Nothing told him what zone of the city he was passing through, nor what route he had followed. Only the growing pallor of the gleams of light which he saw from time to time, indicated that the sun was withdrawing from the pavement and that the day would soon be gone; and the rum blings of the waggons above his head, from continuous having become intermittent, then having almost ceased, he concluded that he was under central Paris no longer, and that he was approaching some solitary region, in the vicinity of the outer boulevards or the furthest quais. Where there are fewer houses and fewer streets, the sewer has fewer air-holes. The darkness thickened about Jean Valjean. He none the less continued to advance, groping in the darkness.
This darkness suddenly became terrible.
5
FOR SAND AS WELL AS WOMAN THERE IS A FINESSE WHICH IS PERFIDY
HE FELT that he was entering the water, and that he had under his feet, pavement no longer, but mud.
6
THE FONTIS
JEAN VALJEAN found himself in the presence of a fontis.The fontis which Jean Valjean fell upon was caused by the showers of the previous day. A yielding of the pavement, imperfectly upheld by the underlying sand, had occasioned a damming of the rain-water. Infiltration having taken place, sinking had followed. The floor, broken up, had disappeared in the mire. For what distance? Impossible to say. The darkness was deeper than anywhere else. It was a mudhole in the cavern of night.
Jean Valjean felt the pavement slipping away under him. He entered into this slime. It was water on the surface, mire at the bottom. He must surely pass through. To retrace his steps was impossible. Marius was expiring, and Jean Valjean exhausted. Where else could he go? Jean Valjean advanced. Moreover, the quagmire appeared not very deep for a few steps. But in proportion as he advanced, his feet sank in. He very soon had the mire half-knee deep and water above his knees. He walked on, holding Marius with both arms as high above the water as he could. The mud now came up to his knees, and the water to his waist. He could no longer turn back. He sank in deeper and deeper. This mire, dense enough for one man’s weight, evidently could not bear two. Marius and Jean Valjean would have had a chance of escape separately. Jean Valjean continued to advance, supporting this dying man, who was perhaps a corpse.
The water came up to his armpits; he felt that he was foundering; it was with difficulty that he could move in the depth of mire in which he was. The density, which was the support, was also the obstacle. He still held Marius up, and, with an unparalleled outlay of strength, he advanced; but he sank deeper. He now had only his head out of the water, and his arms supporting Marius. There is in the old pictures of the deluge, a mother doing thus with her child.
He sank still deeper, he threw his face back to escape the water, and to be able to breathe; he who should have seen him in this darkness would have thought he saw a mask floating upon the darkness; he dimly perceived Marius’ drooping head and livid face above him; he made a desperate effort, and thrust his foot forward; his foot struck something solid; a support. It was time.
He rose and writhed and rooted himself upon this support with a sort of fury. It produced the effect upon him of the first step of a staircase reas cending towards life.
This support, discovered in the mire at the last moment, was the begin ning of the other slope of the floor, which had bent without breaking, and had curved beneath the water like a board, and in a single piece. A well-constructed paving forms an arch, and has this firmness. This fragment of the floor, partly submerged, but solid, was a real slope, and, once upon this slope, they were saved. Jean Valjean ascended this inclined plane, and reached the other side of the quagmire.
On coming out of the water, he struck against a stone, and fell upon his knees. This seemed to him fitting, and he remained thus for some time, his soul lost in unspoken prayer to God.
He rose, shivering, chilled, reeking, bending beneath this dying man, whom he was dragging on, all dripping with slime, his soul filled with a strange light.
7
EXTREMITIES
HE SET OFF once more.
However, if he had not left his life in the fontis, he seemed to have left his strength. This supreme effort had exhausted him. His exhaustion was so great, that every three or four steps he was obliged to take breath, and leaned against the wall. Once he had to sit down upon the curb to change Marius’ position and he thought he should stay there. But if his vigour were dead his energy was not. He rose again. He walked with desperation, almost with rapidity, for a hundred paces, without raising his head, almost without breathing, and suddenly struck against the wall. He had reached an angle of the sewer, and, arriving at the turn with his head down, he had encountered the wall. He raised his eyes, and at the extremity of the passage, down there before him, far, very far away, he perceived a light. This time, it was not the terrible light; it was the good and white light. It was the light of day.
