Lurker (13 page)

Read Lurker Online

Authors: Stefan Petrucha

Thank God, Dale.

He climbed out of his car. Dale looked up at the window, saw Mandy, waved.

“He's a good kid,” a raspy voice said at her back. “I should drop him a note sometime.”

Mandy spun toward the voice, her heart tripping hard. Her throat clenched with fear.

The Witchman stood by her door, wearing a black coat and a vicious smile. Mandy screamed, and this time the sound was piercing, dreadful. Below, her parents called out for her, and she heard their steps pounding up the staircase. The Witchman slammed her bedroom door, turned the lock.

“Think you might want to kiss me?” he asked.

Mandy remembered the knife under her pillow and dashed to the bed, grabbing the handle and stepping back, brandishing it before her. The Witchman didn't seem to notice a thunder of fists on the door at his back. Her parents' concerned voices, calling her name, demanding she let them in.

“Open the door,” Mandy said, jabbing the knife forward, stepping to the end of the bed. “He's in here,” she screamed.

None of this seemed to affect the Witchman in the least. He stepped away from the door toward the desk.

Now, not even the bed separated them. The only obstacle between him and her was the blade of her knife.

He looked at her computer screen and laughed his terrible staccato laugh before turning his attention back to Mandy. She cast a quick glance at the monitor, saw herself brandishing a long knife.

“Why don't you stupid brats just delete the file?” he asked. “You leave the gate wide open.”

“You came through the computer? It…it isn't possible.”

“I've been doing the impossible for many, many years, Mandy. People see only what I want them to
see. For generations I've been called warlock and sorcerer and bogeyman. But the world changes. So, I've gone high tech.”

“Get out of here!” Mandy screamed.

“I'm afraid I can't. The fuel I need is inside you.”

From the other side of the door, she heard Dale call her name. A heavy thud pounded against wood. Both of her parents were screaming with tears in their voices.

Something in Mandy snapped. She could no longer take the smug, evil amusement on the Witchman's face. She ran forward, drawing the knife down to deliver an upward slice. But he stepped to the side and grabbed her, holding her tight to his body, her arms pinned at her sides.

Up close, his face was even more horrible. Like old leather, cracked and dusty, his skin stretched over bumpy, pointed bones. His eyes were the charcoal gray of a dead computer screen. His grip was like iron.

“Time to go,” he said.

No
.
Please no
.

Suddenly, Mandy felt herself falling, as if the floor had just dropped out from beneath her. The pounding on the door, the screaming of Dale and
her mom and her dad, faded and grew thick as if heard from beneath water. Her body began to tingle and then burn as she felt herself coming apart, every cell letting loose of those around it. She tried to scream, but all she heard was static, like the crumpling of a paper bag.

Then Mandy's room was empty. Against the wall stood her desk. On the desk, her computer monitor glowed. A picture box in the middle of the screen still played a movie, showing a police car parked next to a curb. The doors opened and two burly men in blue uniforms ran forward as if right through the camera, leaving the image of a pleasant neighborhood. A terrified face appeared for a moment and was then pushed aside by a pale, old hand, dotted with liver spots. It appeared again, eyes wide, mouth open and screaming. The girl in the movie was struggling, slapping at the camera, crying for her parents, crying for a boy named Dale.

 

Dale threw his shoulder against the door and the jamb splintered, snapped and exploded inward. He didn't see Mandy. He ran to the closet, threw it open, but it was empty. Her parents were already
at the window, looking out.

“It's locked,” her father said.

Dale crouched low and looked under the bed, but saw nothing except long plastic containers, where Mandy kept her sweaters. Standing up, he noticed the open picture window on Mandy's monitor. Two police officers burst into the room, their guns drawn.

“Where are they?” one shouted.

“I don't know,” Mandy's father said, his voice tearful and trembling.

“Where's my daughter!” Mrs. Collins screamed.

At the computer, Dale leaned down to get a better vantage on the picture window. When he saw the image there, his stomach knotted and he felt like he was going to be sick.

“Oh, Mandy,” he cried.

There is a picture on the screen. It is just a simple picture, harmless in and of itself, but it carries a dreadful power. The image is of the corner of a blond brick building. Next to the building is a field of tall dead grass; beyond that, a stand of trees, dark and impenetrable despite the glow of bright afternoon sun.

Anne laughed, or more rightly, cackled. After a moment, Shirley joined in, showing her white teeth. The lively sounds echoed against the wounded plaster and peeling paint, rising above the rumble of the storm to fill the gloomy room with noise. Pieces of old wood ticked and settled as if the laughter itself had moved the building just a bit.

Finally Mary stood up, annoyed.

“That was awful!” she said, forgetting to whisper. “There was no point! No moral! No spiritual substance. That poor girl died like an animal. Like a rat in a cage.”

