Pictures at a Revolution (64 page)

2.
Letters from Warren Beatty to Charles K. Feldman, July 17 and 23, 1964, undated handwritten response from Feldman, Charles K. Feldman Collection, American Film Institute.

3.
Ibid.

4.
Memo from Charles K. Feldman, November 7, 1964, Feldman Collection.

5.
Author interview with Beatty.

6.
AI with Hiller.

7.
John Lennon, interviewed by Sandy Lesburgh, May 9, 1965.

8.
“London—The Swinging City.”
Time
, April 15, 1966.

9.
Bricusse, Leslie.
The Music Man: The Key Changes in My Life
(London: Metro, 2006).

10.
Ibid.

11.
Memo from Arthur Jacobs to Richard Zanuck, May 7, 1965, Jacobs Collection.

12.
Ibid.

13.
Bricusse,
The Music Man
, op. cit.

14.
Memo from Arthur Jacobs to Richard Zanuck, May 7, 1965, op. cit.

15.
Bricusse,
The Music Man
, op. cit.

16.
AI with Leslie Newman.

17.
AI with Wright.

18.
AI with Penn.

19.
AI with Wright.

20.
Jones, W. D. “Riding with Bonnie and Clyde.”
Playboy
(November 1968).

21.
AI with Wright.

22.
AI with Jones.

23.
Benton and Newman, “Lightning in a Bottle,” op. cit.

24.
Undated typed notes, courtesy of Elinor Jones.

25.
AI with Wright.

26.
AI with Benton and Wright,

27.
Finstad, p. 343.

28.
Ibid.

29.
Letter from François Truffaut to Elinor Jones, June 18, 1965,
Truffaut Correspondence
, op. cit.

30.
AI with Jones.

31.
Letter from Elinor Jones and Norton Wright to François Truffaut, June 5, 1965, courtesy of Elinor Jones.

32.
Letter from François Truffaut to Elinor Jones, June 18, 1965,
Truffaut Correspondence
, op. cit.

33.
AI with Jones.

34.
AI with Beatty.

35.
AI with Benton.

36.
AI with Beatty.

37.
Benton and Newman, “Lightning in a Bottle,” op. cit.

38.
AI with Newman.

39.
Letter from Elinor Jones to François Truffaut, June 29, 1965, courtesy of Elinor Jones.

40.
Letter from François Truffaut to Elinor Jones, July 2, 1965, courtesy of Elinor Jones.

41.
AI with Beatty and Benton.

CHAPTER 8

1.
LoBrutto, Vincent.
Stanley Kubrick: A Biography
(New York: Da Capo, 1999), p. 120.

2.
Manso, Peter.
Brando: The Biography
(New York: Hyperion, 1994), p. 473.

3.
Turman,
So You Want to Be a Producer
, op. cit., p. 84.

4.
Author interview with Turman and Nichols.

5.
AI with Nichols.

6.
AI with Turman.

7.
AI with Nelson.

8.
Ibid.

9.
Thompson, Tommy. “Raw Dialogue Challenges All the Censors.”
Life
, June 10, 1966.

10.
Madsen, Axel. “Who's Afraid of Alfred Hitchcock?”
Sight and Sound 37.
Cited in Jeff, Leonard J. “Play into Film: ‘Who's Afraid of Virginia Woolf?'”
Theatre Journal
33, no. 4 (December 1981): p. 457.

11.
Leff, “Play into Film: ‘Who's Afraid of Virginia Woolf?”' op. cit., p. 456.

12.
Mike Nichols, commentary track for two-disc DVD edition of
Who's Afraid of Virginia Woolf?

13.
Ibid.

14.
Sylbert, Richard, and Sylvia Townsend.
Designing Movies: Portrait of a Hollywood Artist
(Westport, CT: Praeger Publishers, 2006).