Jean Valjean saw the outlet.
A condemned soul who, from the midst of the furnace, should suddenly perceive an exit from Gehenna, would feel what Jean Valjean felt. It would fly frantically with the stumps of its burned wings towards the radiant door. Jean Valjean felt exhaustion no more, he felt Marius’ weight no longer, he found again his knees of steel, he ran rather than walked. As he approached, the outlet assumed a more and more distinct outline. It was a circular arch, not so high as the vault which sank down by degrees, and not so wide as the gallery which narrowed as the top grew lower. The tunnel ended on the inside in the form of a funnel; an ill-advised contraction, copied from the wickets of houses of detention, logical in a prison, illogical in a sewer, and which has since been corrected.
Jean Valjean reached the outlet.
There he stopped.
It was indeed the outlet, but it did not let him out.
The arch was closed by a strong grating, and the grating which, according to all appearance, rarely turned upon its rusty hinges, was held in its stone frame by a stout lock which, red with rust, seemed an enormous brick. He could see the keyhole, and the strong bolt deeply plunged into the iron staple. The lock was plainly a double-lock. It was one of those fortress locks of which the old Paris was so lavish.
Beyond the grating, the open air, the river, the daylight, the quai, very narrow, but sufficient to get away. The distant quai, Paris, that gulf in which one is so easily lost, the wide horizon, liberty. He distinguished at his right, below him, the Pont d‘Iéna, and at his left, above, the Pont des Invalides; the spot would have been propitious for awaiting night and escaping. It was one of the most solitary points in Paris; the embankment which fronts on the Gros Cail lou. The flies came in and went out through the bars of the grating.
It might have been half-past eight o‘clock in the evening. The day was declining.
Jean Valjean laid Marius along the wall on the dry part of the floor, then walked to the grating and clenched the bars with both hands; the shaking was frenzied, the shock nothing. The grating did not stir. Jean Valjean seized the bars one after another, hoping to be able to tear out the least solid one, and to make a lever of it to lift the door or break the lock. Not a bar yielded. A tiger’s teeth are not more solid in their sockets. No lever; no possible purchase. The obstacle was invincible. No means of opening the door.
Must he then perish there? What should he do? what would become of them? go back; recommence the terrible road which he had already traversed; he had not the strength. Besides, how cross that quagmire again, from which he had escaped only by a miracle? And after the quagmire, was there not that police patrol from which, certainly, one would not escape twice? And then where should he go? what direction take? to follow the descent was not to reach the goal. Should he come to another outlet, he would find it obstructed by a door or a grating. All the outlets were undoubtedly closed in this way. Chance had unsealed the grating by which they had entered, but evidently all the other mouths of the sewer were fastened. He had only succeeded in escaping into a prison.
It was over. All that Jean Valjean had done was useless. God was denying him.
They were both caught in the gloomy and immense web of death, and Jean Valjean felt running over those black threads trembling in the darkness, the appalling spider.
gs
He turned his back to the grating, and dropped upon the pavement, rather prostrated than sitting, beside the yet motionless Marius, and his head sank between his knees. No exit.This was the last drop of anguish.
gt
Of whom did he think in this overwhelming dejection? Neither of himself nor of Marius. He thought of Cosette.
8
THE TORN COAT-TAIL
IN THE MIDST of this annihilation, a hand was laid upon his shoulder, and a voice which spoke low, said to him:
“Go halves.”
Somebody in that darkness? Nothing is so like a dream as despair, Jean Valjean thought he was dreaming. He had heard no steps. Was it possible? he raised his eyes.
A man was before him.