Shirley clasped her hand to her mouth to stop her giggles, but her eyes caught Anne's and she
started to guffaw again.

“That's enough,” Daphne cautioned.

“Check the stats, Mary,” Anne said, dark eyes glowing in the lantern flame. “We all die like animals. You're just a big rat. A big blond rat with curls.”

Then she started laughing again.

But Mary was upset. “Are you that dead inside?”

“Inside and out,” Anne said, leading to another round of harsh laughter.

“Aren't you even disappointed it wasn't your story?”

Anne waved her off. “Not. I don't expect it to be anymore. I just roll the dice and talk the talk. It's no PlayStation, but what is?”

As their voices rose, Daphne began shushing them in earnest. “Quiet down now, all of you. That's enough.”

Shirley exhaled and turned her head sideways to look at the bones. She whispered, “Do you think maybe, even if they're not ours, the story that comes to us has
something
to do with us? With who we are? Anne is the darkest of us, no offense.”

“Yeah, because I've been dating so much recently,” Anne said.

Mary shook her head and also spoke softly as
she repeated her earlier theory. “The only pattern we know is the one that wins. The rest is just guessing.”

“Like rats in a maze,” Anne said. She let out another noisy laugh and buried her head in her hands to stifle the sound. Hearing that, Shirley started giggling again and this time couldn't make herself stop. She had a serious case, laughing louder and louder until all the girls were shushing her.

Finally, Daphne leaned over and shook a finger in her face. “Quiet! The Headmistress may hear you.”

Anne and Mary simply fell silent at the mention of the name, but Shirley's eyes went wide. She visibly trembled in the lantern light. “Did you have to say the name? Why did you have to say the name?”

Realizing her mistake, Daphne knelt by her and tried to be calming. “I'm sorry. I'm sorry. You were getting so loud.”

“Is she here? Is she coming?”

“No, no, Shirley. Just relax,” Mary offered.

“I can't! I can't relax if she might hear me! You told me it was safe!”

Anne leaned forward. “Shirley, look, it
is
safe, if
you relax! So will you shut the hell up?”

Mary's eyes flared. “Anne, that is
not
helping!”

Far off, there was a different sort of noise. It wasn't the usual settling of the old building, or the mysterious scraping of rodents. This sounded more like a far-off door opening. They all heard it, but only Shirley was certain she knew what it was.

“She's coming! She's coming!” Shirley said, panting now like a sick dog. She rose and looked all around. In an animal panic, Shirley ran straight toward a wall with nary a fingerhold to be seen and started to climb it. She skittered up the smooth white wall, higher and higher, not even disturbing the cobwebs, like a moth trying to get through a window.

Then she vanished into the ceiling.

The remaining three girls stared up at the spot where she'd vanished and started calling to it.

“She's not coming!” Daphne said, exasperated.

“There might still be time for another story!” Mary said.

The distant creaking came again, followed by a series of leaden thuds, as if something heavy enough to crush the floor above them was walking on it toward the stairs.

Now they all knew what it was, though none of them bothered to say it. As a cool wind swept the great room, the girls scrambled and shouted.

“Grab the bones!”

“I'll take them!”

“Not you again, Daphne! It's my turn!” said Anne.

The creaking grew louder. It was still wooden at first, but then it seemed like the bricks and mortar were joining in. The whole building creaked and scraped as if aching to speak its pain and rage in words, moaning so loud, it drowned out even the storm.

On the stairs came the tread of heavy feet. The sound grew louder, carrying the dread of punishment nearer. But the true terror only took hold when the sound stopped.

A thin tearful voice whispered, “She's here.”

Before the girls could flee, a gust of something cold and terrible hit the oil lamp. In a flash, the small yellow circle of light evaporated as if it had never been there, and a darkness swallowed them all, a great and wonderful darkness that blanketed everything, living and dead, like a coat of rich warm earth packed tightly on a coffin lid.

About the Authors

STEFAN PETRUCHA
was minding his own business writing many books, including the TimeTripper series,
SHADOW OF FRANKENSTEIN
, and the Nancy Drew graphic novels, when a mysterious force entered his car in New York City and started talking about horror stories. Wicked Dead is the result. He has since moved to Amherst, Massachusetts.

THOMAS PENDLETON
is a mysterious force with many names. All we know for sure is that under another name he is a critically acclaimed and award-winning horror author. He lives in Austin, Texas. We were afraid to ask him anything else.

You can visit them online at www.harperteen.com.

Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.

Cover art © 2007 by Chad Michael Ward

Cover design by Christopher Stengel

WICKED DEAD: LURKER
. Copyright © 2007 by Stefan Petrucha and Thomas Pendleton. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

EPub © Edition DECEMBER 2008 ISBN: 9780061975288

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