Netherland
Authors: Joseph O'Neill
Contents
THE AFTERNOON BEFORE I LEFT LONDON FOR NEW YORK…
AS A TEENAGER I OFTEN BICYCLED INTO THE CENTER…
To Sally
I dream’d in a dream, I saw a city invincible to the attacks of the whole of the rest of the earth;
I dream’d that was the new City of Friends
—W
HITMAN
T
HE AFTERNOON BEFORE I LEFT LONDON FOR NEW YORK
—Rachel had flown out six weeks previously—I was in my cubicle at work, boxing up my possessions, when a senior vice-president at the bank, an Englishman in his fifties, came to wish me well. I was surprised; he worked in another part of the building and in another department, and we were known to each other only by sight. Nevertheless, he asked me in detail about where I intended to live (“Watts? Which block on Watts?”) and reminisced for several minutes about his loft on Wooster Street and his outings to the “original” Dean & DeLuca. He was doing nothing to hide his envy.
“We won’t be gone for very long,” I said, playing down my good fortune. That was, in fact, the plan, conceived by my wife: to drop in on New York City for a year or three and then come back.
“You say that now,” he said. “But New York’s a very hard place to leave. And once you do leave…” The S.V.P., smiling, said, “I still miss it, and I left twelve years ago.”
It was my turn to smile—in part out of embarrassment, because he’d spoken with an American openness. “Well, we’ll see,” I said.
“Yes,” he said. “You will.”
His sureness irritated me, though principally he was pitiable—like one of those Petersburgians of yesteryear whose duties have washed him up on the wrong side of the Urals.
But it turns out he was right, in a way. Now that I, too, have left that city, I find it hard to rid myself of the feeling that life carries a taint of aftermath. This last-mentioned word, somebody once told me, refers literally to a second mowing of grass in the same season. You might say, if you’re the type prone to general observations, that New York City insists on memory’s repetitive mower—on the sort of purposeful postmortem that has the effect, so one is told and forlornly hopes, of cutting the grassy past to manageable proportions. For it keeps growing back, of course. None of this means that I wish I were back there now; and naturally I’d like to believe that my own retrospection is in some way more important than the old S.V.P.’s, which, when I was exposed to it, seemed to amount to not much more than a cheap longing. But there’s no such thing as a cheap longing, I’m tempted to conclude these days, not even if you’re sobbing over a cracked fingernail. Who knows what happened to that fellow over there? Who knows what lay behind his story about shopping for balsamic vinegar? He made it sound like an elixir, the poor bastard.
At any rate, for the first two years or so of my return to England, I did my best to look away from New York—where, after all, I’d been unhappy for the first time in my life. I didn’t go back there in person, and I didn’t wonder very often about what had become of a man named Chuck Ramkissoon, who’d been a friend during my final East Coast summer and had since, in the way of these things, become a transitory figure. Then, one evening in the spring of this year, 2006, Rachel and I are at home, in Highbury. She is absorbed by a story in the newspaper. I have already read it. It concerns the emergence of a group of tribespeople from the Amazon forest in Colombia. They are reportedly tired of the hard jungle life, although it’s noted they still like nothing better than to eat monkey, grilled and then boiled. A disturbing photograph of a boy gnawing at a blackened little skull illustrates this fact. The tribespeople have no idea of the existence of a host country named Colombia, and no idea, more hazardously, of diseases like the common cold or influenza, against which they have no natural defenses.
“Hello,” Rachel says, “your tribe has come to light.”
I’m still smiling when I answer the ringing phone. A
New York Times
reporter asks for Mr. van den Broek.
The reporter says, “This is about Kham, ah, Khamraj Ramkissoon…?”
“Chuck,” I say, sitting down at the kitchen table. “It’s Chuck Ramkissoon.”
She tells me that Chuck’s “remains” have been found in the Gowanus Canal. There were handcuffs around his wrists and evidently he was the victim of a murder.
I don’t say anything. It seems to me this woman has told an obvious lie and that if I think about it long enough a rebuttal will come to me.
Her voice says, “Did you know him well?” When I don’t answer, she says, “It says somewhere you were his business partner.”
“That’s not accurate,” I say.
“But you were in business together, right? That’s what my note says.”
“No,” I say. “You’ve been misinformed. He was just a friend.”
She says, “Oh—OK.” There is a tapping of a keyboard and a hiatus.
“So—is there anything you can tell me about his milieu?”
“His milieu?” I say, startled into correcting her mooing pronunciation.
“Well, you know—who he hung out with, what kind of trouble he might have gotten himself into, any shady characters…” She adds with a faint laugh, “It is kind of unusual, what happened.”
