Read Maria Callas: The Woman Behind the Legend Online
Authors: Arianna Huffington
Tags: #Biography & Autobiography, #Composers & Musicians, #Entertainment & Performing Arts
New York Herald Tribune
New York Post
New York Times, The
Niarchos, Athina,
see
Onassis, Athina Livanos
Niarchos, Eugenia
Niarchos, Stavros
Nilsson, Birgit
Noir et Blanc
Norma
(Bellini)
described
disastrous performances of
at Epidaurus
M as Norma in
M’s identification with role
Zeffirelli’s production of
Notte, La
Nureyev, Rudolph
Oberon
(Weber)
Observer, The
, (London)
“Ocean! Thou mighty monster” (
Oberon
)
Odeon Athenon
Oggi
Oliver, André
Olympic Airways
Onassis, Alexander
death of
Onassis, Aristotle Socrates
alienating life-style of
attempts to change M by
bracelets given by
death of
death of, M’s reaction to
decline of
deposed by Prince Rainier
as devoted to M
divorce proceedings of
fame important to
famous women needed by
film career for M desired by
fishermen’s life idealized by
Frischauer’s biography of
Jackie Kennedy courted by
Jackie Kennedy wed to
at Kennedy funeral
life history of
marriage with M postponed by
M in love with
M manipulated by
M mocked by
monomania of
M’s abortion and
M’s career sacrificed for
M’s common origins with
M’s dependence on
M’s domestic dreams and
M’s first meeting with
M’s insecurities triggered by
M’s reactions to break with
M’s resignation to relations with
M’s return to stage and
M’s singlemindedness broken by
myasthenia gravis and
opera hated by
reconciliation with M tried after Kennedy marriage
on Skorpios
son’s death and
as storyteller
true love relationship feared by
Ulysses as hero of
Onassis, Artemis,
see
Garoufalidis, Artemis Onassis
Onassis, Athina (Tina) Livanos
death of
divorce proceedings of
marriage to marquess of Blandford
marriage to Niarchos
Onassis’ attempts at reconciliation with
Onassis, Christina
Onassis, Jacqueline Kennedy
courted by Onassis
extravagant spending of
on first cruise with Onassis
married to Onassis
Onassis disenchanted with
Onassis’ death and
Opera
opera, M’s revolutionary influence on
Opera News
Orfeo ed Euridice
(Haydn)
Pacelli, Marcantonio
Pahlavi, Mohammad Reza, Shah of Iran
“Paloma, La” (song)
Papadopoulos, George
Papajohn, Alexandra
Paris Opéra (L’Opéra)
M’s debut at
Parmeggiani, Ettore
Parrish, Dr. Louis
Parsifal
(Wagner):
M as Kundry in
M’s last performance of
Pasolini, Pier Paolo
M’s friendship with
murder of, M’s reaction to
Pasta, Giuditta
Pathé-Marconi
Patti, Adelina
Pavarotti, Luciano
Pavlova, Tatiana
Paxinou, Katina
Pearson, Drew
Peralta, Angela
Perrin, Dominique
Petroff, Ivan
Picco, Guido
Pinto, Barreto
Pirata, Il
(Bellini)
Poliuto
(Donizetti)
Pomari, Gaetano
Pons, Lily
Ponselle, Rosa
Porter, Andrew
Poulenc, Francis
Prandelli, Giacinto
Prêtre, Georges
Pringle, Stanley
Pritchard, John
Protomastoras, O
(Kalomiris)
Prouse, Derek
Puccini, Giacomo
Puritani, I
(Bellini)
Radio Italiana
Radius, Emilio
Radziwill, Princess Lee
Radziwill, Prince Stanislas (“Stash”)
Rainier, Prince of Monaco
Ratto, Gianni
Requiem
(Verdi)
Rescigno, Nicola
Rhinelander, Jeanne
Rigoletto
(Verdi)
M as Gilda in
“Ritorna Vincitor” (
Aida
)
Robinson, Francis
Rochas, Hélène
Rome Opera
M banned from
M’s “scandal” at
Roosevelt, Franklin and Susan
Rosenfeld, Dr. Isadore
Rosenthal, Harold
Roskill, Mr. Justice
Rossellini, Franco
Rossi-Lemeni, Nicola
Rossini, Gioacchino
Roud, Richard
Rubinstein, Artur
Rysanek, Leonie
St. Laurent, Yves
Samuel, Claude
San Francisco Opera
San Giovanni Battista
(Stradella)
Santini, Gabriele
Santrina, Signorina (music teacher)
Sardou, Victorien
Sargent, Sir Malcolm
Sass, Sylvia
Sassu, Aligi
Saturday Review
Schippers, Thomas
Schneider, Edgar
Schonberg, Harold
Schwarzkopf, Elisabeth
Scobie, Sir Ronald M.
Scott, Walter
Scotto, Ottavio
Scotto, Renata
Seguidilla (
Carmen
)
Sell, Henry
Sequi, Sandro
Serafin, Elena
Serafin, Tullio
M’s first quarrel with
M’s genius revealed by
as M’s mentor and inspiration
M’s tribute to
recordings by M and
Shaw, George Bernard
Siepi, Cesare
Sievewright, Alan
Sills, Beverly
Simionato, Giulietta
Skouras, Spyros
Smith, Cecil
Smith, Dan
Soldier’s Tale, The
(Stravinsky)
Sonnambula, La
(Bellini)
M as Amina in
Visconti’s production of
Sordello, Enzo
Soria, Dario
Soria, Dorle
Spontini, Gasparo
Staatsoper,
see
Vienna State Opera
Stabile, Mariano
Stancioff, Nadia
Stella, Antonietta
Stendhal
Stickelbar, David
Stignani, Ebe
Stradella, Alessandro
Straniera, La
(Bellini)
Stravinsky, Igor
Sugar, Jennie
Sunday Telegraph
(London)
Sunday Times, The
(London)
Sutherland, Joan
Sutherland, Robert
Taglioni, Maria
Taubman, Howard
Taylor, Elizabeth
Teatro Colón (Buenos Aires)
Teatro Communale (Florence)
Teatro della Pergola (Florence)
Teatro Eliseo (Rome)
Teatro Municipal (Rio de Janeiro)
Teatro Regio (Turin)
Teatro San Carlo (Naples)
Tebaldi, Renata
M praised by
M reconciled with
M’s opposition joined by
M’s rivalry with
replaced by M
return to La Scala of
Tetrazzini, Luisa
Théâtre des Champs Elysées
Thebom, Blanche
Tiefland
(d’Albert)
Time
magazine
M’s cover story in
Times, The
(London)
Tonini, Antonio
Tooley, John
Tosca
(Puccini)
M’s final opera performance in
M’s recording of
M as Tosca in
proposed filming of
Zeffirelli’s production of
Toscanini, Arturo
Toscanini, Wally
Tosi, Piero
Traviata, La
(Verdi)
M as Violetta in
Visconti’s production of
Zeffirelli’s production of
Tristan und Isolde
(Wagner)
Trivella, Maria:
as M’s first voice teacher
as surrogate mother to M
Trovatore, Il
(Verdi)
M as Leonora in
Tuckerman, Nancy
Turandot
(Puccini)
M’s last stage performance of
M as Turandot in
Turco in Italia, Il
(Rossini):
M as Fiorilla in
Zeffirelli’s production of
“Una voce poco fa” (
Il Barbiere di Siviglia
)
United States Opera Company
Valéry, François