Read Masks of the Illuminati Online

Authors: Robert A. Wilson

Masks of the Illuminati (23 page)

DE FRATRIBUS NIGRIS, FILIIS INIQUITATIS

The next day brought another letter from Verey, and Sir John’s heart sank when he saw that the handwriting on
the envelope was now visibly shaky and erratic. He tore it open prepared for almost anything.

Dear Sir John
,

The forces invoked by my wicked young brother Arthur and the accursed Lola are more terrible than I had ever imagined. I realize now—at last—that I have never really taken Holy Writ [especially the Book of Revelations] literally enough. The “principalities and powers” of Hell are no figure of speech
.

“Woe to them who believe not, for they are damned already.”

To come to the point: I have reached the climax of the horrors
.

ACTION
SOUND
EXTERIOR. OUTSIDE VEREY’S CHURCH, EVENING.
 SUBJECTIVE SHOT: VEREY’S VIEWPOINT
CAMERA tracks toward door of church.
Verey’s voice [over]:
“Last Saturday night, before retiring, I locked up the church as usual and noticed …”
EXTERIOR, SAME. CLOSE-UP: THE DOOR LOCK.
 SUBJECTIVE SHOT: VEREY’S VIEWPOINT
CAMERA closes on the rusty dcor lock.
Verey’s voice [over]:
“… that the huge, old-fashioned door lock was becoming rusty and might need oil. It was extremely hard to turn the key, and I even wondered if it would be harder to open the door for services the following morning.”
EXTERIOR, SAME. SUBJECTIVE
 TRACKING SHOT: VEREYS VIEWPOINT
CAMERA pans around church to woodshed.
Verey’s voice [over]:
“I looked about for some machine oil …”
EXTERIOR, SAME. SUBJECTIVE CLOSE-UP:
 VEREYS VIEWPOINT
VEREYS hand holding up a long-nosed can of oil, tilts can—no oil flows.
Verey’s voice [over]:
“… but found my supply exhausted and made a mental note to buy some on my next visit to town.”
EXTERIOR, SAME. SUBJECTIVE
 PAN: VEREY’S VIEWPOINT
CAMERA pans back to look up at church and then closes in on the window at the top of the building.
Verey’s voice [over]:
“Let me add that the church has only one window, high above the altar, and that this window is built into the wall, so that it neither opens inward nor upward; in fact, it does not move at all.”
EXTERIOR, NIGHT SKY. LONG SHOT.
Black clouds rolling across the sky.
Thunder
.
EXTERIOR, NIGHT. LONG SHOT.
 THE VEREY FARM.
Rain pouring down on the Verey farm. We see the church, the house and the barn, at least.
Verey’s voice [over]:
“It rained that night, quite heavily.”
EXTERIOR, DAWN. LONG SHOT.
 THE VEREY FARM.
The rain has stopped. We see puddles everywhere.
EXTERIOR, DAWN, CLOSE-UP.
 ROOSTER IN CHICKEN YARD.
The rooster crows.
Rooster:
“The crew! The crew! The crew!”
INTERIOR, VEREYS BEDROOM.
 SUBJECTIVE SHOT: VEREY’S VIEWPOINT
CAMERA “sits up in bed” and looks at the window, through which sunlight pours.
Verey’s voice [over]:
“I woke in the morning, thinking at once that this torrential downpour might have contributed even further to the rusting of the door lock of the church.”
EXTERIOR, THE FARMYARD.
 SUBJECTIVE TRACKING SHOT: VEREY’S VIEWPOINT
CAMERA moves toward the door of the church.
Verey’s voice [over]:
“I went out to check the lock….”
EXTERIOR, CHURCH DOOR, CLOSE-UP.
 SUBJECTIVE SHOT: VEREY’S VIEWPOINT
The lock even more rusted than before. Key is thrust in but will not turn.
Verey’s voice [over]:
“I found, as I had feared, that it was now so totally rusted that it would not turn for the key and I was, in effect, locked out of my own church.
Key stuck in lock.
“This was most annoying, since worshippers were due within the hour for morning services.”
EXTERIOR, THE FARM.
 SUBJECTIVE TRACKING SHOT: VEREY’S VIEWPOINT
CAMERA tracks to the toolshed.
Verey’s voice [over]:
“I resorted to brute force …”
Very faint violin: the
Merry Widow Waltz.
EXTERIOR, THE FARM, CLOSE-UP.
Verey’s hand grabbing hammer.
Verey’s voice [over]:
“… and fetched a hammer …”
EXTERIOR, CHURCH DOOR, CLOSE-UP.
Hammer pounding lock.
Verey’s voice [over]:
“… with which I smashed the lock.”
Merry Widow Waltz
rising slightly; sound of hammering
.
INTERIOR, CHURCH.
 SUBJECTIVE TRACKING SHOT: VEREY’S VIEWPOINT
CAMERA tracks forward to altar, where we find a cat sacrificed within a pentagram. CAMERA picks up each detail as Verey’s voice describes it.
Verey’s voice [over]:
“The scene that greeted my eyes was unspeakable. Upon the altar was the body of a dead cat, strangled with a blue garter and impaled by a dirk or Oriental dagger, within a pentagram.
A blood-splattered Bible, open to the Epistle of Jude.
“Bloodstains had even splattered the Bible. God will judge the wretches who do such foulness.”
Merry Widow Waltz
rising to peak of shrill intensity
.