I realize that I’m upset, even angry.
“Yes,” I finally say. “You have quite a story on your hands.”
The next day a small piece runs in the Metro section. It has been established that Chuck Ramkissoon’s body lay in the water by the Home Depot building for over two years, among crabs and car tires and shopping carts, until a so-called urban diver made a “macabre discovery” while filming a school of striped bass. Over the next week there is a trickle of follow-up items, none of them informative. But apparently it is interesting to readers, and reassuring to certain traditionalists, that the Gowanus Canal can still turn up a murder victim. There’s death in the old girl yet, as one commentator wittily puts it.
The night we receive the news, Rachel, in bed next to me, asks, “So who’s this man?” When I don’t immediately answer, she puts down her book.
“Oh,” I say, “I’m sure I’ve told you about him. A cricket guy I used to know. A guy from Brooklyn.”
She repeats after me, “Chuck Ramkissoon?”
Her voice contains a detached note I don’t like. I roll away onto one shoulder and close my eyes. “Yes,” I say. “Chuck Ramkissoon.”
C
huck and I met for the first time in August 2002. I was playing cricket at Randolph Walker Park, in Staten Island, and Chuck was present as one of the two independent umpires who gave their services in return for a fifty-dollar honorarium. The day was thick as a jelly, with a hot, glassy atmosphere and no wind, not even a breeze from the Kill of Kull, which flows less than two hundred yards from Walker Park and separates Staten Island from New Jersey. Far away, in the south, was the mumbling of thunder. It was the kind of barbarously sticky American afternoon that made me yearn for the shadows cast by scooting summer clouds in northern Europe, yearn even for those days when you play cricket wearing two sweaters under a cold sky patched here and there by a blue tatter—enough to make a sailor’s pants, as my mother used to say.
By the standards I brought to it, Walker Park was a very poor place for cricket. The playing area was, and I am sure still is, half the size of a regulation cricket field. The outfield is uneven and always overgrown, even when cut (once, chasing a ball, I nearly tripped over a hidden and, to cricketers, ominous duck), and whereas proper cricket, as some might call it, is played on a grass wicket, the pitch at Walker Park is made of clay, not turf, and must be covered with coconut matting; moreover the clay is pale sandy baseball clay, not red cricket clay, and its bounce cannot be counted on to stay true for long; and to the extent that the bounce is true, it lacks variety and complexity. (Wickets consisting of earth and grass are rich with possibility: only they can fully challenge and reward a bowler’s repertoire of cutters and spinners and bouncers and seamers, and only these, in turn, can bring out and fully test a batsman’s repertoire of defensive and attacking strokes, not to mention his mental powers.) There is another problem. Large trees—pin oaks, red oaks, sweetgums, American linden trees—clutter the fringes of Walker Park. Any part of these trees, even the smallest hanging leaf, must be treated as part of the boundary, and this brings randomness into the game. Often a ball will roll between the tree trunks, and the fielder running after it will partially disappear, so that when he reappears, ball in hand, a shouting match will start up about exactly what happened.
By local standards, however, Walker Park is an attractive venue. Tennis courts said to be the oldest in the United States neighbor the cricket field, and the park itself is surrounded on all sides by Victorian houses with elaborately planted gardens. For as long as anyone can remember, the local residents have tolerated the occasional crash of a cricket ball, arriving like a gigantic meteoritic cranberry, into their flowering shrubbery. Staten Island Cricket Club was founded in 1872, and its teams have played on this little green every summer for over a hundred years. Walker Park was owned by the club until the 1920s. Nowadays the land and its clubhouse—a neo-Tudor brick structure dating back to the 1930s, its precursor having been destroyed by fire—are the property of the New York City Department of Parks and Recreation. In my time, a parks department employee, a phantom-like individual who was never seen, reportedly lived in the attic. The main room was rented out to a nursery school, and only the basement and the beaten-up locker room were routinely made available to cricketers. Nevertheless, no other New York cricket club enjoys such amenities or such a glorious history: Donald Bradman and Garry Sobers, the greatest cricketers of all time, have played at Walker Park. The old ground is also fortunate in its tranquillity. Other cricketing venues, places such as Idlewild Park and Marine Park and Monroe Cohen Ballfield, lie directly beneath the skyways to JFK. Elsewhere, for example Seaview Park (which of course has no view of a sea), in Canarsie, the setting is marred not only by screeching aircraft but also by the inexhaustible roar of the Belt Parkway, the loop of asphalt that separates much of south Brooklyn from salt water.
