Authors: Anne Rivers Siddons
Tags: #General, #Fiction, #Married Women, #Real Estate Developers, #South Carolina, #Low Country (S.C.), #ISBN-13: 9780061093326, #Large Print Books, #Large Type Books, #Islands, #HarperTorch, #Domestic Fiction
of a minute, I was not sure she had been there at all.
I felt sweat break out in huge, cold drops on my fore-
head and at my hairline, and sat down heavily on the
bottom step. I sat there until the ponies moved away,
and then there was nothing but fog and silence and
the yellow pool of light from the porch. And still I sat
there.
Presently I got up and went up the steps, as stiffly
as if I were very old or had been badly beaten, and
into the house. I went to the closet where the cleaning
supplies were kept. From behind a cardboard grocery
carton of toilet paper I took a bottle of Wild Turkey.
There were three of them there; they had been there
since my grand
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father died. I would not have thought I even re-
membered them. But my fingers did, and my blood. I
took the bottle and a glass and sat back down before
the dying fire and began to drink. I drank, not moving
from the couch, until I passed out. It was not the first
time that had happened, but it had not happened many
times, and never in this place. One of the last things I
remember thinking was, I’ve broken all my covenants
now.
The first waking moments of a bad hangover are a time
when all things are possible. Reality is canceled; it does
not yet prevail. There is only, for the first instant, a
purity of being, an utter, bodiless awareness. The body
will get its licks in almost instantly, of course: the dry,
knife-edged throat and lips, the pounding sinuses, the
first roilings of the abused and mutinous stomach.
Hard on their heels will come the sickly, slithering feet
of the great shame and fragmented memories of the
night before, sliding in like dirty water under a shut
door.
But that first moment: that is pure Zen. Nothing is
closed to you. Nothing is past and nothing is ahead;
everything is now.
When I woke on the sofa in front of the dead fire
the next morning, there was only me and the child I
had seen the night before. That was the great, ultimate
reality of my life in this moment. It remained only to
decide what to do about it.
144 / Anne Rivers Siddons
I lay without moving, eyes still closed, letting sensa-
tion seep in bit by bit under the great, white knowledge
that enclosed me: stiff, cold limbs, pounding head,
killing thirst, a great pressure on my bladder, a great
pressure waiting to crush my soul. I pushed them all
back; they could and would wait. Until I opened my
eyes, until I moved, the child from last night was the
one real thing, the one true thing, in my universe.
I remember clearly thinking: Madness is waiting for
me. I can choose it or not. If I choose the child, I
choose the madness. If I don’t, I can have my life back
like it was. I don’t have to decide until I open my eyes.
But I will have to decide then.
I lay still, eyes closed, not moving, reaching out to
her with my mind and my heart and all of my being.
I heard the morning wind start up in the live oak that
hung over the deck and the first grumpy twitter of the
anonymous little songbirds that lived there. A part of
my mind noted that it must be very early. The light
felt pearly on my lids. Everything in me called to her.
I did not move.
I heard the ponies then. They came chuffing and
trotting over the hummock from behind the house; I
could hear them clearly. Their hooves had depth and
resonance. I knew that the fog had gone. I waited.
And I heard her. I heard her small feet thud
Low Country / 145
ding after the ponies, coming closer, coming from the
east, the direction of the road. I heard her laugh. It
was a giggle: silvery, delighted, unafraid. And I heard
her voice. It was the pure, generic piping of childhood:
it could have belonged to any child.
Any child at all.
“Here, baby,” she called.
Choose, my heart said, and I chose. I opened my
eyes. I got up and ran lightly across the floor and out
onto the deck, tiptoeing, heart bursting, lips curving
in a smile that was only a remembered shape on my
mouth. If this was madness, I thought, then I embrace
it, now and forever. Oh, if this is madness, let it never
lift.…
I started down the steps and stopped. She was there,
looking up at me as she had last night, still wearing
the yellow slicker. She did not move.
She was not my child. She was no one’s child I had
ever seen. In the clear, opalescent light of early morn-
ing a stranger’s child stood there, poised for flight,
dark eyes wary but not frightened, feet and legs bare
under the too-big slicker, taking my measure as handily
as she took my heart and turned it to frozen lead. She
did not speak again. From behind the house, I heard
the ponies begin to move back toward the road.
A man came around the side of the house then. He
was not tall, but he was stocky and heavy-shouldered,
tanned almost black and with
146 / Anne Rivers Siddons
a great bush of wiry, gray-streaked black hair. He
stopped and looked at me; his eyes were hers, the
child’s.
“I’m sorry, I didn’t know anybody was here,” he
said. “My granddaughter was chasing the ponies and
got away from me. I hope we didn’t scare you.”
I simply looked at him. It seemed to me, in that dead
moment, that no one and nothing would ever scare
me again.
I
sat down abruptly on the steps and looked at
him.
My legs and arms and, when I looked down, my hands,
were trembling, a shivering so fine that it was hardly
visible, but profound for all that. I was as weak as if I
had been ill for a long time. It struck me that I had
spent a lot of time, all told, sitting on these steps. The
thought might have made me smile another time. I
could not have smiled now, with my trembling lips
and numb face. It was all I could do to focus on him.
He came closer, frowning slightly.
“We did scare you. You’re shaking all over,” he said.
His voice was rich and deep, plummy, almost a theat-
rical voice. There was a note in it that was somehow
foreign, though he spoke with no discernible accent.
