Everyone remained standing. The fairly mundane social occasion—the person who lived downstairs coming to call—was an event. Doris Fischer saw the husband and the mother as standing forms against the hot summer light. Her eyes were dazzled by the color in the room. The chandelier threw spectrums over peacock walls; blue silk curtains belled and collapsed. Doris thought the room itself perfectly terrible. Her own taste rotated on the blond-wood exports from sanitary Sweden; on wrought-iron in its several forms; on the creeping green plants that prosper in centrally heated rooms but die in the sun. Nothing in her background or her experience could make her respond to the cherished object or the depth of dark, polished wood. She saw there were modern paintings on the walls, and was relieved, for she disliked the past. Radiating confidence now, she stepped farther inside, pointed at the wall opposite, and accused something hanging there.
“It’s very interesting,” she said, in an agreeable but slightly aggressive voice. “What is it? I mean, who’s it by?”
“It is by an Australian who is not yet recognized in his own country,” said Bob. He often spoke in this formal manner, never slurring words, particularly when he was meeting someone new. He considered Doris’s plain brown-and-white shoes, her plain shirtwaist dress of striped blue cotton, her short, fluffy hair. He was anything but aggressive. He smiled.
They all turned to the painting. Bonnie looked at a bright patch on the bright wall, and Doris at something a child of six might have done as well. Flor saw in the forms exploding with nothing to hold them together absolute proof that the universe was disintegrating and that it was vain and foolish to cry for help. Bob looked at a rising investment that, at the same time, gave him aesthetic pleasure; that was the way to wrap up life, to get the best of everything. Quite simply, he told the price he had paid for the painting last year, and the price it would fetch now that the artist was becoming known: not boasting, but showing that a taste for beauty paid—something like that.
Distress on the fringe of horror covered the faces of the three women, like a glaze, endowing them with a sudden, superficial resemblance. Florence’s horror was habitual: it was almost her waking look. Bonnie suffered acutely at her son-in-law’s trampling
of taste. Doris, the most earnest, thought of how many children in vague, teeming, starving places could have been nourished with that sum of money. Doris stayed to tea; they kept her for dinner. She came from Pennsylvania but had lived in New York. She knew no one Bonnie knew, and Bob thought it typically wicked of his mother-in-law to have asked. They were all in a strange land and out of context. Divisions could be recognized; they needn’t be stressed. Doris said that her husband was a cameraman. Sometimes she said “cameraman,” sometimes “film technician,” sometimes “special consultant.” He was in Rome on a job, and would be there all summer. Doris had decided to stay in Paris and get to know the place; when Frank was working, she only got in his way. She was imprecise about the Roman job. A transferred thought hovered like an insect in the room: She’s lying. Bonnie thought, He’s gone off with a girl: Bob thought, They’re broke. He’s down there looking for work. Doris was clumsy and evasive, she was without charm or fantasy or style, but they insisted she stay. Flor could do with an American friend.
In honor of the meal, Doris went home and returned wearing some sort of finery. She looked like a social worker going to the movies with a girl friend, Bonnie thought. Unjust appraisal always made her kind: she all but took Doris in her arms. Doris was surprised at the meal, which was scanty and dull. She was accustomed to the food of her childhood, the hillocks of mashed potatoes, the gravy made with cream; she knew the diet of a later bohemia, spaghetti with wine and the bottles saved for candle-holders. She could not decide if these well-to-do people were ascetic or plain stingy. Flor ate next to nothing. Doris looked at her over the table and saw a bodiless face between lighted candles—a thin face and thick, lusterless hair. They had lighted the candles without drawing the curtains, and, as the summer night had not yet descended, the room was neither dark nor light, which, for some reason, Doris found faintly disturbing. The dining room was Chinese: throughout the meal she was glared at by monsters. It was enough to put anybody off. Bonnie chattered and nervously rattled the little bell before her. Bob was all indifference and charm. He couldn’t stop charming people: it was a reflex. But it didn’t mean much, and Doris left him cold. She sensed this, and
wished she could make him pay. She would have been distant and mysterious, but she had already talked too much about herself. She had given it all away first go. They had bantering jokes together, underneath which moved a river of recognition. Bonnie listened to them with a glued smile, and fell into a melancholy state of mind, wondering if she were to spend the rest of her life with moral, mental, social, and emotional inferiors. She thought these two were perfectly matched. Actually, they were alike, but not in a way that could draw them together. Neither Bob nor Doris had much feeling for the importance of time: either of them could have been persuaded that the world began the day he was born. It was not enough on which to base a friendship; in any case, Doris had decided she was chiefly interested in Flor. One day she would ask Flor if Bob really loved her, and if he had any intellectual interests other than painting, and what they talked about when they were alone, and if he was any good in bed. This was the relationship she was accustomed to and sorely missed: warm, womanly, with a rich exchange of marital secrets. She smiled at Flor, and Bonnie intercepted the smile and turned it toward herself.
“Florence is spending August in Paris,” Bonnie said, with a curved, smiling, coral-colored voice. “True Parisians prefer the city then.” Bob Harris looked at his mother-in-law and was visibly shaken by a private desire to laugh. His mother-in-law stopped being Mrs. Hauksbee and glared. It seemed to Doris good-humored enough, though exclusive. She wondered if Flor was pregnant, and if that was why Flor was so quiet.
That night, Bonnie got the invitation to Deauville out of the bottom tray of her jewelry case, where she kept letters, medical prescriptions, and the keys to lost and forgotten trunks. She scarcely knew the woman who had sent it. They had met at a party. The signature evoked a fugitive image: thin, dark, sardonic, French. She began saying to herself, I hardly know Gabrielle, but it was a case of affinity at first sight.
Gabrielle—the Frenchwoman—had rented a villa at Deauville. She was inviting a few people for the month of August, and she
stated in her letter what Bonnie’s share of costs would be. Bonnie was not offended. Possibly she had always wanted this. She sat at her dressing table, in her lace-and-satin slip, and read the letter. She wore horn-rimmed reading glasses, which gave her appearance an unexpected dimension. When she looked up the mirror reflected her three ways. Her nose was pointed; underneath her chin hung a slack, soft little pouch. She saw clearly what Gabrielle was and who the other guest would be and that she had been selected to pay. She saw that she was no longer a young woman, and that she depended for nearly everything material on a son-in-law she had opposed and despised. She closed her eyes and put the edge of the letter between her teeth. She emptied her mind, as if emptying a bottle, and waited for inspiration. Inspiration came, as warm as milk, and told her that she had been born a Fairlie, that her husband had ill-used her, that her daughter had made a
mésalliance
, and possessed a heart as impierceable as a nutmeg, whereas Bonnie’s heart was a big, floppy cushion in which her loved ones were forever sticking needles and pins. This daughter now bore the virus of a kind of moral cholera that threatened everyone. Inspiration counseled Bonnie to fly, and told her that her dingy aspirations might save her. She opened her eyes but did not look at herself in the glass, for she no longer knew which Bonnie she expected to see. She said aloud, in an exceedingly silly voice, “Well, everybody deserves a little fun.”
Later, she said to Flor: “I won’t feel so badly about leaving you, now that you’ve got this nice friend.” She made this sound as casual as she could.
Flor gave no sign. She was cunning as a murderer: “If I seem too pleased, she’ll be hurt, she won’t go away.” She imagined the hall filled with suitcases and someone coming up the stairs to carry them away.
Flor had given as her reason for spending August in Paris that Dr. Linnetti had deemed it essential. Even if she went away, she would have to continue paying for the three weekly appointments. She related the story, now firmly ensconced in modern mythology, of Dr. Freud’s patients, and how they all went skiing at the same time every year, and all broke their legs in the same way, without warning, and how, as a result of his winter
difficulties, a tradition of payment while on holiday had become established. If she left Dr. Linnetti in the lurch, Dr. Linnetti might resent her, and then where would they all be? “Morally, it stinks,” said Bob. He threatened to go and see the doctor, but Flor knew he wouldn’t. He had insisted on treating the whole thing as nothing at all, hoping it would become nothing, and he would not have committed a positive act. Bonnie now began talking about Flor’s August in Paris quite gaily, as a settled event, which left Bob without an ally. He was perplexed. His father was expected from New York any day now. He could not leave his wife alone in Paris, he could not really take her with him on a long business trip, and he did not want his father to see what Flor, or their marriage, had become. He had depended on Bonnie, whose influence had seldom failed. After a time he understood about Deauville. Bonnie knew that he understood. She remembered the philosophy of self-sacrifice she had preached, and that still moped in a corner of their lives like a poor, molting bird. She would have smothered if she could this old projection of herself; but it remained, indestructible as the animal witness in a fairy tale. Bob ignored her now. He seemed to have turned his back. He continued to offer holiday pictures to Flor with accelerated enthusiasm: Spain, Portugal, Portofino, Lausanne, Scotland, gaudy as posters, and as unsubstantial, were revealed and whisked away. “I have to stay here,” she said. He obtained nothing more.