The blasphemous horror of that sight still haunts my imagination, but even worse is the fact that I have been able to conceive of no way mere
human
servitors of the Demon could have accomplished this atrocity. The window [which, I remind you, does not open] was unbroken, and the rusted door could not have been passed by any other means than the hammering apart of the lock which I myself employed—yet the lock was undamaged, save for the rust, when I found it
.

Naturally, I removed the cat, cleaned up the blood and erased the pentagram before the worshippers arrived [so as to avoid spreading further fear among the countryfolk], but my wife came upon me in the midst of this gruesome operation and I had no choice but to admit what had happened. She has lived in anxiety for this day week, and wishes more fervently to leave this lonely place. Yet I am attached to these fair hills and glens, as I have said before, and I really do not know that we would be safer anywhere else
.

I have, incidentally, attempted to arrive at an explanation of this mystery in purely human terms. To hire a debased Oriental for any evil business is easy. To dress a dwarf in a weird costume, even to unleash an unusually large bird, and to count on fear and superstition to magnify all this into a reign of terror—all that would be possible to malignantly disposed humans. Then, I ask myself: Could not somebody have surreptitiously entered my house that Saturday night after I was asleep and borrowed the church key, using it before the rain caused further rust and made the lock into a hermetic seal? Alas, that explanation will not hold water. I keep the key on a small chain attached to a bracelet on my wrist, and the chain was unbroken in the morning. It is preposterous to imagine an intruder breaking the chain, doing
the disgusting deed in the church, then returning to my room to solder the chain together, in the dark, without waking me
.

I can only conclude that we are dealing with an entity that can pass through solid walls
.

May the protection of the Lord be upon all of us
.

Sincerely,

Rev. C. Verey

“A duplicate key,” said Albert Einstein.

Joyce raised dim eyes behind thick glasses, a slow smile dawning. “How alike we are,” he said. “That was my first thought, also.”

“It is a fairly easy process,” Einstein went on. “You wish to terrorize an aging religious fanatic such as the Reverend Verey. Obtain a few assistants and props—the dwarf, the Oriental confederate, the hypothetical bird of unusual size [which might even be a cardboard kite or a machine of some sort]; the stage is set for the wildest imaginings. Then, one dark night, very quietly, simply go to the church and pour hot wax into the lock. In a few moments, the wax has solidified. You carefully slide it out and you have a model of the key. You then take this to any competent locksmith and he will provide you with a duplicate. The stage is set for your miracle.”

Joyce, rolling a cigarette, grinned at Babcock. “Well, Sir John?”

“Well, in fact,” Sir John said, “although my beliefs are admittedly more mystical than those of you gentlemen, I am not without intelligence of my own. I also thought of the duplicate key explanation and wrote at once to suggest it to poor old Verey.”

Einstein relit his pipe, frowning thoughtfully. “Tell me his reply.”

“Well,” Sir John said carefully, “the objections are as
follows. First, the Verey property includes the church, the house and a small pasture where goats, pigs and the family horse are kept. Nobody has ever approached that establishment after dark, Verey says, without alerting the dogs, whose barking generally sets off all the other animals and creates a sufficient racket to wake the whole family—Verey, his wife, Annie, and his older brother, Bertrán.

