Listen to This (55 page)

22 Detail of “Misero Apollo” from Francesco Cavalli’s
Gli amori d’Apollo e di Dafne.
Reproduced by kind permission of the Biblioteca Nazionale Marciana, Venice.

26
A bocet,
or Romanian lament, as recorded by Béla Bartók in the village of Mâner
u in 1917. Reproduced by kind permission of Peter Bartók and the Columbia University Rare Book and Manuscript Library.

29 Johannes Ockeghem’s “Fors seulement,” from the late-fifteenth-century Wolfenbütteler Chan-sonnier. Reproduced by kind permission of the Herzog August Bibliothek Wolfenbüttel.

37 “Misero Apollo” from Francesco Cavalli’s
Gli amori d’Apollo e di Dafne.
Reproduced by kind permission of the Biblioteca Nazionale Marciana, Venice.

38 Hecuba’s lament from Cavalli’s
Didone.
Reproduced by kind permission of the Biblioteca Nazionale Marciana, Venice.

41 “When I am laid in earth” from Purcell’s
Dido and Aeneas,
in an eighteenth-century copy. Reproduced by kind permission of the Juilliard Manuscript Collection.

43 The Ciaccona of Bach’s Partita No. 2 for solo violin, in an anonymous copy made in the mid-or late-eighteenth century. Reproduced from volume 44 of the Bach-Gesellschaft Ausgabe, published in 1895.

45 The “Crucifixus” of Bach’s B-Minor Mass, in Bach’s hand. Reproduced from volume 44 of the Bach-Gesellschaft Ausgabe.

47 From the coda of the first movement of Beethoven’s Ninth Symphony, in the working copy prepared for the first publication. Reproduced by kind permission of the Juilliard Manuscript Collection.

53 The initial bass line of Jake Holmes’s “Dazed and Confused.” Reproduced by kind permission of Jake Holmes.

PERMISSIONS ACKNOWLEDGMENTS