Because of Bob’s nagging, Bonnie became possessed with the fear that Flor might decide not to stay alone after all, and oblige Bonnie to take her to Deauville. This was hardly feasible, seeing how queer Flor had become. She was likely to say and do anything. She had always been a moody girl, with an unpredictable temper, but that was the personality that went with red hair. Then, too, she had been pretty: a pretty girl can get away with a lot. But, since spring, she had floated out of Bonnie’s grasp: she dressed oddly, and looked a wraith. If she did queer things in front of these people at Deauville, Bonnie felt she wouldn’t know where to hide from shame. If Flor and Doris Fischer became good friends, Flor might remain more easily in Paris, doing all the sensible things, chatting away to Dr. Linnetti, visiting couturiers with Doris, eating light lunches of omelette and fruit, and
so forth. Diet was of great importance in mental equilibrium: you are what you eat. Friendship mattered, said Bonnie, not losing sight of Doris: friendship, rest, good food, relaxing books. In the autumn, Flor would be a different girl.
Flor heard and thought, I used to believe she was God.
Five days remained. Bonnie was rushed off her feet and wore an expression of frank despair. She had left essential duties such as hair, nails, massage, until the end, and every moment was crowded. Nevertheless, because of the importance of the Flor-Doris friendship, she accepted Doris’s suggestion one day that they all three go for a walk. Doris liked wandering around Paris, but when she walked alone, she imagined North Africans were following her. Being fair, she was a prize. She might be seized, drugged, shipped to Casablanca, and obliged to work in a brothel. Even in New York, she had never taken a taxi without making certain the window could be lowered. This cherished fear apart, she was sensible enough.
The three women took a taxi to the Place de la Concorde one afternoon and walked to the Pont Neuf. They crossed to the Left Bank over the tip of the Île de la Cité. It was a hot, transparent day; slumbering summer Paris; a milky sky, a perspective of bridges and shaking trees. Flor had let her long hair free and wore sandals on her feet. She seemed wild, yet urban, falsely contrived, like a gypsy in a musical play. Bonnie walked between the two girls and was shorter than both. She was conscious only of being shorter than Flor. It was curious, being suddenly smaller than the person over whom you had once exercised complete control. Bonnie’s step was light: she had been careful to keep a young figure. Doris, the big blond, thought she looked beaky and thin, like a bird. A mean little bird, she amended. There was something about Bonnie she didn’t like. Doris wore the dress they had come to consider her day-duty uniform: the neat, standard shirtmaker. Bonnie’s little blue hat would have suited her well. Bonnie thought of this, and wondered how to offer it. Doris expressed from time to time her sense of well-being on this lovely day. She said she could hardly believe she was really alive and in Paris. It was like that feeling after a good meal, she said, sincerely, for the gratification of her digestion compared favorably with any pleasure
she had known until now. Although neither Flor nor Bonnie answered, Bonnie had an instant’s awareness that their reaction to Doris was the same: they needn’t share a look, or the pressure of hands. Later, this was one of her most anguished memories. She forgot the time and the year and who was with them, remembering only that on a lost day, with her lost, loved, girl, there had existed a moment of unity while crossing a bridge.
Flor was letting herself see in high, embossed relief, changing the focus of her eyes, even though she knew this was dangerous. Human cunning was keeping the ruin of Paris concealed. The ivy below Notre Dame had swelled through the city’s painted crust: it was the tender covering of a ruin. The invasion of strangers resembled the busloads of tourists arriving at Pompeii. They were disoriented and out of place. Recording with their cameras, they tried not to live the day but to fix a day not their own. It had so little to do with the present that something she had suspected became clear: there was no present here, and the strangers were perfectly correct to record, to stare, to giggle, to display the unease a healthy visitor feels in a hospital—the vague fear that a buried illness might emerge, obliging one to remain. Her heart had left its prison and was beating under her skin. The smell of her own hands was nauseating. Nobody knew.