There were deep grooves in the leathery brown face,
between his heavy, gray-spiked eyebrows, running from
his brown avian
148 / Anne Rivers Siddons
beak of a nose to his wide mouth, radiating from the
corners of his eyes. A well-used face. His crown of wild
hair would have brushed the collar of his blue work
shirt if it had fallen straight, but it foamed and frizzed
in the heavy fog-humidity into an exuberant afro. It
made his head look too large even for the thick torso.
I thought distractedly of a portrait of the Minotaur I
had seen in a book of Greek legends once. I thought
also of an aging hippie. The work shirt was knotted at
his waist and exposed a tangle of gray chest hair with
a medallion of some sort on a chain buried in it, and
there was a flower in the top buttonhole, a drooping
camellia. His blue jeans were bleached nearly white
and frayed at the hem, and his feet were bare. Unlike
the rest of him, they were neat and small.
He was no one I had ever seen and bore little resemb-
lance to anyone who ordinarily came to Peacock’s and
the island, and it occurred to me that perhaps I should
be afraid of him, but I was not. I was sick, depleted,
utterly numb, and vaguely angry at him. Or, at least,
I knew that I would be angry, when I could feel much
of anything. Mainly, I simply wanted him to be gone,
him and his intruding granddaughter.
“You didn’t scare me,” I said dully. “I thought for a
minute the little girl was someone else. But you should
know that you’re on private property. I own this house
and land. And I’m not
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feeling very well, so if you wouldn’t mind I really
think—”
“I wanted to see the horses,” the child said in a clear
treble voice. “There is a baby, Grandpapa.”
He did not move, but his face went bone white and
then flushed a dark red. He drew in a great breath and
let it out again on a long sigh. He turned his face to
the child, and tears welled in his black eyes, and his
face seemed almost to crumple.
“Tell me about the baby, Lita,” he said very softly.
He was still staring at her; he did not turn to me. I
thought at first he must have had some sort of an at-
tack, a stroke or something, but then I could see that
he was flooded with strong emotion of some sort, al-
most to the point of open weeping. I opened my mouth
to ask them to leave. Slowly, I shut it again. The
thought of this massive, dark man weeping on my
doorstep was somehow more than I could bear to even
contemplate. I hoped that, if I were still and silent, he
would regain his control and go away and take his
changeling with him. Then I could sit in the pale lemon
sunlight of a Lowcountry autumn and see if there was
a way to go on with this day and this life.
The child did not speak again. He turned his head
to me finally. His face was relatively composed now,
though the tears had overflowed his
150 / Anne Rivers Siddons
eyes and ran down his face into the chasms on either
side of his mouth.
“She has not spoken in a very long time,” he said.
“The doctors weren’t sure that she ever would again.
I hope you’ll forgive the sloppy tears. It’s a happy
moment for me.” His face
was
happy, incandescently
so, almost foolishly so. It was the face of a large, giddy
child, rapt and open. I had seen no faces like this on
any man I had met before. Most men learn early to
shield the force of their loves from strangers. A tongue
of sympathy and interest curled in my heart in the
midst of all the aridity, infinitely small and alien.
“She spoke this morning, too, before you came,” I
said. “I heard her. She said, ‘Here, baby.’ And last
night I heard her. I think maybe those doctors didn’t
know what they were talking about.”
He looked from me to the child. She looked solemnly
back at him. She had a strange little face, very brown
and sharply triangular, with a small pointed chin and
enormous dark eyes. Under the cap of lustrous black
curls, it looked almost medieval, the face of a
Florentine child on a triptych.
“She was not here last night,” he said to me, still
looking at her. “She was asleep in our house. I put her
to bed myself. You must have heard something else.”
“I don’t think so,” I said, smiling at the child.
Low Country / 151
“It was you last night, wasn’t it? With the horses, in
the fog?”
She smiled a tiny, formal little smile, but she did not
break her silence.
“Were you here last night, Estrellita?” her grandfather
asked her, very seriously. “Did you slip away and come
looking for the ponies?”
She looked at me, and then down at her bare dirty
feet, and then up at him.
“
Sí, Abuelo
,” she whispered.
He did not say anything for a long time, only looked
down at her. I saw that he was once again struggling
to contain the tears, and turned my face away. I was
very tired, and once more wished that they would go,
whoever they were. I wanted no part of their epi-
phanies.
He turned to me then, briskly, and took the child’s
hand. “We’ll be on our way,” he said. “We didn’t mean
to bother you. She thinks the ponies hung the moon,
but she’s never run away after them before, and she’s
certainly never spoken of them. I’ll see that she stays
closer to home from now on.”
They turned to go.
“Wait,” I said. They turned back.
“Who are you?” I said. “Who is she? Where do you
live? How did you get all the way out here? Why has
she not spoken for so long?”
He laughed aloud, a raucous, unfettered sound.
Across the copse in the thick pine woods a
152 / Anne Rivers Siddons
flock of crows answered him, making almost the same
sound. The child laughed, too.
“My name is Lou,” he said. “Lou Cassells. This is
Estrellita Esteban, my granddaughter. We’re living at
the moment over in Dayclear, up at the other end of
the island. I’m working around there, and she’s
spending the summer with me. She has not spoken
since her mama died three years ago. That was back
in Cuba, where our family comes from. Her mama
died in their house in the mountains, in childbirth.
There was no one with her but Estrellita. The new baby
was born dead, and Estrellita’s mother died after two
days. Lita was still at their side when they found her.
It was almost too late; she was badly dehydrated, and
she had not had food for days. She did not speak after
that until…now. That we know of, anyway.”