“Now, gentlemen, stretch your imaginations to the ultimate and conceive of a professional cat-burglar so adroit that he moves with the legendary silence of the American Apache Indians. He gets through the pasture to the church and makes his wax model, as you have suggested. He is very light-footed, indeed; but I will stipulate that such an improbably skillful burglar might exist.

“Very well, then,” Babcock went on. “Our man has his duplicate key. He returns on that rainy Saturday night and again manages to get by all the animals without arousing a stir. He enters the church and does his blasphemous and brutal deed. Then he leaves. Very good. The only trouble is that Reverend Verey noted, as soon as he discovered the horror on the altar, that his own were the only tracks in the mud approaching the church door. It appears that our super-housebreaker not only moved through a lively farm without waking any of the animals, on two separate nights—when he made his model and when he returned for his Satanic sacrifice—but also, on the second occasion, crossed the yard
without leaving footprints in the mud.”
Sir John smiled thinly. “How does Free Thought explain this, my skeptical friends?”

ACTION
SOUND
INTERIOR, VEREY’S CHURCH, DAY.
 SUBJECTIVE TRACKING SHOT.
CAMERA moves jerkily toward the door.
Heavy breathing
.
DOOR OF VEREY’S CHURCH, LOOKING OUT.
 SUBJECTIVE LONG SHOT.
VEREY’S view: the yard, with one set of footprints—his—coming to the door
Voodoo drums
.

Einstein examined his pipe thoughtfully and then began with careful fingers cleaning it. His face was impassive.

“This older brother, Bertrán,” he said, peering into the pipe ash like Sherlock Holmes looking for a clue, “all he is, so far, is a name. We know nothing of him at all.”

“Ah,” Joyce said, “you are looking for a confederate of the conspirators within the household itself. Very keen, Professor. If one brother in three may be a renegade, why not two? Reminds me of my theory of
Hamlet
, which I must tell you sometime. I can even see a possible scenario, if the house and the church are close enough to each other. The sinister Bertrán, like a Highlands d’Artagnan, crosses the roof of the house, leaps to the roof of the church, then lowers himself head downward to the door. Very athletic for the older brother of Reverend Verey, who is himself, we have heard, sixty-two years old. Implausible, but not impossible, and as Holmes himself often reminds us: ‘When you have eliminated the impossible, whatever remains, however improbable, must be the truth.’ I must sadly inform you, Professor, that I can’t believe it for a moment.”

“A balloon,” Einstein said thoughtfully, rummaging about for fresh tobacco. [A nine-pipe case, Joyce thought.] “A small balloon, filled with helium, with a carriage for one or two passengers, such as one sees at fairs. No,” he added, “don’t bother mocking me. I am, at this point, grasping at straws. The balloon is possible, but I actually find it harder to believe our intruder descended from the sky that way,
without alarming all the animals
, than to believe he walked through a solid wall. I begin to realize
that we are dealing with some diabolically clever conspirators here. Getting to the bottom of this will test all my powers of analysis.”

“If,” Joyce added morosely, “we ever do get to the bottom of it.”

“On with the narrative,” Einstein said. “We need more facts before we can form any conclusion.”

The vicar said “Gracious/If’s Brother Ignatius.”
Yes: I’m getting it finally.
Ed eran duo in uno
. Yes.

“By all means—on with the story,” Joyce said, smiling privately.

DE SAPIENTIA ET STULTITIA

Waiting with growing impatience for Jones’ return from Paris, and waiting also with dread and foreboding for the next events at Loch Ness, Sir John began studying Crowley’s
Book Four
. It was indeed a very simple and down-to-earth explanation of the occult arts and sciences—at least in its opening chapters.

Crowley began by rejecting both Faith and Reason as ultimate answers to the mystery of existence—Faith because it may be Faith in the wrong god, the wrong church or the wrong teacher; Reason because it cannot get beyond the permutations and combinations of its own axioms. There remains only the method of Experiment, and Crowley defined every true occult system as a technique of physiological and neurological Experiment whereby consciousness is multiplied and evolution accelerated.

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