This man was dressed in a smock; he was barefooted; he held his shoes in his left hand; he had evidently taken them off to be able to reach Jean Valjean without being heard.
Jean Valjean had not a moment’s hesitation. Unforeseen as was the encounter, this man was known to him. This man was Thénardier.
Although wakened, so to speak, with a start, Jean Valjean, accustomed to be on the alert and on the watch for unexpected blows which he must quickly parry, instantly regained possession of all his presence of mind. Besides, the condition of affairs could not be worse, a certain degree of distress is no longer capable of crescendo, and Thénardier himself could not add to the blackness of this night.
There was a moment of delay.
Thénardier, lifting his right hand to the height of his forehead, shaded his eyes with it, then brought his brows together while he winked his eyes, which, with a slight pursing of the mouth, characterises the sagacious attention of a man who is seeking to recognise another. He did not succeed. Jean Valjean, we have just said, turned his back to the light, and was moreover so disfigured, so muddy and so blood-stained, that in full noon he would have been unrecognisable. On the other hand, with the light from the grating shining in his face, a cellar light, it is true, livid, but precise in its lividness, Thénardier, as the energetic, trite metaphor expresses it, struck Jean Valjean at once. This inequality of conditions was enough to insure Jean Valjean some advantage in this mysterious duel which was about to open between the two conditions and the two men. The encounter took place between Jean Valjean veiled and Thénardier unmasked.
Jean Valjean perceived immediately that Thénardier did not recognise him.
They gazed at each other for a moment in this penumbra, as if they were taking each other’s measure. Thénardier was first to break the silence.
“How are you going to manage to get out?”
Jean Valjean did not answer.
Thénardier continued:
“Impossible to pick the lock. Still you must get away from here.”
“That is true,” said Jean Valjean.
“Well, go halves.”
“What do you mean?”
“You have killed the man; very well. Me, I have the key.”
Thénardier pointed to Marius. He went on:
“I don’t know you, but I would like to help you. You must be a friend.”
Jean Valjean began to understand. Thenardier took him for an assassin.
Thénardier resumed:
“Listen, comrade. You haven’t killed that man without looking to what he had in his pockets. Give me my half. I will open the door for you.”
And, drawing a big key half out from under his smock, which was full of holes, he added:
“Would you like to see what freedom looks like?
gu
There it is.”
Jean Valjean “remained stupid,” the expression is the elder Corneille‘s, so far as to doubt whether what he saw was real. It was Providence appearing in a guise of horror, and the good angel springing out of the ground under the form of Thénardier.
Thénardier plunged his fist into a huge pocket hidden under his smock, pulled out a rope, and handed it to Jean Valjean.
“Here,” said he, “I’ll give you the rope to boot.”
“A rope, what for?”
“You want a stone too, but you’ll find one outside. There is a heap of rubbish there.”
“A stone, what for?”
“Fool, as you are going to throw the stiff into the river, you want a stone and a rope; without them it would float on the water.”
Jean Valjean took the rope. Everybody has accepted things thus mechanically.
Thénardier snapped his fingers as over the arrival of a sudden idea:
“Ah now, comrade, how did you manage to get out of the quagmire yonder? I haven’t dared to risk myself there. Peugh! you don’t smell good.”
After a pause, he added:
“I ask you questions, but you are right in not answering them. That is an apprenticeship for the examining judge’s cursed quarter of an hour. And then by not speaking at all, you run no risk of speaking too loud. It is all the same, because I don’t see your face, and because I don’t know your name, you would do wrong to suppose that I don’t know who you are and what you want. Understood. You have smashed this gentleman a little; now you want to stow him somewhere. You need the river, the great hide-folly. I am going to get you out of the scrape. To help a good fellow in trouble, that’s what I like.”
gv
While approving Jean Valjean for keeping silence, he was evidently seeking to make him speak. He pushed his shoulders, so as to endeavour to see his profile, and exclaimed, without however rising above a moderate tone: