Little Bird (4 page)

After she collected all the assignments, Ms Betts sat at her desk to leaf through them.

What is love?
I glanced around the room. Everyone else seemed to be scratching away busily. Everyone had the answers, except me. Even Tegan was writing. I craned my neck so I could read her first sentence. ‘Love is swallowing, because it tastes so gross.'

Laughter exploded through my nose, and the sudden burst of noise bounced around the classroom walls.

‘What's so funny?' Ms Betts asked, a tolerant, mildly amused expression on her face as though she were ready to hear a joke, though she didn't look up from her papers. Some of the class kept writing, but most of them had turned to stare right at me. My face burned. I glanced at Tegan, who had shuffled her notebook under her pristine, unthumbed copy of
Pride and Prejudice
.

‘Girls?' Ms Betts looked up now, her eyes drilling into me. ‘Is there something you want to share with the class? A particularly astute observation about love, perhaps?'

‘No, Ms Betts. I mean, Karen.'

‘Tegan?'

Tegan shrugged, a ‘don't ask me 'look on her face.

‘What is love?' Ms Betts asked. At first I thought she was asking me specifically and I floundered for an answer. But then I realised she was moving on, resuming the class. ‘What is love? Would anyone like to volunteer an answer?'

One of the nerds at the front put up his hand. ‘A social contract that allows the perpetuation of the species.'

Tegan groaned quietly.

‘Interesting response. Anyone else?'

‘I don't think you can say it in words,' another girl, Katie, said. ‘It's a feeling.'

‘And yet poets, playwrights, novelists and screenwriters have been putting love into words for centuries,' Ms Betts pointed out. ‘It's a timeless, universal theme.'

‘It's not always about reproduction,' said Jessica. ‘You don't only love people. You can love your dog. You can even love ice-cream.'

There was a general titter.

‘That's true, Jessica, and a very important point. We use the language of love for all sorts of things. Material possessions, family members, friends, pets, romantic partners, food. Does the language of love change depending on who we love? Is one kind of love more important than another?'

Tegan spoke up. ‘Boyfriends come first. Then family. Then friends. Then pets. Then ice-cream.'

I glanced at her. Was that really where I came in the hierarchy? Or was it another way of letting me know she was pissed off? At least she loved me more than ice-cream.

‘No way. Friends come first,' said Jessica. ‘Way before boyfriends.'

‘Before family?' Ms Betts asked.

‘For sure.' Most of the class nodded.

‘What about a new mother, with a baby? Do you think her priorities are the same?'

‘Mothers always love their kids the most,' Katie said. ‘They have to.'

‘Really? Are you sure? Does anyone disagree?'

A few hands went into the air. I thought about Colette. She hadn't seemed keen to get home to Maisy the other day. But Maisy was all she had. Surely Colette didn't love Shandra more than Maisy. And then there was Mum. When she married Stefan she'd said me and Shandra would always come first. I kept my hand down.

At the end of the class Ms Betts said, ‘Next week we're starting on
Romeo and Juliet
. I'll be screening Baz Luhrmann's film in Monday's session, so if you can get your hands on a copy yourselves, you are welcome to skip the class. Those of you who do come, the screening will go into lunchtime, so bring something to eat. As you watch the film and read the play – and yes, I expect you
all
to read the play – I want you to think about Romeo and Juliet's love and where it leads them. Is it the greatest love story of all time? Maybe. But to answer that question, first you need to ask yourselves this.' Ms Betts tapped the board. ‘What is love?'

I wandered down the hallway. Tegan was still cranky with me about Saturday night and she didn't seem to care that she'd got me into trouble in class.

‘Wasn't my fault,' she said. ‘You didn't have to read what I wrote.'

‘What about that stuff about how I'm failing and she's going to deduct marks? She didn't say that to you.'

Tegan shrugged. ‘Sucks to be you, doesn't it?'

I dawdled, allowing Tegan and Blake to get further ahead. They were going to Blake's house after school, so I'd be catching the bus home alone. Again.

As I walked up the hall, sighing miserably, I almost bumped into Mick Spencer, the music teacher. Our eyes met. He smiled as I blushed and stepped aside. I glanced back and watched him saunter down the hall.

As usual he was surrounded by a group of music students: boys with rock'n'roll haircuts and T-shirts emblazoned with the names of obscure bands; girls with short skirts, flashing eyes, black eyeliner and a rhythmic way of walking, as though they were about to break into some
High School Musical
number.

Spence, as everyone called him, was not only
their
god. He was a legend in the whole school. He might have been a teacher, but he had total street cred. Spence went to live music venues, and when he bumped into underage students, he was always cool about it (or so I'd heard, the only pub I'd ever been to was the Dawnvale hotel for a counter lunch, with my mum and Stefan). Spence let bands rehearse in his own home on weekends. Spence had petitioned the college council to fund the development of a professional sound studio, which was now considered the best in the state and real bands used it, even bands that were played on Triple J and stuff. Spence composed music for a Tasmanian advertising company. Spence played bass in some of the students' bands.

And, of course, Spence had had an affair with Colette, six months after she'd finished Year 12. Spence was Maisy's father.

Tegan had pointed Spence out at the beginning of the year; some of Blake's Year 12 friends had told her who he was. I'd been disappointed by how ordinary he was. A pleasant enough face, sandy blondish-brown hair, a few grooves already worn into his face as if he'd grimaced into the stage lights a few too many times. I didn't get what the big deal was, why all the girls were so in love with him.

After a while though, Spence kind of grew on me. I didn't tell Tegan. He had fiercely blue eyes that crinkled up when he smiled, which he did often. He always leaned in to listen to whoever he was talking to, as if they were telling him some important secret. He could look at you like, in the midst of all the noise and crowding of the school hall, you were lit up like a beacon, you were the star of the show. That look tickled me deep in my belly, made me feel warm and gooey. I couldn't believe I'd once found him ordinary – he was the sexiest man I'd ever seen in real life.

I shook the feeling off. Spence was a bastard; that was the fact of it. Shandra claimed something had been going on between Spence and Colette when Colette was still Spence's star music student, though they both swore that it had been a whirlwind romance (which was a polite way of saying one night stand, Tegan reckoned) that began after Colette had finished school. Spence had left Colette ‘high and dry', my mum said. Colette's promising music career was over before it began and life had just gone on as normal for Spence.

What is love? A big crock, if you ask me. Look what it had done to Colette. Look where love had left me at the ripe old age of thirteen when Mum and Dad divorced. Love turned Shandra into Bridezilla. Love had stolen my best friend away. It was because of love I had to ride the school bus alone again.

The hallway was emptying, Tegan, Blake, Spence and the music groupies were long gone. I shook myself out of my daze and rushed outside towards the school's driveway, where the bus waited to take me rattling all around the suburbs, and, eventually, home.

5

Shandra started her zippy black Baleno, took her foot off the brake and almost crashed into Stefan's old ute.

‘Aren't you meant to put it in reverse?' I asked.

‘Shut up.'

A car honked as she sped out backwards onto the road. ‘Moron,' she muttered through her teeth, as she shoved the stick in drive. She took off down our street, screeched round the roundabout and through the suburban streets before swinging out over two lanes onto the highway with barely a glance.

‘How are you still alive?' I groaned.

‘Guardian angel,' Shandra said. ‘I think it must be Nana. Sometimes I smell tulips when I feel her spirit's close.'

‘Tulips don't smell, do they?'

‘Oh, you know. Roses or something.' Shandra changed lanes to overtake a car sitting on the speed limit.

‘Head check!' I wailed. ‘Why would you smell roses if it was Nana? She lived in a small upstairs flat.'

‘Old person smell,' said Shandra. ‘All old ladies smell kind of flowery.'

‘Nana smelt like onion soup.' I screwed up my face, trying to recall the smell. ‘Sort of gassy. Like the end of a match.'

‘Well, she wouldn't choose to smell like that if she was a ghost, would she?'

‘Hang on, is she a ghost or a guardian angel?'

‘A presence?'

Shandra accelerated, sticking her chin out fiercely, and changed lanes again. Another car swerved out of her way and blared its horn. ‘You're just jealous because Nan loved me better than you.'

‘I am so not having this conversation. Now if you don't mind, I'm going to pray quietly to Nana that she takes your licence away.'

‘Go right ahead. But don't be disappointed if she doesn't listen to you. She always said you looked like a goblin, remember?'

‘An elf! She called me her little elf.'

‘Elf, goblin. What's the diff?'

‘I hate you.'

‘I love you.' Shandra smiled deeply at me.

‘Watch the road. Please, watch the road.'

Perhaps Nana was taking care of both of us because we made it to Colette's North Hobart apartment in one piece. As we headed up the stairs, my palms became clammy with nerves. Could I do this? What if Maisy screamed the whole time Colette was gone? What about cot death and robbers and fires and terrorists?

I wasn't sure what I expected, but I was surprised by the clean, sparse appearance of Colette's small flat. The front door opened straight into a living room with creamy carpet, a round rice-paper lampshade hanging overhead, two low couch-type things without backs and a long coffee table. Tucked away in a corner of the room, the smallest television I had ever seen. The best thing about the room was the view across the city to the sun setting behind Mount Wellington.

‘Better give you the grand tour, Ruby-lee,' Colette said. Her knee-length skirt was patterned with green apples and yellow lemons and it flared as she spun towards the kitchen. It worked effortlessly with her black shirt that had three-quarter length sleeves and a round collar, and bright red boots. I wrinkled my nose at my own baggy jeans and shapeless T-shirt, but even Shandra was just ordinary-pretty compared to Colette. Colette had an air of mystery about her, and it wasn't at all diminished by the daggy kitchen, with its orange lino and plasticky brown faux wood everywhere. The chrome sink shone clean, but there was a stale, greasy smell in the air, like old fried rice.

‘Tea and coffee are in here. There're Tim Tams in the cupboard, and Iced Vovos, rice crackers and wasabi peas.' She grinned, sheepishly. ‘I wasn't sure what you'd like.'

Colette and Shandra had been friends all through high school, but I didn't know her very well. Shandra always shooed me away (on pain of death) when Colette came to our place. Even so, I'd seen enough of Colette to assume her self-esteem was made out of concrete where mine was fine, crumbling sand. So this shy, eager-to-please Colette was new to me.

‘There's a list of numbers on the fridge. My mobile. The hospital. My mum's home number and her mobile – only for extreme emergencies. But I'm sure everything will be fine.' She gave me a reassuring smile. ‘I'll show you how to make up a bottle for Maisy. She'll probably wake up soon and want something to eat.' Colette opened the freezer to reveal a neat assortment of ice trays, and each contained coloured frozen cubes. ‘There's pumpkin, apple, carrot, pear and broccoli. She has about three cubes heated in the microwave and mixed with a little milk. She's not fussy, so pick any of them, they all go together fine.'

‘Carrot and pear?'

‘Yeah, it's nice, believe it or not. Have you eaten?'

‘Oh, I um . . .' Was Colette offering me baby food?

‘There's leftover spag bol in the fridge. Help yourself. Have anything you want.'

‘Thanks.'

Colette led me up a narrow hall. Again I was struck by how normal everything seemed, how clean and ordinary. I'd expected something glamorous like Colette, I suppose, like the big lofts people lived in on American sitcoms. Or something shabbier, more gritty and urban, less little-old-ladyish.