to see everything, innermost thoughts. But I reckon if Vince can't tell, if he can't see my innermost, and if it was his thousand in the first place and he gave it to Jack in his dying days, on his death-bed, he's not going to ask for it back, not now. Like asking for the money back you've put in the collection box. He aint going to tell no one.

And Jack aint going to tell no one.

He looks at me. 'You sure?'

'Yeh, give us a mo. You go on.'

He looks at me. Then he looks round quickly at the pillars and the arches and the windows, then back at me as if he's twigged the situation. Except he aint twigged it all. And I'm saying to myself, Miserable sinner. That's what you're supposed to tell yourself, miserable sinner. You're supposed to sink down on your knees. But all I'd been thinking, suddenly, was that it's a far cry, all this around me, from what I'm carrying in my hand, all this glory-hallelujah, from Jack and his drips. What's a plastic jar up against this lot? What's the lick and spit of a human life against fourteen centuries? And it was the same as I thought at that crematorium, though I never told no one, that none of it had to do with him, none of it. The velvet curtains, the flowers, the amens, the music. I stood there, looking at the curtains, trying to make it have to do with him, and Vie says, touching my arm, 'You can go now, Ray.' Because nothing aint got to do with Jack, not even his own ashes. Because Jack's nothing.

So I had to sit down, sink down, like I'd been hit. Like Vincey'd taken a swing at me an' all.

He says, 'Okay, Raysy, fair enough. Take it easy.' I say, 'Here,' handing him the bag, looking at him, 'I'll catch you up,' and he takes the bag, looking at me. He half moves to slip the guidebook into it but thinks again. Then he walks off, slowly, along the side-aisle, along the row of pillars, in his camel-hair coat, mud on his trousers. Lenny and Vie have reached a spot where some stone steps go up and they stop there for a bit like they're wondering which way to go. Then Vince catches up with them. He taps Lenny on the shoulder and Lenny turns and Vince holds out the plastic bag and Lenny takes it.

1. It's not the wins, it's the value.

2. It's not the betting, it's the knowing when not to.

3. It's not the nags, it's the other punters.

4. Old horses don't do new tricks.

5. Always look at the ears, and keep your own twitched.

6. Never bet shorter than three to one.

7. Never bet more than five per cent of your kitty, except about five times in your life.

8. You can blow all the rules if you're Lucky.

He gives me the bag. He don't look at me, he looks at the guidebook. It's like the only reason he's given me the bag is so he can flick through the guidebook. But I can see it aint. He's studying that guidebook like it's got all the answers.

He says, 'They got the Black Prince in here somewhere.'

I say, 'Who's he when he's in?' Maybe they got Snow White an' all.

He says, 'I reckon we should find the Black Prince.'

I say, 'Whatever you say, Big Boy.'

So we shuffle on, down some steps and up some steps, past all these geezers made of stone, lying face up, flat out, out for the count.

I reckon he's sorry, that's what he is. I reckon he's trying to make amends. We've all got a bit of that to do if you look back over the years. Excluding Vie maybe. Clean hands, as always.

Seeing as there's three of us here involved, counting Raysy. And Sally's paid her price, if you can say she ever deserved to in the first place, being the innocent party, or at least the least guilty. Since I don't suppose it happened while she was looking the other way. It was Vincey's doing in the first place, but it was me who said, when she came right out with it and said she wanted to have the baby, 'No you don't, my girl.' My first fully weighed-up response as a father, words just shot from my gob. She said he'd come back and do right by her. I said, 'Don't talk bollocks, girl. What book've you been reading?' And she aint ever forgiven me since.

I reckon that's when it really happened, that's when we really parted company, though it wasn't till later, till she teamed up with that Tyson toe-rag, then started taking on all-comers, that I washed my hands altogether, did a Vie. Daughters, eh Raysy?

It was me who found the doc to do the job. O'Brien. And it was me who found the money to pay him. I need a winner, Raysy, I need some readies double quick. So Raysy was a party.

You just leave it all to me, girl, you just make yourself ready. Well, you should've thought of that. You just make yourself nice and ready.

And the fact is I never even spared a thought at the time for that poor little unborn perisher. Except it went through my head, like some sort of excuse, like some sort of cockeyed warning, that it might turn out like June, it might turn out to have been better not born. Settling up for your sins. So, either way, you end up short.

And the fact is that when you can remember, just a few years before, loading and firing, loading and firing, whacking it home and knowing that that's a few more of 'em blown to bits, and not thinking twice about it, even being glad, because it's them not you, less of them to do it to you and it's only what's asked of you, any case, what you're trained for, then what's one little unborn sod who aint ever going to see the light of day?

Gunner Tate.

And what they call a sin and a crime and against the law at one time aint at another, is it? Like if it'd been five years later, we could've solved that little problem, no fuss, all above board and legal. Different time, different rules. Like one moment we're fighting over a whole heap of desert, next we're pulling out of Aden snappy.

It's only now that I think what it might've been. It. He. She. A whole life. All these stony geezers. It might've been the next Archbishop of Canterbury. It might've been Kath, Kathy Dodds. Different mother, same result: Vincey's brat. Same old game now, it seems, for Kathy as for Sally anyhow. Just better luck at it. Turns up at the funeral dressed to kill.

I'm carrying the bag, but like it aint got nothing to do with me. Rochester Food Fayre. Vic's walking ahead. I tap him on the shoulder. I say, 'Here, Vie.' Like it's a relay, a relay round Canterbury Cathedral, and it's his lap.

He says, reading, ' "Edward Plant— Edward Plant— Edward Plantagenet. The Black Prince. Son of Edward the Third. English commander in the Hundred Years War. Fought at Cressy and Pottiers Sounds like a proper soldier-boy. Looks like one too, with his helmet and his chain-mail and his coat of arms. All level in death.

' " … Married Joan, the 'Fair Maid of Kent'." There you are, Lenny, he got spliced to a Joan an' all.'

Lenny touches my arm while Vince reads. He holds out the bag for me to take. Vince lifts his eyes, noticing, as if he's the teacher and we ought to listen. Pay attention at the back.

I take the bag.

' " … Died in 1376." '

Well Jack, if it's any consolation, if it means anything to you, we had you rubbing shoulders, so to speak, with the Black Prince.

It smells of stone and space and oldness. The pillars go up and up, then they fan out like they're not pillars any more, they've let go of their own weight and it's not stone any more, it's not material. It's like wings up there, arching and reaching, and I know you're supposed to gaze up and think it's amazing and feel yourself being raised up too, and I'm gazing, I'm staring, I'm peering hard, but I can't see it, I can't make it out. The next world.

But I reckon I could fly to Australia. Cross this world. Money I've got. Save Sue the trouble of doing it, other way. When. If.

Though I reckon she would, Fd lay odds she would. Though you'd think it'd serve no purpose, you'd think it'd be immaterial, and there's a hundred things you could better put the fare towards. New car, swimming pool.

It's a far sight further, Sydney to London, than London to Margate, a far cry further. And when she got here she'd only wonder why she ever came, it wouldn't be like the place she left years ago, roots, there wouldn't be no country churchyard with birds tweeting, God knows where I'll get shoved. But someone's got to do it, you've got to have someone, and I bet she would.