What all these recreational areas have in common is a rank outfield that largely undermines the art of batting, which is directed at hitting the ball along the ground with that elegant variety of strokes a skillful batsman will have spent years trying to master and preserve: the glance, the hook, the cut, the sweep, the cover drive, the pull, and all those other offspring of technique conceived to send the cricket ball rolling and rolling, as if by magic, to the far-off edge of the playing field. Play such orthodox shots in New York and the ball will more than likely halt in the tangled, weedy ground cover: grass as I understand it, a fragrant plant wondrously suited for athletic pastimes, flourishes with difficulty; and if something green and grasslike does grow, it is never cut down as cricket requires. Consequently, in breach of the first rule of batting, the batsman is forced to smash the ball into the air (to go deep, as we’d say, borrowing the baseball term) and batting is turned into a gamble. As a result, fielding is distorted, too, since the fielders are quickly removed from their infield positions—point, extra cover, midwicket, and the others—to distant stations on the boundary, where they listlessly linger. It’s as if baseball were a game about home runs rather than base hits, and its basemen were relocated to spots deep in the outfield. This degenerate version of the sport—bush cricket, as Chuck more than once dismissed it—inflicts an injury that is aesthetic as much as anything: the American adaptation is devoid of the beauty of cricket played on a lawn of appropriate dimensions, where the white-clad ring of infielders, swanning figures on the vast oval, again and again converge in unison toward the batsman and again and again scatter back to their starting points, a repetition of pulmonary rhythm, as if the field breathed through its luminous visitors.
This is not to say that New York cricket is without charm. One summer afternoon years ago, I sat in a taxi with Rachel in the Bronx. We were making the trip to visit friends in Riverdale and were driving up Broadway, which I had no idea extended this far north.
“Oh! Look, darling,” Rachel said.
She was pointing down to our right. Scores of cricketers swarmed on a tract of open parkland. Seven or eight matches, eleven-a-side, were under way in a space that was strictly large enough for only three or four matches, so that the various playing areas, demarcated by red cones and footpaths and garbage barrels and foam cups, confusingly overlapped. Men in white from one game mingled with men in white from another, and a profusion of bowlers simultaneously whirled their arms in that windmill action of cricket bowlers, and multiple batsmen swung flat willow cudgels at once, and cricket balls chased by milky sprinters flew in every direction. Onlookers surrounded the grounds. Some sat beneath the trees that lined the park at Broadway; others, in the distance, where trees grew tall and dense at the edge of the common, gathered by picnic tables. Children milled, as it’s said. From our elevated vantage point the scene—Van Cortlandt Park on a Sunday—appeared as a cheerful pell-mell, and as we drove by Rachel said, “It looks like a Brueghel,” and I smiled at her because she was exactly right, and as I remember I put my hand on her stomach. It was July 1999. She was seven months pregnant with our son.
The day I met Chuck was three years later. We, Staten Island, were playing a bunch of guys from St. Kitts—Kittitians, as they’re called, as if they might all be followers of some esoterically technical profession. My own teammates variously originated from Trinidad, Guyana, Jamaica, India, Pakistan, and Sri Lanka. That summer of 2002, when out of loneliness I played after years of not playing, and in the summer that followed, I was the only white man I saw on the cricket fields of New York.
A while back, the parks department had put a rivalrous baseball diamond in the southwest corner of Walker Park. Cricketers were not licensed to take the field until the completion of any authorized softball game. (Softball, my teammates and I observed with a touch of snobbery, was a pastime that seemingly turned on hitting full tosses—the easiest balls a cricket batsman will ever receive—and taking soft, glove-assisted catches involving little of the skill and none of the nerve needed to catch the cricket ball’s red rock with bare hands.) The match against the Kittitians, due to start at one o’clock, did not begin until an hour later, when the softball players—aging and overweight men much like ourselves, only white-skinned—at last shuffled away. The trouble started with this holdup. The Kittitians brought a large number of followers, perhaps as many as forty, and the delay made them restless, and they began to entertain themselves with more abandon than was usual. A group formed around a Toyota parked on Delafield Place, at the northern border of the ground, the men flagrantly helping themselves to alcoholic drinks from a cooler, and shouting, and tapping keys against their beer bottles in rhythm to the soca that rattled insistently from the Toyota’s speakers. Fearful of complaints, our president, a blazer-wearing Bajan in his seventies named Calvin Pereira, approached the men and said with a smile, “Gentlemen, you are very welcome, but I must ask you to exercise discretion. We cannot have trouble with the parks department. Can I invite you to turn off the music and come join us inside the ground?” The men gradually complied, but this incident, it was afterward agreed, influenced the confrontation for which those present will always remember that afternoon.