15.
AI with Nichols.

16.
Ibid.

17.
Mike Nichols, commentary track, op. cit.

18.
AI with Nichols.

19.
Fonda, Jane,
My Life So Far
, op. cit., pp. 163–165.

20.
Vadim, Roger, translated by Melinda Camber Porter.
Bardot Deneuve Fonda: My Life with the Three Most Beautiful Women in the World
(New York: Simon & Schuster, 1986), p. 242.

21.
AI with Henry.

22.
Fonda, Peter.
Don't Tell Dad
, p. 196.

23.
Schumach, Murray. “Wyler Is Critical of Foreign Films; Director Assails Some for Glorifying Confusion.”
New York Times
, April 27, 1964.

24.
Fonda,
My Life So Far
, op. cit.

25.
AI with Pollack.

26.
McDonald, Thomas. “Presenting A Happy ‘Act': Wagner and Wood.”
New York Times
, June 14, 1959.

27.
Fonda, Peter.
Don't Tell Dad
, op. cit., pp. 206–208.

28.
AI with Penn.

29.
Crowdus, “The Importance of a Singular, Guiding Vision,” op. cit.

30.
Reed, “Penn: And Where Did All the Chase-ing Lead?” op. cit.

31.
Penn's frankness about his unhappiness with
The Chase
and about his experience working with Spiegel led to a minor controversy when he gave free vent to his frustrations in an interview with Rex Reed for
The New York Times
when the film opened. The week after the piece appeared, Penn wrote a letter, which the
Times
printed, in which he denied having said many of the things attributed to him. Reed, whose response was also printed, stood by the piece and suggested that Penn had “been threatened or scared out of his wits by one of his own big-studio Powers That Be.” More than twenty-five years later, Penn, in an interview with
Cineaste
, gave an account of
The Chase
that confirmed his displeasure with the film, a view that he reiterated in his interview for this book.

32.
Poitier,
This Life
, op. cit., pp. 276–277.

33.
Vadim,
Bardot Deneuve Fonda
, op. cit., p. 242.

34.
AI with Pollack.

35.
AI with Nichols.

36.
Vadim, op. cit., p. 243.

CHAPTER 9

1.
Newquist, Roy.
A Special Kind of Magic
(New York: Rand McNally & Co., 1967), p. 44.

2.
Kramer, Stanley, with Thomas M. Coffey.
A Mad, Mad, Mad, Mad World: A Life in Hollywood
(New York: Harcourt Brace & Co., 1997).

3.
Letter from George Glass to Roy Newquist, May 10, 1967, Stanley Kramer Collection, UCLA.

4.
Author interview with Jewison.

5.
Schumach, Murray. “Kramer Defies American Legion over Hiring of Movie Writers.”
New York Times
, February 8, 1960.

6.
Crowther, Bosley. “The Screen: ‘Judgment at Nuremberg.'”
New York Times
, December 20, 1961.

7.
Kael, Pauline. “The Intentions of Stanley Kramer,” September 1965. In
Kiss Kiss Bang Bang
(Boston: Atlantic–Little, Brown, 1968), pp. 209–213.

8.
Kantor, Bernard R., Irwin R. Blacker, and Anne Kramer.
Directors at Work: Interviews with American Film-Makers
(New York: Funk & Wagnalls, 1970).

9.
Ibid.

10.
Balio,
United Artists: The Company That Changed the Film Industry
, op. cit., pp. 142–146.

11.
Kael, “The Intentions of Stanley Kramer,” op. cit.

12.
Stevens, George Jr.
Conversations with the Great Moviemakers of Hollywood's Golden Age at the American Film Institute
(New York: Knopf, 2006), pp. 562–564.

13.
McDonald, Thomas. “Hollywood ‘Trial.'”
New York Times
, November 1, 1959.

14.
Stevens,
Conversations with the Great Moviemakers of Hollywood's Golden Age at the American Film Institute
, op. cit., p. 572.

15.
Kramer,
A Mad, Mad, Mad, Mad World
, op. cit.

16.
Archer, Eugene. “Columbia to Get a Kramer Movie.”
New York Times
, June 13, 1962.